PREïºCOLUMBIAN ART : INCLUDING A SELECTION OF ... - Lempertz

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221 MAYAN DIGNITARY, JAINA LATE CLASSIC, Ca. A. D. 550-950 With feet fi rmly planted and arms crossed, gazing ahead with downward cast eyes, high nose bridge, attired in a long ex, beaded necklace and tall headdress with medallion and feather crest over the stepped coiff ure, with faint remains of blue pigment. Height 18.1 cm Provenance An American Private Collection, since 1965 Back cover € 7 500 – 9 500
*222 MAYAN PAINTED VESSEL LATE CLASSIC, Ca. A. D. 550-950 Painted in codex style with a boldly depicted, seated fi gure on each side, perhaps versions of Hunahpu and Xbalanque, each deeply bent over the crossed legs and reaching the left hand out, wearing heavy pendant with long counterweight beads trailing down the back, long earplugs, thick waist band and voluminous turban tipped by feathers at the back, one fi gure with ‘mirror’ markings on the arms and extended nose bridge, top and bottom rim painted in orange. Height 15.3 cm Provenance California Private Collection Sotheby’s, November 17, 2006 lot 418 Cf. mayavase.com K2294 € 5 500 – 7 500 131
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LEMPERTZ PRE-COLUMBIAN ART : INCLUD
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PREVIEW VORBESICHTIGUNG Cologne Wed
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6 Dr. Roland Hartmann (1922-2007),
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8 *5 EARLY CHAVIN BLACKWARE VESSEL
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10 *8 VICUS DOUBLE-BODIED VESSEL Ca
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*12 LARGE VICUS FIGURAL VESSEL Ca.
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14 *15 VICUS EFFIGY VESSEL Ca. A. D
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*18 MIDDLE MOCHICA MOLDED VESSEL Ca
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18 *21 MIDDLE MOCHICA VESSEL Ca. A.
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20 *24 MIDDLE MOCHICA PAINTED VESSE
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22 *27 EARLY/MIDDLE MOCHICA ZOOMORP
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24 *31 MIDDLE MOCHICA BLACKWARE FRO
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*34 MOCHICA FIGURAL VESSEL Ca. A. D
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*37 MIDDLE MOCHICA PORTRAIT HEAD VE
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*40 MIDDLE MOCHICA FIGURAL VESSEL C
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*42 RARE GALLINAZO MUSICIAN VESSEL;
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*44 EARLY MOCHICA AI-APEC VESSEL Ca
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*47 MIDDLE MOCHICA PAINTED VESSEL C
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40 49 *49 MIDDLE MOCHICA VESSEL Ca.
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42 *52 HUARMEY TEXTILE FRAGMENT Ca.
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44 *55 MOCHICA BLACKWARE VESSEL Ca.
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46 *59 RECUAY FIGURAL VESSEL Ca. A.
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48 *62 LAMBAYEQUE HEAD Ca. A. D. 90
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50 *65 CHIMU GREYWARE ZOOMORPHIC VE
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*70 SEVEN NAZCA-CHANCAY RITUAL HOND
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*75 CHANCAY TEXTILE FRAGMENT Possib
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78 79 57
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*82 TWO PARACAS BOWLS SAN PABLO Ca.
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*85 MIDDLE PARACAS VESSEL SAN PABLO
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64 *89 PARACAS PAINTED MUMMY BUNDLE
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66 *91 EARLY PARACAS CAVERNAS VESSE
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68 *93 LARGE PARACAS EMBROIDERED FR
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70 *99 TWO PROTO-NAZCA BORDER FRAGM
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72 103 102 *102 PROTO-NAZCA BORDER
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74 *106 NAZCA VESSEL Ca. A. D. 300-
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76 *111 NAZCA FIGURAL VESSEL Ca. A.
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*114 LARGE NAZCA POLYCHROME BOWL Ca
Page 82 and 83: 80 117 *117 NAZCA FIGURAL VESSEL Ca
Page 84 and 85: 82 123 124 125 *123 NAZCA POLYCHROM
Page 86 and 87: 128 *128 NAZCA POLYCHROME DRUM Ca.
Page 88 and 89: 86 *132 NAZCA VESSEL Ca. A.D. 300-6
Page 90 and 91: *137 RARE COASTAL TIAHUANACO DRUM C
Page 92 and 93: *141 HUARI-TIAHUANACO LLAMA VESSEL
Page 94 and 95: 92 *143 TWO PERUVIAN TEXTILE FRAGME
Page 96 and 97: 94 *147 HUARI-TIAHUANACO WOOD MUMMY
Page 98 and 99: 96 *151 PAIR OF INCA BOWLS Ca. A. D
Page 100 and 101: 98 *156 GROUP OF ELEVEN LATE PARACA
Page 102 and 103: 100 162 163 *162 NAZCA GOLD PLUME C
Page 104 and 105: 102 *167 GROUP OF TWENTY-FIVE BOOKS
Page 106 and 107: PROPERTY FROM EUROPEAN PRIVATE COLL
Page 108 and 109: 182 EARLY CHAVIN BLACKWARE VESSEL,
Page 110: 185 LATE NAZCA EFFIGY VESSEL Ca. A.
Page 113 and 114: 190 TOLIMA GOLD NOSE ORNAMENT Ca. A
Page 115 and 116: 194 RARE CALIMA EMERALD PENDANT Ca.
Page 117 and 118: 197 COSTA RICAN STONE DOUBLE FIGURE
Page 119 and 120: 200 MEZCALA STONE FIGURE, TYPE M22
Page 121 and 122: 205 TWO COLIMA PRECLASSIC FEMALE FI
Page 123 and 124: 210 COLIMA SEATED FIGURE PROTOCLASS
Page 125 and 126: 212 MICHOACAN-COLIMA MALE FIGURE PR
Page 127 and 128: 214 JALISCO COUPLE, AMECA GRAY PROT
Page 129 and 130: 216 COLIMA GADROONED VESSEL Protocl
Page 131: 220 VERACRUZ STONE YOKE LATE CLASSI
Page 135 and 136: 224 MAYAN MOLD MADE BALLPLAYER, JAI
Page 137 and 138: Off erings For a New Life Ed. Mirei
Page 139 and 140: VERSTEIGERUNGSBEDINGUNGEN 1. Das Ku
Page 141 and 142: CONDITIONS DE VENTE AUX ENCHERES 1.
Page 143 and 144: Neumarkt 3 50667 Köln (Germany) Te
Page 145 and 146: FROM A GERMAN PRIVATE COLLECTION OF
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PREïºCOLUMBIAN ART : INCLUDING A SELECTION OF ... - Lempertz