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ANALOG vs DIGITAL - Ultra High Fidelity Magazine

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seemed as if the music was elevated, like<br />

a house into which we walked into and<br />

sat.” Interesting description.<br />

In the Raysonic room my friends<br />

asked to listen to their own CD, Songs<br />

from a World Apart, hauntingly beautiful<br />

music inspired by Armenian folk songs.<br />

The Raysonic CD player was hooked<br />

to Raysonic amps and preamp and<br />

Revolver Cygnis speakers. “We heard<br />

the wind whispering through the duduk<br />

(armenian flute) for the first time,” said<br />

Mark, “as if we were sitting right next<br />

to it.” Fatima was smiling, “We better<br />

stop listening to this CD in this room or<br />

else we won’t want to listen to it at home<br />

again.”<br />

We were drawn into the Bluebird<br />

Music room by the fascinating sound<br />

of Ali Farka and Ry Cooder’s guitars on<br />

their Talking Timbuktu CD, a Blues-in-<br />

Africa experience, rich in percussion.<br />

We were charmed by the main system<br />

featuring top of the line Chord electronics,<br />

Exposure player and Peak Consult<br />

Princess XE speakers. Everyone in the<br />

room was smiling and nodding their<br />

heads in appreciation — the sound had<br />

the natural quality that makes you want<br />

to stop thinking and enjoy the moment.<br />

We then swiveled on our chairs and<br />

faced the Chordette Two <strong>High</strong> system,<br />

a superb looking mini system with a<br />

great sound, playing If I had a Million<br />

Dollars by the Barenaked Ladies. The<br />

USB/Bluetooth DAC was connected<br />

to the Scamp amplifier, which led to<br />

a pair of Spendor A5 speakers. The<br />

source? An iPad! “The sound is so fluid,<br />

refined,” said Fatima. “Even on higher<br />

volume, it never became aggressive.”<br />

Marc, searching for the right words, said<br />

he was impressed by the quality of the<br />

sound from such small units, and that it<br />

was very acceptable for a hi-fi system…<br />

he was no doubt still under the spell of<br />

the larger Chord system.<br />

The Burmester room had that<br />

unmistakable atmosphere of quiet luxury<br />

that surrounds exquisite works of art.<br />

Our eyes first caught the B-30 speakers<br />

and as we sat down slowly, I admired<br />

the 001 Player, the 088 preamp and<br />

the 911 Mk3 power amp. My friends<br />

were oblivious to such “details,” and<br />

sat straight in their chairs, listening<br />

to Linda Ronstadt’s What’s New. I had<br />

no idea whether they liked that kind of<br />

music, but it always seems that a great<br />

sounding system draws you in and lets<br />

you appreciate whatever is being played.<br />

My friends then pulled their own CD,<br />

Ama (“mother” in Tibetan) with the<br />

amazing voice of Yungchen Lhamo, a<br />

collection of modern Tibetan songs she<br />

dedicated to her mother. “Everything<br />

was crystal clear,” said Fatima excitedly.<br />

Added Marc, “I loved the clarity of the<br />

highs, and I could ‘see’ all the instruments<br />

for the first time.”<br />

The atmosphere in the Audioarts<br />

room was so different that it felt like<br />

coming out of a movie theatre and into<br />

broad daylight. Flamenco music was<br />

shaking the floorboards. It was Flamenco,<br />

the famous K2 HD mastering, direct<br />

from Pepe Romero’s original master<br />

tape. We’re talking 24-Bit/100 kHz here,<br />

and we could feel Paco Romero’s dancing<br />

boots crash through the floor and<br />

suddenly drop their tapping to a rolling,<br />

whispering sound. We could almost see<br />

those boots hovering in a blur just over<br />

the boards. We were stuck to our chairs<br />

by that powerful impact and striking<br />

image that the Voxatim Ampeggio<br />

speakers provided with just a few watts<br />

of power from a Monbrison integrated<br />

amp from Shindo Labs.<br />

Mark remarked, on our way out, that<br />

one could hear the sound of the hall<br />

where the performance was taking place.<br />

Fatima remained silent.<br />

Listening to music in the Audio<br />

Note room was quite a different experience.<br />

The E/Lexus Signature speakers<br />

were positioned in each corner, and we<br />

could feel (yes, feel) the presence of Ray<br />

Charles and Betty Carter singing their<br />

famous duet Baby it’s Cold Outside. It was<br />

played on Audio Note’s 4.1 X CD player<br />

through the Jinro integrated amp. When<br />

it ended, I pulled out one of my favorite<br />

choral recordings, Lux Æterna, compositions<br />

by Morten Lauridsen, and selected<br />

the angelic Dirait-on. It sounded sublime,<br />

the sweet voices of the Los Angeles<br />

Master Chorale rising in gentle waves.<br />

I had tried that recording in different<br />

ULTRA HIGH FIDELITY <strong>Magazine</strong> 21<br />

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