New Distributed Titles Fall 2009 - Oxbow Books
New Distributed Titles Fall 2009 - Oxbow Books
New Distributed Titles Fall 2009 - Oxbow Books
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enaissance studies<br />
The Mermaids of Venice<br />
Fantastic Sea Creatures<br />
in Venetian Renaissance Art<br />
by Alison Luchs<br />
This book focuses on the conceptions of artists<br />
who made marine hybrids some of the most<br />
engaging inventions of the Renaissance in<br />
Venice and its subject city, Padua. The chapters<br />
deal with five functional contexts: book decoration;<br />
tomb monuments; church decoration;<br />
centers of political activity; private homes.<br />
350p, 32 col & 234 b/w illus, hardback,<br />
9781905375455, $181.00(s), Harvey Miller<br />
Publishers, December <strong>2009</strong>, Studies in Medieval<br />
and Early Renaissance Art History 58.<br />
Mirrors of Revolution<br />
Conflict and Political Identity<br />
in Early Modern Europe<br />
by F Benigno<br />
This book is one of the first attempts to create<br />
a European, transnational approach to the<br />
problems of the early modern age. It proposes<br />
a detailed reconstruction of the main interpretative<br />
tendencies that have developed around<br />
the English Civil War, the French Revolution,<br />
the so-called ‘Seventeenth-Century Crisis’, the<br />
Fronde, and the Neapolitan revolt of Masaniello.<br />
It proposes an original interpretation of revolution<br />
based on the concept of political identity.<br />
293p, hardback, 9782503528977, $116.00,<br />
Brepols Publishers, December <strong>2009</strong>,<br />
Late Medieval and Early Modern Studies 16.<br />
60<br />
Jerusalem on the Hill<br />
Rome and the Vision of St. Peter’s in the Renaissance<br />
by Marie Tanner<br />
The author analyzes the Renaissance rebuilding of Saint Peter’s basilica as a<br />
mirror of the political fortunes of the papacy. By embedding references to the<br />
Holy Land in the fabric of the new basilica, the architecture itself became the<br />
voice of the papacy’s political agenda. Peter’s tomb provided the fulcrum of a<br />
program to transform the basilica, and all of Rome, into a new Jerusalem.<br />
300p, 24 col & 150 b/w illus, hardback, 9781905375493, $181.00(s),<br />
Harvey Miller Publishers, December <strong>2009</strong>, Studies in Medieval and Early<br />
Renaissance Art History 60.<br />
Stradanus (1523–1605)<br />
Court Artist of the Medici<br />
by Manfred Sellink<br />
Jan van der Straet, also called Giovanni Stradano, was a renowned court artist<br />
in Florence during the second half of the sixteenth century. His contemporary,<br />
Raffaello Borghini, refers to the artist as the first among the ‘valentuomi forestieri’<br />
in Italy. Prints after his design were spread throughout the whole world;<br />
their popularity and ‘nachleben’ continues until the present day. However,<br />
Stradanus as a person and an artist at the court of Cosimo I Medici in Florence<br />
has not, until now, been introduced to a larger public.<br />
304p, 230 col illus, paperback, 9782503529967, $87.00, Brepols Publishers, December <strong>2009</strong>.<br />
Servants of Satan and Masters of Demons<br />
The Spanish Inquisition’s Trials for Superstition,<br />
Valencia and Barcelona, 1478–1700<br />
by Gunnar W Knutsen<br />
This volume offers a systematic study of the trials for superstition in Valencia and<br />
Barcelona in the period 1478-1700. By comparing these tribunals, the book seeks<br />
to explain the absence in the Southern half of Spain of brujas, witches who gave<br />
their souls to the devil and caused death and destruction through magical means.<br />
232p, hardback, 9782503528618, $87.00, Brepols Publishers, December <strong>2009</strong>,<br />
Late Medieval and Early Modern Studies 17.<br />
Nicodemus Tessin the Elder<br />
Architecture in Sweden in the Age of Greatness<br />
by K Neville<br />
Nicodemus Tessin the Elder was an architect, gentleman, and founder of the artistic dynasty that was immensely influential<br />
at the Swedish court in the 17th and 18th centuries. He was architect to the crown and to the city of Stockholm,<br />
and he supplied buildings for a wide range of functions. His productivity required a new approach to architecture, and<br />
he was part of the first generation of architects in northern Europe to develop the architectural studio, distinguishing<br />
the design process from the business of building, recreating himself as the modern architect.<br />
300p, paperback, 9782503528267, $131.00(s), Brepols Publishers, November <strong>2009</strong>, Architectura Moderna 7.<br />
The David Brown Book Company – <strong>Fall</strong> <strong>2009</strong>