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apolitical art' in La Chinoise (p. 56); consumer capitalism in 2 on 3 chases gueje sais d'elle (pp. 69-
70); the 'disgust at industrial Capitalism' in Weekend (p. 76). In the collective film Pravda, made
under the name of the Dziga Vertov Group, the voiceover commentaries, both by characters and
Godard himself, are one of the main devices to elicit reflection on socio-political issues (pp. 91-95).
3. See the analysis in William Hope, Giuseppe Tornatore: Emotion, Cognition, Cinema (2006),
Newcastle: Cambridge Scholars Press, p. 53.
References
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Bordwell, D. (1995) Narration in the Fiction Film, London: Routledge
Branigan, E. (1992) Narrative Comprehension and Film, London and New York: Routledge
Carroll, N. (1999) 'Film, Emotion and Genre', in Plantinga, C. and Smith, G. (ed.)
Passionate Views, Baltimore: The John Hopkins University Press
Gaut, B. (1999) 'Identification and Emotion in Narrative Film 7 , in Plantinga, C. and Smith,
G. (ed.) Passionate Views, Baltimore: The John Hopkins University Press
Gorbman, C. (1987) Unheard Melodies, London: BFI Publishing
Grodal, T. (1997) Moving Pictures, Oxford: Oxford University Press
Grodal, T. (1999) 'Emotions, Cognitions, and Narrative Patterns in Film', in Plantinga, C.
and Smith, G. (ed.) Passionate Views, Baltimore: The John Hopkins University Press
Michelson, A. (1986) 'Foreword', in Tom Milne, Godard on Godard, New York: Da Capo
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Da Capo Press
Morrey, D. (2005) Jean-Luc Godard, Manchester: Manchester University Press
Mumford, M. (2009) Bertolt Brecht, London and New York: Routledge
Plantinga, C. (1999) 'The Scene of Empathy and the Human Face on Film", in Plantinga, C.
and Smith, G. (ed.) Passionate Views, Baltimore: The John Hopkins University Press
Roud, R. (1986) 'Introduction', in Tom Milne Godard on Godard, New York: Da Capo Press
Smith, G. M. (1999) 'Local Emotions, Global Mood, and Film Structure', in Plantinga, C.
and Smith, G. (ed.) Passionate Views, Baltimore: The John Hopkins University Press
Smith, M. (1995) Engaging Characters, Oxford: Oxford University Press
Sterritt, D. (1999) The Films of Jean-Luc Godard: Seeing the Invisible, Cambridge:
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