Mamta Kalia

Mamta Kalia Mamta Kalia

hindivishwa.org
from hindivishwa.org More from this publisher
25.02.2013 Views

Second, in the field of dance criticism, according to Sally Banes, this term has been used to an early movement toward functionality, purity and self –reflexivity and subsequently to ‘ rekindling of interest in narrative structure’. Third, in the field of language, the term post-modern referred to combine polemical tone and new coinages. Further it sees language as the idea of ‘play’the meaning of a series of ‘markings’ is imputed by the reader, not by the author, hence the reader constructs or interprets the text. Post modernism in language has been identified with poor writing and communication skills – ‘pomobabble’ illustrates this trend here. Fourth, in the arena of art, this term denotes diversity and contradiction; it rejects rigid genre boundaries and favours eclecticism, the mixing of ideas and forms. It promotes parody, irony and playfulness (‘jouissance’). It talks of ‘ accessibly’ seeking more connection with audiences. It prefers mixing of words with art, collage and other movements in order to create more multiplicity of medium and message. Here mass media is regarded as a fundamental subject for art. It also elevated cinema in artistic discussions because of blurring of distinctions between ‘high’ and ‘low’ arts and also because of the recognition that cinema represented the creation of simulance that was later duplicated in arts. Fifth, in the arena of photography, ‘content’ is associated with realism and 68 :: April-June 2010 modernism, whereas post-modern is associated with anti-representational, anti-narrative, deconstructive photography of Cindly Sherman, Sherry Levine and Richard Prince. Sixth, in the field of literature postmodernism stands for expansion, return of reference, and celebration of fragmentation. To them, the present is different from the modern era, hence it requires a new literary sensibility. Thomas Pynchon, John Barth, Don Delillo and David Foster Wallace may be put in this category. Seventh, in the field of philosophy, Thomas Kuhn and David Bohm are seen as post-modern as they reject mathematics as a strictly neutral point of view. Finally, in the field of communication, Marshall McLuhan observed that ‘medium is message’- the ability of broadcasting was seen as a liberating force in human affairs, though some scholars viewed television as ‘a vast wasteland’. In the second wave of digital communication, with the introduction of internet, scholars like Esther Dyson, it makes fragmentation of modern society a positive feature and anybody can get access to the artistic cultural and community experiences of his or her choice easily. Thus it is presumed that fragmentation of society and communication gives the individual more autonomy to create his or her environment and narrative. Needless to say that various scholars have talked of ‘ post industrial society’

(Daniel Bell), or ‘post-modern time’ (C. Wright Mills) or age of ‘mass culture’ (B.R. Burg). Further there have been declarations about several types of ends by social scientists and litterateurs. For instance, William Hamilton talked of ‘ the radical theory and the death of God’, (1996), Daniel Bell talked of ‘end of ideology’, J Derrida talked of ‘end of man, (1982), F. Fukuyama talked of ‘end of history and the last man’, (1991) Victor Vergin talked of ‘end of art’, (1986), S. Karnan talked of ‘death of literature’ (1990), Rolland Barthes talked of ‘ death of author’ and Michel Foucault talked of ‘death of critic’. These declarations on deaths have some manifest or latent connections with the post-modernism, or better to say post-modernity. In 1960’s, during the period of ‘counter-culture’, post-modernism was seen as ‘an attitude of counter-culture’ or a new elective and radically domesticated sensibility of rejecting the exclusivist and repressive character of liberal humanism and its institution. In 1970’s, post-modernism entered into the structuralism, taking inspiration from Rolland Barthes, Jacques Derrida, Michel Foucault, Jacques Lacan, Gilles Deleuge and Felix Guattari. To quote Hans Bertens, “Like post-structuralism, this postmodernism rejects the empirical idea that language can represent reality, that the world is accessible to us through language because its objects are mirrored in the language we use. From this empirical point of view, language is transparent, window on the world, and knowledge arises out of our direct experience of reality undistorted and not contaminated by language. Postmodernism gives up on language’s representational function and follows post-structuralism in the idea that language constitutes, rather than reflects the world and that knowledge is, therefore, always distorted by language that is by the historical circumstances and the specific environment in which it arises.” Thus a post-modern subject is largely other-directed, that is determined within and constituted by language. Subsequently, in late 1970’s and early 1980’s, the post-structuralist modernism of Barthes and Derrida became linguistic, i.e., textual in orientation. Their attack on foundational notions of language, representation and the subject is combined with a strong emphasis on ‘ free play’ (Derrida) and ‘inter-textuality’. According to R Barthes (‘Image-Music- Text’, 1977), a text, with the ‘death of author’ is a ‘multidimensional space in which a variety of writings, none of them original, blend and clash’. Further a text is ‘a tissue of quotations drawn from the innumerable centers of culture’. They talked of the ‘end of representation’failure of language to represent anything outside itself- and death of the subject. But it gives birth to a problem. To Brenda K Marshall (‘Teaching the Post-modern: Fiction and Theory’, 1992), since all the representations are political in that they April-June 2010 :: 69

Second, in the field of dance criticism,<br />

according to Sally Banes, this term has<br />

been used to an early movement toward<br />

functionality, purity and self –reflexivity<br />

and subsequently to ‘ rekindling of<br />

interest in narrative structure’.<br />

Third, in the field of language, the<br />

term post-modern referred to combine<br />

polemical tone and new coinages. Further<br />

it sees language as the idea of ‘play’the<br />

meaning of a series of ‘markings’<br />

is imputed by the reader, not by the<br />

author, hence the reader constructs or<br />

interprets the text. Post modernism in<br />

language has been identified with poor<br />

writing and communication skills –<br />

‘pomobabble’ illustrates this trend here.<br />

Fourth, in the arena of art, this<br />

term denotes diversity and contradiction;<br />

it rejects rigid genre boundaries and<br />

favours eclecticism, the mixing of ideas<br />

and forms. It promotes parody, irony<br />

and playfulness (‘jouissance’). It talks<br />

of ‘ accessibly’ seeking more connection<br />

with audiences. It prefers mixing of words<br />

with art, collage and other movements<br />

in order to create more multiplicity of<br />

medium and message. Here mass media<br />

is regarded as a fundamental subject<br />

for art. It also elevated cinema in artistic<br />

discussions because of blurring of<br />

distinctions between ‘high’ and ‘low’ arts<br />

and also because of the recognition that<br />

cinema represented the creation of<br />

simulance that was later duplicated in<br />

arts.<br />

Fifth, in the arena of photography,<br />

‘content’ is associated with realism and<br />

68 :: April-June 2010<br />

modernism, whereas post-modern is<br />

associated with anti-representational,<br />

anti-narrative, deconstructive<br />

photography of Cindly Sherman, Sherry<br />

Levine and Richard Prince.<br />

Sixth, in the field of literature postmodernism<br />

stands for expansion, return<br />

of reference, and celebration of<br />

fragmentation. To them, the present is<br />

different from the modern era, hence<br />

it requires a new literary sensibility.<br />

Thomas Pynchon, John Barth, Don Delillo<br />

and David Foster Wallace may be put<br />

in this category.<br />

Seventh, in the field of philosophy,<br />

Thomas Kuhn and David Bohm are seen<br />

as post-modern as they reject<br />

mathematics as a strictly neutral point<br />

of view.<br />

Finally, in the field of communication,<br />

Marshall McLuhan observed that ‘medium<br />

is message’- the ability of broadcasting<br />

was seen as a liberating force in human<br />

affairs, though some scholars viewed<br />

television as ‘a vast wasteland’. In the<br />

second wave of digital communication,<br />

with the introduction of internet, scholars<br />

like Esther Dyson, it makes fragmentation<br />

of modern society a positive feature and<br />

anybody can get access to the artistic<br />

cultural and community experiences of<br />

his or her choice easily. Thus it is<br />

presumed that fragmentation of society<br />

and communication gives the individual<br />

more autonomy to create his or her<br />

environment and narrative.<br />

Needless to say that various scholars<br />

have talked of ‘ post industrial society’

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!