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the West and was one of the first (if not the first) kirtan wallahs<br />
to be showcased in yoga studios in America in the 1990s,<br />
beginning with the Jivamukti Yoga Center run by Sharon<br />
Gannon and David Life in New York City.<br />
Jai Uttal, the influential kirtan artist, is a longtime friend<br />
of Shyamdas and tells a funny story about their time together<br />
in those days. Jai was living in Berkeley, California, and was a<br />
well-known and busy musician with a host of responsibilities.<br />
Shyamdas would often drop by unannounced (sometimes<br />
more than once a day) and just want to hang out and chat and<br />
share stories and do kirtan, and Jai would be trying to politely<br />
get him to leave. But Shyamdas would say, “I’m not leaving<br />
until we sing Hari’s name together.” And he would practically<br />
force Jai to drop whatever plans he had and sit and sing with<br />
him or he would refuse to leave. Once they finished chanting,<br />
Shyam would leave happily.<br />
I asked Satyaraja Dasa about his relationship with Shyamdas<br />
and why he thought the beloved chanter was important to<br />
the modern kirtan scene. Here's what he said:<br />
"Shyamdas was in a unique position to bring spiritual<br />
practitioners – especially in the modern yoga community –<br />
to the next step. You see, he was a disciple of the spiritual<br />
luminary Neem Karoli Baba, and he was also a disciple of<br />
Goswami Prathmeshji of the Vallabha Sampradaya, a legitimate<br />
Vaishnava lineage. Because of this, he was able to<br />
serve as a bridge, linking practitioners from the two traditions<br />
– this has proven to be beneficial for both. In addition,<br />
I would say that Shyamdas served the contemporary<br />
yoga world by conveying true jnana, i.e., knowledge, from<br />
a bona fide source. His bhakti-infused pronouncements<br />
were always rich with traditional commentary and insight.<br />
Indeed, he was a scholar of numerous Indic languages and<br />
he used that scholarship to good effect. But he was not<br />
merely a scholar; he was a consummate practitioner, and<br />
a jokester too. In fact, these latter qualities speak to why<br />
he will be so missed. It's why I miss him. I can say that<br />
for certain. His heart was full of joy, and this, more than<br />
anything else, came out in his kirtan. This joy, or ananda,<br />
is a gift from God, as was Shyamdas himself. He was a gift<br />
from above, no doubt, and I miss him already, more than<br />
words can say."<br />
In my experience, Shyamdas was a source of incredible<br />
encouragement and enthusiasm. He would often<br />
shower me and our kirtan groups with praise. He commented<br />
that he liked the way we presented the philosophy and<br />
culture of sacred India in an accessible way, while still keeping<br />
the essence. We would often stay up with him late into<br />
the night long after the festival attendees had gone to bed<br />
discussing and even debating ideas and sharing realizations<br />
and aspirations. We shared about our tradition and teachers<br />
and he shared about his studies and translations. He urged<br />
us to think deeply about everything we said and did.<br />
In my heart and mind Shyamdas is an uncle and friend, a<br />
mentor and champion in the mission of spreading the Holy<br />
Name. His companionship will be sorely missed. I am hon-<br />
10 Special Issue • Shyamdas ~ In Memoriam<br />
ored though to continue this seva in his absence. There is<br />
a famous poem about the passing of devotees by Bhaktivinoda<br />
Thakur, that hasn’t left my mind since I heard the<br />
tragic news.<br />
He reasons ill who says that devotees die,<br />
When thou art living still in Sound!<br />
The devotees die to live and living try,<br />
To spread the holy life around!<br />
Below are some specifics about Shyamdas’s passing,<br />
written by his friend Mohan Baba:<br />
“Farewell Shyam Das Ji<br />
In the early hours of January 20, <strong>2013</strong>, we lost our dearest<br />
Shri Shyamdasji. Born Stephen Schaffer in Connecticut,<br />
USA, Shyamdasji passed away at the Vrindavan Hospital in<br />
Mapusa, North Goa, India following a tragic motorcycle<br />
accident on a winding, hilly road near the Goa-Maharashtra<br />
border. He was 21 days shy of his 60th birthday. His<br />
companion, Allyson Kreim, riding with him on the back of<br />
the motorcycle, sustained serious but thankfully not critical<br />
injuries. She was released from the hospital after a few<br />
days, has loving support of her family and many friends,<br />
and will make a full recovery. Shyamdasji was a shining<br />
light for all of us, and we deeply mourn his passing. We<br />
mourn because we have lost one of the greatest Western<br />
scholar-practitioners of Sri Vallabhacharya’s Pushti Marg<br />
(Path of Grace). We mourn because he authored and translated<br />
so many beautiful and profound books, making available<br />
to the English-speaking world the sublime teachings<br />
of Shuddha Advaita in which Krishna himself is seen as everything,<br />
everywhere, and in everyone! We mourn because<br />
Shyamdasji was a master and lover of the divine language of<br />
Sanskrit, as well as Vrajbhasha, Hindi, and other regional<br />
languages. We mourn because of the many books that most<br />
certainly would have continued to come from the pen of<br />
his bhakti-filled hands. We mourn because Shyamdasji was<br />
a gifted kirtan singer, whose performances and recordings<br />
were so filled with love and joy. We mourn because of the<br />
ecstatic music he would have continued to make to uplift<br />
and inspire so many people, bringing them closer to the<br />
divine. But perhaps most of all, we mourn his loss because<br />
of what he taught us about bhakti – what it really means to<br />
love God with unswerving devotion every day, every week,<br />
every year, every decade. Writing about God, talking about<br />
God, singing about God, reveling in God, and doing God’s<br />
seva (devotional service) was the joy and the calling of Shyamdasji's<br />
life. He was what is known as an ananya bhakta,<br />
“one who has exclusive devotion to God alone.” He was<br />
a powerhouse reveling in the divine play that is Krishna’s<br />
Lila. He could not be pried away. On the very day that<br />
Shyamdasji left behind his mortal form (at the Vrindavan<br />
Hospital, of course), he was teaching a Sanskrit text to a<br />
small group, repeating the refrain over and over again as<br />
it appears in the text: Krishna eva gatir mama – Krishna<br />
alone is where I am going; he is my only support, my only ref-