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Qualitative_data_analysis

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70 QUALITATIVE DATA ANALYSIS<br />

through language? Do we want to take a psychological, anthropological or<br />

sociological perspective? Do we want to confine ourselves to a particular perspective,<br />

or attempt a more inter-disciplinary <strong>analysis</strong>? No doubt our background, training<br />

and inclinations will influence this decision. But we should try to articulate, as<br />

clearly as possible (and on paper), our reasons for deciding one way or another. In<br />

these reasons, we may find some clues to how we may begin to analyse the <strong>data</strong>.<br />

As an example of the value of literature in sign-posting different directions for the<br />

<strong>analysis</strong>, consider the comments in Illustration 5.2 on women’s comedy, taken from<br />

an article by Merrill in a recent collection exploring perspectives on women and<br />

comedy (Merrill 1988). In the space of one short article, we have a rich range of<br />

potential topics for <strong>analysis</strong>. These statements and questions may spark off any<br />

number of ideas about how to proceed. We can identify some questions or even<br />

some hypotheses which can be explored through our <strong>analysis</strong>.<br />

ILLUSTRATION 5.2<br />

COMMENTS ON FEMINIST HUMOUR<br />

Because humor depends upon a perception of events or behaviour as<br />

unexpected or incongruous, the individual who publicly points up such<br />

inconsistencies risks making a statement about the status quo.<br />

Consequently, satire, irony and comedy pointedly directed can wield<br />

enormous social and political power. 272<br />

Because of conventional sex roles, women have had to be practical; pragmatists<br />

rather than idealists. The mundane day-to-day business of life has been women’s<br />

domain… Women’s comedy is infused with these realistic associations. 274<br />

…the point-of-view represented in feminist comedy is one that affirms women’s<br />

experience, rather than denigrating it… Oppressive contexts and restrictive values<br />

would be ridiculed, rather than the characters who are struggling against such<br />

restrictions. 275<br />

Comedy depends on perspective. A certain aesthetic distancing or tension<br />

between empathy and judgement is needed for one to view the irrational or<br />

incongruous as comic. 276<br />

Tomlin’s characters display insight and integrity which allows them to be selfcritical<br />

without being self deprecating. 277<br />

Comedy is both an aggressive and intellectual response to human nature and<br />

experience…(feminist humor) addresses itself to women and to the multiplicity of<br />

experiences and values women may embody. 278<br />

Humor addressed to women; comedy that recognizes the value of female experience<br />

may be an important step in developing a culture that allows women to self-critically<br />

question the stereotypes that have governed our lives. 279<br />

Source. Merrill 1988

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