Download (12MB) - University of Salford Institutional Repository
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disintegration of ideologies such as Communism in the 1980s. Therefore it might be suggested that Bertolucci's way of depicting Italy's political situation through the filter of the personal (an approach deployed, significantly, to great acclaim by Marco Bellocchio decades later in Buongiorno, notte / Good Morning Night, 2004) should not lead to a misinterpretation of this artistic approach as somehow overshadowing or rendering superficial the interest that Bertolucci had for the issue, since it undoubtedly lies at the centre of the film. Notes References 1. The Italian magazine L 'Espresso accompanied the publication of the poem // PCI ai giovani with a forum between Vittorio Foa (leader of the Communist trade union), Claudio Petruccioli (secretary of the Communist youth), and two delegates representing the rebellious students. 2. In the introduction to Books for Burning, Timothy Murphy describes the criminalization process of both the movement and Negri. 3. The shift from the personal to the general level of fathers and sons is achieved through Primo using the plural form for his utterances: 'They are no longer able to manage a laugh, and above all they do not talk any more. From their gaze it is impossible to understand whether they are asking for help or if they are ready to kill you' 4. Around the time of the film, Tognazzi was the acclaimed protagonist of the following films: La terrazza (1980) by the Communist director Ettore Scola (United Artists - France/Italy); Break-up (1979) by the leftist director Marco Ferreri (Carlo Ponti - France/Italy); L'ingorgo: una storia impossibile (1979) by Luigi Comencini, well known for his criticism of contemporary Italian capitalism (RFT- Italy/Spain/France). Annunziata, L. (2007) 7977, Ultima foto difamiglia, Turin: Giulio Einaudi Editore. Bocca, G. (1978) // terrorismo italiano 1970-1978, Milan: Rizzoli Editore. Bordwell, D. (1995) Narration in the Fiction Film, London: Routledge. Branigan, E. (1992) Narrative Comprehension and Film, London and New York: Routledge. Fantoni Minnella, M. (2004) Non riconciliati, Turin: UTET Diffusione S.r.l. Hammett, D. (1929) 'Raccolto rosso", in Franco Minganti (ed.) (2004) Romanzi e racconti, Milan: Mondadori. 122
Moravia, A. (1971) lo e lui, (1990) VIII Edizione, Milan: Tascabili Bompiani. Murphy, T.S. (2005) Books for Burning, London and New York: Verso. Negri, A. (1973) 'Workers' Party Against Work', in Murphy T.S., (2005) Books for Burning, London and New York: Verso. Negri, A. (1975) 'Proletarians and the State: Towards a Discussion of Workers 1 Autonomy and the Historic Compomise", in Murphy T.S., (2005) Books for Burning, London and New York: Verso. Negri, A. (1977) 'Domination and Sabotage: On the Marxist Method of Social Transformation', in Murphy T.S., (2005) Books for Burning, London and New York: Verso. Pasolini, P.P. (1968) 'II PCI ai giovani', in L'Espresso, 16 June 1968, Rome: Gruppo Editoriale L'Espresso. Plantinga, C. (1999) 'The Scene of Empathy and the Human Face on Film', in Plantinga C. and Smith, G. (ed.) Passionate Views, Baltimore: The John Hopkins University Press. Smith, G. M. (1999) 'Local Emotions, Global Mood, and Film Structure', in Plantinga C. and Smith G. (ed.) Passionate Views, Baltimore: The John Hopkins University Press. Socci, S. (1996) Bemardo Bertolucci, Milan: II Castoro Cinema. 123
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Moravia, A. (1971) lo e lui, (1990) VIII Edizione, Milan: Tascabili Bompiani.<br />
Murphy, T.S. (2005) Books for Burning, London and New York: Verso.<br />
Negri, A. (1973) 'Workers' Party Against Work', in Murphy T.S., (2005) Books for Burning,<br />
London and New York: Verso.<br />
Negri, A. (1975) 'Proletarians and the State: Towards a Discussion <strong>of</strong> Workers 1 Autonomy<br />
and the Historic Compomise", in Murphy T.S., (2005) Books for Burning, London and<br />
New York: Verso.<br />
Negri, A. (1977) 'Domination and Sabotage: On the Marxist Method <strong>of</strong> Social<br />
Transformation', in Murphy T.S., (2005) Books for Burning, London and New York:<br />
Verso.<br />
Pasolini, P.P. (1968) 'II PCI ai giovani', in L'Espresso, 16 June 1968, Rome: Gruppo<br />
Editoriale L'Espresso.<br />
Plantinga, C. (1999) 'The Scene <strong>of</strong> Empathy and the Human Face on Film', in Plantinga C.<br />
and Smith, G. (ed.) Passionate Views, Baltimore: The John Hopkins <strong>University</strong> Press.<br />
Smith, G. M. (1999) 'Local Emotions, Global Mood, and Film Structure', in Plantinga C. and<br />
Smith G. (ed.) Passionate Views, Baltimore: The John Hopkins <strong>University</strong> Press.<br />
Socci, S. (1996) Bemardo Bertolucci, Milan: II Castoro Cinema.<br />
123
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