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<strong>of</strong> respectability. Inspired by Cesare, who acts as his political mentor, Fabrizio embraces<br />

leftist politics, and breaks up with Clelia in his desire to reject the social status quo.<br />

Fascinated by Gina - his mothers emancipated younger sister who lives in Milan - the two<br />

become intimate, but the rapport is conditioned by Gina's awareness that it has no future.<br />

Fabrizio shows insensitivity towards his best friend Agostino, who is uncomfortable with the<br />

materialism <strong>of</strong> his parents, and has difficulty in adjusting to a lifestyle split between the<br />

modem cosmopolitanism <strong>of</strong> Switzerland and Parma's provincialism. The news that Agostino<br />

has drowned hits Fabrizio, because it is suspected to be suicide, and also Gina, as it<br />

exacerbates her neurosis and solitude. The poetic goodbye that Gina's friend Puck addresses<br />

to the family estate he can no longer afford comes to represent a metaphorical form <strong>of</strong> closure<br />

for Gina who returns to Milan, and for Fabrizio who realizes that his bourgeois destiny is<br />

inescapable. During a Communist Party festival, Fabrizio declares his disillusionment and<br />

sense <strong>of</strong> failure to Cesare, who instead reaffirms his political credo. The film's ending shows<br />

how all three main characters settle for unfulfilling existential compromises. Cesare takes the<br />

s<strong>of</strong>t option <strong>of</strong> teaching in a school, since he thinks that revolutionary ideals are likelier to<br />

germinate within children. Fabrizio marries Clelia as an act <strong>of</strong> individual resignation and<br />

failure, whereas Gina's tears during the wedding reveal her unhappiness.<br />

Political disillusionment, pessimism and melancholy<br />

The film s first images are accompanied by Fabrizio reciting in voiceover Pasolini's poem La<br />

religione del mio tempo, which immediately establishes the intellectual remit <strong>of</strong> Before the<br />

Revolution and its pessimistic mood, the poem criticizing Italian society and accusing<br />

Catholicism <strong>of</strong> accepting and perpetuating socio-economic injustice, and <strong>of</strong> being the<br />

merciless heart <strong>of</strong> the State itself.(2) By the early 1960s, the hopes <strong>of</strong> Italy's progressive<br />

political parties, such as the Partito Comunista Italiano (PCI), for a better and fairer world<br />

had receded, having been dashed by defeat in the 1948 general election which saw the<br />

73

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