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nov 10-14 2010 - Rehoboth Beach Film Society

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Very little is known about Dadasaheb Phalke, the father<br />

of Indian cinema who made the first Indian motion<br />

picture. His life, the struggles and huge obstacles he<br />

had to face while making the first film is an interesting<br />

account to be captured on celluloid. The film begins in<br />

1911. Phalke gets separated from his business partner<br />

with whom he was running a printing business. As his<br />

family is struggling to make ends meet, he comes across<br />

a tent theatre that is screening a Western silent motion<br />

picture. This was a time when movies were patronized<br />

only by the Westerners. However, Phalke is fascinated<br />

by what he sees and he calls it ‘drama on screen’. He<br />

decides to learn the art of filmmaking and then himself<br />

make a film. His friends and well-wishers are outraged<br />

by Phalke’s new endeavor but his wife, Saraswati,<br />

Saying goodbye to the ones we love is perhaps the most<br />

difficult part of life. The end of one’s life has never<br />

been an easy thing to watch and, therefore, has rarely<br />

been documented as well as it is in the very real and<br />

sincere narrative Harvest. Josh is a college student who<br />

sacrifices his last summer with friends to spend it with<br />

his vivacious grandfather Siv, who is dying from cancer.<br />

Though at first Josh is against the idea of three boring<br />

months away from his girlfriend, by the end of the film<br />

he has learned many lessons about the importance of<br />

family and what it means to let someone go. The story<br />

successfully captures the immense pain Josh’s mother<br />

and two uncles must go through as they care for both<br />

harishchandrachi Factory<br />

India’s entry into the Oscars for Best Foreign<br />

Language <strong>Film</strong> 20<strong>10</strong><br />

Thurs Nov 11 7:05 PM-8:45 PM<br />

FrI Nov 12 4:30 PM-6:<strong>10</strong> PM<br />

supports him and doesn’t cringe when Phalke starts selling household<br />

articles to raise money. He even goes to London to learn the art. He<br />

comes back to India, enriched, and decides to make a motion picture<br />

on Raja Harishchandra. Financial woes, temporary blindness and the<br />

disdain of friends and associates do not deter him. The film is sweet,<br />

simple and extremely hilarious! It not only provides you with a slice of<br />

history but also complete and wholesome entertainment!<br />

[dir. paresh mokashi, 2009, india, 35mm, 96 mins. in marathi with English<br />

subtitles]<br />

Website: www.harishchandrachifactory.utvnet.com<br />

[this film is part of country Spotlight: india]<br />

harVest<br />

Best American Independent <strong>Film</strong>, Cleveland Sponsored by:<br />

International <strong>Film</strong> Festival, Best home-Grown <strong>Film</strong>,<br />

Connecticut <strong>Film</strong> Festival<br />

sAT Nov 13 4:05 PM-6:00 PM Sharon Miken and Tully Moore Miken<br />

for L.E.A.P. (Literacy Education<br />

Assistance Pups)<br />

suN Nov <strong>14</strong> <strong>10</strong>:00 AM-12:00 PM<br />

their father and their critically senile mother. The authenticity of its<br />

characters is what truly makes Harvest an unforgettable film. The<br />

dysfunction of this family – which has suffered divorce, depression,<br />

greed, and now the ugliness of cancer – creates a strong sense of<br />

connection to real life and the idea of waiting to die. The film asks the<br />

difficult question of why many wait until the end of their lives to live<br />

the way they had always wanted. Forgiveness, family, love, memories.<br />

These are the things we take with us.<br />

[dir. marc meyers, 20<strong>10</strong>, uS, video, <strong>10</strong>2 mins]<br />

Website: www.raisingharvest.com<br />

39<br />

feaTuRe fIlms

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