Download (12MB) - University of Salford Institutional Repository
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2003 I sognatori/The Dreamers Screenplay: Gilbert Adair Cinematography: Fabio Cianchetti; Production Design: Jean Rabasse Editing: Jacopo Quadri; Production: Recorded Picture Company/Peninsula Films/ Fiction Films. 350
SELECT FILMOGRAPHY A bout de souffle (Breathless), Jean-Luc Godard, 1960. Amarcord (1remember), Federico Fellini, 1973. A Passage to India, David Lean, 1984. Avatar, James Cameron, 2009. Bronenosets Potemkin (Battleship Potemkin), Sergei Eisenstein, 1925. Buongiorno, notte (Good Morning, Night), Marco Bellocchio, 2004. Chinatown, Roman Polanski, 1974. C 'era una volta in America (Once Upon a Time in America), Sergio Leone, 1984. C 'era una volta il West (Once upon a Time in the West), Sergio Leone, 1968. Colpire al cuore (Blow to the Heart), Gianni Amelio, 1983. Deliverance, John Boorman, 1972. Deux ou trios choses que je sais d'elle (Two or Three Things I Know About Her), Jean-Luc Godard, 1966. Dr. Strangelove, Stanley Kubrick, 1964. Edipo re (Oedipus Rex), Pier Paolo Pasolini, 1967. E.T., Steven Spielberg, 1982. Guess WJio 's Coming to Dinner, Stanley Kramer, 1967. Histoire(s) du cinema, Jean-Luc Godard, 1988-98. // buono il brutto e il cattivo (The Good, the Bad and the Ugly), Sergio Leone 1966. II deserto rosso (Red Desert), Michelangelo Antonioni, 1964. In a Lonely Place, Nicholas Ray, 1950. Indagini su un cittadino al di sopra di ogni sospetto (Investigation of a Citizen Above Suspicion), Elio Petri, 1970. Intimacy, Patrice Chereau, 2001. Ipugni in tasca (Fists in the Pocket), Marco Bellocchio, 1965. Johnny Guitar, Nicholas Ray, 1954. 351
- Page 303 and 304: evolve (M. Smith, 1995: 84-85). The
- Page 305 and 306: any allegiance towards the characte
- Page 307 and 308: the 'elder sister' is also unsatisf
- Page 309 and 310: omantic fulfilment. The author as o
- Page 311 and 312: striking garden whose colours natur
- Page 313 and 314: life revitalized. Diane rediscovers
- Page 315 and 316: L 'assedio I Besieged: A Cognitive
- Page 317 and 318: on the dusty road, while the priest
- Page 319 and 320: elongings, and his silent, secretiv
- Page 321 and 322: individuals like Shandurai in Italy
- Page 323 and 324: other' as opposed to the individual
- Page 325 and 326: (Loshitsky, 2010: 90-93) via argume
- Page 327 and 328: create different artistic effects,
- Page 329 and 330: The use of different film speeds an
- Page 331 and 332: unfolded by the narrative until tha
- Page 333 and 334: CONCLUSION This project's aim has b
- Page 335 and 336: had much to teach him, and his reso
- Page 337 and 338: and confusing experience for mainst
- Page 339 and 340: within Italian cinema has not been
- Page 341 and 342: Oneiric: The depiction of dream-lik
- Page 343 and 344: Bertolucci, B. (2002) 'Bertolucci i
- Page 345 and 346: Grodal, T. (1999) 'Emotions, Cognit
- Page 347 and 348: Orwell, G. (1949) Nineteen Eighty-F
- Page 349 and 350: Willett, J. (ed.) (1992) Brecht on
- Page 351 and 352: Cinematography: Giovanni Narzisi; P
- Page 353: Editing: Gabriella Cristiani; Music
- Page 357 and 358: Rashomon, Akira Kurosawa, 1951. Rat
SELECT FILMOGRAPHY<br />
A bout de souffle (Breathless), Jean-Luc Godard, 1960.<br />
Amarcord (1remember), Federico Fellini, 1973.<br />
A Passage to India, David Lean, 1984.<br />
Avatar, James Cameron, 2009.<br />
Bronenosets Potemkin (Battleship Potemkin), Sergei Eisenstein, 1925.<br />
Buongiorno, notte (Good Morning, Night), Marco Bellocchio, 2004.<br />
Chinatown, Roman Polanski, 1974.<br />
C 'era una volta in America (Once Upon a Time in America), Sergio Leone, 1984.<br />
C 'era una volta il West (Once upon a Time in the West), Sergio Leone, 1968.<br />
Colpire al cuore (Blow to the Heart), Gianni Amelio, 1983.<br />
Deliverance, John Boorman, 1972.<br />
Deux ou trios choses que je sais d'elle (Two or Three Things I Know About Her), Jean-Luc<br />
Godard, 1966.<br />
Dr. Strangelove, Stanley Kubrick, 1964.<br />
Edipo re (Oedipus Rex), Pier Paolo Pasolini, 1967.<br />
E.T., Steven Spielberg, 1982.<br />
Guess WJio 's Coming to Dinner, Stanley Kramer, 1967.<br />
Histoire(s) du cinema, Jean-Luc Godard, 1988-98.<br />
// buono il brutto e il cattivo (The Good, the Bad and the Ugly), Sergio Leone 1966.<br />
II deserto rosso (Red Desert), Michelangelo Antonioni, 1964.<br />
In a Lonely Place, Nicholas Ray, 1950.<br />
Indagini su un cittadino al di sopra di ogni sospetto (Investigation <strong>of</strong> a Citizen Above<br />
Suspicion), Elio Petri, 1970.<br />
Intimacy, Patrice Chereau, 2001.<br />
Ipugni in tasca (Fists in the Pocket), Marco Bellocchio, 1965.<br />
Johnny Guitar, Nicholas Ray, 1954.<br />
351