New Distributed Titles Fall 2009 - Oxbow Books
New Distributed Titles Fall 2009 - Oxbow Books
New Distributed Titles Fall 2009 - Oxbow Books
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Boccaccio and the Book<br />
Production and Reading in Italy 1340–1520<br />
by Rhiannon Daniels<br />
As a new digital era increasingly impacts on the ‘age of print’, we are ever more conscious of the way in which information is<br />
packaged and received. The influence of the material form on the reading process was no less important during the gradual shift<br />
from manuscript to early print culture. Focusing on the physical structure and presentation of manuscripts and printed books<br />
containing texts by one of the most influential authors of the medieval period, Rhiannon Daniels traces the evolving social, cultural,<br />
and economic profile of Boccaccio’s readership and the scribes and printers who labored to reproduce three of his works.<br />
200p, hardback, 9781906540494, $89.50, Maney Publishing, September <strong>2009</strong>, Legenda Italian Perspectives 19.<br />
Classical Mythology in the Netherlands<br />
in the Age of Renaissance and Baroque<br />
Proceedings of the International Conference Antwerp, 19–21 May 2005<br />
edited by C Van de Velde<br />
Mythology has played an important role in the age of Renaissance and Baroque. The classical myths<br />
have provided themes and subjects for the arts in their different expressions. Mythological figures<br />
and stories have often served as moralist examples and as allegorical points of reference. The pluridisciplinary<br />
study of these phenomena throws light upon the intellectual climate of the period.<br />
394p, paperback, 9789042920521, $95.00, Peeters Publishers, December <strong>2009</strong>,<br />
Travaux de la Renaissance et de l’Humanisme 14.<br />
International Economy in the<br />
“Age of the Discoveries,” 1470–1570<br />
Antwerp and the English Merchants’ World<br />
by Ian Blanchard<br />
This monograph examines the fluctuations of the Anglo-<br />
Netherlands financial and goods markets within the changing<br />
parameters of a nascent European-based “world economy”<br />
(1470–1570). It focuses on the major financial centers of the<br />
time, Antwerp and London, and examines their interdependencies,<br />
as well as their role as agents financing international<br />
trade and the flow of commodity.<br />
288p, 18 b/w illus, 7 plans, 2 tbls, paperback, 9783515093293, $72.00(s), Franz Steiner Verlag,<br />
May <strong>2009</strong>, Studien zur Gewerbe- und Handelsgeschichte der vorindustriellen Zeit 29.<br />
Cultural Mediators<br />
Artists and Writers at the Crossroads of Tradition, Innovation and Reception<br />
in the Low Countries and Italy 1450–1650<br />
edited by Annette de Vries<br />
The essays collected in this volume offer a stimulating, interdisciplinary exploration of the range,<br />
variety and impact of the artist or writer as a cultural mediator, while avoiding a deadlock between<br />
notions of art and literature as subsidiary versus self-contained fields of creative expression.<br />
234p, hardback, 9789042920439, $66.00, Peeters Publishers, December 2008,<br />
Groningen Studies in Cultural Change 31.<br />
renaissance studies<br />
Essays on the<br />
Knights and<br />
Art and Architecture in Malta 1500–1798<br />
by Mario Buhagiar<br />
The essays in this collection represent a selection of studies on the<br />
Knights of St John and the art history of early modern Malta published<br />
between 1964 and 2007.<br />
Contents: Frivolous and Vainglorious Grand Master de Paul; Hughes<br />
de Loubens de Verdalle, Cardinal and Grand Master; The Miraculous<br />
Image of the Madonna of Philermos and its Uniqueness to the Knight<br />
Hospitallers of Jerusalem, Rhodes and Malta; The Treasure of Relics<br />
and Reliquaries of the Knight Hospitallers in Malta; The Treasure<br />
of the Knight Hospitallers in 1530: Reflections and Art Historical<br />
Considerations; Church Art and Architecture in the Fifteenth and<br />
Early Sixteenth Centuries - A Focus on Some of Malta’s Lesser Known<br />
Artistic Heritage; The Baroque Art of the Maltese Islands; Two Signed<br />
Paintings by Giulio Cassarino; The Beheading of St Catherine at<br />
Zejtun, Malta - A Maltese-Sicilian Caravaggist Painting; Paintings<br />
in Gozo - Patronage in a Small Island Community; Images of Death<br />
in Early Modern Paintings in Malta; Malta’s Art Historical Contacts<br />
with France 1530-1798; The Auberge d’Aragon - An Art Historical<br />
Appreciation; The Ceiling of the Church of the Virgin of Victory,<br />
Valletta - Its Significance to the History of Maltese Baroque Painting;<br />
The Paintings of Francesco Vincenzo Zahra (1710-1773) – A Critical<br />
Appreciation; The Church of St James in Merchants Street, Valletta:<br />
An Art Historical Appreciation; Niccolò Nasoni between Malta and<br />
Portugal; Antonio Pippi - A Forgotten Quadraturista; The Cathedral<br />
City of Mdina: A Case Study of Baroque Triumphal Revivalism in<br />
the Central Mediterranean Island Principality of the Knights of<br />
The Hospital of St John; The Portuguese Socio-Artistic Imprint<br />
on Eighteenth Century Malta: The Baroque Triumphalism of Don<br />
Antonio Manoel de Vilhena and Don Emanuel Pinto de Fonseca.<br />
360p, over 100 col illus, hardback, 9789993272465, $65.00,<br />
Midsea <strong>Books</strong>, July <strong>2009</strong>, Maltese Social Studies Series 16.<br />
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