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disintegration <strong>of</strong> ideologies such as Communism in the 1980s. Therefore it might be<br />

suggested that Bertolucci's way <strong>of</strong> depicting Italy's political situation through the filter <strong>of</strong> the<br />

personal (an approach deployed, significantly, to great acclaim by Marco Bellocchio decades<br />

later in Buongiorno, notte / Good Morning Night, 2004) should not lead to a misinterpretation<br />

<strong>of</strong> this artistic approach as somehow overshadowing or rendering superficial the interest that<br />

Bertolucci had for the issue, since it undoubtedly lies at the centre <strong>of</strong> the film.<br />

Notes<br />

References<br />

1. The Italian magazine L 'Espresso accompanied the publication <strong>of</strong> the poem // PCI ai giovani with a<br />

forum between Vittorio Foa (leader <strong>of</strong> the Communist trade union), Claudio Petruccioli (secretary <strong>of</strong><br />

the Communist youth), and two delegates representing the rebellious students.<br />

2. In the introduction to Books for Burning, Timothy Murphy describes the criminalization process <strong>of</strong><br />

both the movement and Negri.<br />

3. The shift from the personal to the general level <strong>of</strong> fathers and sons is achieved through Primo using<br />

the plural form for his utterances: 'They are no longer able to manage a laugh, and above all they do<br />

not talk any more. From their gaze it is impossible to understand whether they are asking for help or if<br />

they are ready to kill you'<br />

4. Around the time <strong>of</strong> the film, Tognazzi was the acclaimed protagonist <strong>of</strong> the following films: La<br />

terrazza (1980) by the Communist director Ettore Scola (United Artists - France/Italy); Break-up<br />

(1979) by the leftist director Marco Ferreri (Carlo Ponti - France/Italy); L'ingorgo: una storia<br />

impossibile (1979) by Luigi Comencini, well known for his criticism <strong>of</strong> contemporary Italian<br />

capitalism (RFT- Italy/Spain/France).<br />

Annunziata, L. (2007) 7977, Ultima foto difamiglia, Turin: Giulio Einaudi Editore.<br />

Bocca, G. (1978) // terrorismo italiano 1970-1978, Milan: Rizzoli Editore.<br />

Bordwell, D. (1995) Narration in the Fiction Film, London: Routledge.<br />

Branigan, E. (1992) Narrative Comprehension and Film, London and New York: Routledge.<br />

Fantoni Minnella, M. (2004) Non riconciliati, Turin: UTET Diffusione S.r.l.<br />

Hammett, D. (1929) 'Raccolto rosso", in Franco Minganti (ed.) (2004) Romanzi e racconti,<br />

Milan: Mondadori.<br />

122

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