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Mamta Kalia

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afraid of you all that if she accepts any<br />

money you — women activists will say<br />

she has sold herself. So we have deposited<br />

the prize money of three thousand pounds<br />

in her bank.” Well, there was no other<br />

alternative as the cheque was in<br />

Bhanwari’s name, but the money had<br />

not yet reached her. Mundhra’s friend<br />

wanted half the money for himself. In<br />

response to my query on the phone,<br />

he shouted, “I took great pains to get<br />

her the money and now she is acting<br />

pricey that she does not need it.” If<br />

this cheque did not reach Bhanwari ,<br />

my gift to her had no chance. It too<br />

got lost in this fraud.<br />

The 2002 IIT ‘Distinguished Alumnus<br />

Award’ was given to Mumbai’s ex-student<br />

Jagmohan Mundhra. This was an<br />

achievement for him. He deserves<br />

applause as he succeeded in changing<br />

his soft-porn film maker image. The film<br />

142 :: April-June 2010<br />

ran in Mumbai for 5 weeks -- not a<br />

bad financial proposition. Even I gained<br />

the credit of writing the film. The only<br />

one who suffered was Bhanwari . Kavita<br />

Srivastava’s words reverberate in my<br />

ears, “Boys in school really trouble<br />

Bhanwari’s son. They tease him, “how<br />

much money has your mother taken,<br />

you son of a bitch...aren’t you ashamed<br />

of living off your mother’s fucking.”<br />

Bhanwari’s son has now come to<br />

Jaipur. He often writes letters to my<br />

friend Urmila Pawar asking for financial<br />

assistance for admission in another<br />

college. His letters and Kavita Srivastava’s<br />

words prick my conscience.<br />

It’s an irony that we , the so called<br />

‘creative’ artists, actors, writers, merely<br />

use the struggles of flesh and blood people<br />

for our selfish purpose, our name and<br />

fame. What role do we play in helping<br />

them to achieve their goal?<br />

Sudha Arora, born 1946 at Lahore, is a feminist author and activist<br />

who is also involved with theatre and films. She wrote the screenplay<br />

and dialogues for the controversial film ‘bawandar’ and recounts her<br />

frustration at film-writing. She is not the first to face the fire. A<br />

number of creative writers have been drawn to cine media and have<br />

felt disillusioned. She has written and edited a great number of books<br />

on women’s issues. Honorary director of Vasundhara, a book centre<br />

at Mumbai where she lives.<br />

Seema Sharma is professor of English at Jaihind College, Mumbai and<br />

translates from Hindi to English and vice versa.

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