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Marcus, M. (1986) Italian Film in the Light of Neorealism, Princeton: Princeton University Press. McAuley, G. (1999) Space in Performance: Making Meaning in Theatre, Michigan: The University of Michigan Press. Michelson, A. (1986) 'Foreword', in Tom Milne Godard on Godard, New York: Da Capo Press. Milne, T. (ed.) (1986) Godard on Godard, translation from French by Milne T., New York: Da Capo Press. Mirabella, JC. and Pitiot, P. (1991) Intervista a Bernardo Bertolucci, Rome: Gremese Editore. Moravia, A. (1971) lo e lui (VIII Edition 1990), Milan: Tascabili Bompiani. Morandini, M. (1967) 'In Refusing to Make Westerns Bertolucci Has Come to the Gospel', in Gerard, F.S., Kline, T.J. and Sklarew, B. (ed.) (2000) Bernardo Bertolucci Interviews, Jackson: University Press of Mississippi. Morelli, L. (ed.) (2003) 'Incontro con Bernardo Bertolucci', [Online] available: www.cinefile.biz/dreamcs.htm [March 2004]. Morrey, D. (2005) Jean-Luc Godard, Manchester: Manchester University Press. Mulvey, L. (1995) 'Visual Pleasure and Narrative Cinema", in Caughie, J. and Kuhn, A. (ed.) The Sexual Subject: A Screen Reader in Sexuality, London: Routledge. Mulvey, L. (1996) Fetishism and Curiosity, London: British Film Institute. Mumford, M. (2009) Bertolt Brecht, London and New York: Routledge. Murphy, T.S. (2005) Books for Burning, London and New York: Verso. Naremore, J. (1998) More Tlian Night: Film Noir in its Context, Berkely: University of California Press. Negri, A. (1973) 'Workers' Party against Work', in Murphy, T.S. (2005) Books for Burning, London and New York: Verso. Negri, A. (1975) 'Proletarians and the State: Towards a Discussion of Workers' Autonomy and the Historic Compromise', in Murphy, T.S. (2005) Books for Burning, London and New York: Verso. Negri, A. (1977) 'Domination and Sabotage: On the Marxist Method of Social Transformation', in Murphy, T.S. (2005) Books for Burning, London and New York: Verso. Niogret, H. (1993) review in Positif n.394 December, in Mirabella, JC. and Pitiot, P. (ed.) (1999) Intervista a Bernardo Bertolucci, Rome: Gremese Editore. Nowell-Smith, G. and Halberstadt, I. (1977) 'Interview with Bernardo Bertolucci'. in Gerard, F.S., Kline, T.J. and Sklarew, B. (ed.) (2000) Bernardo Bertolucci Interviews, Jackson: University Press of Mississippi. 342

Orwell, G. (1949) Nineteen Eighty-Four, (later edition 2009), London: Penguin Books. Paini, L. (2003) review in // Sole 24 Ore, October 19th 2003, [Online] available: www.mvmovies.it/recensioni/?id.+34652 [March 2004]. Pasolini, P.P. (1961) la religione del mio tempo, Milan: Garzanti Editore Pasolini, P.P. (1968) 'II PCI ai giovani', in L'Espresso 16 giugno 1968, Rome: Gruppo Editoriale L'Espresso. Peploe, M. (1990) 'Life as a Road Movie', in Negri, L. and Gerard, F.S. (ed.) Bertolucci, Bowles, The Sheltering Sky, London and Sydney: Scribners a Division of Macdonald & Co. (Publishers). Perpignani, R. (2005) 'La bottega dei giovani maestri / The Workshop of the Young Masters' in DVD Extra to Before the Revolution, special edition, Disc 2, RHV. Pirandello, L. (1904) II fu Mattia Pascal, (later edition 1965), Verona: Mondadori. Pirandello, L. (1909) Uno, nessuno e centomila, (later edition 1995), Rome: Newton Compton Editori. Place, J. (1998) 'Women in Film Noir", in Kaplan E.A. (ed.) Women in Film Noir, London: BFI Publishing. Plantinga, C. (1999) 'The Scene of Empathy and the Human Face on Filnr, in Plantinga, C. and Smith, G. (eds.) Passionate Views, Baltimore: The John Hopkins University Press. Pollock, G. (1995) 'What's Wrong with "Images of Women"?', in Caughie, J. and Kuhn, A. (ed.) Tlie Sexual Subject: A Screen Reader in Sexuality , London: Routledge. Prince, S. (1998) Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies, London: The Athlone Press. Priestly, J. (1777) 'A Course of Lectures on Orator}' and Criticism', in Ashfield, A. and De Bolla, P. (ed.) (1996) The Sublime: A Reader In British Eighteenth-Century Aesthetic Jlreory, Cambridge: Cambridge University Press. Quinn, S. (1977) '1900 Has Taken Its Toll on Bernardo Bertolucci', in Gerard, F.S., Kline, T.J. and Sklarew, B. (ed.) (2000) Bemardo Bertolucci Interviews, Jackson: University Press of Mississippi. Ranvaud, D. (1987) 'L'Ultimo Imperatore di Bernardo Bertolucci'. in Ungari, E. (1982) Scene madri di Bernardo Bertolucci, 2nd ed. 1987, Milan: Ubulibri. Reed, J. (1985) Decadent Style, Ohio: Ohio University Press. Renzi. V. (2003) 'Intervista a Bernardo Bertolucci". [Online] available: www.cineclick.it/recensioni/archivi/dreamers.asp [March 2004]. Riley, J. (1997) Chinese Theatre and the Actor in Performance, Cambridge: Cambridge University Press. Rothman, W. (1988) Tlie "I" of the Camera, Cambridge: Cambridge University Press. 343

Marcus, M. (1986) Italian Film in the Light <strong>of</strong> Neorealism, Princeton: Princeton <strong>University</strong><br />

Press.<br />

McAuley, G. (1999) Space in Performance: Making Meaning in Theatre, Michigan: The<br />

<strong>University</strong> <strong>of</strong> Michigan Press.<br />

Michelson, A. (1986) 'Foreword', in Tom Milne Godard on Godard, New York: Da Capo<br />

Press.<br />

Milne, T. (ed.) (1986) Godard on Godard, translation from French by Milne T., New York:<br />

Da Capo Press.<br />

Mirabella, JC. and Pitiot, P. (1991) Intervista a Bernardo Bertolucci, Rome: Gremese<br />

Editore.<br />

Moravia, A. (1971) lo e lui (VIII Edition 1990), Milan: Tascabili Bompiani.<br />

Morandini, M. (1967) 'In Refusing to Make Westerns Bertolucci Has Come to the Gospel',<br />

in Gerard, F.S., Kline, T.J. and Sklarew, B. (ed.) (2000) Bernardo Bertolucci Interviews,<br />

Jackson: <strong>University</strong> Press <strong>of</strong> Mississippi.<br />

Morelli, L. (ed.) (2003) 'Incontro con Bernardo Bertolucci', [Online] available:<br />

www.cinefile.biz/dreamcs.htm [March 2004].<br />

Morrey, D. (2005) Jean-Luc Godard, Manchester: Manchester <strong>University</strong> Press.<br />

Mulvey, L. (1995) 'Visual Pleasure and Narrative Cinema", in Caughie, J. and Kuhn, A. (ed.)<br />

The Sexual Subject: A Screen Reader in Sexuality, London: Routledge.<br />

Mulvey, L. (1996) Fetishism and Curiosity, London: British Film Institute.<br />

Mumford, M. (2009) Bertolt Brecht, London and New York: Routledge.<br />

Murphy, T.S. (2005) Books for Burning, London and New York: Verso.<br />

Naremore, J. (1998) More Tlian Night: Film Noir in its Context, Berkely: <strong>University</strong> <strong>of</strong><br />

California Press.<br />

Negri, A. (1973) 'Workers' Party against Work', in Murphy, T.S. (2005) Books for Burning,<br />

London and New York: Verso.<br />

Negri, A. (1975) 'Proletarians and the State: Towards a Discussion <strong>of</strong> Workers' Autonomy<br />

and the Historic Compromise', in Murphy, T.S. (2005) Books for Burning, London and New<br />

York: Verso.<br />

Negri, A. (1977) 'Domination and Sabotage: On the Marxist Method <strong>of</strong> Social<br />

Transformation', in Murphy, T.S. (2005) Books for Burning, London and New York: Verso.<br />

Niogret, H. (1993) review in Positif n.394 December, in Mirabella, JC. and Pitiot, P. (ed.)<br />

(1999) Intervista a Bernardo Bertolucci, Rome: Gremese Editore.<br />

Nowell-Smith, G. and Halberstadt, I. (1977) 'Interview with Bernardo Bertolucci'. in Gerard,<br />

F.S., Kline, T.J. and Sklarew, B. (ed.) (2000) Bernardo Bertolucci Interviews, Jackson:<br />

<strong>University</strong> Press <strong>of</strong> Mississippi.<br />

342

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