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New Distributed Titles Fall 2009 - Oxbow Books

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Maney Publishing<br />

The Wallenstein Figure in German Literature<br />

and Historiography 1790–1920<br />

by Steffan Davies<br />

Albrecht von Wallenstein (1583–1634), one of the most famous and controversial personalities of the<br />

Thirty Years War, gained heightened prominence in the nineteenth century through Schiller’s monumental<br />

drama, Wallenstein (1798–99). Schiller’s own fame, and the complexities he injected into his<br />

dramatic character, made Wallenstein a potent, near-mythical, but also highly ambivalent figure. This<br />

innovative and detailed study tests Schiller’s impact on historians as well as on later literary texts. It<br />

traces Wallenstein’s part in the construction of identity in Germany, Austria and Bohemia, examining the<br />

figure’s significance in events such as the Wars of Liberation against France, the 1859 Schiller festival, and<br />

the First World War. The broad range of authors and historians studied includes Franz Grillparzer, Leopold<br />

von Ranke, Ricarda Huch and Alfred Döblin.<br />

200p, hardback, 9781906540289, $82.00, Maney Publishing, December <strong>2009</strong>,<br />

MHRA Texts and Dissertations 76, Bithell Series 36.<br />

The Power of Disturbance<br />

Elsa Morante’s Aracoeli<br />

edited by Sara Fortuna and Manuele Gragnolati<br />

Aracoeli (1982) was the last novel written by Elsa Morante (1912–<br />

85), one of the most significant Italian writers of the twentieth<br />

century. The journey, both geographical and memorial, of a homosexual<br />

son in search of his dead mother is a first-person narrative<br />

that has puzzled many critics for its darkness and despair. By<br />

combining scholars from different disciplines and cultural traditions,<br />

this volume reevaluates the esthetical and theoretical complexity of<br />

Morante’s novel and argues that it engages with crucial philosophical<br />

and epistemological questions in an original and profound way. Contributors explore the manifold<br />

tensions staged by the novel in connection with contemporary philosophical discourse (from feminist/<br />

queer to political theory to psychoanalysis) and authors (such as Emilio Gadda, Pier Paolo Pasolini and<br />

Pedro Almodovar). The Power of Disturbance shows that by creating a ‘hallucinatory’ representation of<br />

the relationship between mother and child, Aracoeli questions the classical distinction between subject<br />

and object, and proposes an altogether new and subversive kind of writing.<br />

200p, hardback, 9781906540500, $89.50, Maney Publishing, July <strong>2009</strong>, Legenda Main Series.<br />

Hamann’s Prophetic Mission<br />

A Genetic Study of Three Late Works against the Englightenment<br />

by Timothy Beech<br />

literary studies<br />

The Spirit of England<br />

Selected Essays of Stephen Medcalf<br />

edited by Brian Cummings<br />

and Gabriel Josipovici<br />

Stephen Medcalf (1937–2006) was an essayist, in the best<br />

traditional sense of that calling: a writer not of books but of<br />

substantial and justly celebrated essays, widely read in the<br />

Times Literary Supplement and elsewhere. Medcalf’s abiding<br />

question to the world was the Psalmist’s: ‘What is man<br />

that thou art mindful of him?’ His was a Blakean sense of<br />

Englishness, far from the chocolate-box painting or the television<br />

adaptation, and for him the strongest writers were those<br />

keenly aware of their roots in the classical, Anglo-Saxon or<br />

Celtic past. By gathering together Medcalf’s most important<br />

work, this volume shows the coherence of his thinking, and of<br />

the elusive, complicated literary heritage he celebrated, one<br />

which acknowledges the Greco-Roman strain, the Christian<br />

strain, down-to-earth humor and sly irony.<br />

200p, hardback, 9781906540371, $89.50, Maney Publishing,<br />

October <strong>2009</strong>, Legenda Main Series.<br />

Johann Georg Hamann (1730–88) was one of the most radical and sophisticated critics of the German Enlightenment. The three late works Konxompax, Metakritik über<br />

den Purismum der Vernunft and Golgatha und Scheblimini!, written between 1779 and 1784, are polemics against iconic texts by the Enlightenment luminaries Lessing,<br />

Kant and Mendelssohn. This diverse and rich material, ranging from the Fragmentenstreit to Kant’s first Critique, is refracted through Hamann’s radical Lutheranism, with<br />

freemasonry and the pagan mystery religions adding lurid apocalyptic highlights. Hamann’s idiosyncratic style and heavily intertextual manner of composition give his<br />

works a fascinating and teasing complexity and put his writing at odds with the period’s preferred ideals of ease and elegance. For these reasons, he is a standing provocation<br />

to our assumptions about the 18th century.<br />

200p, hardback, 9781906540227, $82.00, Maney Publishing, September <strong>2009</strong>, MHRA Texts and Dissertations 74, Bithell Series 34.<br />

www.dbbconline.com 79

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