Download (12MB) - University of Salford Institutional Repository
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Marcus, M. (1986) Italian Film in the Light of Neorealism, Princeton: Princeton University Press. McAuley, G. (1999) Space in Performance: Making Meaning in Theatre, Michigan: The University of Michigan Press. Michelson, A. (1986) 'Foreword', in Tom Milne Godard on Godard, New York: Da Capo Press. Milne, T. (ed.) (1986) Godard on Godard, translation from French by Milne T., New York: Da Capo Press. Mirabella, JC. and Pitiot, P. (1991) Intervista a Bernardo Bertolucci, Rome: Gremese Editore. Moravia, A. (1971) lo e lui (VIII Edition 1990), Milan: Tascabili Bompiani. Morandini, M. (1967) 'In Refusing to Make Westerns Bertolucci Has Come to the Gospel', in Gerard, F.S., Kline, T.J. and Sklarew, B. (ed.) (2000) Bernardo Bertolucci Interviews, Jackson: University Press of Mississippi. Morelli, L. (ed.) (2003) 'Incontro con Bernardo Bertolucci', [Online] available: www.cinefile.biz/dreamcs.htm [March 2004]. Morrey, D. (2005) Jean-Luc Godard, Manchester: Manchester University Press. Mulvey, L. (1995) 'Visual Pleasure and Narrative Cinema", in Caughie, J. and Kuhn, A. (ed.) The Sexual Subject: A Screen Reader in Sexuality, London: Routledge. Mulvey, L. (1996) Fetishism and Curiosity, London: British Film Institute. Mumford, M. (2009) Bertolt Brecht, London and New York: Routledge. Murphy, T.S. (2005) Books for Burning, London and New York: Verso. Naremore, J. (1998) More Tlian Night: Film Noir in its Context, Berkely: University of California Press. Negri, A. (1973) 'Workers' Party against Work', in Murphy, T.S. (2005) Books for Burning, London and New York: Verso. Negri, A. (1975) 'Proletarians and the State: Towards a Discussion of Workers' Autonomy and the Historic Compromise', in Murphy, T.S. (2005) Books for Burning, London and New York: Verso. Negri, A. (1977) 'Domination and Sabotage: On the Marxist Method of Social Transformation', in Murphy, T.S. (2005) Books for Burning, London and New York: Verso. Niogret, H. (1993) review in Positif n.394 December, in Mirabella, JC. and Pitiot, P. (ed.) (1999) Intervista a Bernardo Bertolucci, Rome: Gremese Editore. Nowell-Smith, G. and Halberstadt, I. (1977) 'Interview with Bernardo Bertolucci'. in Gerard, F.S., Kline, T.J. and Sklarew, B. (ed.) (2000) Bernardo Bertolucci Interviews, Jackson: University Press of Mississippi. 342
Orwell, G. (1949) Nineteen Eighty-Four, (later edition 2009), London: Penguin Books. Paini, L. (2003) review in // Sole 24 Ore, October 19th 2003, [Online] available: www.mvmovies.it/recensioni/?id.+34652 [March 2004]. Pasolini, P.P. (1961) la religione del mio tempo, Milan: Garzanti Editore Pasolini, P.P. (1968) 'II PCI ai giovani', in L'Espresso 16 giugno 1968, Rome: Gruppo Editoriale L'Espresso. Peploe, M. (1990) 'Life as a Road Movie', in Negri, L. and Gerard, F.S. (ed.) Bertolucci, Bowles, The Sheltering Sky, London and Sydney: Scribners a Division of Macdonald & Co. (Publishers). Perpignani, R. (2005) 'La bottega dei giovani maestri / The Workshop of the Young Masters' in DVD Extra to Before the Revolution, special edition, Disc 2, RHV. Pirandello, L. (1904) II fu Mattia Pascal, (later edition 1965), Verona: Mondadori. Pirandello, L. (1909) Uno, nessuno e centomila, (later edition 1995), Rome: Newton Compton Editori. Place, J. (1998) 'Women in Film Noir", in Kaplan E.A. (ed.) Women in Film Noir, London: BFI Publishing. Plantinga, C. (1999) 'The Scene of Empathy and the Human Face on Filnr, in Plantinga, C. and Smith, G. (eds.) Passionate Views, Baltimore: The John Hopkins University Press. Pollock, G. (1995) 'What's Wrong with "Images of Women"?', in Caughie, J. and Kuhn, A. (ed.) Tlie Sexual Subject: A Screen Reader in Sexuality , London: Routledge. Prince, S. (1998) Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies, London: The Athlone Press. Priestly, J. (1777) 'A Course of Lectures on Orator}' and Criticism', in Ashfield, A. and De Bolla, P. (ed.) (1996) The Sublime: A Reader In British Eighteenth-Century Aesthetic Jlreory, Cambridge: Cambridge University Press. Quinn, S. (1977) '1900 Has Taken Its Toll on Bernardo Bertolucci', in Gerard, F.S., Kline, T.J. and Sklarew, B. (ed.) (2000) Bemardo Bertolucci Interviews, Jackson: University Press of Mississippi. Ranvaud, D. (1987) 'L'Ultimo Imperatore di Bernardo Bertolucci'. in Ungari, E. (1982) Scene madri di Bernardo Bertolucci, 2nd ed. 1987, Milan: Ubulibri. Reed, J. (1985) Decadent Style, Ohio: Ohio University Press. Renzi. V. (2003) 'Intervista a Bernardo Bertolucci". [Online] available: www.cineclick.it/recensioni/archivi/dreamers.asp [March 2004]. Riley, J. (1997) Chinese Theatre and the Actor in Performance, Cambridge: Cambridge University Press. Rothman, W. (1988) Tlie "I" of the Camera, Cambridge: Cambridge University Press. 343
- Page 295 and 296: was considered to be Bertolucci's r
- Page 297 and 298: Hope, W. (2006) Giuseppe Tornatore,
- Page 299 and 300: of their 'elder sisters'. In a broa
- Page 301 and 302: she slowly changes position. Both s
- Page 303 and 304: evolve (M. Smith, 1995: 84-85). The
- Page 305 and 306: any allegiance towards the characte
- Page 307 and 308: the 'elder sister' is also unsatisf
- Page 309 and 310: omantic fulfilment. The author as o
- Page 311 and 312: striking garden whose colours natur
- Page 313 and 314: life revitalized. Diane rediscovers
- Page 315 and 316: L 'assedio I Besieged: A Cognitive
- Page 317 and 318: on the dusty road, while the priest
- Page 319 and 320: elongings, and his silent, secretiv
- Page 321 and 322: individuals like Shandurai in Italy
- Page 323 and 324: other' as opposed to the individual
- Page 325 and 326: (Loshitsky, 2010: 90-93) via argume
- Page 327 and 328: create different artistic effects,
- Page 329 and 330: The use of different film speeds an
- Page 331 and 332: unfolded by the narrative until tha
- Page 333 and 334: CONCLUSION This project's aim has b
- Page 335 and 336: had much to teach him, and his reso
- Page 337 and 338: and confusing experience for mainst
- Page 339 and 340: within Italian cinema has not been
- Page 341 and 342: Oneiric: The depiction of dream-lik
- Page 343 and 344: Bertolucci, B. (2002) 'Bertolucci i
- Page 345: Grodal, T. (1999) 'Emotions, Cognit
- Page 349 and 350: Willett, J. (ed.) (1992) Brecht on
- Page 351 and 352: Cinematography: Giovanni Narzisi; P
- Page 353 and 354: Editing: Gabriella Cristiani; Music
- Page 355 and 356: SELECT FILMOGRAPHY A bout de souffl
- Page 357 and 358: Rashomon, Akira Kurosawa, 1951. Rat
Marcus, M. (1986) Italian Film in the Light <strong>of</strong> Neorealism, Princeton: Princeton <strong>University</strong><br />
Press.<br />
McAuley, G. (1999) Space in Performance: Making Meaning in Theatre, Michigan: The<br />
<strong>University</strong> <strong>of</strong> Michigan Press.<br />
Michelson, A. (1986) 'Foreword', in Tom Milne Godard on Godard, New York: Da Capo<br />
Press.<br />
Milne, T. (ed.) (1986) Godard on Godard, translation from French by Milne T., New York:<br />
Da Capo Press.<br />
Mirabella, JC. and Pitiot, P. (1991) Intervista a Bernardo Bertolucci, Rome: Gremese<br />
Editore.<br />
Moravia, A. (1971) lo e lui (VIII Edition 1990), Milan: Tascabili Bompiani.<br />
Morandini, M. (1967) 'In Refusing to Make Westerns Bertolucci Has Come to the Gospel',<br />
in Gerard, F.S., Kline, T.J. and Sklarew, B. (ed.) (2000) Bernardo Bertolucci Interviews,<br />
Jackson: <strong>University</strong> Press <strong>of</strong> Mississippi.<br />
Morelli, L. (ed.) (2003) 'Incontro con Bernardo Bertolucci', [Online] available:<br />
www.cinefile.biz/dreamcs.htm [March 2004].<br />
Morrey, D. (2005) Jean-Luc Godard, Manchester: Manchester <strong>University</strong> Press.<br />
Mulvey, L. (1995) 'Visual Pleasure and Narrative Cinema", in Caughie, J. and Kuhn, A. (ed.)<br />
The Sexual Subject: A Screen Reader in Sexuality, London: Routledge.<br />
Mulvey, L. (1996) Fetishism and Curiosity, London: British Film Institute.<br />
Mumford, M. (2009) Bertolt Brecht, London and New York: Routledge.<br />
Murphy, T.S. (2005) Books for Burning, London and New York: Verso.<br />
Naremore, J. (1998) More Tlian Night: Film Noir in its Context, Berkely: <strong>University</strong> <strong>of</strong><br />
California Press.<br />
Negri, A. (1973) 'Workers' Party against Work', in Murphy, T.S. (2005) Books for Burning,<br />
London and New York: Verso.<br />
Negri, A. (1975) 'Proletarians and the State: Towards a Discussion <strong>of</strong> Workers' Autonomy<br />
and the Historic Compromise', in Murphy, T.S. (2005) Books for Burning, London and New<br />
York: Verso.<br />
Negri, A. (1977) 'Domination and Sabotage: On the Marxist Method <strong>of</strong> Social<br />
Transformation', in Murphy, T.S. (2005) Books for Burning, London and New York: Verso.<br />
Niogret, H. (1993) review in Positif n.394 December, in Mirabella, JC. and Pitiot, P. (ed.)<br />
(1999) Intervista a Bernardo Bertolucci, Rome: Gremese Editore.<br />
Nowell-Smith, G. and Halberstadt, I. (1977) 'Interview with Bernardo Bertolucci'. in Gerard,<br />
F.S., Kline, T.J. and Sklarew, B. (ed.) (2000) Bernardo Bertolucci Interviews, Jackson:<br />
<strong>University</strong> Press <strong>of</strong> Mississippi.<br />
342