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New Distributed Titles Fall 2009 - Oxbow Books

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World Literature, World Culture<br />

History, Theory, Analysis<br />

edited by Karen-Margrethe Simonsen and Jakob Stougaard-Nielsen<br />

Offering their own 21st-century perspectives, the contributors to this anthology explore<br />

the idea of world literature for what it may add of new connections and itineraries to<br />

the study of literature and culture today. Covering a vast historical material, these essays<br />

examine the pioneers of world literature and the roles played by translation, migration<br />

and literature institutions in the circulation and reception of literatures.<br />

283p, paperback, 9788779344082, $55.95, Aarhus University Press, December 2008.<br />

L’Effet Pygmalion<br />

Pour une anthropologie historique des simulacres<br />

by Victor I Stoichita<br />

L’Effet Pygmalion is based on the literary, visual and audiovisual incursions of<br />

the first recorded simulacrum in Western culture. Neither a copy of a model,<br />

nor based on resemblance, the simulacrum exists on its own and transgresses<br />

the mimesis of artistic thought. Victor Stoichta ranges from Ovidian texts to<br />

medieval miniatures, from a living Renaissance statue to paintings, photography,<br />

film and even Barbie dolls, in order to apply critical principals and to<br />

contribute to the hermeneutical discourse on the Western concept of images.<br />

French text.<br />

320p, 122 illus, paperback, 9782600005371, $40.00(s), Librairie Droz, December 2008, Titre courant 37.<br />

La Spiritualité des écrivains<br />

edited by Olivier Millet<br />

The notion of spirituality has evolved since the Middle Ages, adding to its<br />

traditional philosophical or religious meanings the authentic principals that<br />

inspire a life or an undertaking. Literature illustrates this change to which it<br />

also contributes, especially when, between the eighteenth and nineteenth<br />

centuries, it began to represent subjectivity. The study of the spirituality of<br />

writers can thus bring out principles that can either concord with tradition,<br />

go against it, or combine both in unusual ways. French text.<br />

544p, 11 illus, paperback, 9782951840362, $140.00(s), Librairie Droz,<br />

December 2008, Travaux de Littérature 21.<br />

Een of twee Nederlandse literaturen?<br />

Contacten tussen de Nederlandse en Vlaamse literatuur sinds 1830<br />

edited by R Gruttemeier and J Oosterholt<br />

This volume contains contributions to a symposion held at the Seminar for Dutch Studies at the Carl von Ossietzky<br />

University in Oldenburg, Germany, that was centered around Dutch and Flemish literature. Often viewed as one<br />

and the same, the essays collected here analyze contacts and influences between Dutch and Flemish literature<br />

from 1830 until today and ask the question: One or two Dutch literatures? Dutch text.<br />

321p, paperback, 9789042920880, $51.00, Peeters Publishers, December 2008.<br />

literary studies<br />

Im Zeichen der Fiktion<br />

Aspekte fiktionaler Rede<br />

aus historischer und systematischer Sicht<br />

edited by Irina O Rajewsky<br />

and Ulrike Schneider<br />

This volume considers the relationship between “fiction”<br />

and “literature.” The contributions range from a fundamental<br />

revision of the common concepts of fiction and<br />

narrative theory to more historically-oriented studies.<br />

The analyses of literary texts from the Middle Ages to<br />

the end of the 20th century lead to new insights into<br />

the understanding of fiction that can be employed in<br />

the current theoretical discussion. German text.<br />

372p, hardback, 9783515092784, $103.00(s),<br />

Franz Steiner Verlag, December 2008.<br />

Michaux l’insaisissable<br />

Socioanalyse d’une entrée en littérature<br />

by David Vrydaghs<br />

Secret, beyond classification, elusive: these judgements<br />

are frequently used to describe the poet and<br />

essayist Henri Michaux, to the point that his readers<br />

have been deprived of a better understanding of his<br />

work and historical impact. It is thus necessary to<br />

situate the author and his work in the literature of his<br />

time. One discovers a very different Michaux: quick to<br />

talk about his era, attentive to the literature of his contemporaries<br />

and anxious to differentiate himself from<br />

them. French text.<br />

200p, paperback, 9782600012270, $35.00(s),<br />

Librairie Droz, December 2008,<br />

Histoire des Idées et Critique Littéraire 445.<br />

www.dbbconline.com 81

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