Download (12MB) - University of Salford Institutional Repository
Download (12MB) - University of Salford Institutional Repository Download (12MB) - University of Salford Institutional Repository
group whose elitist, ahistorical Leninism' he had 'thoroughly criticized from the standpoint of the mass organizations' new class composition' (Murphy, 2005: xii). (2) Negri sees Communist reformism, in its 1970s embodiment of the Historic Compromise (a term coined to represent the imminent coalition between the Christian Democrat Party and the Communist Party) as capitalism's attempt to dismember the class movement by absorbing workers and their movements into the capitalist process via the incorporation of the PCI into government. Negri envisaged in the Historic Compromise 'a purely reactionary essence' (Negri, 1975: 147). To oppose this scenario, Negri elaborated a strategy to subvert the social order by creating the theory of worker self-valorization (Negri, 1977: 236) with the aim of opposing the mainstays of capitalism, such as the ideology of work and consumerism, and paying greater heed to the real needs and desires of the workers (Negri, 1977: 282-285). He is aware that violence may be unavoidable in the process, and justifies it by reminding everyone of the violence inherent in capitalism's exploitative nature. But he draws a line between violence within a dialectic determination, and terrorism. Negri views the terrorist groups as dissipating 'the function of power, the mass character of the vanguard or the working-class specificity of its political need'; he accuses them of being 'unable to grasp an organic relation between the subjectivity of workers" power and the subjectivism of the use of violence' (Negri, 1973: 91). With regard to isolated terrorist actions, he is explicit: 'It is obvious that proletarian violence has no need to exhibit itself in an exemplary manner, nor to choose [...] exemplary objectives' (Negri, 1977: 282). On the contrary, for his political project to succeed, Negri considered it 'fundamental' to draw the support of factory workers to the cause (Negri, 1977: 251). 110
Elitism, ascetism and emotional repression hi The Tragedy of a Ridiculous Man, the political distance between the terrorists and the working classes emerges in the sequence depicting the workers commenting indignantly about the ransom that will cause the factory's sale, and they angrily conclude that they are always the ones having to pay. The film's depiction of the terrorists as a self-referential group proud to be on their own, perceiving themselves as underground heroes, reflects Bocca's assertion that the terrorists viewed the proletariat as a spiritual category, a sublimation of humanity rather than a complex reality in constant evolution (Bocca, 1978: 11-12). At one point in the film, Laura expresses this concept when, answering Primo's terse question 'Who are you?' she declares, entirely straight-faced, 'We are proletarians, holding our breath, and diving beneath the liquid surface of History". Similarly, the ambivalence and secrecy of the terrorists' lifestyle in the film reflects Bocca's view that the Red Brigade's strategy resembled that of a secret society rather than that of a revolutionary group who needed the people in order to succeed. He adds that the terrorists were unaware of the elitism of this attitude, and this ultimately evolved into contempt for the entire nation (Bocca, 1978: 11-12). This last statement is particularly relevant because Giovanni's attitude towards Primo, depicted through his letters, is exactly that of contempt, hi the first letter accompanying a birthday present to his father. Giovanni scorns Primo's lifetime achievements, whereas in the two letters written during his real or supposed captivity, he ignores his father. To emphasize this detail, one sequence features Primo reading Giovanni's second letter aloud; he ends by saying 'Give Dad a big hug", but as Barbara takes the letter to read it, he adds wistfully: 'I made up the last line'. The terrorists' detachment from people's daily lives is articulated in two sensual sequences that need to be contexrualized within contemporary history and politics to be understood. While the scenes have an emotional resonance, this is muted by Bertolucci's 111
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group whose elitist, ahistorical Leninism' he had 'thoroughly criticized from the standpoint<br />
<strong>of</strong> the mass organizations' new class composition' (Murphy, 2005: xii). (2) Negri sees<br />
Communist reformism, in its 1970s embodiment <strong>of</strong> the Historic Compromise (a term coined<br />
to represent the imminent coalition between the Christian Democrat Party and the Communist<br />
Party) as capitalism's attempt to dismember the class movement by absorbing workers and<br />
their movements into the capitalist process via the incorporation <strong>of</strong> the PCI into government.<br />
Negri envisaged in the Historic Compromise 'a purely reactionary essence' (Negri, 1975:<br />
147).<br />
To oppose this scenario, Negri elaborated a strategy to subvert the social order by<br />
creating the theory <strong>of</strong> worker self-valorization (Negri, 1977: 236) with the aim <strong>of</strong> opposing<br />
the mainstays <strong>of</strong> capitalism, such as the ideology <strong>of</strong> work and consumerism, and paying<br />
greater heed to the real needs and desires <strong>of</strong> the workers (Negri, 1977: 282-285). He is aware<br />
that violence may be unavoidable in the process, and justifies it by reminding everyone <strong>of</strong> the<br />
violence inherent in capitalism's exploitative nature. But he draws a line between violence<br />
within a dialectic determination, and terrorism. Negri views the terrorist groups as dissipating<br />
'the function <strong>of</strong> power, the mass character <strong>of</strong> the vanguard or the working-class specificity <strong>of</strong><br />
its political need'; he accuses them <strong>of</strong> being 'unable to grasp an organic relation between the<br />
subjectivity <strong>of</strong> workers" power and the subjectivism <strong>of</strong> the use <strong>of</strong> violence' (Negri, 1973: 91).<br />
With regard to isolated terrorist actions, he is explicit: 'It is obvious that proletarian violence<br />
has no need to exhibit itself in an exemplary manner, nor to choose [...] exemplary<br />
objectives' (Negri, 1977: 282). On the contrary, for his political project to succeed, Negri<br />
considered it 'fundamental' to draw the support <strong>of</strong> factory workers to the cause (Negri, 1977:<br />
251).<br />
110