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V –0 08 - Rehoboth Beach Film Society

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A Secret is a well-crafted film involving illicit passion,<br />

jealousy, and the loss of loved ones to the scourge of the<br />

Holocaust. As a child in the ‘50s, François could never live up<br />

to the expectations of his robust, gymnast father. Frail and<br />

sickly, he was sure that somehow he didn’t belong, that there<br />

was something amiss with his otherwise picture-perfect<br />

family. To confound him even more, he has an imaginary<br />

brother who shares his world. Imaginary, yes, but seemingly<br />

real and alive. When a neighbor tells François the secret<br />

behind his family, the film transports us back to months right<br />

before the outbreak of the war. It was a moment in which<br />

France’s Jewish community was divided between those who<br />

believed that a German invasion would spell disaster and<br />

those who believed their “Frenchness” would protect them.<br />

Veit Helmer’s inventive, allegorical comedy introduces us to<br />

Absurdistan, a once-beautiful, now utterly desolate, land. In<br />

a water-starved village, two childhood sweethearts, Aya and<br />

Temelko, await the date (foretold by Aya’s grandmother) that<br />

a perfect celestial alignment will bless their first night of love.<br />

An intrepid inventor, Temelko plans to repair the aging water<br />

pipe, but the apathetic older men scoff at his designs. The<br />

women, fed up with the men’s inaction, take matters into their<br />

own hands and declare a strike. No water, no sex. The gender<br />

lines are drawn, reinforced with barbed wire, and our young<br />

lovers find themselves on opposite sides of a fast-escalating<br />

feud. The imprint of Helmer’s imagination is ubiquitous. He<br />

directs like a kid tearing through his toy chest. Mechanically<br />

obsessed, Helmer filters life through outlandish, homespun<br />

a secret<br />

(un secret)<br />

Grand Prix of the Americas Prize at the Montréal<br />

World <strong>Film</strong> Festival<br />

WED NOV 5 7:40 PM-9:25 PM<br />

THuRS NOV 6 5:25 PM-7:20 PM<br />

FRI NOV 7 3:45 PM-5:40 PM<br />

SuN NOV 9 12:40 PM-2:30 PM<br />

*This film is part of the War sidebar<br />

Adapting Philippe Grimbert’s autobiographical novel (soon to<br />

be published in the u.S.), Claude Miller employs a complex,<br />

yet easily followed flashback structure that also features<br />

sequences set in 1985 to show how the tides of history and<br />

family memory continue to affect the present. A Secret is<br />

Claude Miller’s 13th feature and caps a career that began in<br />

the 1970’s with such milestone films as The Best Way to Walk<br />

and This Sweet Sickness.<br />

[Dir. claude Miller, 2007, France, 35mm, 105 mins.<br />

in French with English subtitles]<br />

Website: www.unsecret-lefilm.com/<br />

absurdIstan<br />

Best <strong>Film</strong> Bavarian <strong>Film</strong> Awards<br />

THuRS NOV 6 2:25 PM- 4:00 PM<br />

SPONSORED BY: NANCY LEGGOE<br />

FRI NOV 7 1:50 PM-3:25 PM<br />

SAT NOV 8 10:15 AM-11:50 AM<br />

contraptions. If Aya’s first night of love is to elevate her soul, in<br />

Helmer’s world, the flight comes courtesy of a rickety scrapheap<br />

rocket atop rusty barrels of kerosene. Brilliantly satirical<br />

(here are villagers who build an elaborate aqueduct, and<br />

then collectively forget how it works), ever witty, and dipping<br />

self-reflexively into a myriad of cinematic styles, Absurdistan<br />

contains the signature theatricality of Helmer’s many shorts<br />

and earlier feature, Tuvalu. It’s a philosophic parable that<br />

glides weightlessly along (no doubt suspended by pulleys and<br />

ropes hooked to a donkey). Welcome to Absurdistan.<br />

[Dir. Viet helmer, Azerbaijan, 2007, 35mm, 88 mins.<br />

in Russian with English subtitles]<br />

25<br />

feaTure films

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