New Distributed Titles Fall 2009 - Oxbow Books

New Distributed Titles Fall 2009 - Oxbow Books New Distributed Titles Fall 2009 - Oxbow Books

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literary studies Maney Publishing ETA Hoffmann and Alcohol Biography, Reception and Art by Victoria Dutchman-Smith Throughout critical debates on E.T.A. Hoffmann, discussions of alcohol, and in particular its influence on and significance within E.T.A. Hoffmann’s creative output, have been recurrent, impassioned and frequently divisive. Victoria Dutchman-Smith uses the specific fate of alcohol as a topic in literature, biography and criticism as a prompt for the reevaluation of Hoffmann’s changing identities over the past two centuries: as artist, critic, Romantic, preemptive modernist, canonised great and, not least, as drinker. The role of alcohol in Hoffmann’s life and works cannot be separated from wider cultural and critical narratives, and Dutchman-Smith’s enthusiastic exploration of these sheds dramatic new light on the use and abuse of categorization, not just in past and present responses to Hoffmann’s works, but in the very structures of literary debate. 200p, hardback, 9781906540234, $82.00, Maney Publishing, September 2009, MHRA Texts and Dissertations 75, Bithell Series 35. 80 A Cultural Citizen of the World Sigmund Freud’s Knowledge and Use of British and American Writings by S S Prawer Based on an intensive study of the original German text of Freud’s writings, letters and journals, this is the first book to make a full and systematic map of Freud’s use of English literature. The great psychoanalyst has long been acclaimed as a polymath, as a practical doctor who was also a theoretician, as a writer of non-fiction which was also a counterpoint to the great novels of the early twentieth century, and as an essayist who absorbed all of the cultural world around him. Freud was fascinated by writings from many nations and languages, and his use of English shows the great range of his reading: from Shakespeare to Bernard Shaw, Henry Fielding to George Eliot, Mark Twain to Thornton Wilder; from scientific works by Maxwell and Darwin to the economics of Adam Smith, Malthus and Keynes, and from psychology and anthropology to the origins of religion. Though he was a reader par excellence, he was also a case study in how world literature can be used by men and women who are not professional literary scholars or critics -- and of how much it can come to mean to them, and for their sense of who they are. 200p, hardback, 9781906540425, $89.50, Maney Publishing, July 2009, Legenda Main Series. New in paperback! Selfless Cinema? Ethics and French Documentary by Sarah Cooper In Selfless Cinema, Sarah Cooper maps out the power relations of making and viewing documentaries in ethical terms. The ethics of film making are often examined on largely legalistic terms, dominated by issues of consent, responsibility, and participants’ or film makers’ rights, but Cooper approaches four representative French film makers – Jean Rouch, Chris Marker, Raymond Depardon, and Agnès Varda – in a far less juridical way, drawing on the ethical philosophy of Emmanuel Levinas. She argues that, in spite of Levinas’ iconoclastic, anti-ocular thinking, his concept of visage is richly applicable to film, and especially to documentary. 112p, paperback, 9781906540302, $65.00, Maney Publishing, June 2009, Legenda Research Monographs in French Studies 20. A Culture of Mimicry Laurence Sterne, His Readers and the Art of Bodysnatching by Warren L Oakley After his death in 1768, the famous novelist Laurence Sterne did not rest undisturbed in his grave. While rumors of the theft and dissection of Sterne’s corpse circulated in the anatomy schools, numerous writers took possession of his literary body of work. New forms of Sternean entertainment were produced by literary mimics who impersonated the author through the medium of print, impersonations which included startling and unique interpretations of Sterne’s character and fiction. Warren Oakley introduces two new critical concepts to eighteenth-century literary study, bodysnatching and mimicry, to understand these texts that have been neglected and overlooked in Sterne studies. This lucid account reveals the personal stories of such literary mimics, the creative techniques they employed and the consequences of their actions upon the posthumous perception of Sterne, the man and his cadaverous goods. 200p, hardback, 9781906540210, $82.00, Maney Publishing, September 2009, MHRA Texts and Dissertations 73. The David Brown Book Company – Fall 2009

World Literature, World Culture History, Theory, Analysis edited by Karen-Margrethe Simonsen and Jakob Stougaard-Nielsen Offering their own 21st-century perspectives, the contributors to this anthology explore the idea of world literature for what it may add of new connections and itineraries to the study of literature and culture today. Covering a vast historical material, these essays examine the pioneers of world literature and the roles played by translation, migration and literature institutions in the circulation and reception of literatures. 283p, paperback, 9788779344082, $55.95, Aarhus University Press, December 2008. L’Effet Pygmalion Pour une anthropologie historique des simulacres by Victor I Stoichita L’Effet Pygmalion is based on the literary, visual and audiovisual incursions of the first recorded simulacrum in Western culture. Neither a copy of a model, nor based on resemblance, the simulacrum exists on its own and transgresses the mimesis of artistic thought. Victor Stoichta ranges from Ovidian texts to medieval miniatures, from a living Renaissance statue to paintings, photography, film and even Barbie dolls, in order to apply critical principals and to contribute to the hermeneutical discourse on the Western concept of images. French text. 320p, 122 illus, paperback, 9782600005371, $40.00(s), Librairie Droz, December 2008, Titre courant 37. La Spiritualité des écrivains edited by Olivier Millet The notion of spirituality has evolved since the Middle Ages, adding to its traditional philosophical or religious meanings the authentic principals that inspire a life or an undertaking. Literature illustrates this change to which it also contributes, especially when, between the eighteenth and nineteenth centuries, it began to represent subjectivity. The study of the spirituality of writers can thus bring out principles that can either concord with tradition, go against it, or combine both in unusual ways. French text. 544p, 11 illus, paperback, 9782951840362, $140.00(s), Librairie Droz, December 2008, Travaux de Littérature 21. Een of twee Nederlandse literaturen? Contacten tussen de Nederlandse en Vlaamse literatuur sinds 1830 edited by R Gruttemeier and J Oosterholt This volume contains contributions to a symposion held at the Seminar for Dutch Studies at the Carl von Ossietzky University in Oldenburg, Germany, that was centered around Dutch and Flemish literature. Often viewed as one and the same, the essays collected here analyze contacts and influences between Dutch and Flemish literature from 1830 until today and ask the question: One or two Dutch literatures? Dutch text. 321p, paperback, 9789042920880, $51.00, Peeters Publishers, December 2008. literary studies Im Zeichen der Fiktion Aspekte fiktionaler Rede aus historischer und systematischer Sicht edited by Irina O Rajewsky and Ulrike Schneider This volume considers the relationship between “fiction” and “literature.” The contributions range from a fundamental revision of the common concepts of fiction and narrative theory to more historically-oriented studies. The analyses of literary texts from the Middle Ages to the end of the 20th century lead to new insights into the understanding of fiction that can be employed in the current theoretical discussion. German text. 372p, hardback, 9783515092784, $103.00(s), Franz Steiner Verlag, December 2008. Michaux l’insaisissable Socioanalyse d’une entrée en littérature by David Vrydaghs Secret, beyond classification, elusive: these judgements are frequently used to describe the poet and essayist Henri Michaux, to the point that his readers have been deprived of a better understanding of his work and historical impact. It is thus necessary to situate the author and his work in the literature of his time. One discovers a very different Michaux: quick to talk about his era, attentive to the literature of his contemporaries and anxious to differentiate himself from them. French text. 200p, paperback, 9782600012270, $35.00(s), Librairie Droz, December 2008, Histoire des Idées et Critique Littéraire 445. www.dbbconline.com 81

literary studies Maney Publishing<br />

ETA Hoffmann and Alcohol<br />

Biography, Reception and Art<br />

by Victoria Dutchman-Smith<br />

Throughout critical debates on E.T.A.<br />

Hoffmann, discussions of alcohol, and in<br />

particular its influence on and significance<br />

within E.T.A. Hoffmann’s creative output,<br />

have been recurrent, impassioned and frequently<br />

divisive. Victoria Dutchman-Smith<br />

uses the specific fate of alcohol as a topic<br />

in literature, biography and criticism as a<br />

prompt for the reevaluation of Hoffmann’s<br />

changing identities over the past two<br />

centuries: as artist, critic, Romantic, preemptive<br />

modernist, canonised great and,<br />

not least, as drinker. The role of alcohol<br />

in Hoffmann’s life and works cannot be<br />

separated from wider cultural and critical<br />

narratives, and Dutchman-Smith’s enthusiastic<br />

exploration of these sheds dramatic<br />

new light on the use and abuse of categorization,<br />

not just in past and present<br />

responses to Hoffmann’s works, but in the<br />

very structures of literary debate.<br />

200p, hardback, 9781906540234, $82.00,<br />

Maney Publishing, September <strong>2009</strong>, MHRA<br />

Texts and Dissertations 75, Bithell Series 35.<br />

80<br />

A Cultural Citizen of the World<br />

Sigmund Freud’s Knowledge and Use<br />

of British and American Writings<br />

by S S Prawer<br />

Based on an intensive study of the original German text of Freud’s writings, letters<br />

and journals, this is the first book to make a full and systematic map of Freud’s use<br />

of English literature. The great psychoanalyst has long been acclaimed as a polymath,<br />

as a practical doctor who was also a theoretician, as a writer of non-fiction which<br />

was also a counterpoint to the great novels of the early twentieth century, and as an<br />

essayist who absorbed all of the cultural world around him. Freud was fascinated by<br />

writings from many nations and languages, and his use of English shows the great<br />

range of his reading: from Shakespeare to Bernard Shaw, Henry Fielding to George Eliot, Mark Twain to Thornton Wilder;<br />

from scientific works by Maxwell and Darwin to the economics of Adam Smith, Malthus and Keynes, and from psychology<br />

and anthropology to the origins of religion. Though he was a reader par excellence, he was also a case study in how world<br />

literature can be used by men and women who are not professional literary scholars or critics -- and of how much it can<br />

come to mean to them, and for their sense of who they are.<br />

200p, hardback, 9781906540425, $89.50, Maney Publishing, July <strong>2009</strong>, Legenda Main Series.<br />

<strong>New</strong> in paperback!<br />

Selfless Cinema?<br />

Ethics and French Documentary<br />

by Sarah Cooper<br />

In Selfless Cinema, Sarah Cooper maps out the power relations of making and viewing<br />

documentaries in ethical terms. The ethics of film making are often examined on<br />

largely legalistic terms, dominated by issues of consent, responsibility, and participants’<br />

or film makers’ rights, but Cooper approaches four representative French film makers –<br />

Jean Rouch, Chris Marker, Raymond Depardon, and Agnès Varda – in a far less juridical<br />

way, drawing on the ethical philosophy of Emmanuel Levinas. She argues that, in spite<br />

of Levinas’ iconoclastic, anti-ocular thinking, his concept of visage is richly applicable<br />

to film, and especially to documentary.<br />

112p, paperback, 9781906540302, $65.00, Maney Publishing, June <strong>2009</strong>, Legenda<br />

Research Monographs in French Studies 20.<br />

A Culture of Mimicry<br />

Laurence Sterne, His Readers and the Art of Bodysnatching<br />

by Warren L Oakley<br />

After his death in 1768, the famous novelist Laurence Sterne did not rest undisturbed in his grave. While rumors of the theft<br />

and dissection of Sterne’s corpse circulated in the anatomy schools, numerous writers took possession of his literary body<br />

of work. <strong>New</strong> forms of Sternean entertainment were produced by literary mimics who impersonated the author through<br />

the medium of print, impersonations which included startling and unique interpretations of Sterne’s character and fiction.<br />

Warren Oakley introduces two new critical concepts to eighteenth-century literary study, bodysnatching and mimicry, to<br />

understand these texts that have been neglected and overlooked in Sterne studies. This lucid account reveals the personal<br />

stories of such literary mimics, the creative techniques they employed and the consequences of their actions upon the<br />

posthumous perception of Sterne, the man and his cadaverous goods.<br />

200p, hardback, 9781906540210, $82.00, Maney Publishing, September <strong>2009</strong>, MHRA Texts and Dissertations 73.<br />

The David Brown Book Company – <strong>Fall</strong> <strong>2009</strong>

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