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FONT<br />
Base & Ferrugem<br />
COMPANY<br />
Fabrika De Typos<br />
DESIGNER<br />
Marcio Hirosse<br />
LOCATION<br />
Brazil<br />
URL<br />
http://www.fabrikadetypos.com.br<br />
EMAIL<br />
contato@www.fabrikadetypos.com.br<br />
QUESTIONS<br />
1. Pode fornecer alguma introspecção à fundo/inspiração para a<br />
criação desta font?<br />
A: SEMPRE PROCURO COMO FONTE DE INSPIRAÇÃO A MÚSICA,<br />
FILMES, PAISAGENS DO DIA-A-DIA, COISAS QUE ESTÃO AO MEU<br />
REDOR, AS VEZES COSTUMO PROCURAR REVISTAS ANTIGAS,<br />
FANZINES PUNK, CAPAS DE DISCOS, ENFIM ESSAS COISAS ME<br />
INSPIRA MUITO.<br />
2. O que tem planejou para 2006?<br />
A: PARA 2006 PRETENDO CRIAR UM ACERVO MUITO MAIOR DE<br />
FONTES, JÁ POSSUO VÁRIOS ESTUDOS, MAIS AINDA COM<br />
MUITAS ALTERAÇÕES PARA SEREM FEITAS. MEU TRABALHO<br />
TAMBÉM É VOLTADO PARA MOTION GRAPHICS E IDENTIDADE<br />
VISUAL E COM ISSO ACABO COLOCANDO A CRIAÇÃO DE FONTES<br />
COMO UM PASSA TEMPO, MAIS NESSE ANO DE 2006 VOU<br />
PROCURAR ME EMPENHAR MAIS. (RISOS)<br />
3. Por favor fontes 5ive de lista que você nunca pode viver sem.<br />
A: 1.TRABALHO<br />
2.MUSICA<br />
3.INTERNET<br />
4.FEIJOADA<br />
5.MINHA CACHORRINHA.<br />
4. Por favor sugira qualquer elos de teia, livros, recursos, música<br />
etc. que sente-se nossos leitores saber sobre.<br />
A: Livro<br />
Los Logos<br />
This End Up<br />
Sites<br />
http://www.designinmotion.com<br />
http://www.adobe.com<br />
http://www.dafont.com<br />
Música<br />
BLACK FLAG<br />
PIXIES<br />
SMITHS<br />
DEAD KENNEDYS<br />
SEX PISTOLS<br />
LALI PUNA<br />
POPULOUS etc...
FONT<br />
Arch<br />
COMPANY<br />
Solographic<br />
DESIGNER<br />
Sean Kelly<br />
LOCATION<br />
Philadelphia, PA USA<br />
URL<br />
http://www.solographic.com<br />
EMAIL<br />
sean@solographic.com<br />
QUESTIONS<br />
1. Can you provide some insight to the background for the<br />
creation of this font?<br />
A: I wanted to make something different. I started experimenting<br />
with something other than classic bracketed or slab serifs. The<br />
initial sketches I drew were almost exactly what you see in the<br />
finished version. As of now there are only capitals -- it's meant for<br />
large display. Also, I must thank Inge Druckrey whose advice during<br />
the creation of this typeface was a big help.<br />
2. What do you have planned for 2006?<br />
A: I'm graduating from school in May. After that I'm moving to New<br />
York in search of a job! The purchase of a surf board is also likely.<br />
3. Please list 5ive fonts that you could never live without.<br />
A: Trade Gothic<br />
Clarendon<br />
Caslon<br />
Avant Garde<br />
Requiem<br />
4. Please suggest any web links, books, resources, music,<br />
etc. that you feel our readers should know about.<br />
A: Current inspiration:<br />
Matt Curry - amazing art<br />
http://ninjacruise.com/nc06/portal.htm<br />
Daily Type<br />
http://www.dailytype.ru<br />
Die Getsalten<br />
http://www.die-gestalten.de/
FONT<br />
Human?<br />
COMPANY<br />
fontmonster<br />
DESIGNER<br />
Andre Nossek<br />
LOCATION<br />
Eurpoe<br />
URL<br />
http://www.fontmonster.org<br />
EMAIL<br />
dave@fontmonster.org<br />
QUESTIONS<br />
1. Can you provide some insight to the background for the<br />
creation of this font?<br />
A: The Human? font was a total surprise to us regarding the project.<br />
Andre Nossek sent it to us as part of his submission from<br />
Viagrafik. He sent it along with a great video and amazing print<br />
piece, oh, as well as a playing card. A very strong submission and<br />
really lifted the spirit of the project.<br />
2. What do you have planned for 2006?<br />
A: We are looking at a huge online project for 2006. It's all top<br />
secret but promises to be exciting should it fail or succeed. I'm<br />
also working on a animated tv show with a life long pal. It's still<br />
in the planning stage but he is writing and I'm busy developing<br />
thedesigns and scenes as well as learning as much as I can about<br />
3D, animation and compositing. I have a little background in all<br />
of those so It's all shaping up. That should be ready for approaching<br />
TV companies in 2007 if we get our heads down.<br />
3. Please list 5ive fonts that you could never live without.<br />
A: I used to always use helvetica but now I just use whatever is<br />
around and try to switch from project to project. If it's work related<br />
as in my full time job I just use whatever they tell me to use.<br />
It's like that there.<br />
4. Please suggest any web links, books, resources, music,<br />
etc. that you feel our readers should know about.<br />
A: I think a shameless self plug is appropriate here, Freewave by<br />
Booth-Clibborn has over 40 fonts, sounds, code, illustrations and<br />
photos as well as a bunch of other stuff so thats a great resource.<br />
I also love the Designer Shock book DSOS1, if you can get a hold<br />
of that it's definitely worth having. As for information I think<br />
http://digg.com and www.boingboing.net are a must have in your<br />
faves.
FONT<br />
Duerer & Halcyon<br />
COMPANY<br />
l´Abécédarienne<br />
DESIGNER<br />
Amy Conger<br />
LOCATION<br />
USA<br />
URL<br />
http://www.abecedarienne.com/<br />
EMAIL<br />
abc@abecedarienne.com<br />
QUESTIONS<br />
1. Can you provide some insight to the background for the<br />
creation of this font?<br />
A: Halycon was designed by accident while I was trying out<br />
FontLab's drawing tools. I drew the capitals (somewhat inspired<br />
by Moderne type) quickly in one go and then went back some<br />
months later and filled in the lower case. To finish it, I worked<br />
with Mark Clarin, a young designer who helped me slog through<br />
all the little details. I owe a debt of gratitude to the critique team<br />
at TypeCon 2004 (Matthew Carter, John Downer, and Akira<br />
Kobayashi) who gave me great suggestions for refining the font.<br />
It turned out to look more whimsical than it would have had I<br />
planned it, and I love it<br />
With Duerer Capitals, it was a matter of my seeing the drawings<br />
and saying, "Ooh, I want to make that into a font!" Albrecht<br />
Duerer and so many of his contemporaries did their best to<br />
quantify what makes a Roman capital letter pleasing to the eye.<br />
While I am not sure that can ever be expressed entirely mathematically,<br />
they certainly made some beautiful drawings while trying<br />
to do so. They are, to me, evocative of the architecture of the<br />
time, of flying buttresses and stained glass windows..<br />
2. What do you have planned for 2006?<br />
A: I have a font in the works that is inspired by "naïve" lettering<br />
from a lost cat flyer, everything else is is still in the "maybe" column.<br />
I may also follow up the Duerer fonts with fonts based on<br />
the constructions of Pacioli or de Yciar. I am also considering an<br />
OpenType version of Respess which would automatically alternate<br />
between the four weights. This may be the year I get around<br />
to making the flowing script that is always hanging around in my<br />
brain, but no promises! I like to work slowly, for the love of it.<br />
I plan to offer lettering and font design classes at City College of<br />
San Francisco as I did last Fall. Also, in the summer I would like<br />
to take on a couple of students interested in learning font-making<br />
who want to intern.<br />
3. Please list 5ive fonts that you could never live without.<br />
A: 1. Georgia<br />
2. Syntax<br />
3. Nars<br />
4. Unibody8<br />
5. the rest are negotiable<br />
4. Please suggest any web links, books, resources, music,<br />
etc. that you feel our readers should know about.<br />
A: Typophile.com<br />
http://www.typophile.com<br />
How to draw thorn and eth<br />
http://briem.ismennt.is/2/2.11/<br />
Gentium<br />
http://scripts.sil.org/cms/scripts/page.php?site_id=nrsi&item_i<br />
d=Gentium<br />
The Alphabet Synthesis Machine<br />
http://alphabet.tmema.org/<br />
Calligraphy: From Calligraphy to Abstract Painting by Claude<br />
Mediavilla<br />
http://www.amazon.com/gp/product/9080332518/qid=1138341<br />
905/sr=1-6/ref=sr_1_6/102-5016008-<br />
1248953?s=books&v=glance&n=283155<br />
The Story of Writing by Andrew Robinson<br />
http://www.amazon.com/gp/product/0500281564/qid=1138341<br />
986/sr=2-1/ref=pd_bbs_b_2_1/102-5016008-<br />
1248953?s=books&v=glance&n=283155<br />
Letter Perfect : The Marvelous History of Our Alphabet From A to<br />
Z by David Sacks<br />
http://www.amazon.com/exec/obidos/tg/detail/-<br />
/0767911733/qid=1138342040/sr=2-1/ref=pd_bbs_b_2_1/102-<br />
5016008-1248953?v=glance&s=books<br />
HP Lovecraft Historical Society fonts collection<br />
http://www.cthulhulives.org/toybox/PROPDOCS/PropFonts.html<br />
Manfred Klein's collection at Typoasis<br />
http://www.moorstation.org/typoasis/designers/klein/index.htm<br />
My instructional page at City College of San Francisco<br />
http://fog.ccsf.cc.ca.us/~aconger/<br />
in case anyone's interested in classes
FONT<br />
Frakturika & Sodium'76<br />
COMPANY<br />
Stereo-Type<br />
DESIGNER<br />
Clément Nicolle<br />
LOCATION<br />
France<br />
URL<br />
http://www.stereo-type.net<br />
EMAIL<br />
clementnicolle@orange.fr<br />
QUESTIONS<br />
1. Can you provide some insight to the background for the<br />
creation of this font?<br />
A: Frakturika is a Fette Fraktur - Helvetica mixed font. Basically,<br />
though I couldn't get an idea of the result, the goal was to mix<br />
two very trendy fonts. I was surprised to see that it resulted like<br />
an error, a typographic failure, a bastard font. So I decided to add<br />
here and there some graphic signs reffering to spam mail (Re :<br />
your letter ; Re : your software...). Many people asked me to send<br />
another font because it was corrupted ! The goal was reached.<br />
But I preferred to included a "not corrupted" version of the font.<br />
Sodium'76 was first designed to illustrate a book about history of<br />
circus. But now, I think that it has a trendy style and I really like<br />
how it works for big titles. I like this handcut effect too.<br />
2. What do you have planned for 2006?<br />
A: My new website (www.stereo-type.net) entirely dedicated to type<br />
experiment will be online very soon. I'm planning to set up an<br />
online payment system for a few font but, it will also contain free<br />
fonts of course.<br />
But above all, I've planned for 2006 to keep much more time for<br />
my family and friends.<br />
3. Please list 5ive fonts that you could never live without.<br />
A: Helvetica (of course !), Din, FF Info, Parisine Plus, Mest, but<br />
honestly, I couldn't live with only 5 fonts.<br />
4. Please suggest any web links, books, resources, music,<br />
etc. that you feel our readers should know about.<br />
A: Tons of useful links here : http://www.newstoday.com ; there :<br />
http://www.surfstation.lu and there: http://youworkforthem.com<br />
Don't miss "No Logo" by Naomi Klein, but I'm sure everybody<br />
already read it!
FONT<br />
Destroyed License Plate<br />
DESIGNER<br />
Damien Gosset<br />
LOCATION<br />
France<br />
URL<br />
http://mgosset.free.fr/cv/<br />
EMAIL<br />
daaams@laposte.net<br />
QUESTIONS<br />
1. Can you provide some insight to the background for the<br />
creation of this font?<br />
A: "Destroyed License Plate" has been created from pictures I took<br />
with my camera, of old broken license plates i found in the<br />
streets of the City of Lights (Paris). I wanted to create a font that<br />
have a true trash feeling, so i thought the best thing to do was to<br />
find real trashed letters. Then i had to create some letters and<br />
special caracters you cannot find on licence plates...<br />
2. What do you have planned for 2006?<br />
A: Nothing special... find a new job, and find some time tocreate<br />
new fonts. Having a nice girlfriend (hi Lilly !) takes a lot of time...<br />
3. Please list 5ive fonts that you could never live without.<br />
A: Verdana (as i'm a webdesigner), Yanone "Kaffeesatz",Linotype<br />
"Banco", Linotype "KursivSchrift", Umbrella "Ministry Script".<br />
Can I add Underware "Bello Pro" ?<br />
4. Please suggest any web links, books, resources, music,<br />
etc. that you feel our readers should know about.<br />
A: weblinks :<br />
http://www.dafont.com (the best free fonts)<br />
http://cgm.cs.mcgill.ca/~luc (Luc Devroye's font listing,<br />
really complete!)<br />
books :<br />
Coin Locker Babies (Murakami Ryu, JP)<br />
Jiu Guo (Mo Yan, CN)<br />
music :<br />
Carreer Suicide (CA, 80's hardcore)<br />
DFA (CA, thrashcore)<br />
Municipal Waste (USA, thrashcore)<br />
Dead Stop (BE, hardcore)<br />
Svinkels (FR, hip-hop)<br />
Mano Solo (FR, singer)
FONT<br />
CyberScript<br />
COMPANY<br />
K-Type<br />
DESIGNER<br />
Keith Bates<br />
LOCATION<br />
UK<br />
URL<br />
http://www.k-type.com/<br />
EMAIL<br />
keith@k-type.com<br />
QUESTIONS<br />
1. Can you provide some insight to the background for the<br />
creation of this font?<br />
A: CyberScript was inspired by some lettering from Bond and<br />
Coyne Associates in Charlotte Rivers' excellent book about custom<br />
fonts, Type Specific (RotoVision). The lettering had been<br />
made out of metallic security tape. I took the basic shapes of<br />
their lower case, made a few changes and added a whole new<br />
upper case and a full range of symbols and accents. Even on K-<br />
Type freebies we always like to provide a full compliment of<br />
Latin keyboard glyphs - none of those missing sterling or euro<br />
symbols, etc.<br />
CyberScript Shimmer is the wobbly 'n' wavy freebie. It just<br />
seemed like a good idea at the time, a bit of fun that proved perfect<br />
for Typeology. The straight version will probably prove more<br />
useful for designers, that's going to appear soon as a pay font<br />
on the K-Type website.<br />
2. What do you have planned for 2006?<br />
A: I've got a couple of other fonts also close to being ready to put<br />
up.<br />
Rick Griffin and Rick Griffin Contour are based on Rick's beautiful<br />
poster lettering from the San Francisco Sixties. If you've seen<br />
the font 'Hendrix' by David Nalle you've got the idea. True to K-<br />
Type form, Rick Griffin and Rick Griffin Contour are full fonts, all<br />
the usual Latin keyboard characters and an all-new lower case<br />
that Rick himself would be proud of (hopefully).<br />
http://www.k-type.com/kernel/<br />
I must write a piece about Typeology for the Kernel on the K-Type<br />
website!<br />
FlatPack is a modular font made from the square fits-together<br />
flat pack pieces I received from Gavin Peacock, also known as<br />
the mailartist 'The Man from Icon'. I couldn't think of what to<br />
make from his cardboard pieces so I made a font.<br />
I'd like this year to give up teaching Art in a high school. My partner<br />
Leanda has just launched her graphic design business and<br />
I'd like to be her slave, tea-boy, gopher and student of CSS.<br />
She's a brilliant designer and takes marvellous photographs too.<br />
We live in hope and are working hard to make it happen.<br />
http://www.leandaryan.com/ We'd both like to go to New York<br />
again if we ever make any money.<br />
3. Please list 5ive fonts that you could never live without.<br />
A: First off the starting block would be Helvetica. It's not perfect but<br />
it is fab. I know it's unfashionable to say so, but I quite like Arial<br />
too, infectious solution to the fussy G of Akzidenz Grotesk.<br />
In fact, I don't need five fonts, if I've only got five I'll just stick<br />
with Helvetica thanks. I suppose I should choose a serif, Georgia<br />
looks nice on the web and Minion is great for print, and a script,<br />
Zapfino is a beauty. No, it's no use, I'll stick with Helvetica or you<br />
give me the five hundred I need to stay sane!<br />
4. Please suggest any web links, books, resources, music,<br />
etc. that you feel our readers should know about.<br />
A: I found Chank Diesel's 'How to make your own fonts' pretty<br />
inspirational when I started - http://www.chank.com/howto/<br />
The Swedish foundry Fountain is well worth a peek -<br />
http://www.fountain.nu/catalogue/ericsans.asp<br />
I really enjoyed '3 Found Fonts' by Jake Tilson<br />
+ Lewis Blackwell's '20th Century Type'<br />
John Lennon's Dirty Mac with a great guitar solo from Eric<br />
Clapton -<br />
http://blogfiles.wfmu.org/KF/0510/dirty_mac_-_yer_blues.mpg
FONT<br />
Don Giovanni Makin Enemies<br />
COMPANY<br />
Pennyzine<br />
DESIGNER<br />
Jason Ramirez<br />
LOCATION<br />
USA<br />
URL<br />
http://www.pennyzine.com/<br />
EMAIL<br />
pennyzine@gmail.com<br />
QUESTIONS<br />
1. Can you provide some insight to the background for the<br />
creation of this font?<br />
A: Basically, I like to make stuff that looks like it got pulled out of a<br />
gutter and then punched in the face. Coming from a punk rock<br />
background, I like to use type that is distressed and unconventional,<br />
and I tend to cater to punk bands who like my fonts for<br />
thier flyers, etc.<br />
2. What do you have planned for 2006?<br />
A: I plan on drinking a lot of beer and coffee, and making a few<br />
fonts in between.<br />
3. Please list 5ive fonts that you could never live without.<br />
A: Budapest, Base 02, Blue Baby, Boycott, Cartaz, Dirty Ego,<br />
Downcome, Arial<br />
4. Please suggest any web links, books, resources, music,<br />
etc. that you feel our readers should know about.<br />
A: punkvoter.com, propagandhi, alkaline trio, getup kids, atmosphere,<br />
the dan band, sarahasaturday.com, stimtv.com, realultimatepower.com,<br />
designiskinky.com, punkplanet.com, "the best<br />
democracy money can buy" - Gregg Palast, "Lies my Techer Told<br />
Me" - James Loewen, "State by State with The State" - The<br />
State..... I could go on, but I won't,...haha.
FONT<br />
Cinquenta mil meticais & dinarjev republika<br />
COMPANY<br />
polenimschaufenster<br />
DESIGNER<br />
Hannes Siengalewicz<br />
LOCATION<br />
Austria<br />
URL<br />
www.jestyle.net/polenimschaufenster/<br />
EMAIL<br />
hannes.siengalewicz@chello.at<br />
QUESTIONS<br />
1. Can you provide some insight to the background for the<br />
creation of this font?<br />
A: Both fonts are inspired by characters from banknotes that<br />
friends brought me from various trips around the globe.<br />
"Cinquenta mil meticais" is based on a banknote from mosambique,<br />
"dinarjev republika" on letters on banknotes from a former<br />
yougoslavian country. Dinarjev features some kyrillic letters<br />
and with its heavy outlines the crumpled and slightly distressed<br />
look from the old banknotes it gets this special "ostblock"<br />
kind of feel.<br />
There are some more old banknotes that lost its value that I<br />
collected over time and im planning to complete them to a bigger<br />
collection or font family someday.<br />
2. What do you have planned for 2006?<br />
A: Im currently working on the launch of polenimschaufenster.com<br />
which is gonna be part portfoliosite, featuring my recent works<br />
for various austrian bands and record labels and part font<br />
foundry. There are gonna be some commercial fonts for the first<br />
time, but there will still be the old free fonts and also some new<br />
ones, available for free. Also expect some reworked and updated<br />
versions of fonts that I already published.<br />
For my diploma that I just finished, I experimented with openType<br />
programming and created a font family based on inscriptions on<br />
gravestones, called EpigraphFonts, which will also be available<br />
for purchase.<br />
3. Please list 5ive fonts that you could never live without.<br />
A: This one is tough. I recently fell in love with Chaparral, I use it<br />
over and over again. Other favourites? AvantGarde, Dolly, Absara<br />
and Akzidenz Grotesk.<br />
4. Please suggest any web links, books, resources, music,<br />
etc. that you feel our readers should know about.<br />
A: Everybody already knows all those fontresource-sites around so<br />
I'll go with music. bands with beards rock! and you should love<br />
them too! aereogramme, he is legend, bear vs. shark, JR Ewing<br />
(ok, its a moustache, not a full one), dredg and facing new york.<br />
Go out an buy their cds or LPs, now!<br />
And for people who know german: go and get the book "Fleisch<br />
ist mein Gemüse" by Heinz Strunk. This is one of the few books<br />
that makes me laugh out loud and spray tears out of my eyes. Get<br />
it now!
FONT<br />
Shell Shock<br />
COMPANY<br />
Characters<br />
DESIGNER<br />
®ené Verkaart<br />
LOCATION<br />
Netherlands<br />
URL<br />
http://www.characters.nl/<br />
EMAIL<br />
rene@characters.nl<br />
QUESTIONS<br />
1. What do you have planned for 2006?<br />
A: I have a lot of exiting plan for this year, but my first priority in<br />
2006 is to *finally* get my font family Nordic Narrow ready. Peter<br />
Bruhn from Fountain has been waiting much too long for it (sorry<br />
Peter). A lot of people are asking me where they can buy it so I<br />
really need to finish it. I've been working on it on and off for the<br />
last two years. If I wait longer the font will be outdated. ;-)<br />
Last year I got into contact with Grant Hutchinson at Veer. They<br />
liked my fonts and we agreed to release 6 of my fonts in their<br />
Umbrella collection. We will spread the releases out over the<br />
year. I loved Veer from the beginning so I'm exited about our<br />
cooporation.<br />
I do a lot of custom typefaces for friends and clients, so I have a<br />
few interesting releases coming up. Three new font releases are<br />
planned for february 2006.<br />
Last but not least, my website will be upgraded. I feel more and<br />
more the need to give background information about my fonts<br />
and share knowledge with the typograpical community. This will<br />
be reflected in my website, because that's my channel to talk to<br />
the people out there.<br />
2. Please list 5ive fonts that you could never live without.<br />
A: It's hard to give you five names, because I like to always change<br />
the fonts around me. I guess my most favourite fonts are:<br />
Helvetica Neue, Scala, Meta, Insider and Verdana.<br />
. Please suggest any web links, books, resources, music, etc.<br />
that you feel our readers should know about.<br />
A: Websites<br />
An absolute must!!!: www.typophile.com<br />
http://www.lounge72.com/<br />
http://ventilate.ca/<br />
http://www.newstoday.com/<br />
http://www.designaside.com<br />
http://www.core77.com/<br />
Blogs<br />
http://www.fontblog.de/<br />
http://www.technorati.com/tag/typografie<br />
http://www.underconsideration.com/speakup/<br />
RSS<br />
http://www.justincone.com/wordpress/wp-rss2.php<br />
http://www.lounge72.com/root/xml.php<br />
http://houseind.com/showandtell/?rss=1<br />
http://blog.veer.com/index.xml<br />
http://www.fontblog.de/rss.xml<br />
http://www.characters.nl/rss/rss.xml<br />
Music<br />
Anything from Prince, Bjork, Global Communication, Grandmaster<br />
Flash, Whodini, Boards of Canada, 4Hero, The Jacksons and<br />
Cashmere.<br />
Books<br />
Learn FontLab fast, by Leslie Cabarg
A CD that contains all of the fonts contributed to<br />
Issue One is available for purchase at<br />
http://www.<strong>typeology</strong>.com<br />
Thanks!<br />
Keep a look out for Issue 2 in March!