ANALOG vs DIGITAL - Ultra High Fidelity Magazine

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44 ULTRA HIGH FIDELITY Magazine
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CROSSTALK
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For the music lover who owns, or plans to Carmen Lundy sang, I got a good sense of construction it can’t. Not with the rising
own, sensitive speakers, this is an amplifier her tremendous breath control, her immense costs of copper and aluminum, both of which
to seriously consider. It does the detailing variety of tone and inflection. Margie Gibson are plentiful in this densely-packed device.
thing very well, and it creates a large mul- was smaller but she still had a nice swing and When it’s playing loud, the 330A
tilayered sound stage. I noticed a deep area I was willing and able to follow her lyrics, doesn’t match any of the amplifiers already
of clear sound, and another Get layer pushing the which complete is essential for an appreciation version of the mentioned, but then again that’s not what I
up alongside. The usual high-calibre build variations she brings to them.
was most hoping for. As noted in the main
quality is obvious. Not surprising, No, as this it is, free version I will is forswear not complete, comment though on Dark you Side could of article, spend Moon a couple amplifiers have always had the
after all, a Simaudio creation. of hours reading the it. Moon, Want which the full long version? ago overplayed its wel- advantage of sounding like small amplifiers
—Steve You can, Bourke of course, come at order my eardrums. the print Those version, who which still love we have (that’s published good) when playing softly. That’s an
for a quarter of a it century. won’t find You the can 330A’s get rendition it from unfaithful. our back issues uncommon page. trick, and this amplifier pulls it
There’s a lot to like in this But amp we if you also have a paid electronic version, —Toby which Earp is just off. like this one,
don’t expect it to sound like except its humongous that it doesn’t have annoying banners like this one, and You it doesn’t won’t want to run it quite as loud as
stablemate, the one with a W have in articles its name. tailing I off was into going faux to say Latin. that Getting if you expect the this electronic we did version with some is of of the selections. What you
It gave good detail in the arpeggios course faster, on the and amplifier it is also to cheaper. be a W-5 It or costs even just a W-5.3 $4.30 at (Canadian) a get is an anywhere amplifier of excellent transparency
Bach Toccata and a respectable in the roar world. from Taxes, fraction if they of the are price, applicable, you’re dreaming. are included. But I which has the headroom for the louder peaks.
the big pipes at the end of the It’s piece. available The from admit MagZee.com.
to having been sucked in by the same But consider something. At one time,
sousaphonist on Comes Love was still having wild hope. It is, after all, based on the same if you wanted top quality you would need a
fun, and the instruments in the piece were in Renaissance circuit. Maybe, just maybe, it separate amplifier and preamplifier, because
good proportion with each other — nobody would turn out to be the old Celeste 4070 in integrated amplifiers were not good enough.
got any special favours. When playing softly, modern dress.
That era ended in the last century.
the clarinet had a realistic breathiness. When Can’t be done. Not with North American
—Gerard Rejskind