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Qualitative_data_analysis

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224 QUALITATIVE DATA ANALYSIS<br />

Figure 13.21 Representing concurrence between categories<br />

have presented two possible outcomes. In one, not much over half the examples of<br />

cathartic humour we have noted in the text concur with those of incongruity. In the<br />

other, every example of cathartic humour concurs with an example of incongruous<br />

humour. But there are elements of incongruity which don’t concur with cathartic<br />

humour. From this kind of mapping we can learn something about the relationship<br />

between the two types of humour. Suppose we find that in fact all the examples of<br />

cathartic humour also involve elements of incongruity. This suggests that an<br />

element of incongruity may be an essential condition of cathartic humour. Looking<br />

back at our <strong>data</strong>, we can explore this possibility and see whether this proposition is<br />

borne out by the way the two types of humour interact.<br />

For example, take Mr Kaufman’s unfortunate accident with the high speed drill.<br />

The humour in this scene is certainly cathartic—it releases emotions connected with<br />

fear of the suffering we associate with the dentist’s drill. What role does incongruity<br />

play? Well, the patient doesn’t suffer in any ordinary way, and perhaps if he had—<br />

perhaps if he had sat in the dentist’s chair, and suffered pain from the drill while<br />

having a filling— we would have not found the scene amusing. But Mr Kaufman’s<br />

dental work is being done out of doors, and while the drill inflicts suffering it does<br />

not do so in the usual orifice. These elements of incongruity are reassuring —<br />

#8212;this is a fantasy, not the real thing. We can laugh at another’s suffering,<br />

precisely because we know that he is not really suffering. In short, without the<br />

incongruity, there might be no cathartic release.<br />

On the other hand, we can look at the <strong>data</strong> where we have observed incongruity<br />

without catharsis. For instance, Vincent says he couldn’t bring himself to sign his<br />

root-canal work he did for Mrs Zardos. Unlike his absence for several days due to<br />

depression, this does not involve any cathartic element. The humour lies only in the<br />

incongruous image of a dentist signing his work as though he were an artist. This is<br />

amusing in its own right without reliance on the release of any emotional

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