It's Back! - Oklahoma Visual Arts Coalition

It's Back! - Oklahoma Visual Arts Coalition It's Back! - Oklahoma Visual Arts Coalition

22.02.2013 Views

12 reviews Dragon Dance by Ron Fleming. redwood burl, from the exhibit Sacred Hybrids at Living ArtSpace, December 2-23, 2004, Tulsa, OK. Sacred Hybrids There is a piece entitled, Nurture or Nature, in the Sacred Hybrids exhibit at Tulsa’s Living ArtSpace. The work is a bowl-shaped vessel of manzanita burl and gourd – beautifully gnarled, organic and irregular - that holds in its center a cradled shell from which an egg, born of polished stone, has emerged. A succession of protective orbs and vessels - molded by nature, molded by hands – this piece also holds in its center the essence of a collaborative exhibition by two Tulsa artists, Ron Fleming and Linda Stilley. If this title, Nurture or Nature, poses as a question, then this exhibit sets up a compelling dialogue between the two. And, if this title is the answer to a question, then it’s easy to accept its harmonious resolution. Vessels and bowls, urns and jars metamorphose into womb-like forms, alternately protective and vulnerable, inviting you to witness the birth and decay of nature. An intriguing combination of bio-morphic and geometric designs, natural and mannered surfaces, this collection reveals the individual style of each artist, but resolves itself best in the works which join the two most evocatively; these are the “sacred hybrids.” Ron Fleming’s turned-wood sculptures are texturally diverse and expressive. There are the simple vessels, with geometric patterns, combining smooth and jagged edges, like Pyramidal Vessel, made of spalted (a process of rotting the wood to create a pattern) by Rhonda S. Davis hackberry. Other works are composed of more elaborate, complex open and closed forms, playing off outer and inner light patterns. Serpico, a small vessel, retains the natural irregularities and openings of buckeye burl, allowing the light to shine through circular openings, repeating the cast light shapes from its exposed interior. Open and closed forms take a most ornate turn in Dragon Dance, made of redwood burl and mannered into fluid, leaf-like spirals. The hand of Linda Stilley becomes evident in the adornment of many of the works present, not just riding upon their surface, but penetrating into their content and three-dimensionality. Primarily a painter who has also worked in clay, Stilley appears to slip effortlessly into a collective consciousness with Fleming, elaborating on the integration of the tactile and spiritual by using opaque and translucent acrylic washes and the introduction of fetishes in the form of extraneous objects, such as beads and feathers. Time Frame incorporates hackberry, acrylic, leather, copper, stone and bone into a vessel. The repetition and subsequent patterns composed of these ornate features suggests musical rhythm, with perhaps ritualistic associations. At times, Stilley vacillates between suggestively unrestrained brushwork and the insistence of order, as she complements the forms. Method and content are tightly woven in this exhibit. Naturally evolving and deteriorating wood, suggestive of transition and the passage of time, crosses paths with the touch of the artists’ hands - gentle hands, playing off the stage of life of the material itself and intent on preserving its inherent beauty, but firm and molding hands as well. Metamorphosis rests in three pieces, made of sycamore, acrylics, hackberry, walnut and cocobolo. Like Nurture or Nature, it addresses the core of our existence, as it joins man and environment through the birth of one from the other. Smooth egg shapes that have left behind their broken shells, jagged from the break or trauma of birth, serve as symbolic reminders of both life’s protection and destruction. There is an implied tenderness toward the natural condition of the woods and materials in this collection – a respect for their innate qualities. There is the mark of the artist as well, searching for and determining his or her creative, but respectful role. Fleming and Stilley found a good match with each other for their respective aesthetics when they joined forces here, establishing a dynamic not unlike the one which exists in the play of the concepts of nature and nurture they address. It’s a dynamic operating on many levels, including one which reminds us of a shared passage of time with nature’s resources, where we recognize and find universal concepts of beauty.

Back to Basics Photography In an age where digital photography has become the norm, this exhibit will take an alternative view and feature Oklahoma and regional artists preferring light and the camera over a computer screen and Photoshop. A variety of photographic techniques such as Cyanotype, Polaroid Transfer and Daguerreotype will be on display. Back to Basics Photography and Eye Spy, a coinciding exhibition of children’s photography, will be on display April 28 – May 31, 2005 in the Eleanor Kirkpatrick Gallery at City Arts Center. There will be an opening reception on Thursday, April 28, 2005 from 5:30 -7:30pm. The Back to Basics Photography exhibit has been included in the 2005 gallery season to showcase the variety of styles and techniques within the medium of alternative photography. Don’t let the name “Back to Basics” deceive you! This exhibit will offer exceptional work that is anything but elementary! This celebration of the basic relationship between artist and camera has produced work that is innovative and contemporary. Each artist has explored alternative processes to develop a body of work with a fresh and unique appeal. Some artists such as Jim Meeks’ images will explore man-made objects in basic geometric shapes that were found in various places and that had either been thrown away or left to rust and decay. “I like the character these objects take on over time, the basic shapes, their commonness and the process of searching for them,” says Meeks. His works have been featured recently in the International Photography Hall of Fame in Oklahoma City and a number of his images are in public and private collections throughout the United States and Europe. Sarah Williams has returned to Oklahoma City from New York and is now making her presence in art venues in the Oklahoma market. Williams’ images are the result of a unique process that she has developed. In Topography of the Brain, Williams began with colored pencil and ink drawings, coated with cooking spray and baked in the oven, resulting in an orange cast. She then coated the drawings with gel medium making them printable. She has refined the process and her experience allows her the ability to color balance her imagery. “I immerse myself in the creative process beyond traditional techniques. The alchemy and unexpected surprises that are possible with processing prints by hand allow my creativity to flourish beyond the creation of a negative or a print,” says Williams. Dallas based artist Kimberly Rodriguez is the Merchandising Coordinator for Wright Studios which produces small product catalogues. Catalogue photography requires detailed attention to presentation, placement and lighting. In contrast Rodriguez prefers to photograph the world without manipulation. Rodriguez comments, “I want to show how or where things were before they were lit, shot and burned to a disc. The minute details that make up the world around me speak to me.” Using a Holga camera, she has allowed the natural occurrences of light leaks and ghosting previews to affect her composition. She creates an interesting visual collage of disoriented subject matter combined with scenes from daily life. Back to Basics Photography promises to be a photographic journey into the contemporary world of alternative process photography. Images will be presented in a wide variety of unique formats including light boxes, photographic constructions and installation pieces. In addition, there will be a coinciding children’s photography exhibit Eye Spy in the back of the gallery. Under the guidance of a professional photographer, children will be given cameras to photograph the world as they see it. This exhibit opportunity has been made possible by Kirkpatrick Bank. The Eleanor Kirkpatrick Gallery is located in City Arts Center at State Fair Park, 3000 General Pershing Blvd., OKC, OK. For more information or call 951-0000, gallery hours are Monday - Thursday 9:00 a.m. - 10:00 p.m. and Friday - Saturday 9:00 a.m. - 5:00 p.m. Jim Meeks Campbell Center Back to Basics Photography at City Arts Kimberly Rodriquez NY Strip Back to Basics Photography at City Arts 13

<strong>Back</strong> to Basics<br />

Photography<br />

In an age where digital photography has<br />

become the norm, this exhibit will take<br />

an alternative view and feature <strong>Oklahoma</strong><br />

and regional artists preferring light and the<br />

camera over a computer screen and Photoshop.<br />

A variety of photographic techniques<br />

such as Cyanotype, Polaroid Transfer and<br />

Daguerreotype will be on display. <strong>Back</strong> to<br />

Basics Photography and Eye Spy, a coinciding<br />

exhibition of children’s photography, will<br />

be on display April 28 – May 31, 2005 in<br />

the Eleanor Kirkpatrick Gallery at City <strong>Arts</strong><br />

Center. There will be an opening reception on<br />

Thursday, April 28, 2005 from 5:30 -7:30pm.<br />

The <strong>Back</strong> to Basics Photography exhibit<br />

has been included in the 2005 gallery<br />

season to showcase the variety of styles<br />

and techniques within the medium of<br />

alternative photography. Don’t let the<br />

name “<strong>Back</strong> to Basics” deceive you! This<br />

exhibit will offer exceptional work that is<br />

anything but elementary! This celebration<br />

of the basic relationship between artist and<br />

camera has produced work that is innovative<br />

and contemporary. Each artist has explored<br />

alternative processes to develop a body<br />

of work with a fresh and unique appeal.<br />

Some artists such as Jim Meeks’ images<br />

will explore man-made objects in basic<br />

geometric shapes that were found in various<br />

places and that had either been thrown<br />

away or left to rust and decay. “I like the<br />

character these objects take on over time,<br />

the basic shapes, their commonness and the<br />

process of searching for them,” says Meeks.<br />

His works have been featured recently in<br />

the International Photography Hall of Fame<br />

in <strong>Oklahoma</strong> City and a number of his<br />

images are in public and private collections<br />

throughout the United States and Europe.<br />

Sarah Williams has returned to <strong>Oklahoma</strong><br />

City from New York and is now making<br />

her presence in art venues in the <strong>Oklahoma</strong><br />

market. Williams’ images are the result of<br />

a unique process that she has developed. In<br />

Topography of the Brain, Williams began with<br />

colored pencil and ink drawings, coated<br />

with cooking spray and baked in the oven,<br />

resulting in an orange cast. She then coated<br />

the drawings with gel medium making them<br />

printable. She has refined the process and<br />

her experience allows her the ability to color<br />

balance her imagery. “I immerse myself in the<br />

creative process beyond traditional techniques.<br />

The alchemy and unexpected surprises that are<br />

possible with processing prints by hand allow<br />

my creativity to flourish beyond the creation of<br />

a negative or a print,” says Williams.<br />

Dallas based artist Kimberly Rodriguez is<br />

the Merchandising Coordinator for Wright<br />

Studios which produces small product<br />

catalogues. Catalogue photography requires<br />

detailed attention to presentation, placement<br />

and lighting. In contrast Rodriguez prefers to<br />

photograph the world without manipulation.<br />

Rodriguez comments, “I want to show how or<br />

where things were before they were lit, shot<br />

and burned to a disc. The minute details that<br />

make up the world around me speak to me.”<br />

Using a Holga camera, she has allowed the<br />

natural occurrences of light leaks and ghosting<br />

previews<br />

to affect her composition. She creates an<br />

interesting visual collage of disoriented subject<br />

matter combined with scenes from daily life.<br />

<strong>Back</strong> to Basics Photography promises to<br />

be a photographic journey into the<br />

contemporary world of alternative process<br />

photography. Images will be presented in<br />

a wide variety of unique formats including<br />

light boxes, photographic constructions<br />

and installation pieces.<br />

In addition, there will be a coinciding<br />

children’s photography exhibit Eye Spy in<br />

the back of the gallery. Under the guidance<br />

of a professional photographer, children will<br />

be given cameras to photograph the world<br />

as they see it. This exhibit opportunity has<br />

been made possible by Kirkpatrick Bank.<br />

The Eleanor Kirkpatrick Gallery is located<br />

in City <strong>Arts</strong> Center at State Fair Park, 3000<br />

General Pershing Blvd., OKC, OK. For more<br />

information or call 951-0000, gallery hours<br />

are Monday - Thursday 9:00 a.m. - 10:00 p.m.<br />

and Friday - Saturday 9:00 a.m. - 5:00 p.m.<br />

Jim Meeks<br />

Campbell Center<br />

<strong>Back</strong> to Basics<br />

Photography at<br />

City <strong>Arts</strong><br />

Kimberly Rodriquez<br />

NY Strip<br />

<strong>Back</strong> to Basics Photography<br />

at City <strong>Arts</strong><br />

13

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