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New Distributed Titles Fall 2009 - Oxbow Books

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Boccaccio and the Book<br />

Production and Reading in Italy 1340–1520<br />

by Rhiannon Daniels<br />

As a new digital era increasingly impacts on the ‘age of print’, we are ever more conscious of the way in which information is<br />

packaged and received. The influence of the material form on the reading process was no less important during the gradual shift<br />

from manuscript to early print culture. Focusing on the physical structure and presentation of manuscripts and printed books<br />

containing texts by one of the most influential authors of the medieval period, Rhiannon Daniels traces the evolving social, cultural,<br />

and economic profile of Boccaccio’s readership and the scribes and printers who labored to reproduce three of his works.<br />

200p, hardback, 9781906540494, $89.50, Maney Publishing, September <strong>2009</strong>, Legenda Italian Perspectives 19.<br />

Classical Mythology in the Netherlands<br />

in the Age of Renaissance and Baroque<br />

Proceedings of the International Conference Antwerp, 19–21 May 2005<br />

edited by C Van de Velde<br />

Mythology has played an important role in the age of Renaissance and Baroque. The classical myths<br />

have provided themes and subjects for the arts in their different expressions. Mythological figures<br />

and stories have often served as moralist examples and as allegorical points of reference. The pluridisciplinary<br />

study of these phenomena throws light upon the intellectual climate of the period.<br />

394p, paperback, 9789042920521, $95.00, Peeters Publishers, December <strong>2009</strong>,<br />

Travaux de la Renaissance et de l’Humanisme 14.<br />

International Economy in the<br />

“Age of the Discoveries,” 1470–1570<br />

Antwerp and the English Merchants’ World<br />

by Ian Blanchard<br />

This monograph examines the fluctuations of the Anglo-<br />

Netherlands financial and goods markets within the changing<br />

parameters of a nascent European-based “world economy”<br />

(1470–1570). It focuses on the major financial centers of the<br />

time, Antwerp and London, and examines their interdependencies,<br />

as well as their role as agents financing international<br />

trade and the flow of commodity.<br />

288p, 18 b/w illus, 7 plans, 2 tbls, paperback, 9783515093293, $72.00(s), Franz Steiner Verlag,<br />

May <strong>2009</strong>, Studien zur Gewerbe- und Handelsgeschichte der vorindustriellen Zeit 29.<br />

Cultural Mediators<br />

Artists and Writers at the Crossroads of Tradition, Innovation and Reception<br />

in the Low Countries and Italy 1450–1650<br />

edited by Annette de Vries<br />

The essays collected in this volume offer a stimulating, interdisciplinary exploration of the range,<br />

variety and impact of the artist or writer as a cultural mediator, while avoiding a deadlock between<br />

notions of art and literature as subsidiary versus self-contained fields of creative expression.<br />

234p, hardback, 9789042920439, $66.00, Peeters Publishers, December 2008,<br />

Groningen Studies in Cultural Change 31.<br />

renaissance studies<br />

Essays on the<br />

Knights and<br />

Art and Architecture in Malta 1500–1798<br />

by Mario Buhagiar<br />

The essays in this collection represent a selection of studies on the<br />

Knights of St John and the art history of early modern Malta published<br />

between 1964 and 2007.<br />

Contents: Frivolous and Vainglorious Grand Master de Paul; Hughes<br />

de Loubens de Verdalle, Cardinal and Grand Master; The Miraculous<br />

Image of the Madonna of Philermos and its Uniqueness to the Knight<br />

Hospitallers of Jerusalem, Rhodes and Malta; The Treasure of Relics<br />

and Reliquaries of the Knight Hospitallers in Malta; The Treasure<br />

of the Knight Hospitallers in 1530: Reflections and Art Historical<br />

Considerations; Church Art and Architecture in the Fifteenth and<br />

Early Sixteenth Centuries - A Focus on Some of Malta’s Lesser Known<br />

Artistic Heritage; The Baroque Art of the Maltese Islands; Two Signed<br />

Paintings by Giulio Cassarino; The Beheading of St Catherine at<br />

Zejtun, Malta - A Maltese-Sicilian Caravaggist Painting; Paintings<br />

in Gozo - Patronage in a Small Island Community; Images of Death<br />

in Early Modern Paintings in Malta; Malta’s Art Historical Contacts<br />

with France 1530-1798; The Auberge d’Aragon - An Art Historical<br />

Appreciation; The Ceiling of the Church of the Virgin of Victory,<br />

Valletta - Its Significance to the History of Maltese Baroque Painting;<br />

The Paintings of Francesco Vincenzo Zahra (1710-1773) – A Critical<br />

Appreciation; The Church of St James in Merchants Street, Valletta:<br />

An Art Historical Appreciation; Niccolò Nasoni between Malta and<br />

Portugal; Antonio Pippi - A Forgotten Quadraturista; The Cathedral<br />

City of Mdina: A Case Study of Baroque Triumphal Revivalism in<br />

the Central Mediterranean Island Principality of the Knights of<br />

The Hospital of St John; The Portuguese Socio-Artistic Imprint<br />

on Eighteenth Century Malta: The Baroque Triumphalism of Don<br />

Antonio Manoel de Vilhena and Don Emanuel Pinto de Fonseca.<br />

360p, over 100 col illus, hardback, 9789993272465, $65.00,<br />

Midsea <strong>Books</strong>, July <strong>2009</strong>, Maltese Social Studies Series 16.<br />

www.dbbconline.com 55

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