Qualitative_data_analysis
Qualitative_data_analysis
Qualitative_data_analysis
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MANAGING DATA 79<br />
setting, by source or by topic? Whatever basis we choose for filing <strong>data</strong>, it is likely to<br />
facilitate <strong>analysis</strong> in some directions and inhibit it in others.<br />
In filing the <strong>data</strong>, we already have to address issues which are fundamental to our<br />
<strong>analysis</strong>. What is the focus of our research? If we are conducting a case study, then<br />
what constitutes the case? If we intend to make comparisons across a number of<br />
cases, what is the ‘population’ we are studying? Our answers to these questions will<br />
determine what we can say about our <strong>data</strong> at the end of the day.<br />
A decision need not be difficult just because it is fundamental. We may have no<br />
problem in deciding what constitutes a case, for example, where our <strong>data</strong> results<br />
from a set of unstructured interviews, and our research aim is to analyse the<br />
perceptions and attitudes of our respondents. Each respondent can be regarded as a<br />
‘case’ and each interview filed under a reference to the appropriate case. Matters<br />
become more complicated where our <strong>data</strong> derives from a variety of sources, and our<br />
<strong>analysis</strong> has multiple foci, such as groups and agencies as well as individuals.<br />
How should we record the material for our <strong>analysis</strong> of humour? How we answer<br />
this question depends on what we want to draw conclusions about at the end of the<br />
<strong>analysis</strong>. Do we want to discuss and compare each of the TV programmes, for<br />
example? Or do we want to focus our inquiry on each of the several sketches which<br />
taken together constitute a programme? If we split the <strong>data</strong> up into sketches, it may<br />
be more difficult to relate the <strong>data</strong> to the overall programmes. We may lose<br />
important information about how one sketch leads into another, how sketches of<br />
different types are put together, and so on. On the other hand, if our main interest<br />
is in how the humour works within individual sketches, there is no point in filing<br />
the material by programme. This will make it more difficult to make comparisons<br />
between the different sketches.<br />
Fortunately, these are not either/or decisions. One virtue of the computer is that<br />
it may provide facilities for reformatting <strong>data</strong>. For example, we may decide to file by<br />
programme, but still be able to reformat the <strong>data</strong> so that we can take the sketches as<br />
our basic cases—or vice versa. We can amalgamate files to make new ones, bringing<br />
all the relevant sketches together to make a programme file; or we can disaggregate<br />
files, splitting programme files up to make files for their constituent sketches. If one<br />
reformatting procedure is simpler than another, this may influence our initial<br />
decision about how to file the <strong>data</strong>. As well as considering the central focus of the<br />
<strong>analysis</strong>, we also have to consider the ease and efficiency with which we can file and<br />
reformat the <strong>data</strong>. We may opt for sketches as our basic cases because they are<br />
convenient in terms of length and content; by comparison, programmes may be too<br />
complex and unwieldy. Decisions in terms of convenience can be justified if they<br />
coincide with or at least don’t contravene our analytic interests.<br />
In formatting <strong>data</strong>, we must ensure that the <strong>data</strong> is fully referenced. This may<br />
mean no more than specifying a reference for each case included in our study: