Mamta Kalia
Mamta Kalia
Mamta Kalia
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and set definition for everything. Would<br />
certainly have one for this too, which<br />
would be deep and intriguing–this thought<br />
had only prompted me to ask him.<br />
‘Good, that you have asked, or else<br />
the discussion would have remained<br />
incomplete.<br />
“Beauty doesn’t mean form,<br />
complexion and features’–stressing<br />
typically every word Firaq Sa’b spoke–<br />
the internal beauty that radiates on face<br />
that is beauty. You see, as of now, Firaq<br />
thinks too highly of himself–but if Kabir<br />
were to come and sit alongside him,<br />
Firaq would be effectively demolished,’<br />
suggesting the cutting down of his stature<br />
with a flick of his hand, Firaq said.<br />
You’ve mentioned Kabir and that too<br />
with so much reverence; this piques<br />
questioning whether a poet is born so,<br />
or becomes one circumstantially.<br />
This one is not so easy as to answer<br />
in a yes or no. I don’t think any poet<br />
is a ‘born poet’ or ‘innate’. He may be<br />
having seeds of poetry in him which<br />
may blossom in a creative environment<br />
and turn him into a poet. His becoming<br />
one requires a suitable ‘physical<br />
supplement’. I guess when he is a child,<br />
a little ‘aristocratic aloofness is necessary<br />
for this nurturing.’<br />
There have been several debates on<br />
necessity of a beloved behind a creative<br />
person. What do you think about it?<br />
Whether a beloved would be deemed<br />
to be having a role in the making of<br />
an author?<br />
Why not? Of course, but to some<br />
extent only. Beyond a certain point that<br />
sublimates from ‘love for person’ to ‘love<br />
for universe’. Love shapes his intense<br />
sensibilities and to such an extent that<br />
transcending an individual, he starts<br />
thinking in terms of the universe.<br />
Even today names of the beloveds<br />
of several poets are cited significantly,<br />
for example, Keats.<br />
Sharply cutting in on my conversation,<br />
Firaq Sa’b said, ‘at the same time there<br />
are many whose beloveds find no mention<br />
e.g. Tennyson, Goldsmith, or in our<br />
country, Kabir. Where did they get<br />
inspiration from? We don’t find any<br />
mention of such a reference to them.<br />
Read carefully the literature of Keats<br />
who is considered to be a poet of love.<br />
There’s a lot more in his poems than<br />
mere love or beloved.’<br />
Elaborating on what he was saying,<br />
he continued–‘in fact, inspiration is a<br />
complex thing. Sometimes a woman’s<br />
beautiful personality enthralls one;<br />
sometimes the poem itself gets created.<br />
Driven by physical inspiration, if a poet<br />
gets into a dozen affairs, then the beloved<br />
in his literature would reflect the<br />
composite of goodness of them all.’<br />
Let me relate a small incident<br />
involving me. Poetess Vidyavati Kokil<br />
would visit my place. Her husband also<br />
accompanied her. I liked the voice of<br />
her husband. I captured his harmonious<br />
voice in the voice of my beloved in<br />
the following couplet–<br />
sham ke saye ghule hon jis tarah<br />
aawaz mein,<br />
thandkein jaise khanakti hon gale ke<br />
saz mein.<br />
‘This means you believe in the power<br />
of love.’<br />
With this Firaq’s big eyes widened.<br />
‘Who can deny it? It is the force of<br />
love that rests the earth on its axis,<br />
or else hatred would have swallowed<br />
it.’ Man is born to love and sublimate<br />
April-June 2010 :: 89