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Mamta Kalia

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and set definition for everything. Would<br />

certainly have one for this too, which<br />

would be deep and intriguing–this thought<br />

had only prompted me to ask him.<br />

‘Good, that you have asked, or else<br />

the discussion would have remained<br />

incomplete.<br />

“Beauty doesn’t mean form,<br />

complexion and features’–stressing<br />

typically every word Firaq Sa’b spoke–<br />

the internal beauty that radiates on face<br />

that is beauty. You see, as of now, Firaq<br />

thinks too highly of himself–but if Kabir<br />

were to come and sit alongside him,<br />

Firaq would be effectively demolished,’<br />

suggesting the cutting down of his stature<br />

with a flick of his hand, Firaq said.<br />

You’ve mentioned Kabir and that too<br />

with so much reverence; this piques<br />

questioning whether a poet is born so,<br />

or becomes one circumstantially.<br />

This one is not so easy as to answer<br />

in a yes or no. I don’t think any poet<br />

is a ‘born poet’ or ‘innate’. He may be<br />

having seeds of poetry in him which<br />

may blossom in a creative environment<br />

and turn him into a poet. His becoming<br />

one requires a suitable ‘physical<br />

supplement’. I guess when he is a child,<br />

a little ‘aristocratic aloofness is necessary<br />

for this nurturing.’<br />

There have been several debates on<br />

necessity of a beloved behind a creative<br />

person. What do you think about it?<br />

Whether a beloved would be deemed<br />

to be having a role in the making of<br />

an author?<br />

Why not? Of course, but to some<br />

extent only. Beyond a certain point that<br />

sublimates from ‘love for person’ to ‘love<br />

for universe’. Love shapes his intense<br />

sensibilities and to such an extent that<br />

transcending an individual, he starts<br />

thinking in terms of the universe.<br />

Even today names of the beloveds<br />

of several poets are cited significantly,<br />

for example, Keats.<br />

Sharply cutting in on my conversation,<br />

Firaq Sa’b said, ‘at the same time there<br />

are many whose beloveds find no mention<br />

e.g. Tennyson, Goldsmith, or in our<br />

country, Kabir. Where did they get<br />

inspiration from? We don’t find any<br />

mention of such a reference to them.<br />

Read carefully the literature of Keats<br />

who is considered to be a poet of love.<br />

There’s a lot more in his poems than<br />

mere love or beloved.’<br />

Elaborating on what he was saying,<br />

he continued–‘in fact, inspiration is a<br />

complex thing. Sometimes a woman’s<br />

beautiful personality enthralls one;<br />

sometimes the poem itself gets created.<br />

Driven by physical inspiration, if a poet<br />

gets into a dozen affairs, then the beloved<br />

in his literature would reflect the<br />

composite of goodness of them all.’<br />

Let me relate a small incident<br />

involving me. Poetess Vidyavati Kokil<br />

would visit my place. Her husband also<br />

accompanied her. I liked the voice of<br />

her husband. I captured his harmonious<br />

voice in the voice of my beloved in<br />

the following couplet–<br />

sham ke saye ghule hon jis tarah<br />

aawaz mein,<br />

thandkein jaise khanakti hon gale ke<br />

saz mein.<br />

‘This means you believe in the power<br />

of love.’<br />

With this Firaq’s big eyes widened.<br />

‘Who can deny it? It is the force of<br />

love that rests the earth on its axis,<br />

or else hatred would have swallowed<br />

it.’ Man is born to love and sublimate<br />

April-June 2010 :: 89

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