ffi*W:; - Mariposa Folk Festival

FESTIVAL 

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PROGRAMME 

ARTISTIC DIRECTOR DRAGOJ.'YIAIEINER

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Minister 

Ministre 

Ministry of Ministere de la 

Culture and Culture et des 

Communications Communications 

Dear rriends: 

It gives me great pleasure to welcome you to the 28th 

annual MariPosa Folk Festival- 

6th Floor 6e 6tage 

77 Bloor Street West 77 ouest, rue Bloor 

Toronlo, Ontario Toronto, Ontario 

M7A 2R9 M7A 2R9 

{41 6} 965-8098 (416) 96s-8098 

As those of you who have attended the Festival before 

know, it is i wonderful celebration of folk music that 

encourages everyone to join in. For those who are 

attendiig for tlre first time, you have a great treat in 

store for you. 

By the end of the weekend, you.will have had a chance 

iil U" part of a valuable activity--th.e. preservation of 

folk music in this province. The Festival is to be 

congratulated for its successes in promoting and 

preierving these traditional forms. 

The Mariposa Folk Foundation has mobilized its 

supporteis to ensure that it continues to perform i!t 

""iir valuable work. AtI the volunteers, patrons and 

statf are to be commended for their efforts. As a 

recognition of these efforts, my I'linistry has been 

proui to assist them through programs such as 

Investment in the Arts. 

My best wishes for a successful and fun-filled 

Festival. 

Yours sincerely, 

Lily Oddie Munro 

Mi-nister

Mariposa 

TheFestival 1988 

June 24,25,26 

Festival Programme 

Editor: Sandy Moffat / Pricecheck* 

Advertising Manager: Bob Stevens 

Advertising Sales: Kut6a Nicoll 

lllustrations: Thach Bui 

Editorial Contributors: Blue }lbters, SteYe Pritchard, Collen Peterson, 

Estelle Klien, Peter Jellard, Lynn Hurry Ruth Jones McVeigh' Joe 

Lewis, Ellen Sinclair, Don Malpass, lvan Kotulsky, Mark Lewis, Donna 

Marchand (Photographer), Drago Maleiner, Uz Dusome' Bob Stevens, 

Diana Jervis-Read, Ken Brown, Arlene Mantle, Tony Quarrington' 

Richard Flohil & Associates J.D. Stevens David Wbrren 

Steve Fruitman Jennifer Berwick Diana Ferguson 

Typesetting : lSlS Communications Ltd. 

Richard Flohil & Associates 

Lynn Lidelle, Joan Curley, Daina Fulford 

Printer: Delta lifebb Graphics 

Mariposa '88 is produced and operated by the Mariposa Folk Founda' 

tion, a registered non-profit charitable organization dedicated to the 

pres.rati-on and promotion of folk music and folk arts in canada. This 

froduction takes place with special assistance from Molson Ontario 

Breweries Ltd. and Molson Park 

Mariposa Folk Foundation 

Board of Directors 

President: Lynne Hurry 

Vice President:T. Ann SmileY 

Secretary: David Wbren 

Treasurer: Kenneth G, Connerc 

Recording Secretary: Michael Blugerman 

Members at Large: Heather Bakker, Joe Bennaroch, Michael Boshes, 

Steve Fruitman, Norm Greer, Steve Starchev, Jan Tilston 

Statf 

Executive Director: Liz Dusome 

Production Manager: Frank Saunders 

Administrative Assistant: Laurie Humphries 

Executive Go-fer: Brian Blakney 

Mariposa is an active member of Festivals Ontario, The Ontario Council 

of Folk Festivals and The Arts Coalition of Toronto. 

Liz Dusome: Executive Director 

Liz, a veteran of Mariposa, is 

responsible for publicity 

fundraising, budgets and finance. 

Her cheerful voice answers 

questions in the oftice where she 

acts as a pillar of the Mariposa 

community. 

Fnnk Saunders: Production Manager 

lf anything is going wrong, Frank 

can fix it. His duties range from 

event /ogistrbg planning 

contracti ng, licensi ng, production 

and distribution of print materials, 

tlcket sa/es and the superuision of 

our computer systems, to making 

sure that everyone knows about the 

next parTy!

I 

Festival Organizing Group 

Chairman: Jeff tiFed 

Artistic Director: Drago J. Maleiner 

Artistic Director's Assistants: Steve Fruitman, Kevin Nan 

Logistics: Less \lUbston, John Sladek 

Communications: Jim Oriotis 

Volunteer Services: Heather Bakker, Bonnie Greig, Brian Blakney 

Site: Norm Greer, Katrina Knight 

Publicity/Media: Bob Stevens, Richard Flohil 

Performer's Services: Brenda Collins, Bruce Craig, Mike Dent, Joe 

Lynch, Rick Mann, Rick Parrish, Cathy Stat, Dante Anderson, Jim 

Christiansen 

Comptroller: Kenneth G. Conners, Lynne Hurry 

Photo Documentation: Brian Pickell 

Audio Documentation: Gord Magrill 

Contra Services: Donna Marchand, Laurie Humphries 

Accreditation: Ann Smiley 

Sponsorship: Doug Little 

On Site Fundraising: litrayne Curley, Jean Dusome 

Programme Book:Sandy Moff;at, Bob Stevens 

Bars: Jan Tilston, Bill Marshal 

Emporium: Bernie Conroy, Beverley Fox 

Info Booth: Mava Salmon 

Security:Linda Rawbon 

Sound: Joe Bennaroch 

Stage: Peter Monahan 

Folkplay: Bonnie Cyr 

Dance Tent: Steve Fuller 

Crafts: Ellen Sinclair 

Mariposa NOTES: Maureen Mccaul 

Blues/Celtic Tent: Steve Conner Supervised Play: Jan Tilston 

Labatt's Folk Music & Folkways 

uit{oe Leuls 

SATTIRDAYS 12 NOOIY - 4:00 PM 

At 3:OO PMJobn Valqr,teyn 

joins 

Joe Lewis for the "Blues Hour" 

Comolete repair. refinishino & 

restdration dervice for fre-tted 

musical instruments. 

For an appointment call 

. 

(416)787.1s31 

40O Hooewell Avenue. Toronto

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The folk 

at cAnAc 

want to 

meet the 

folk at 

Mariposa 

Welcome to the Mariposa Festlval. 

CAPAC ls the Composers Authors ancl Publishers 

Assoclation of Canada. We're the organizatlon'that 

collects llcence fees from the people who use music 

- raclio and televlslon statlons, nlght clubs, bars, 

even this festlval - and dlstrlbute lt to the people 

who createcl the muslc that's belng played. 

We clo this job in Canada for more than I8,OOO of 

ourown members - ancl for hundredsof thousan$sof 

other composers In slmllar organlzatlons arouncl the 

world, Inclucllng ASCAP in the US, PRS In Brltain, 

ancl SACEM In France. 

lf you have questions about how CAPAC works 

to help composers and songwrlters - or if you're a 

wrlter yourself - get In touch. Our representative 

at the Mariposa Festlval is Richard Flohil; the CAPAC 

members on the program know who he is, and they'll 

point hlm out to you. * Or relax, enfoy the music, 

and wrlte or call us (collect lf necessary) 

when the Festlval's over. 

Have a great time; pray for sunshine! 

Among the CAPAC members performlng at the Marlposa Festlval: 

Bob Bossltl, Andrew Cash, Curtls Drledger, Norm Hacklng, 

The Harbord Trlo, Mlchal Hasek, Paul lames, Tony Quarrlngton, Messenlah' 

Erlc Nagler, Ken Whlteley. 

ttiltlllllllllll 

Compopcrs, Authors & 

Fublshcrr Ascochtlon of f-anada 

l2ro lry srrccr, toronto, ont., il5l 2c2 (416) 92+44.27 rAXr 416 924 1|,ir7 

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D* 

re 

ONTARIO 

COUNCIL 

The year 1988/89, marks the 25th anniversary of the Onurio Ara Council. Our principal 

initiative this year is the introduction of Mwing Forward, our Five-Year Plan. l0(/hile our 

anniversary was not the sole reason for this initiative, it does provide a significant occasion for 

reviewing the past and addressing the future. 

As you may know, our Five-Year Plan presents a powerful argument for substantidly increased 

funding to the afts, on the basis that the arts have reached maturity as a major force in Onario. 

Over the l;r;t 25 yean, the are have become a potent sector in society, as imporant and 

necessary to our well-being as heakh and education. 

The Council's public aaivities marking the 21th anniversary are directed toward highlighting the 

contribution of the arts to the quality of our lives and mising the profile of the many attiss who 

have made this possible. 

The Govemment of Onario and the Onario Ara Council are collabonting this year on an 

anniversary program to include the following event$: 

' Govemment recogpition in the Legislatue 

on April 26,1988, of the Council's 

anniversary and the role of the ara in 

provincial life; 

. The production of a video documentary 

on the arts and artiss of Onario, 

designed for national and regional primetime 

telwision, as well as other venues. to 

be premiered inJune 1988; 

. The preparation and distribution of public 

service announcements, promoting the 

arts, for telerdsion and radio broadcast; 

. Involvement of the Premier and 

Ontario artists in the Province' 

Canada Day Celebrations at Queents 

Park on July 1; 

. Other public aaivities tkoughout the 

province during fu y""t, all emphasizing 

the sature and achievement of the arts and 

artists of Onario. 

151 Bloor Street West. Suite 500 

Toronto, Onario M5S tT6 ' (416) 

96r-1660 

The Ontario Arts Council is an agency of the Govemment of Onario

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D6 

John Cephas and PhllWlgglns are 

maslers of the blues. Ceohas was born 

in 1930 in the smalltown of Bowling 

Green, Virginia, and learned much of 

his intricate guitar style from recordings 

by the likes of Blind Boy Fuller and 

Gary Davis. From 1973 tol977 hE 

worked with barrelhouse Big Chief 

Ellis, but after Ellis'death he teamed 

up with harmonica player Phil Wiggins, 

almost 25 years his junior, and lhe pair 

make a formidable duo, combining the 

best of the old and nEw blues idioms. 

h 

Tom Chapln is making his second appearance 

at Mariposa. Tall, lanky, and 

utlerly charming, he is a songwriter 

and performer who still finds that he's 

inspired by the creative energy ol his 

lale brother, Harry. His five years hosting 

the memorablE ABC-TV show 

Make a Wishis still the achievement 

many listeners remember best, but 

once they've experienced the warmth 

and humour of his live performance 

they become - as thousands of others 

have - devoted fans. 

Tracy Chapman is suddenly one of 

the most talked-about young artists in 

North America, and one with a great 

rad'o hit, Fast Car. Born and raised in 

Cleveland, music was alwaYs Part of 

her life (her mother is a singer of bolh 

popular and gospel material), and she 

learned her craft in small clubs and 

coffeehousEs during hertime at Tufts 

University in Massachusetts. Her first 

album, on Elektra, is likely to go gold in 

Canada; her Mariposa visit is her firsl 

appearance in Canada. As the Eoslon 

Herald gul it: "Tracy Chapman is a rare 

and charismatic singer/songwriter who 

can grab the altentioh of a listener in a 

moment,' 

Eldon Cooper is one of the best dance 

callers in southern Ontario; be'll be 

leading hardy dancers through their 

paces in the dance tent at Mariposa. 

COUNTRY VAUDEVILLE draws heavily 

on the English Music Hall tradition of 

the turn of the century using minimal 

accompaniment and complex vocal 

harmonies to put their point (hoWever 

silly it may be) across. Peter and Paul 

are veterans of many Celtic music 

sessions, pickup groups and country 

dance bands (e.9. lnisfail, Flying Cloud 

All-Stars, Back Up and Push). They 

continue to rely on their grounding in 

the British lsles folk tradition when 

interpreting their material, however 

various its origins, and include 

traditional songs and tunes in their 

repertoire. They are equally at home in 

an a cappella workshop or an 

instrumental tune session. 

The Cranberry Lake Jug Band is one 

of the last of a disappearing species - 

a band that plays the cheerful, optimistic, 

funny blues-orienled jug band music 

of the '20s. BasEd in upstate New 

York, the group wield guitars, mandolins, 

kazoos, slide whistles, jugs and 

washboards with skill and great good 

humour. They've been doing this for 

wsll over 12 years, and lhey also know 

how to call squaro dances, play some 

fine old-timey music, and if you want 

'em 

to try some Quebec liddle music, 

they'll do that as well. 

Curtls Drledger is a wry, witty songwriter 

who built his Toronto-area reputation 

as the de-facto leader of the Cee 

Dees, an unusual band that makes relatively 

few public appearances. His 

conlemplative life as a gardener has 

allowed him to create sonle of the most 

offbeat songs you've ever heard, writlen 

wilh a sense of humour that's hard 

to categorizs. But it this is Queen 

Street dance music, it's dElivered with 

a solid beat, and roots that feed on 

many diff erent musical_inf luences. 

Donovan remains one of the livEliest 

reminders ol folk's early days, when, 

back in Britain, he was considered Dylan's 

rival. Back then - and stilltoday 

- he mixes a lantasy world with delicate, 

gentle melodies we all know; Mellow 

Yellow, Sunshine Superman, Wear 

Your Love Like Heaven, and dozens 

more. He is also a marvellous storyteller 

with alfectionate memories of the 

'60s (ask him to recount his adventures 

with the Maharishi and the Beatles in 

India), good new songs from the '80s, 

and a warm, relaxed and thoroughly 

charming way of getting audiences involved 

in his music.

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ffi 

8! 

mustcstore 

415 QUEEN ST W TORONTO ' 

593-8888 

Steve's Music turns uP the heat 

with gEeat prices all summer 

long. With sizzling specials from 

virtually every major manufacturer 

of quality eEripment, it's 

bound to be a HOT HOT SUM' 

MER!!! Steve's carries everything 

from guitqrs and amplifiers, 

PA slnterhs large and 

small, recording equipment for 

pro and beginner alike, drums 

and percussion and everYthing 

midi from keyboards to com' 

puters. 

Also watch for special events 

sponsored by Steve's Musie hap' 

pening all summ€r long. 

Steve's prices are special 

because Steve's is a speclal 

music store!! 

We at Steve's hope You have a 

great summer and remember, 

.,IF YOU LOVE MUSIC. . . PI.AY 

IT!!!"

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a0 

Leo Kottke is probably the best 12string 

guitarist on the road today; his 

foggy, attrac{ive voice (he once likened 

it to goose farts on a damp morning) 

and his warm and selfdeprecating personal'lty 

have helped make him a favourhe 

with guitar fans and "new age" 

music enthusiasts alike. He visited 

Toronto recenlly with fellow-guitarist 

Michael Hedges, with whom he has 

been touring, and followed it up with a 

Bathurst Street Theatre solo show a 

few weeks ago. 

300 Yonge St. S., Barrie 

722-3010 

Anne Lederman has bEen involved in 

traditional music aclivities for more 

lhan 20 years as a fiddler, singer, 

muhi-instrumenlalist, researcher and 

teacher. She plays in an astonishing 

number of musical traditions, lrom 

French-Canadian to Balkan and from 

swing to country music. And she sings 

in English, French, Ojibwa, Gaelic and 

occasionally som e eastern European 

languages as well. She is also one half 

of Muddy York, but is now working as a 

solo performer most o[the time. 

Losler, MacKenzle and Chrlstoper all 

came from Atlantic Ganada, but now 

Gilles, Ken and John live in Montreal. 

Gilles is a veteran of Mariposa evenls 

going back for years, playing fiddle, piano 

and bass. while Ken MacKenzie 

plays pipes and whistles. Guitarisl 

John Christopher writes and sings 

songs based on Newfoundland's history, 

but also works in the country and 

blues traditions. 

GOOD LUCK 

MARIPOSA FESTIVAL 

for a very successful event 

Lyle Lovett has become an important 

nEw voice in country music with the 

success of his second ahum for MGA, 

Pontirc, and hE is making his first 

Toronto-area appearanoe with this visit 

to Mariposa. Originally from Texas, Lovett 

was "discovered'by Guy Clark, 

and his fusion of country, folk and jazz 

influences makes his music unique. 

Lyle is bringing his full 11-piece band to 

Mariposa, and if he causes a lew raised 

eyebrows, the subtlety, charm and humour 

of the music will entrance you. 

Magoo is one of the organizers (the 

president, in fact) of the Blue Sky Festival 

in Glarendon, Ont., and hE is also 

their MC and resident character. He 

has a rubber face, a bealen-up guitar, 

and he has been known to bark at audiences 

- but it's all in great good fun. 

He'll be one of the MC's at Mariposa, 

and you couldnl find a more intriguing, 

amusing man lo do the job. 

NOWAT: 

f500 Tiinity Dr., Mississauga 

(1 minute north of the 401 on Dlxie) 

670-2544 

LEASING * RENTAIS * SALES * PARTS * SERVICE * COLLISION

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Messenlah is one ol the most popular 

bands on the Canadian club circuit, 

taking its infectiously sunny music from 

the CarribEan direct to dancers and listeners. 

But therE's an edge to Messenjah's 

music - sure you can dance, but 

lhere's plenty lo think about loo. 

Marla Muldaur began her career as 

the fiddle player wilh the Even Dozen 

Jug Band - and her contributions to 

music since have included hll records 

(is there anyone who doesn't remem' 

ber Midnight at the Oasis?l and aiazzinflscted 

live performance unit that 

swings in a decidedly posilive way. 

She has mads numerous records in a 

variety of idioms, and one of her best 

was a powerful gospel album recorded 

with the Chambers Brothers. Expect 

fireworks at Mariposa from Muldaur - 

this is her first appearance at the festival, 

and she'll raise some eyebrows. 

Her music today is a reminder that the 

jazz, gospel, and folk worlds are indeed 

connested. 

San Murata and Terry Jones 

will present a concert of what 

Jones calls "sentimental songs 

from the '30s and'40s". Jones is a 

onetime member of Perth CountY 

Conspiracy; Murata is one of Canada's 

leading graphic artists and has 

been responsible for the design 

and execution of the MariPosa Poster 

this year. He's also a fine fiddler. 

Erlc Nagler shuns the label of "children's 

entertainer". lnstead, he calls 

himself a "family singef - and that's 

just about the most accurate descrip 

tion anyone cpuld comE up with. He's a 

banjo and liddle player who also rips 

olf cheerful solos on the sewerphone 

(a miraculous contraption of his own 

devising) and a dozen olher instruments. 

He's popular with kids of all 

ages as the result of his solo @ncerts 

and his numerous appearances on The 

Elephant Showwith his friends Sharon, 

Lois & Bram. 

Nazka is a group that specializes in the 

music of Soulh America's Andean regions, 

and was formed in Toronlo two 

years ago. Two of the group's members, 

Miguel Vasquez and Jos6 Sanhueza, 

had performed in a group with 

the same name in Chile, while the other 

members (Rodrigo Chavez, StEve 

Wingfield, Edgardo Moreno and Jayne 

Browne) had all played in other bands 

specializing in South p-rris31 61gsic. 

New Grass Revlval is one of the very 

best Nashville bands around -four 

first-rank bluegrass players who believe 

it isnt sacrilege to rock out, play Marvin 

Gaye hits, and add a new-PennY shine 

and unbeatable energy to the bluegrass 

tradition. The band has been recording 

since 1972, with lounders Sam Bush 

(mandolin) and John Cowan (bass and 

lead vocals) ioined by Bela Fleck (banjo) 

and Pat Flynn (guitar). ln their early 

days, NGR used to bs the suPPort acl 

for Leon Russell, but now they're earning 

headline status on their own. And 

on the rare occasions when thoy're not 

on ihe road, Bush and Fleck, in particular, 

have flourishing careers as Nashville 

session players. 

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Bonnle Raltt has not appeared in the 

Toronto area for well over a decade, 

and her soullul vocals have been sorely 

missed. Now as well-known lor her 

commitment to a variely of important 

causgs as she is as a performer, Bonnie 

Raitt is stillone of the best slidE 

guitar players playing anywhere, and 

her music - informed by the blues tradition 

and tempered by a number of 

line songwriters, whose work she admires 

- is still as fresh and vital as 

ever it was. 

Moses Rascoe may be 71 years old, 

br.rt he's a classic country blues player 

who seems to get better all thE time, 

and he's going to reach even bigger audiencEs 

than he did when he made his 

Mariposa debut last year. He bEcame a 

professional musician only a couple of 

years ago, but he brings a lifetime of 

playing and singing experience to his 

audiencEs. For 40 years as a truck driver, 

he kept his guitar by his side, both 

for company on long runs, and as a 

msans to earn some exlra cash from 

time to time in bars and after-hours 

joints. Now he's building a n6w c€treer 

in folk clubs, at concsrts and lestivals 

like this. lt's nevEr too late to start a 

new lifel 

Jlm Rlder is a Toronto singer and 

songwriter who has played a major role 

in bringing acoustic music back to wider 

audiences in Toronto clubs. He'll be 

hosting an open stago at Mariposa, and 

helping introduce some good n€wcomers 

to the joys and uncertainties of 

playing to live audiences. 

lUorld llrt & Decor 

O AFRICAN RICORDS & TAPTS 

Lody Smith Block Mombozo; King Sunny Ade; Fronco; Tobu Ley; Bhundu 

Boys ond hundreds of other ortists from vorious Africon countries 

O AFRICAN ART 

mosks; stotues; bosketry; botiks; pointings; 

fobrics; ortifocts from most countries 

O KINYA SISAL BAGS 

best prices ond quolity 

803 Queen St. West, Ioronto, Tel: JOJ- 6J40

'esodpeyl 611 le^psel 

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The Toronto Morrls Men add a sPecial 

dash ol colour to Mariposa, with 

their bright costumes and intricatelypatterned 

dances, manY of them 

bteeoEd in British tradition. Over'ome, 

moriis dancers usually celebrated holidavs 

with dances in lront of pubs, and 

thd Toronto group's festival ssssions 

will include app€arances by their mascot, 

Billthe Plastic Duck, who is responsible 

lor the dancers' refresh' 

ments. Molson Expofi, of coursel 

YOUR CONCERT 

CONNECTION 

WELCOMES 

,i;"'tl't")-/"'."f l' 

336 Yonge St. (BASS Outlet Superstore) 

Cederbrae Mall GASS Outlet) 

Thornclitfe Market Place (BASS 0utlet) 

Hudson's Bay Centre 

Genard Square 

Eaton Centre (Dundas Mall) (BASS 0utlet) 

*13 7" 

Loudon Walnwrlght lll now sPends 

most of his performing linte in Britain' 

where his self-deprecating sense of 

humour and the edgy brilliance of his 

songs seems to relate to that country's 

dry, Python-esque national mood. 

Once known onlY for his summer hYmn 

to driving to the cottage, Dead Skunk' 

his in-person popularity has continued 

to grow as his satire has extended to 

lampoon over-achievers everywhere 

(both masculine and feminist)' divorce, 

long distance love affairs, and golf. 

COMIN'HOME TO ST{Y 

,o 17" 

Thornhill Square (BASS 0utlet) 

Dixie Mall, Mississauga (2 Stores) (BASS 0utlet) 

South Common Mall (BASS 0utlet) 

Markham Place (Steeles & HwY. 404) 

Traialgar Village Mall, 0akville 

Burlington Mall (BASS Outlet) 

Ken Whlteley is one of the most versa' 

tile musicians anywhere, and Toronto 

music fans are lucky that he lives in the 

city. His own band, the Paradise Rsview, 

tackles r&b styles with gusto, with 

Ken playing guitars, mandolin, banjo' 

piano, and almost any other instrument 

ihat comes to hand. He's also a producer 

who has specialized in children's 

records (ahhough he Produced John 

Hammond's latest album) and with his 

brother Chris and assorted younger 

lriends and relations, co-leads the JuniorJug 

Band. 

E'ASS.: 

TrEKEffilasiEa- 

AT MOST SL'NRISE STORES 

AND FROM CBS DIRECT 

*lB 

9" 

FEATURING 

THE 

RICKY SKAGGS 

SINGLE 

..THAT'S 

WHY 

I'[T WALKIN"' 

PLUS MANY MORE 

Lincoln Mall, St. Catharines (BASS Outlet) 

Oshawa Shopping Centre (BASS 0utlet) 

l\4arket Square, Kitchener 

Lvnden Park Mall, Brantford 

Eiton lrilarket Sq., Brantford (BASS outlet) 

209 Dundas St., London (BASS 0utlet)

I 

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u @f4 

This list of performer's records and cassettes is as complete as we could make it, but we apologize for the inevitable 

errors and omissions. Many of the records are unavailable and are listed for the interest of collectors. Mariposa offers 

for sale, at the Record Emporium, as many of the currently available records and tapes as possible. Do take 

advantage of this once a year, three day long, folk & blues record store. 

ARTIST 

Barra MacNeils 

Diana Braithwaite 

The Barra MacNeils 

"African 

Harvest" 

Saul Broudy 

Travels with Broudy 

John Allan cameron 

Song For The Mira 

Good Times 

Freeborn Man 

Andrew Cash 

Andrerv Cash 

Phil Cephas & John Wiggins 

Doo Days of Auoust 

Tom Chaplin 

Lile is like That 

City ol Mercy 

Let Me Back Into Your Lile 

Tracy Chapman 

Tracy Chapman 

Cranberry Lake Juo Band 

old Time & Juqband Music 

Lo',vdown Sympnony 

ll This Ain't Genius 

Curtis Driedger & Cee-Dee's Ceedees 

Secret Policeman's 0ther Ball 

A Gilt FIOM A FIOWET TO A GATdCN 

catch The wind 

Lady of the Stars 

Greatest Hits 

l!!instrel Boy 

Universal Soldier 

Sunshine Supermafl 

Mellou/ Yellow 

0pen Boad 

whai's Bin Did & what's Bin Hid 

Donovan in Concert 

Erabajagal 

Jonathan Edrvards 

Foster & Lloyd 

Arlo Guthrie 

Norm Hackin0 

John Hammond 

8ob Bossin 

with Strin0band 

RECOFD '{ATE 

Jonathan Edwards 

Have A Good Time For Me 

Lucky Oay 

Orioinal Piano Artistry 0l Jonathan Edwards 

Foster & Lloyd 

Alice's RestauGnl 

Eest 0f Arlo Gulhrie 

HABP 

Precious Friend 

Redwood Collection 

Together In Concert 

Norm Hackinq Live 

Cut Roses 

Stubborn Ghost 

Triumvirate 

Live 

Frogs For Snakes 

Mileage 

Nobody But You 

Best 0f John Hammond 

Big City Elues 

Blues Erplosion 

Country Elues 

FootvJork 

John Hammond 

John Hammond Solo 

Hot Tracks 

So Many Boads 

The Generic Bob Bossin 

Home Remedy lor Nuclear War 

Bossin's West Coast 

Canadian Sunset 

Stringband 

Lrve 

LAEEL 

World Records 

Independent cassette 

Adelphi 

Glen Coe 

Freedom 

Glen Coe 

lsland J 

Flying Fish 

Fantasy/Sundance 

Spectre/Sundance 

Flying Fish 

Eleclra 

Swallowtail 

Swallowtail 

Kicking [,lule 

Freddom 

lsland 

CBS 

Showcase 

Alleqiance 

CBS 

Pye 

Spot 

Eplc 

Epic 

Epic 

Marble Arch 

Epic 

Epic 

AC0 

AC0 

AC0 

CBN 

RCA 

BPS 

Warner 8ros. 

Bedwood 

Warner Bros. 

Redwood 

RPS 

Trouser Snake Records 

lndoor Eecords 

Rosedale ffecords 

Edsel 

Stony Plain 

Stony Plain 

Stony Plain 

Stony Plain 

Vanguard 

Vanquard 

Atlantic 

Vanguard 

Vanguard 

Vanguard 

Vanguard 

Vanguard 

Vanguard 

Nick 

Nick 

Nick 

Nick 

Nick 

Nick 

IIIUilEER YEAB 

wRc t-4689 

1987 

AD 20r'1 

GMI-003 

FR-019 

GMr-002 

lsL-1 185 

FF.394 

1976 't982 

TT 401 1987 

96-07741 

1977 

1 980 

1 987 

FB.EP-OO5 

9698 

ES-1 71 

SHLP 1 33 

AV 437 

wPE 26439 

DOW,13 

sPR 851 4 

BN-2621 7 

E-3001 25 

MALS.795 

8N-26386 

8N-26481 

sD-862 

sD-7036 

sD-361 04 

104 

6372-B 

BS-6267 

8SK-31 1 7 

409 

8SK-3644 

411 

28-2214 

rNDR-79071 

8DR-N008 

ED-228 

sPL-1 058 

sPL-1 042 

sPL-1 035 

sPL-1 105 

11-12 

791 53 

801 49 

791 98 

79400 

2148 

79380 

19424 

791 78 

NtcK c2 

NICK C3 

NrcK c4 

NICK 1 

NICK 2 

NICK 6

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Tony ouarrington 

with Joe Hall: 

EonnieRaitt 

Moses Rascoe 

Don Ross 

with 0liver Schroel 

Ricky Skaggs 

Jamie Snider rYith Red lsland 

with w0nderful Gnnd Eand 

TIP Splinter 

Loudon Wainvlright lll 

Ken Whiteley 

80 BRADFORD STREET 

BARRIE, ONTARIO 

L4N 3A8 

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AT1/'S, TRACTORS 

c.slde 

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The Glow 

Grsen Lioht 

Homo Plate 

Nine Lives 

Eonnie Raitt 

Slreet Li0hts 

Sweet Forgiveness 

Takin'My Time 

Moses & The Blues 

Moses Rascoe: Live at Godfrey's 

Kelewin 

Underground Freedom 

Don Ross rvith Kelly Mc0owan 

Eye Music 

That's lt 

Live ln London 

Ska0gs & Rice 

Hiohways & Heartaches 

SYreel Temptatlons 

Family & Friends 

Love's Gonna Gel Yu 

Want For The Sun To Shine 

Comin' Home To Say 

Country Boy 

Second Genention ElueoBss 

Elue0nss: World's Groatost Siow 

ln Pursuit ol the Wild Eologna 

Livino in a Foo 

TIP Splinter I Frionds 

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A Live one 

I'm Alright 

Alhum lll 

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NEW LOCAT'ON NOW OPE U' 

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MOTORCYCLES 

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PARTS, ACCESSORIES

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BA 

TERRY WEDGE: Peter is a fl ute maker 

from Brampton, Ont.Included in his 

collection are transverse flutes, 

notch flutes (like the "Kenya" of the 

Andes, or the Chinese Hsiao) and 

end blown flutes like the "CAVAL" 

of 

the Balkans, The Nay of Turkey and 

Egypl and the legendary "Shakuhachi" 

of Japan. His fabric flute 

cases are from folk woven sash material 

from South America. 

DOROTHY PARSHALL: A self-taught 

potter from Bancroft, Ontario. Dorothy 

is relatively new at pottery as a 

career but has made good use of 

her time and is already a veteran of 

several different craft fairs throughout 

Ontario. 

RICK WATSON OF THE BRASS 

FORGE: Unique brass jewellry including 

arm bands and earings. As 

the name suggests, Rick forges his 

brass materials and works out of 

Mooretown, Ontario. 

ROSS BLACKSHAW OF WOOD'N 

STUFF: Ross makes 21 different animal 

banks using Canadian white 

pine and maple woods. He also displays 

a variety of cars and trucks 

and puzzles and other toys your children 

will love! 

SHERI DEKOVEN: Sheri brings her 

beautifu I thread and copper art jewel- 

ffiruu 

Music&DanceCamp 

Aug 2-7,088 

At: 

Woodland Tiails Conference Cenffe 

Aurora, Ontario 

For Info Call (416) 657-1708 

lery all the way from Vancouver, B.G. 

Sheri sold her craft in markets, fairs 

and boutiques in Australia before 

bring her unique designs home to 

Canada. Sheri handcraftsall herown 

work with beautiful precision and 

skill. 

PAMELA MEAGHER: Reproduces 

her beautiful wildflowers onto limited 

edition prints. Pam is a Canadian 

wildflower artist using the freedom 

of watercolour and the Precision 

of drafting pen.Pam'swork has 

been on display at the Royal Horticultural 

Show in London, England 

and her work can be found in private 

and corporate collections worldwide. 

JAN DONALDSON: You may have 

seen Jan's work down on Queen St. 

East where she runs a fulltime business. 

Jan's quilted designs are bright 

colourful and fun and make a wonderful 

addition to any wardrobe. 

CAROL WOOD: Carol specializes in 

children's clothing using colourful 

fabric and design that will appealto 

children and adults alike. 

TRAGEY MoDONNELL OF POINT OF 

VIEW:Tracey uses black and white 

photography touched up with Paint 

resulting in intriguing pictures with 

a human interest theme. 

With 

Bob Dalsemer 

The Friends of 

Fiddler's Green 

Alistair Brown 

Tan Kearney 

Grit Laskin 

GeoffMcClintock 

David Parpy 

Ian Robb 

Lawrence 

Stevenson 

Anne Lederman 

Magpie 

HEIDI AND KRISTEN LEPP: NEED A 

NEW SUMMER WARDROBE? GhECK 

out the tie-dye fabric clothing, crqations 

of this sister act from St. Catharines, 

Ontario. 

ARJEN AND JERINE VERKAIK OF 

SKYART: This creative couPle have 

become known as the'SkyPeoPle' 

or 'Storm Chasers'. Together they 

capture the sky in fascinating photographs 

that illustrate the temper 

and the beauty of the heavens. 

DONNA PULICHUK: A jeweller working 

out of Toronto handcrafts her 

own earrings, necklaces, bracelets 

and bangles. Take a look! 

Don't miss this year's expansive and 

electic bazaar. Some of our vendors, 

you will recognize from past Years 

while other merchants are with us 

for the first time. Browse through 

some of the import booths including 

South American crafis dearer Kevin 

Trast and Jim Skilling, Jewellers 

Cecelia Krongold, Gabriel Dumont, 

Rodiigo Ghavez and Leather Craftsman, 

Catherine Howard, Reg James 

- Ghildren's Toys & Puzzles, Steve 

Polzin - Dolphin Caravan - Prepares 

beautiful brass sculptures variety 

of iewellery - employs fusion 

welding - burnished coPPer designs, 

Les MacKay - l-ayman House 

Ll,t.g,*r*y 

Toronto, Ontario M4L lHl

'otlvovNvc 

No|lvsrNv9Ho Ntruvn 3Hr

g+ 

THE ON THE LINE MUSIC 

COLLECTIVE BELIEVES 

THAT PEOPLE'S MUSIC 

AND LABOUR STRUGGLES 

ARE NO STRANGERS. 

There have been no great social 

movements without music, nor will 

there be any great movements in the 

future without the songs of struggle 

that help to bind us together in the 

fight for change. The labour movement 

has a rich history of music, 

and songs like "solidarity Forever", 

"Union "Which 

Maid", Side Are You 

On?" and "Bread and Roses", have 

their place in our history forever. Talk 

to any worker in their 50's or 60's, 

and ask them about Joe Hill or Joe 

Glazer, and you'll probably detect a 

nostalgic smile as the memory of 

picket line singing floods over 

them. But encouraging union activism 

through music is bY no means a 

phenomenon that faded after the 

1940's. 

"Don't 

scab for the bosses' 

don't listen to their lies, 

lJs poor folks ain't got a chance, 

unless we organize. 

Which side are You On? 

Which side are You On?" 

Florence Reece. 

Today the labour movement is facing 

one of its greatest battles' The 

multi-national, in its complete disregard 

for people's welfare evidenced 

by the labour in some other Place' 

presents an ever present threat. We 

see labour rallying all across this 

country in opposition to the Free 

Trade Agreement with the United 

States. The new technology which 

is being rapidly thrust upon workers, 

places us in even greater isolation 

and threatens to diminish our voices. 

"fur 

twent1 Years l've worked in 

this tactory 

I thought that I had iob securW 

But the robots have arrived and 

the vDT's have thrived 

And there isn't any room left here 

for me." 

Arlene Mantle 

There is no questioning the imPact 

of such activities as picket-line singing. 

This is not something new, but 

something we own and have not 

been putting to full use. Perhaps in 

the period of calm following the 

bloody battles of our eady history 

we let slip one of our most valuable 

tools, our ability to sing'together. 

While we honed uP our skills at 

negotiating and bargaining table 

strategizing, we stopped doing 

something that pulls ustogether, inspires 

us, attracts suPPort from 

others and really threatens management, 

we stopped singing! 

"Oh you can't scare me, I'm 

stickin' to the union" 

WoodY Guthrie 

The On The Line Music Collective is 

a small non-profit group of cultural 

workers and musicians committed 

to using their talents for social 

change. We Perform at concerts' 

picket lines, demonstration, rallies, 

and community tunctions. We conduct 

collective songwriting sessions 

with labour and community groups 

and we Produce educational materials 

using music. 

In the spring of 1986, we went to 

Cedar Glen Conference Centre in 

Bolton and over the course of a (loo-ong) 

day we recorded a taPe with 

and for the members of the Canada 

Employment and lmmigration Union, 

a part of the Public Service Alliance 

of Canada. We made this tape as a 

gesture of solidaritywith the workers 

prior to a vote that would decide 

whether they would strike or accept 

the (meagre) terms of a new contract 

offer from the Treasury Board' 

The Public Service Alliance as a 

whole (95,000 members) chose to 

accept the offer; the only component 

that voted NO was the group 

we made the taPe for' PerhaPs some 

of the strength needed to take this 

stand came from the songs on the 

tape, allof which were written in collective 

sessions. The "Public Sector 

Blues" was written on the spot of the 

day. 

"Too 

manY lies, enough is 

enough, 

Firstwe get wlse and then we get 

tough, 

Your otter is an insult we'll surelY 

refuse 

MulroneY Your baloneY, 

Gjves us the Public Sector 

Blues" 

On the tape, workers give sPoken 

introductions to the songs, noting 

how they came to be written and the 

specific issues and grievances they 

address. The technical problems of 

getting 50 workersto sing along with 

pre-recorded band tracks Provide 

some of the taPe's many moments 

of humour! 

September 1988 will see the release 

of Arlene Mantle 'TOGETHER" an 

album Produced for the Canadian 

Autoworkers Union capping a working 

relationship of many years with 

this union. The albgm contains the 

Union anthemn, traditional workers' 

songs such as "Joe Hill", "Solidarity 

Forever" and "Bread and Roses." 

There is also a variety of newly created 

music about labour issues and 

social change: "No Free Trade", 

"Retirees'Waltz" "Our 

and World"' 

The album is an ambitious Production 

ranging in style from Rock 'n 

Roll to CountryAVestern; from Maritime 

Folk to Swing/Blues' 

"Oh 

what a tuture, oh what a fate 

To be the biggesf and the 

poorest of the 51 states, 

Our country's on the line, our 

neck's in the noose, 

Watch the eagle COOKthe 

Canada g/oose" 

A. Mantle/R. Fielding 

The Canadian Autoworkers is a 

union that particularly recognizes 

the role of the artist in labour struggles:they 

have for some time used 

music at Conferences and Conventions 

and arranged to have us sing

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ugtueu 

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ol palse arcrn sdnorb doqsyonn aq1 

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OANADA'S 

'I'III] lllls'T cotJN'l'ltY rN 'l'HrI cr'l'Y 

0rrBn 4fi) ltllltr'l'Olt slllNlf-IllD llatt 

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FUATIIIIING N0nTI| AillllRIOA'S 

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B8 

Comin Home to 

Stay - Ricky 

Scaggs 

'dil 

Antonio Rose" from the Pen of Bob 

Wills sparkles with instrumental 

solos. 

My favorite from the album are 

"Angel on My Mind, Thats WhY I'm 

Walkin", and "Home is Where You 

Are", a duet with Sharon White. Both 

pieces grab your heart and don't let 

go - a unique trait of real country 

music. In short Comin Home to StaY 

is a country music pleasure. 

The name Ricky Scaggs has long 

been indentified with outstanding innovative 

country music. His current 

refease Comin Home to StaY, is a 

slick, polished set of passionate performances 

laced with a distinctive 

traditional flavour. 

Along with Scaggs, a virtuoso supporting 

cast of excellent sidemen 

drive the album. The fiddling of 

Bobby Hicks is downright glowing; 

and the tasteful pedal steel of Lloyd 

Green and Terry CrisP commands 

attention. Occasional aid is also lent 

by Jerry Paiylas on debo, J.P. Grave 

on banjo, Mark O'Conner on fiddle, 

and even Carl Jackson's sPicY guitar 

licks on one one track. Sharon 

White's clear tenor and high baritone 

singing provides for great harmony 

on three numbers. 

But Scaggs himself clearlY dominates 

the music. With his expressive, 

keen vocals and over-dubbed 

harmonies, he produces a smooth 

glossy blend. This in conjunction 

with is Mhmic and articulate mandolin 

and accustics guitar-work, create 

the overall substance to the 

album. 

As with prior etforts, Scaggs has 

provided his fans with a broad 

cross-section of well-crafted music 

from some ol the best written available. 

The songs "l'm Tired", and 

"Lord, 

She Sure is Good so Lovin 

Me", a Randy Travis comPosition, 

are clearly remincient of 50's fiddle 

and steel country classics. Scaggs' 

rendition of "Hold Watcha Got", the 

Jimmy Martin bluegrass original will 

most certainly put a smile on even 

his critical mouth. "lf Steve Pritchard CKLN. 

Andrew Cash: 

Time and Place: 

lsland-lsl-1 185 

Andrew Cash has a knack for writing 

songs that are catchy enough to 

be radio singles, but have enough 

depth and sincerity to stand the test 

of repeated listenings. He hasagood 

reputation as a socially aware songwriter 

and performer from his days 

with the popular punk group L Etranger. 

The new album will add to this 

reputation although it has a more 

relaxed and varied pop sound. Cash 

performed regularly in a folk setting 

over the past year which iS reflected 

by an acoustic sound on several 

tracks on the album. There are some 

excellent tunes from L'Etranger such 

as Trail of Tears, Midnight Gone, and 

Places as well as strong new materialsuch 

as Smile Me Down and Do 

Not Adjust Your Set. Lyrics are interesting, 

the singing is strong and the 

playing by the rest of the band is all 

round solid. Good instrumental work 

by Guitarist Nichols and Fiddler/ 

You Don't Believe 

The Bible", the one gospel 

Accordionist Ediger increase listenaring 

pleasure. A worthwile album for 

rangement is Poignantly comPle- 

anyone interested in finely crafted 

mented by the excePtional harmonies 

of the entire White FamilY - and inspiring music. 

"San 

Buck, Sharon and Cheryl;and Reviewed by Peter Jellard. 

The Barra McNeils 

World Records WRC1 -4689 

The McNeils are a family of outstanding 

musical abilitY now living in 

Syiney Mines, Nova Scotia, The 

"Barrra" 

in their name is a nod to 

their Scottish highland heritage. At 

this year's festival you'll be able to 

see Sheumas on the piano, Kyle on 

violin and mandolin, Stewart, the 

lead vocalist, on penny whistle and 

bass, and Lucy, age 17, on violin 

and bodhran. 

While the record is an excellent 

demonstration of their technical abilities, 

particularly with the instrumental 

material, it does not convey the 

warmth and sensitivity to the audience 

which was evident at their recent 

gig at the Horseshore Tavern in 

Toronto. 

Kyle's Cape Breton sWle violin is 

outstanding; while I do not wish to 

downgrade the very real contribution 

to the group made by the other 

members, Ifind itthe "backbone" 

of 

the album. I find the slower Pieces 

such as "The Marquis of Huntly's 

Snuff Mill" (great name, eh?) and 

"Highland 

Queen" to be most demonstrative 

of his playing skills. 

On the other hand, Stewart's composing 

skills are also critical to the 

high qualityof thegroup. From "Eating 

Bonnach" firmly rooted in the 

tradition, through the tune for "Willie 

C.", a song aboutthe "passing away" 

of a ship, to the jazzY Yet folkY "One 

for Jetfy" it is clear that the group's 

musical inventiveness owes a great 

deal to Stewart's abilities. 

Sheumas' piano Playing, while almost 

entirely of a very high standard, 

occasionallY lapses into a 

certain flashiness, most evident in 

the faster pieces. 

The songs chosen for the album 

betray the sentimentality evident in 

much Cape Breton material, but do 

not become overly mawkish. TommY 

Makem's 

"No More Good Times" is 

given a fine rendering; "Willie C." 

recalls Stan Rogers "Jeannie C."

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M 

BLUE SERGE 

(Read Blues Surge) 

Many peoPle have discovered the 

blues of late, targely on the coaftails 

of Robert Cny, But for many the blues 

has atways been there as a mainstaY 

of their musicat diet. Here are a few 

brues facts Provided to You bY 

G/Rf's "The mately 600 members. The Toronto 

Blues Society Newsletter lists ten 

radio programs that PlaY blues or 

mostly blues in the Toronto area - 

no other city can claim that. Two 

maior radio stations, Q107 and 

CFNY, bring blues to large audiences; 

CBG AM's 

Blues Hour" o-host and 

Toronto Blues Society lrea surer John 

Valenteyn. 

by John Valenteyn 

Blues, the folk music of the rural 

Black American South, is doing very 

well in Southern Ontario. The Toronto 

Blues SocietY has aPProxi- 

"SaturdaY Night 

Blues" is a national network show 

"The 

out of Edmonton; CJRT-FM's 

Blues Hour" is available by satellite 

to cable subscribers throughout the 

province; and CFNY's DaddY Cool 

is also available to anyone in North 

America with a satellite dish. 

On the live music front, clubs that 

book blues seem to be doing well. 

Albert's Halland the Horseshoe continue 

to book the important acts, and 

there is one, the Black Swan, that 

has a local blues act every night 

except Sunday and twice on Saturday. 

The Hoodoo Lounge in Kitchener 

has to turn people away with its 

recently inaugurated blues policy. 

Larger venues like the Diamond Club 

and Entex are booking more blues. 

And blues is featured prominently in 

Festival season. The Harbourfront 

Soul 'N' Blues Festival is four days 

of blues. Mariposa has always had 

some blues and continues to do so. 

In fact, there are manY Toronto area 

performers who were heavilY influenced 

by artists MariPosa has 

brought over the years. 

All of this activity has not gone 

unnoticed. Toronto was one of onlY 

nine North American cities chosen 

as locations for the Chicago Blues 

Festival 

"Win ATripTo Chicago" promotion 

campaign. The Toronto Blues 

Society won a W.C. Handy Award as 

Blues Organization of the Year in 

1 986. The Handys, awarded bY The 

Blues Foundation in MemPhis, are 

starting to achieve international recognition 

(thisyear, B.B. King willhost 

the November event with guests 

Bobby Bland and Little Milton). The 

Blues Foundation is making great 

strides in 'networking' blues - it used to be combined with 

traditional music - and in Canada 

the Canadian Academy of Recording 

Arts & Sciences (CARAS) has 

announced it is creating a Juno category 

for blues and roots music. 

The list goes on: Movies like 

"Crossroads", "The 

Color Purple" 

and 

among the 

various blues societies and festivals 

and fans. The U.S. GrammY Awards 

now have a separate category for 

"Aventures 

in Babysitting" (with 

its wonderful appearance by Albert 

Collins), commercials (Levi Strauss), 

W shows (Dion Payton in "Miami 

Vice"). 

Through all of this the music is 

thriving. Young musicians are playing 

in blues bands and older musicians 

are coming out of retirement 

to play once again. lt is safe to say 

that they could use more work but 

there is probably more now than 

there has been in some time. 

Mariposa'88: The Blues Tent is a 

Juke Joint! 

The juke joint was where you would 

go on Saturday after a hard week's 

work. In the Mississippi Delta, the 

men would workthe fields Saturday 

mornings and then gather the family 

together and head into town to Pick 

up whatever supplies were not available 

around the farm. Then for some 

it was off to the iuke. The best example 

was the highlight of the movie 

"The 

Color Purple". The word 

"juke" 

seems to be derived from "dzugu" 

which means 

"wicked" in the Bambara 

language in North Africa.lt may 

also be related to the word 'Joog" SING 

@uT! 

in 

the Gullah tribe where it means 

"disorderly". 

The interior of North 

Africa, which is now known as the 

Sahel, was where most of the slaves 

that ended up in the United States 

Sing Out! Magazln€ provldes a unlqu€ly 

dlverse and entertalning 3€lectlon 

came from. 

of traditlonal and conl€mPorary 

And these places often were 

tolk muslc. 

wicked and disorderly as the boot- 

Each l33ue i3 a coll€ctot's lt€m 

leg corn liquor flowed and the eve- 

Includtno at toast 15 songs wlth over 

4 scoro pagos, record and book revlews' 

ning wore on. lt was on Places like 

lnstrumont this that the blues singers' livelihood 

depended. They would travel around 

to the various jukes, playing for tips. 

Sonny Boy Williamson (Rice Miller) 

would announcg where he was PlaYing 

that night on his King Biscuit 

Time radio program in an effort to 

get as many people out as Possible. 

Butthe juke joint here atthe Festival 

is notwicked and disorderly, and 

the musicians performing there today 

are led by guitarist Bowling 

Green John Cephas and Harmonica 

Phil Wiggins. They were named En- 

"Teach-lns," feature articles' 

and In-depth Intsrvl€ws. PLUS regular 

columns by Pete Seeger, Stefan 

Grossman, and Mlchael Cooney. 

4 Tlmes a Year 

SING OUT & SIGN UP NOV. 

tl5.OO (1 ya8r) 125.00 (2 y68rs) 335.00 (3 voa6)' 

Box 5253 

Bethleham PA 18015 

SING@UT! 

The Folk Song Magazine

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I

P 

Archaeologists tell us women and 

men began making music 600,000 

years before language was invented. 

Music created and preserved by 

common people is folk music. lt is 

carried from town to town, and generation 

to generation. A folk song 

may carry on the legends and history 

of a nation. When it is passed 

from one singer to another it becomes 

a ditferent method of learning 

from the technique used by 

composers and publishers of modern 

recording. 

As folk music is passed on by the 

oral tradition, it goes through many 

changes. Singers adapt and modernize 

songs. The words and music 

change in different ways. Change is 

an important part of folk music. There 

is a general polishing of the words 

which become more direct. Textthat 

originally had a narrow meaning is 

broadened so it contains more 

meaning for more people. lt is this 

unique oraltradition that makes up 

the back bone of folk music. 

Folk songs are ditferent from other 

kinds of songs. Most folk songs have 

been created by people who aren't 

trained as writers of music. They are 

people who have a story to tell, a 

love to express, or a joy to share. 

Folk songs have come from sailors 

hauling a line, farmers plowing a 

field, cowboys driving cattle and children 

playing in the streets. 

Some people say that those who 

sing are happy. Not necessarily. 

Some of the best folk songs have 

grown from misery. The pain felt by 

slaves or men at labour. 

"Hard 

luck is one thing that 

you sing louder about than you 

do about boots and sadd/es, 

or moons on the river, or 

crglarettes a-shining in the 

dark." 

Woody Guthrie. 

Very few lolk songs were made 

just to entertain. Most folk songs have 

a purpose. The purpose is to help 

people to work, to dance, to play, to 

protest an injustice or to express 

anger. Folk songs give us pause to 

recall the past as well as stir our 

emotions which boost the courage 

of people in active political protest. 

"We 

Shall Overcome" is a fine example 

of a folk song which has been 

created and preserved through the 

changing times. The civil rights 

marcherswere f ilmed and broadcast 

world,locked arm in arm protesting 

against the injustice of the southern 

United States singing 

for television audiences around the 

"We Shall Overcome...". 

This folk song is used at 

mass meetings and rallies to spark 

the courage and stirthe spiritamong 

many groups. lt is a truly functional 

song which has been passed from 

one to the other. In the 1940's it was 

broughttothe HighlanderFolk School 

in Monteagle, Tennessee, by a group 

of Food and Tobacco Worker Union 

members. There Zilphia Horton taught 

it to Pete Seeger. Both Zilphia and 

Pete added new verses of their own 

and gave it the form by which we 

know it today. lt spread over the 

southern United States in manyversions 

true to the oral tradition of folk 

music. 

The oral tradition of folk music is 

also preserved during freer times 

such as festivals where thousands of 

people jump to their feet cheering 

and clapping as the singer sings the 

song. A single guitar is plucked bya 

young composer eager to share his 

or her message with somebody willing 

to listen and it is during that moment 

the tradition of folk music is 

reborn. 

Mariposa started as a result of the 

The Orillia Town Council looking for 

a tourist attraction. Ruth Jones a local 

housewife recognized folk music to 

be very popular and suggested to 

Councillor Pete McGarveythata con- 

"Mariposa", 

dubbed by McGarvey, 

comesfrom Stephen Leacock's name 

forOrillia in 

cert be organized. The festival's title 

"Sunshine Sketchesof a 

Little Town". 

The first Mariposa festival was all 

Canadian and featured lan and Sylvia 

Tyson, The Travellers, Bonny Dobson, 

Jacques Labreque, Alan Mills and 

Jean Carigan. Twoyears later Randy 

Ferris and Estelle Klein committed 

themselves and boosted the festival 

with the assistance of many like Joe 

Lewis, to a temporary home at lnnis 

Lake and then on Centre lsland. The 

fine reputation of today's Mariposa is 

thanks to the judgement and skill of 

these early organizers. 

The music shared at Mariposa in 

1988 will by and large contain the 

same words and notes sung during 

the first gathering in 1 961 . Mariposa 

the Festival has also changed just 

like the changes experienced in the 

custom of folk music. 

As new problems, new threats, new 

concerns arise, there will be new 

songs for people to sing. Let us not 

underestimate the power of a folk 

song. A folk song can render more 

changethana law. To ensure its survival 

in an everchanging world Mariposa 

The Festival simply has to let 

the people sing. 

The British scholar, Andrew 

Fletcher, wrote in 1703, "Give me 

the making of the songs of a nation 

and I care not who makes the laws."

e 

nJ l'88 - N'lv3 

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qea^ 

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raquraural 

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sft

THIRTEENTH ANNUAL 

ol'YEN SOUND 

SUMMERFOLK 

MUSIC & CRATTS 

FESTIVAL 

Aug. 12, 13, 14/88 

Kelso Beach Park 

O,I'EN SOUND, ONTARIO 

RADIO FOLKWAVES 

cBc 94.1 FM 

"The 

Entertainers" 

(Folk Performance) 

Saturday 10:05 - 11:30 am 

with Stan Carew 

(also CBC 740 AM 

Sundayl:33-3pm) 

"Simply 

Folk" 

(Folk) 

Saturday 11:30 am - 12:30 Pm 

with Mitch Podolak 

"The 

Max Ferguson Show" 

(Ethno-folk) 

Sunday 10:05 am - 12 noon 

with Max Ferguson 

cBc 740 AM 

"Performance" 

(Folk) 

"Focus 

on Folk" 

(Singer/Songwriters) 

Monday 8-9 pm 

with JoelWortsman 

"Scott 

B Radio Hour" 

(Canadian Acoustic) 

Tuesday 4-5 pm 

with Scott B 

"The 

Google Dust Show" 

(Blues) 

Sunday 8-1 0 pm 

with Dr. Lorne Foster 

crAo 790 AM 

(Brampton) 

"Friends 

& Neighbours" 

(Maritime Music & News) 

Sunday 9-10 am 

with Bob Cousins 

CKLN-88.1 R+B power HR with 

Eddie "B" cancelled. 

Saturday 6-6 pm 

CIUT 89.5 Mariposa Radio Folkwaves, 

Monday 10 to '11 Pm with 

Steve Fruitman and Axleman John 

MclnWre. 

As for me and my dog Mon. 11 to 

12 pm with Shauna Farkas. 

lsland Heat cancelled. 

Worlds of Music Sat. '11 

| - with Bob KnaPP 

I -11C(r|LK "saturdayNishtBlues" 

(Blues) 

1]'*,11;rs" 

rffi*WfJr#:;ffsh'w 

to 12 Pm 

with Lise Waxer. 

The Open Road cancelled. 

F,fifffu 

CHRY 105.5 Focus of Folk 

cancelled. 

CKWR 98.7 Kitchener Waterloo 

FM 

Songs from the Wood Wed. 8 to 

10 pm with Doug Gibson. 

iffi*{tri'*ffitrg$iffi *=,,,o*= 

n'ftffii:lV*"1'?lo1i'""i'"";/resser'"'-' *;;,;'i;'i[fi 

^'c'rrocHANGEwrlHouTNolcE : H;i;?':?'itvsvstems 

A.o- * "uo'-L,^,"." 

ALL,NF.RM Avairq$e: o Retail Systems 

""Y:",:il;:r:lHouT 

NorcE 

:"qi$"!:;Et*^^"" tl=l swANsroN 

'u""'-.,^^.1.s1e.371-2ee5 

60 West Wilmot St. 

ForMorelntorma.'" 1 Richmond Hill 

292-7426 

,DG BE\AN 

Insurqnce 

BROKERS LTD 

8u!. Crc5) 726€381 

160 Bradtod Str.€l 

Banio, Ontaiio L4N 385 

Toronfo (416) W7n2 

Jcnny llcKlnlcy

ualle A p!^Po 

ueulssns Jalod 

suaêls qog 

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Y33/N V SSIIN Z IN=INNIVIUsINS 

ssHSlO NVTUVTfCI|A 

u! oulzllelceds 

oSsNlrctl rilnJ

IrfDU MAY BE SURPRISED to leam 

I that the cultural seclor ls in the top 

halfdozen industries in total salaries 

md wagre. md one of the largest in 

tems ofjobs. 

ln Ontario alone. each consumer 

spends $216 every year on cultural 

qoods orseruices. And while attendance 

at sports events is rising by 1.3 per cent 

each veai the audience o[ museums 

md dalleries is increasing by twice 

that rate. 

This perfomrance bY the arts calls 

for tangible support. The Ontario 

Ministry o[ Citizcnship and Culture is 

helping hundreds of the province s arts 

organizations. 

''Investnrent 

ilt thc Arts is a nrajor 

new initiati\t lhat will Provide 

malching furlds lbr "trrw dollaF 

raised over (he next threeyeare. ln ol her 

words. whether you or your (ompany 

donate S IOO or S I.OOO to an arts group 

in your conrmunity. the Ministry will 

re(ognize that donation by matching 

or doublin{ th(' amounl to thal group 

So the ncxt time t'ou gcl a call from 

the arl s. Aivc I hcrn morc than your t inre. 

Inrcst[cnt in the Atts 

A Program of the Ontario 

Ministry of CitizenshiP 

and Cultrlre 

Special Thanks To: 

o doc approvable 

o CRTC licensable 

o 10 watts 

o all broadcast frequencies available 

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ffi*W:; - Mariposa Folk Festival

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