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V –0 08 - Rehoboth Beach Film Society

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sIdebar: war<br />

War, a word that says so much: conflict; hostilities; combat; death. The subject has been at the<br />

forefront of our minds as well as the topic of many films due to the current wars raging in Iraq and<br />

Afghanistan. This sidebar does not focus on the current vision of war, but rather on wars gone by,<br />

primarily looking at the social ramifications.<br />

Some people may say “why highlight or bring attention to such a somber issue”? Others will agree<br />

it is important to look at an issue head-on and hopefully learn from the ways of the past and become<br />

better. As is often said, if we do not learn from the past, we will be stuck in the loop of history<br />

repeating itself. In the subject of War, this statement rings true!<br />

a secret<br />

[pg. 25]<br />

World War II serves as the subject of this<br />

story of François, a Jewish boy living in<br />

post-World War II Paris, who puzzles<br />

together his parents’ past and discovers<br />

a secret within his ordinary family as<br />

they are caught up in forces beyond their<br />

control. Once again we tend not to focus<br />

on the war itself, but the impact it has on<br />

one class of people and in particular one<br />

extended family.<br />

buddha collapsed<br />

out of shame [pg. 27]<br />

On her way to school, an Iranian girl<br />

meets up with a group of boys playing war<br />

-- not “cowboys and Indians” as many of<br />

us grew up playing, but “Americans and<br />

Taliban.” The boys “capture” her, and the<br />

threat of play becoming real intensifies.<br />

This is a film not necessarily about war,<br />

but one where war and the looming threat<br />

of conflict surely impacts the story, the<br />

characters and the eventual outcomes.<br />

Even the surroundings (bombed out<br />

landscapes) showcase the threat of war.<br />

under the bombs<br />

[pg. 43]<br />

We turn to the Israeli/Palestinian conflict<br />

for this film. In this personal drama (shot<br />

ten days after the actual 2006 Israeli<br />

bombing in Lebanon), a woman hires a<br />

dubious taxi driver who is daring enough<br />

to drive her into the bombed out area<br />

of southern Lebanon and help find her<br />

missing son. Not only does the conflict<br />

serve as the backdrop, but the barren,<br />

burned out landscapes (the after affects<br />

of war) serve as another character in this<br />

story of the ravages of war.<br />

69<br />

sidebar: War

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