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The famous game of Cheffe-play, Truely difcouered, and all doubts resolued; So that by reading this fmall Booke thou (halt profit more then by the playing a thoufand Mates. An Exercife full of delight, fit for Princes, or any per/on of what qualitiefoeuer. Newly pubIifhed by A. S. Gent. Printed at London for Roget Jackson, and are to be ibuld at his fhop neere Fleetftreet-Conduit. 1614.
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DAMAGE BOOK
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Oxford University Press London Edin
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PRINTED IN ENGLAND AT THE OXFORD UN
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SHAKESPEARE'S ENGLAND XXVI. THE MAS
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viii SHAKESPEARE'S ENGLAND 126. Map
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SHAKESPEARE'S ENGLAND 183. A Game o
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XVII THE FINE ARTS 11. PAINTING, SC
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PAINTING, SCULPTURE, AND ENGRAVING
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SCHOOL STRATFORD-ON-AVON
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6 SHAKESPEARE'S ENGLAND of these we
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8 SHAKESPEARE'S ENGLAND as it was u
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10 SHAKESPEARE'S ENGLAND the Trojan
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MUSIC 15 § 2. MUSIC BY W. BARCLAY
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MUSIC 17 this was owing principally
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From the painting of 1589 now at Ox
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SHAKESPEARE'S ENGLAND was largely s
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SHAKESPEARE'S ENGLAND series of pri
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24 SHAKESPEARE'S ENGLAND the produc
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MUSIC 25 operetta, may with equal t
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MUSIC 27 among them comes the veter
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SHAKESPEARE'S ENGLAND strings of th
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32 SHAKESPEARE'S ENGLAND The musica
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34 SHAKESPEARE'S ENGLAND Pandarus.
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36 SHAKESPEARE'S ENGLAND in the for
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38 SHAKESPEARE'S ENGLAND Lucius. Th
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SHAKESPEARE'S ENGLAND Harp. A strin
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SHAKESPEARE'S ENGLAND mental accomp
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44 SHAKESPEARE'S ENGLAND The devil
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46 SHAKESPEARE'S ENGLAND Sharp, Hig
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48 SHAKESPEARE'S ENGLAND Tongs. Use
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50 SHAKESPEARE'S ENGLAND §3. ARCHI
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SHAKESPEARE'S ENGLAND phases, each
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ARCHITECTURE 53 symmetrical; and ac
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From the original plan Fig 2 HOLDEN
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ARCHITECTURE 57 If Holdenby be comp
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Fig 4 From an original plan
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Fig 6 MONTAGU TK HOUSE SOMERSET Fit
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64 SHAKESPEARE'S ENGLAND heavy pena
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66 SHAKESPEARE'S ENGLAND doorways t
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ARCHITECTURE 67 knowledge and skill
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Fig. R O O M AT C A R B R O O K H A
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SHAKESPEARE'S ENGLAND of places whe
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SHAKESPEARE'S ENGLAND narrow and th
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ARCHITECTURE 73 splendour of the gr
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HERALDRY 77 choughs, a lion passant
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HERALDRY 79 For the ordinary charge
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HERALDRY 81 During the greater part
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I : **i ELIZABETHAN TOMBS OF THE PE
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84 SHAKESPEARE'S ENGLAND The scanda
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86 (SHAKESPEARE'S ENGLAND these ' g
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88 SHAKESPEARE'S ENGLAND mediaeval
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HERALDRY 89 whereby a man may make
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XIX COSTUME BY PERCY MACQUOID FOR t
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COSTUME 93 With silken coats and ca
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COSTUME 95 strips ; it was covered
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COSTUME 97 A popular form of female
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From HOEFNAGEL'S engraving of NONBS
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ioo SHAKESPEARE'S ENGLAND collars t
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SHAKESPEARE'S ENGLAND became smalle
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SHAKESPEARE'S ENGLAND excessive pad
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108 SHAKESPEARE'S ENGLAND These boo
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COSTUME 109 of velvet some of silk,
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COSTUME i n were worn by all classe
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COSTUME "3 And the Duke of Gloucest
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From CASPAR RUTZ HABITUS VARIARUM G
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n6 SHAKESPEARE'S ENGLAND hollow per
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n8 SHAKESPEARE'S ENGLAND Brooches a
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SHAKESPEARE'S ENGLAND comfort are '
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SHAKESPEARE'S ENGLAND both ends wit
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SHAKESPEARE'S ENGLAND distance so t
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FURNITURE AND PLATE 125 majolica, c
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FURNITURE AND PLATE 127 The curtain
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FURNITURE AND PLATE carried on in E
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FURNITURE AND PLATE 131 points of e
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AN EARLY ELIZABETHAN PANEL-BACKED C
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SHAKESPEARE'S ENGLAND Breakfast was
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136 SHAKESPEARE'S ENGLAND He appear
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138 SHAKESPEARE'S ENGLAND also grow
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140 SHAKESPEARE'S ENGLAND a superfl
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SHAKESPEARE'S ENGLAND care of the t
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SHAKESPEARE'S ENGLAND We read in a
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146 SHAKESPEARE'S ENGLAND made of r
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148 SHAKESPEARE'S ENGLAND wedding o
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CHRISTENING, MARRIAGE, BURIAL CUSTO
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CHRISTENING, MARRIAGE, BURIAL CUSTO
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XXI LONDON AND THE LIFE OF THE TOWN
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LONDON AND THE LIFE OF THE TOWN 155
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NORDEN'S MAP OF LONDON 1593
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158 SHAKESPEARE'S ENGLAND Where be
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160 SHAKESPEARE'S ENGLAND when he h
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162 SHAKESPEARE'S ENGLAND Of Charin
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164 SHAKESPEARE'S ENGLAND Hope thea
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166 SHAKESPEARE'S ENGLAND to himsel
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From VISSCHKR'S VIEW OF LONDON 1616
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176 SHAKESPEARE'S ENGLAND Passing t
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i78 SHAKESPEARE'S ENGLAND Bridge st
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180 SHAKESPEARE'S ENGLAND stead and
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xxif AUTHORS AND PATRONS BY D. NICH
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184 SHAKESPEARE'S ENGLAND money for
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186 SHAKESPEARE'S ENGLAND money it
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AUTHORS AND PATRONS 187 A Soldyer a
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AUTHORS AND PATRONS 189 arte of ryd
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AUTHORS AND PATRONS he did not owe
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From CHAPMAN'S WO/(/(S OF HOMER 161
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96 SHAKESPEARE'S ENGLAND before Lei
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198 SHAKESPEARE'S ENGLAND been no A
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200 SHAKESPEARE'S ENGLAND and delig
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AUTHORS AND PATRONS 201 Choice of V
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AUTHORS AND PATRONS he gradually to
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From DRAYTON'S POLY-OLBION I 613 PR
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206 SHAKESPEARE'S ENGLAND Pleasure
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208 SHAKESPEARE'S ENGLAND reward fo
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SHAKESPEARE'S ENGLAND Sometimes a d
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XXIII BOOKSELLERS, PRINTERS, AND TH
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SHAKESPEARE'S ENGLAND wares more re
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2i6 SHAKESPEARE'S ENGLAND The maint
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218 SHAKESPEARE'S ENGLAND Chancello
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220 SHAKESPEARE'S ENGLAND subjects
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BOOKSELLERS, PRINTERS, STATIONERS 2
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ACTORS AND ACTING 241 Schoole of Ab
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HISTRIO-MASTIX. PLAYERS T JCOVRGE,
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ACTORS AND ACTING 245 criticize :
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ACTORS AND ACTING 247 a chopine. Pr
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From the STRATFORD-ON-AVON MONUMENT
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250 SHAKESPEARE'S ENGLAND Within th
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ACTORS AND ACTING 251 on which he b
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ACTORS AND ACTING 253 tion. Gower p
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ACTORS AND ACTING 255 And Phibbus'
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ACTORS AND ACTING 257 described in
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From HARLEIAN MS 3885 P O R T R A I
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260 SHAKESPEARE'S ENGLAND And let t
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262 SHAKESPEARE'S ENGLAND afterward
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264 SHAKESPEARE'S ENGLAND REHEARSAL
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266 SHAKESPEARE'S ENGLAND could als
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268 SHAKESPEARE'S ENGLAND A very in
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SHAKESPEARE'S ENGLAND This points t
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ACTORS AND ACTING 271 like Thisbe i
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ACTORS AND ACTING 273 At the words
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ACTORS AND ACTING 275 THE PERFORMAN
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ACTORS AND ACTING 277 Prynne record
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ACTORS AND ACTING 279 and doubtless
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V- From the painting at DULWICH COL
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282 SHAKESPEARE'S ENGLAND BIBLIOGRA
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284 SHAKESPEARE'S ENGLAND to this o
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286 SHAKESPEARE'S ENGLAND structure
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THE PLAYHOUSE 287 public theatre we
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THE PLAYHOUSE 289 in 1594; and when
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THE PLAYHOUSE 291 however, was but
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THE PLAYHOUSE 293 a ' shadow or cov
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THE PLAYHOUSE 295 THE STRUCTURE OF
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Frontispiece oi F. Kirkman. The Wit
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From De Witt's drawing of the SWAN
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THE PLAYHOUSE 301 between the pilla
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THE PLAYHOUSE 303 suggest—at the
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THE PLAYHOUSE 305 the stage, two of
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THE PLAYHOUSE 307 is the evidence p
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THE PLAYHOUSE 309 purpose of the mo
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XXVI THE MASQUE BY PERCY SIMPSON TH
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PENTHESILEA in The Marque of Queene
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SHAKESPEARE'S ENGLAND the intimatio
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316 SHAKESPEARE'S ENGLAND Nor no wi
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THE MASQUE 317 pageant was ' a ship
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CAMILLA in The Masque of Queenes by
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320 SHAKESPEARE'S ENGLAND had kept
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SHAKESPEARE'S ENGLAND Descending, t
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324 SHAKESPEARE'S ENGLAND ' The che
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THE MASQUE 325 the ladies, and foug
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CANDACE in The Masque of Queenes by
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328 SHAKESPEARE'S ENGLAND attempted
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THE MASQUE 329 of these is the Icon
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ZENOBIA in The Masque of Queenes by
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SHAKESPEARE'S ENGLAND head, and at
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XXVII SPORTS AND PASTIMES § i. HUN
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336 SHAKESPEARE'S ENGLAND hound'. T
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338 SHAKESPEARE'S ENGLAND Ben Jonso
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340 SHAKESPEARE'S ENGLAND not and c
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SHAKESPEARE'S ENGLAND tors seem to
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344 SHAKESPEARE'S ENGLAND To the wh
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346 SHAKESPEARE'S ENGLAND Game, ' f
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348 SHAKESPEARE'S ENGLAND My love s
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350 SHAKESPEARE'S ENGLAND pleasure
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352 SHAKESPEARE'S ENGLAND in 1575.
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354 SHAKESPEARE'S ENGLAND three kin
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356 SHAKESPEARE'S ENGLAND Latham no
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358 SHAKESPEARE'S ENGLAND the bells
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360 SHAKESPEARE'S ENGLAND out all t
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FALCONRY 361 To see how God in all
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FALCONRY 363 and enewed it. 1 And s
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FALCONRY 365 good advice; yet Edmun
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COURSING, FOWLING, ANGLING 367 § 3
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COURSING, FOWLING 369 To coast was
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FOWLING 371 Or if thou wilt goe sho
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THE STALKING HORSE by JOANNES STRAD
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SHAKESPEARE'S ENGLAND by tickling (
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376 SHAKESPEARE'S ENGLAND § 4. ARC
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378 SHAKESPEARE'S ENGLAND more with
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380 SHAKESPEARE'S ENGLAND according
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382 SHAKESPEARE'S ENGLAND while in
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384 SHAKESPEARE'S ENGLAND Reference
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386 SHAKESPEARE'S ENGLAND Allusion
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388 SHAKESPEARE'S ENGLAND exacting
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SHAKESPEARE'S ENGLAND gratulates Ba
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392 SHAKESPEARE'S ENGLAND Espagnole
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394 SHAKESPEARE'S ENGLAND Reader. T
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396 SHAKESPEARE'S ENGLAND thought i
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398 SHAKESPEARE'S ENGLAND The Spani
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FENCING AND DUELLING under the patr
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FENCING AND DUELLING ' Foin ', an o
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FENCING AND DUELLING 403 ' Practise
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FENCING AND DUELLING 405 loyalty an
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FENCING AND DUELLING and Lawes of A
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From JOANNES STRADANUS EQVILE 1570
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4io SHAKESPEARE'S ENGLAND would tel
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HORSEMANSHIP, WITH FARRIERY 411 Con
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From A DE PLUVINEL'S MANEIGE ROYAL
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SHAKESPEARE'S ENGLAND Markham says,
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HORSEMANSHIP, WITH FARRIERY 415 Sir
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HORSEMANSHIP, WITH FARRIERY 417 bet
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HORSEMANSHIP, WITH FARRIERY 419 sou
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HORSEMANSHIP, WITH FARRIERY 421 A h
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HORSEMANSHIP, WITH FARRIERY 423 But
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HORSEMANSHIP, WITH FARRIERY 425 is
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HORSEMANSHIP, WITH FARRIERY 427 A n
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BEARBAITING AND BULLBAITING admitte
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BEARBAITING AND BULLBAITING 431 bai
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BEARBAITING AND BULLBAITING 433 of
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COCKFIGHTING 435 became numerous in
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DANCING 437 $8. DANCING BY A. FORBE
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Kemps nine daies wonder Performed i
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DANCING 441 like a reel. Sir John D
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Fro m the PICTURE in the FITZWILLI
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444 SHAKESPEARE'S ENGLAND much alte
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446 SHAKESPEARE'S ENGLAND It may be
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448 SHAKESPEARE'S ENGLAND Five was
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450 SHAKESPEARE'S ENGLAND derived f
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452 SHAKESPEARE'S ENGLAND in sport
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454 SHAKESPEARE'S ENGLAND dancing,
Page 1132: 456 SHAKESPEARE'S ENGLAND a fall wi
Page 1136: 458 SHAKESPEARE'S ENGLAND In the ne
Page 1140: 460 SHAKESPEARE'S ENGLAND From bein
Page 1144: 462 SHAKESPEARE'S ENGLAND of a ball
Page 1152: 464 SHAKESPEARE'S ENGLAND the game
Page 1156: 466 SHAKESPEARE'S ENGLAND employed
Page 1160: 468 SHAKESPEARE'S ENGLAND The Merry
Page 1164: 470 SHAKESPEARE'S ENGLAND Of the ba
Page 1168: 472 SHAKESPEARE'S ENGLAND Aaron, re
Page 1174: GAMES 473 In the Sydney Papers 1 we
Page 1178: GAMES 475 of the names of a game, 1
Page 1184: 478 SHAKESPEARE'S ENGLAND then, to
Page 1188: 480 SHAKESPEARE'S ENGLAND Blind-man
Page 1192: 482 SHAKESPEARE'S ENGLAND Hot-cockl
Page 1196: XXVIII ROGUES AND VAGABONDS BY CHAR
Page 1200: 486 SHAKESPEARE'S ENGLAND the count
Page 1204: 488 SHAKESPEARE'S ENGLAND . a dange
Page 1210: A FORGED PASSPORT WITH WHICH A VAGA
Page 1218: ROGUES AND VAGABONDS 489 were sure
Page 1222: ROGUES AND VAGABONDS 491 ment of va
Page 1226: From HARMAN'S CAVEAT i
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494 SHAKESPEARE'S ENGLAND sure) tha
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496 SHAKESPEARE'S ENGLAND travelled
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498 SHAKESPEARE'S ENGLAND explains
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500 SHAKESPEARE'S ENGLAND same end
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502 SHAKESPEARE'S ENGLAND and deliv
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504 SHAKESPEARE'S ENGLAND fat knigh
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506 SHAKESPEARE'S ENGLAND The haple
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508 SHAKESPEARE'S ENGLAND Worship,
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510 SHAKESPEARE'S ENGLAND neglect d
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512 SHAKESPEARE'S ENGLAND broadside
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514 SHAKESPEARE'S ENGLAND ale-blown
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516 SHAKESPEARE'S ENGLAND ' a prope
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518 SHAKESPEARE'S ENGLAND These bal
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520 SHAKESPEARE'S ENGLAND Styrrop '
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522 SHAKESPEARE'S ENGLAND whom ther
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524 SHAKESPEARE'S ENGLAND of the fa
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526 SHAKESPEARE'S ENGLAND There dwe
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528 SHAKESPEARE'S ENGLAND End of Ip
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SHAKESPEARE'S ENGLAND in the Statio
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532 SHAKESPEARE'S ENGLAND preserved
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534 SHAKESPEARE'S ENGLAND and stran
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536 SHAKESPEARE'S ENGLAND drawing t
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BALLADS AND BROADSIDES 537 BIBLIOGR
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XXX SHAKESPEARE'S ENGLISH BY HENRY
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SHAKESPEARE'S ENGLISH 541 recommend
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SHAKESPEARE'S ENGLISH 543 of them h
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SHAKESPEARE'S ENGLISH 545 English U
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SHAKESPEARE'S ENGLISH visible symbo
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SHAKESPEARE'S ENGLISH substantives
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SHAKESPEARE'S ENGLISH 551 that the
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SHAKESPEARE'S ENGLISH 553 century h
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SHAKESPEARE'S ENGLISH 555 often use
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SHAKESPEARE'S ENGLISH 557 ordinaril
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SHAKESPEARE'S ENGLISH 559 taken pla
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SHAKESPEARE'S ENGLISH 561 origin us
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From HART'S ORTHOCRAPHIF. 1569
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564 SHAKESPEARE'S ENGLAND verb to i
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566 SHAKESPEARE'S ENGLAND considera
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568 SHAKESPEARE'S ENGLAND the tyran
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570 SHAKESPEARE'S ENGLAND DIALECT T
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572 SHAKESPEARE'S ENGLAND adjoining
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574 SHAKESPEARE'S ENGLAND BIBLIOGRA
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576 INDEX OF PASSAGES CITED The Com
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578 The Second Henry IV III. ii. 30
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580 INDEX OF PASSAGES CITED
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586 INDEX OF PASSAGES CITED *
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588 INDEX OF PROPER NAMES Bennet, J
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590 D.,T.,i.268. Dallam, Thomas, ii
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592 Grimald, Nicholas, i. 263. Grin
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594 La Vega, L. G. de, ii. I93. Law
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596 Loughborough, Leics., i. 315. L
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598 Plymouth. Devon, 1. 329, ii. 53
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6oo INDEX OF PROPER NAMES Style, Th
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INDEX OF SUBJECTS AND TECHNICAL TER
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604 INDEX OF SUBJECTS cock-fighting
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6o6 INDEX OF SUBJECTS hedgehog, i.
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6o8 INDEX OF SUBJECTS potato, i. 35
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6xo INDEX OF SUBJECTS, ETC. urchin,
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