Volume 90, Number 1 - California Historical Society
Volume 90, Number 1 - California Historical Society
Volume 90, Number 1 - California Historical Society
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16<br />
In 1854, Sully began frontier service on the northern Plains, building or repairing forts in the Dakotas,<br />
Minnesota, and Nebraska. The proximity of Indian encampments to the forts inspired his paintings of<br />
Sioux Indians, including this representation of Sioux Indian Maidens. While serving at Fort Pierre in<br />
what is now South Dakota, he fathered a daughter, named Mary Sully, by a Sioux woman.<br />
Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library<br />
he returned in 1863 to the northern Plains and<br />
led troops against rebellious Sioux and their<br />
tribal allies.<br />
Sully’s marriage in 1866 to Sophia, with whom<br />
he had two children, was preceded by a relationship<br />
he entered into before the Civil War with<br />
a young Yankton Sioux woman he met while at<br />
Fort Pierre in what is now South Dakota. In 1858,<br />
she gave birth to a daughter named Mary Sully<br />
(also known as Akicitawin, or “Soldier Woman”),<br />
<strong>California</strong> History • volume <strong>90</strong> number 1 2012<br />
who later wed Philip Deloria (Tipi Sapa), an Episcopal<br />
missionary to his fellow Yanktons and other<br />
Sioux. Among their descendants were several<br />
notable Native American authors, including their<br />
daughter Ella Deloria and their grandson Vine<br />
Deloria, Jr., who wrote about the family’s ties to<br />
Alfred Sully in his book Singing for a Spirit: A<br />
Portrait of the Dakota Sioux. He identified a Yankton<br />
Sioux pictured in a group portrait painted<br />
near Fort Pierre by Sully—a capable artist if not