nov 10-14 2010 - Rehoboth Beach Film Society
nov 10-14 2010 - Rehoboth Beach Film Society
nov 10-14 2010 - Rehoboth Beach Film Society
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Very little is known about Dadasaheb Phalke, the father<br />
of Indian cinema who made the first Indian motion<br />
picture. His life, the struggles and huge obstacles he<br />
had to face while making the first film is an interesting<br />
account to be captured on celluloid. The film begins in<br />
1911. Phalke gets separated from his business partner<br />
with whom he was running a printing business. As his<br />
family is struggling to make ends meet, he comes across<br />
a tent theatre that is screening a Western silent motion<br />
picture. This was a time when movies were patronized<br />
only by the Westerners. However, Phalke is fascinated<br />
by what he sees and he calls it ‘drama on screen’. He<br />
decides to learn the art of filmmaking and then himself<br />
make a film. His friends and well-wishers are outraged<br />
by Phalke’s new endeavor but his wife, Saraswati,<br />
Saying goodbye to the ones we love is perhaps the most<br />
difficult part of life. The end of one’s life has never<br />
been an easy thing to watch and, therefore, has rarely<br />
been documented as well as it is in the very real and<br />
sincere narrative Harvest. Josh is a college student who<br />
sacrifices his last summer with friends to spend it with<br />
his vivacious grandfather Siv, who is dying from cancer.<br />
Though at first Josh is against the idea of three boring<br />
months away from his girlfriend, by the end of the film<br />
he has learned many lessons about the importance of<br />
family and what it means to let someone go. The story<br />
successfully captures the immense pain Josh’s mother<br />
and two uncles must go through as they care for both<br />
harishchandrachi Factory<br />
India’s entry into the Oscars for Best Foreign<br />
Language <strong>Film</strong> 20<strong>10</strong><br />
Thurs Nov 11 7:05 PM-8:45 PM<br />
FrI Nov 12 4:30 PM-6:<strong>10</strong> PM<br />
supports him and doesn’t cringe when Phalke starts selling household<br />
articles to raise money. He even goes to London to learn the art. He<br />
comes back to India, enriched, and decides to make a motion picture<br />
on Raja Harishchandra. Financial woes, temporary blindness and the<br />
disdain of friends and associates do not deter him. The film is sweet,<br />
simple and extremely hilarious! It not only provides you with a slice of<br />
history but also complete and wholesome entertainment!<br />
[dir. paresh mokashi, 2009, india, 35mm, 96 mins. in marathi with English<br />
subtitles]<br />
Website: www.harishchandrachifactory.utvnet.com<br />
[this film is part of country Spotlight: india]<br />
harVest<br />
Best American Independent <strong>Film</strong>, Cleveland Sponsored by:<br />
International <strong>Film</strong> Festival, Best home-Grown <strong>Film</strong>,<br />
Connecticut <strong>Film</strong> Festival<br />
sAT Nov 13 4:05 PM-6:00 PM Sharon Miken and Tully Moore Miken<br />
for L.E.A.P. (Literacy Education<br />
Assistance Pups)<br />
suN Nov <strong>14</strong> <strong>10</strong>:00 AM-12:00 PM<br />
their father and their critically senile mother. The authenticity of its<br />
characters is what truly makes Harvest an unforgettable film. The<br />
dysfunction of this family – which has suffered divorce, depression,<br />
greed, and now the ugliness of cancer – creates a strong sense of<br />
connection to real life and the idea of waiting to die. The film asks the<br />
difficult question of why many wait until the end of their lives to live<br />
the way they had always wanted. Forgiveness, family, love, memories.<br />
These are the things we take with us.<br />
[dir. marc meyers, 20<strong>10</strong>, uS, video, <strong>10</strong>2 mins]<br />
Website: www.raisingharvest.com<br />
39<br />
feaTuRe fIlms