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Mamta Kalia

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‘Politics is not for all. As democracy<br />

is not for the unlettered. The ‘groups’<br />

or ‘masses’ here are apolitical. They want<br />

comforts and nothing else. It’s a different<br />

thing that they need something to talk–<br />

why not politics. Of course they may<br />

differ in their approach.<br />

‘I personally hold for a little<br />

dictatorship in administration. One can’t<br />

be civil without being a little cruel. But<br />

too much of it would be bad.’<br />

‘See, nothing per se, is bad; its<br />

application or use makes it good or bad’<br />

‘What is the relevance of literature<br />

in such a topsy-turvy situation of politics<br />

and country?’ I mean, what one can<br />

do in such a situation?’<br />

‘Nothing’ an arrowy answer escaped<br />

him, ‘except that one should continue<br />

presenting before public both pros and<br />

cons of the scenario. Be ridden with<br />

disease and show symptoms, so that the<br />

doctor can have his pulse on the disease?’<br />

‘It means you don’t hold with<br />

revolution on the strength of the pen?’<br />

‘I don’t put literature on so high<br />

a pedestal–Not every litterateur can be<br />

a Marx.’<br />

‘What then, mere pushing of pen serves–<br />

accepting or rejecting is a matter of<br />

personal conviction. To hold with a thing<br />

is one thing, to assimilate it in life is<br />

quite another. How many writers are there<br />

today who live by what they write?’<br />

‘Remember one more thing–every<br />

revolution in the world bears testimony<br />

to this fact that accumulated pain and<br />

stifling of years go into the making of<br />

a revolution; apt situation and<br />

preparation go before revolution. When<br />

all this happens, only then the pen<br />

becomes effective.’<br />

88 :: April-June 2010<br />

‘A particular era is ascribed to Indian<br />

history where poems were written to<br />

inspire and incite people–be they valour<br />

poems, or aesthetic poems.’<br />

Surely that era would not have been<br />

civilised and refined. Only uncivilised<br />

and uncultured races could be inspired<br />

or incited through poems. Poetry is not<br />

meant for inspiration and excitement.<br />

Lenin’s personality is not derived from<br />

poetry. It revolutionized without poetry.<br />

Shall we then say poetry or literature<br />

does not impact society at large?<br />

‘Why not? It does, to a great extent.<br />

Poetry keeps human beings rooted in<br />

humanity. But poetry is not to eradicate<br />

evil. It has its place. But can’t reach<br />

the top’. Which evil ‘Abhigyan<br />

Shakuntalam’ tends to remove? Was<br />

‘Kumar Sambhav’ written for social<br />

reform?’<br />

Deliberating on his thoughts for a<br />

while he spoke thoughtfully–To give the<br />

poet the status of a social reformer is<br />

to do injustice to him. Poetry is not<br />

a potion. It is something like shining<br />

moonlight. Poetry cannot be composed<br />

with deliberation and effort, as a good<br />

turn is not done consciously–it is done<br />

spontaneously–the mighty oak doesn’t<br />

provide shade wittingly.<br />

–What is good poetry in your opinion?<br />

‘A simple touchstone of good poetry<br />

is that it directly sinks deep into your<br />

mind. Poetry not only requires simplicity,<br />

it requires civility too. Apart from<br />

aesthetic adoration my poetry has place<br />

for nothing else. Of course my<br />

interpretation of beauty will have to<br />

be understood yet.’<br />

‘Firaq Sa’b, why not tell it yourself?’<br />

Firaq Sa’b has a typically original

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