Mamta Kalia

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Poetry 52 :: April-June 2010 THREE POEMS Arun Kamal Translated by Minu Manjari Gain AS Desire to pare pencil to the keenest point All that remained was a residual stump. As I can’t hear many sounds The sound of ants nibbling sugar The sound of petals opening one by one The sound of life sap trickling in the womb The sound of cells breaking in my own body In the fast, very fast blowing tempest of earth As I can’t hear many sounds There are persons who can’t hear The sound of gunfire in rapid bursts And ask-“what is the hue and cry on this earth?’
Such Is The Time Such is this time That the crop is reaped And it isn’t the time for sowing anew Fields are nude The soil looks dejected at this sudden exposure Shades of boundaries at a little distance Stubbles shine and Sheep graze far Mice holes And crushed earth before anthills Such is this time That what remains is old And the new yet remains to come. Arun Kamal, Born in 1954 in Rohtas, has published three collections of poems- ‘Kewal Apni Dhaar’ “Saboot” and Naye Ilaake Mein’. The last published collection also won him the Sahitya Akademi Award. Arun Kamal’s poems show a sincere effort to observe, to understand life. They have a keen insight into day-to day life. Nothing is preplanned here . Everything depends on the life that is observed . His poems also have a deep sense of morality. But it is not professed aloud. The implication, however, is clear-cut. He is professor of English at Patna University. April-June 2010 :: 53
Page 1 and 2: A Journal of Mahatma Gandhi Antarra
Page 3 and 4: Contents Focus LANGUAGE DISCOURSE W
Page 5 and 6: Editor's Note Those who have a pass
Page 7 and 8: Focus JOOTHAN Om Prakash Valmiki Tr
Page 9 and 10: unwarranted. Ram Singh and Sukkhan
Page 11 and 12: angry that his dense moustache was
Page 13 and 14: place where uplas or cow dung cakes
Page 15 and 16: He had entered the cowsheds of the
Page 17 and 18: that she kept with great care with
Page 19 and 20: to lose touch with those companions
Page 21 and 22: It rained a lot in the year 1962. A
Page 23 and 24: was cooked at home, we all got very
Page 25 and 26: Discourse JOOTHAN: A DALIT LITERARY
Page 27 and 28: in the present. These are memories
Page 29 and 30: sun and the needle pricks of the sh
Page 31 and 32: as well as the rhetorical use of th
Page 33 and 34: he used to come to our house in Alm
Page 35 and 36: although drawing its special charac
Page 37 and 38: the forests, or the discovery of la
Page 39 and 40: oth the above-mentioned tendencies
Page 41 and 42: enterprising elements with more cap
Page 43 and 44: quite opposite to them. This has on
Page 45 and 46: considerable “reverse flow”, th
Page 47 and 48: on the basis of a new model. This n
Page 49 and 50: Our mind Clouds with the din of Loo
Page 51: He’s not born in any castle- In t
Page 55 and 56: manning machines returning home, af
Page 57 and 58: I have to tell them each time that
Page 59 and 60: Said—I used to love this man. Had
Page 61 and 62: Poetry FIVE POEMS Nilesh Raghuvansh
Page 63 and 64: How dear it is to hear him so! His
Page 65 and 66: Books Never willed anybody for a gi
Page 67 and 68: Discourse POST MODERNISM: A CRITICA
Page 69 and 70: (Daniel Bell), or ‘post-modern ti
Page 71 and 72: According to Jameson and Baudrillar
Page 73 and 74: Modern Architecture’, 1977), impl
Page 75 and 76: perpetuation of dissensus - on a pe
Page 77 and 78: information because of media’s bi
Page 79 and 80: catastrophe and progress together
Page 81 and 82: theories, it has encouraged identit
Page 83 and 84: 11. J. Baudrillard (1975), “ The
Page 85 and 86: article was published in 1901 and f
Page 87 and 88: Conversation FIRAQ GORAKHPURI IN HI
Page 89 and 90: and set definition for everything.
Page 91 and 92: e hard put to explain. Or take this
Page 93 and 94: Short story CAMEL WITH SILVER WINGS
Page 95 and 96: “No sir, you require rest.” His
Page 97 and 98: next month.” “To marry you?”
Page 99 and 100: from the jungle or people in their
Page 101 and 102: They were refugees of permanent kin
Page 103 and 104:
offer it to a man! He had thought.
Page 105 and 106:
“At times they charge so much for
Page 107 and 108:
I have been in this job for a numbe
Page 109 and 110:
emembered my old friend Professor S
Page 111 and 112:
time I got home it was ten at night
Page 113 and 114:
about her school, syllabus, timing,
Page 115 and 116:
my paralysed wife from bathroom to
Page 117 and 118:
to the Oxygen mask. And then, there
Page 119 and 120:
treatment like bonded labourers, it
Page 121 and 122:
forehead. His mind wandered towards
Page 123 and 124:
in search of any senior doctor. Sin
Page 125 and 126:
The inquiry commission felt it was
Page 127 and 128:
Films GENDERING THE ‘LOOK’ IN C
Page 129 and 130:
Mumbai) was released in Iran and ci
Page 131 and 132:
early years of the revolution, the
Page 133 and 134:
of getting their scripts approved b
Page 135 and 136:
subverting the rules of modesty and
Page 137 and 138:
9. Ayatollah Ruhollah Khomeini, Isl
Page 139 and 140:
ack insulted & a loser . She was so
Page 141 and 142:
credits of the film. Jagmohan’s e
Page 143 and 144:
Language HINDI LANGUAGE AND LITERAT
Page 145 and 146:
and some reference material are als
Page 147 and 148:
It is for these reasons that the Ro
Page 149 and 150:
Language TRANSLATION: A QUEST OF PO
Page 151 and 152:
called words but whole languages we
Page 153 and 154:
Translation in the global village T
Page 155 and 156:
Book Review COUNTER-TELLING OF THE
Page 157 and 158:
the Victorian legal system, run on
Page 159 and 160:
The mention of Madam Ripley Bean’
Page 161:
proof Reading Words Rs. Editorial N
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Mamta Kalia

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