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Mamta Kalia

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was cooked at home, we all got very<br />

excited. Our bodies felt energetic after<br />

imbibing this hot drink.<br />

There were Julahas’ homes near our<br />

neighbourhood. During the marriage<br />

season when dal and rice were cooked<br />

in their homes, the children of our<br />

neighbourhood ran there with pots in<br />

their hands to collect the mar. Thrown<br />

away by others, the mar was to us even<br />

more valuable than cow’s milk. Many<br />

a time the Julahas used to scream at<br />

the children to go away. But they stood<br />

there shamelessly. The desire to drink<br />

the mar was more powerful for them<br />

than the scolding. The mar tasted very<br />

nice with salt. If once in a while gur<br />

was available, then the mar became a<br />

delicacy. This taste for mar wasn’t brought<br />

about because of some trend or fashion.<br />

It was due to want and starvation. This<br />

thing that everyone discards was a means<br />

to quell our hunger.<br />

Once in school, Master Saheb was<br />

teaching the lesson on Dronacharya. He<br />

told us, almost with tears in his eyes,<br />

that Dronacharya had fed flour dissolved<br />

in water to his famished son,<br />

Ashwatthama, in lieu of milk. The whole<br />

class had responded with great emotion<br />

to this story of Dronacharya’s dire<br />

poverty. This episode was penned by<br />

Vyasa, the author of the Mahabharata<br />

to highlight Drona’s poverty. I had the<br />

temerity to stand up and ask Master<br />

Saheb a question afterwards. So<br />

Ashwatthama was given flour mixed in<br />

water instead of milk, but what about<br />

us who had to drink mar? How come<br />

we were never mentioned in any epic?<br />

Why didn’t an epic poet ever write a<br />

word on our lives?<br />

The whole class stared at me. As<br />

though I had raised a meaningless point.<br />

Master Saheb screamed, ‘Darkest Kaliyug<br />

has descended upon us so that an<br />

untouchable is daring to talk back.’ The<br />

teacher ordered me to stand in the murga<br />

or rooster pose. This meant squatting<br />

on my haunches, then drawing my arms<br />

through my inner thighs, and pulling<br />

down my head to grasp my ears, a painful<br />

constricted position. Instead of carrying<br />

on with the lesson he was going on and<br />

on about my being a Chuhra. He ordered<br />

a boy to get a long teak stick. ‘Chuhre<br />

ke, you dare compare yourself with<br />

Dronacharya . . . Here, take this, I will<br />

write an epic on your body.’ He had<br />

rapidly created an epic on my back with<br />

the swishes of his stick. That epic is<br />

still inscribed on my back. Reminding<br />

me of those hated days of hunger and<br />

hopelessness, this epic composed out<br />

of a feudalistic mentality is inscribed<br />

not just on my back but on each nerve<br />

of my brain.<br />

I too have felt inside me the flames<br />

of Ashwatthama’s revenge. They keep<br />

on burning inside me to this day. I have<br />

struggled for years on end to come out<br />

of the dark vaults of my life, powered<br />

by little besides the rice water. Our<br />

stomachs would get bloated because of<br />

a constant diet of this drink. It killed<br />

our appetite. It was our cow’s milk and<br />

it was our gourmet meal. Scorched by<br />

this deprived life, the colour of my skin<br />

has altered.<br />

Literature can only imagine hell. For<br />

us the rainy season was a living hell.<br />

April-June 2010 :: 23

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