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ANALOG vs DIGITAL - Ultra High Fidelity Magazine

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There is lots of nostalgia in<br />

pop music circles, and there<br />

always has been. There will<br />

always be an audience for<br />

the Andrews Sisters, The Big Bopper,<br />

the Beach Boys, and countless other<br />

artists of the day before yesteryear.<br />

That is to say, their enduring popularity<br />

goes beyond their original musical<br />

significance.<br />

The Beatles are something else.<br />

Since they first arrived on the pop<br />

scene nearly half a century ago, and since<br />

they disappeared again over 40 years ago,<br />

we’ve been asking the same questions.<br />

Why? How did it happen? How can four<br />

adolescents from a working class town<br />

with no formal musical training upend<br />

not only the hit parade, but all of the<br />

arts? How could they have had such a<br />

massive and immediate impact on society?<br />

That they did is beyond question.<br />

As we shall see, these young musicians,<br />

taken in hand by classical music<br />

producer George Martin, struggled to<br />

render credible versions of the rock’n’roll<br />

Software<br />

The Beatles<br />

Forever!<br />

hits of their day, but once they began<br />

writing their own songs the result,<br />

worldwide, was electrifying.<br />

The pop music world had of course<br />

seen other hit-making machines, from<br />

Frank Sinatra to Elvis. But no one could<br />

have predicted the results, not even<br />

George Martin, who had a front-row<br />

seat.<br />

Since we last wrote about the Fab<br />

Four in UHF No. 63, the Beatles phenomenon<br />

has only grown. We’ll get to<br />

that shortly, but let us begin at the very<br />

beginning.<br />

Welcome to Liverpool<br />

This typical industrial and port<br />

city, located where the Mersey meets<br />

the Irish Sea, would seem ill-suited as<br />

a tourist magnet, but this is the birthplace<br />

of the Beatles. Each year hundred<br />

of thousands of nostalgic visitors take<br />

pleasure in walking its streets to search<br />

by Reine Lessard<br />

and Gerard Rejskind<br />

out the places where the Beatles began,<br />

perhaps to catch a whiff of the joyous<br />

madness of the 60’s. Liverpool’s avenues<br />

are immortalized in Beatle songs. There<br />

is a statue of the Beatles at the Cavern<br />

Club, there is a Beatles museum, there<br />

is an official Beatles tour, and there are<br />

countless boutiques hawking Beatles<br />

souvenirs and memorabilia. Once known<br />

only as the UK’s second largest port,<br />

Liverpool is now and forever the city of<br />

the Beatles.<br />

In the beginning…<br />

These wunderkinder of modern popular<br />

music were barely out of childhood<br />

when they took their first steps toward<br />

glory. These four lads who shook the<br />

world have lost nothing of their appeal.<br />

Look at their pictures on countless<br />

remastered LP’s and CD’s, in attire that<br />

was almost formal at first, much less so<br />

later. Look at those adolescent faces,<br />

listen to their songs, which continue to<br />

sell to millions of the grandchildren of<br />

their original fans.<br />

It all begins in the little church of<br />

Woolton, in their native Liverpool.<br />

There, in the summer of 1957,<br />

a youth of 17 named John Winston<br />

Lennon leads a skiffle group of six, The<br />

Quarrymen, who play for special events.<br />

At a July concert at another church, he is<br />

introduced to another youth, James Paul<br />

McCartney. Impressed with Paul’s musical<br />

talent, John hires him, beginning an<br />

unequalled musical partnership. Within<br />

a few weeks, John fires the weaker<br />

member of his group and adds a pickup<br />

musician, already a talented guitarist,<br />

even younger than himself. His name is<br />

George Harrison.<br />

Poorly dressed, working without<br />

a drum mer, using instruments and<br />

amplifiers of the crudest quality, the<br />

aspiring stars can get gigs only in the<br />

most rundown clubs. In 1959, at a new<br />

club called the Casbah, they finally meet<br />

a drummer who will add the missing<br />

ingredient, Peter Best.<br />

In 1960 John persuades his best<br />

friend Stuart Sutcliffe, who had attended<br />

the Liverpool Fine Arts School with<br />

ULTRA HIGH FIDELITY <strong>Magazine</strong> 61

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