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PRECOLUMBIAN ART : INCLUDING A SELECTION OF ... - Lempertz

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128<br />

*128<br />

NAZCA POLYCHROME DRUM<br />

Ca. A. D. 300-600<br />

Painted in white, tan, grey and shades<br />

of brown with an impressive Anthropomorphic<br />

Mythical Deity holding a staff<br />

wearing a tunic and openwork serpentine<br />

cape with serrated border enclosing<br />

a series of trophy heads, a sinuous snake<br />

darting below.<br />

Height 26 cm<br />

Cf. An die Mächte der Natur, pl. 2.13; for a<br />

Paracas drum, Nasca, pl. 29<br />

Ceramic drums with central, bulging<br />

sounding chambers were manufactured<br />

already in the Paracas period. Among<br />

the most elaborately fi nished are those<br />

of Nazca style. They were surfaced with<br />

the many rich colors commonly used on<br />

Nazca ceramic vessels. A favored form<br />

was one in which a fat-bodied fi gure in<br />

this case the Anthropomorphic Mythical<br />

Deity whose body is worked into the<br />

shape of the instrument, with its imposing<br />

face spreading out while the legs<br />

sweep around the circumference. Skin<br />

would have been stretched over the wide<br />

mouth of the drum.<br />

€ 1 800 – 2 800<br />

*129<br />

TWO NAZCA PAINTED BOWLS<br />

Ca. A. D. 300-600<br />

Each in shades of brown, grey, tan, white,<br />

deep red and black, with the Anthropomorphic<br />

Mythical Being profusely covered<br />

in trophy heads, on one wrapping<br />

around the entirety of the vessel.<br />

Heights 8 and 9 cm<br />

Provenance<br />

Bernoulli Collection, Basel, 1946<br />

Literature<br />

For the second, Ferdinand Anton,<br />

Alt -Peru und seine Kunst, Leipzig, 1962,<br />

pl. 98<br />

Ferdinand Anton, Alt -Peru und seine Kunst,<br />

Leipzig, 1972, pl. 72<br />

€ 500 – 800

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