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Qualitative_data_analysis

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OF MAPS AND MATRICES 205<br />

[In a calmer moment, I convinced (Gauguin) to try filling teeth<br />

outdoors and we worked in a meadow surrounded by greens and golds.<br />

He put caps on a Miss Angela Tonnato and I gave a temporary filling to<br />

Mr Louis Kaufman. There we were, working together in the open air!<br />

Rows of blinding white teeth in the sunlight! Then a wind came up and<br />

blew Mr Kaufman’s toupee into the bushes. He darted for it and knocked<br />

Gauguin’s instruments to the ground. Gauguin blamed me and tried to<br />

strike out but pushed Mr Kaufman by mistake, causing him to sit down<br />

on the high-speed drill. Mr Kaufman rocketed past me on a fly, taking<br />

Miss Tonnato with him. (Letter 5)]<br />

Although Mr Kaufman gets the worst of it, he is far from passive and indeed it his<br />

action in darting for the toupee which leads to catastrophe. Mr Feldman is even less<br />

passive.<br />

[(Gauguin) was in the midst of an extraction when I disturbed him. He<br />

had his knee on Mr Nat Feldman’s chest with the pliers around the man’s<br />

upper right molar. There was the usual struggle and I had the misfortune<br />

to enter and ask Gauguin if he had seen my felt hat. Distracted, Gauguin<br />

lost his grip on the tooth and Feldman took advantage of the lapse to bolt<br />

from the chair and race out of the office.)<br />

Contrast this incident involving Mr Feldman with the cosy intimacy conjured up in<br />

the Claire Memling story or the passivity of Mrs Zardos waiting patiently for her<br />

dentist to return. This variation in the <strong>data</strong> is suggestive and might encourage us to<br />

look closely at different roles in which Woody Allen casts his male and female<br />

patients.<br />

As well as identifying regularities and variations, our matrices can draw our<br />

attention to singularities in the <strong>data</strong>. One of these is the Claire Memling story,<br />

where the male-female relationship assumes its own peculiar dynamics. The<br />

associations with entrapment and vulnerability we noted earlier acquire a particular<br />

resonance when Vincent is vibrant with sexual passions. Although the Claire<br />

Memling story is a singular episode, not repeated with other patients, we may see it<br />

as encapsulating some of the themes which animate other parts of the <strong>data</strong>, and<br />

therefore worthy of particular emphasis.<br />

So far we have used our matrices to complement the analytic work we have<br />

accomplished through categorizing the <strong>data</strong>. But we can also use a matrix to<br />

comprehend the results of our categorization. We could choose, for example, to<br />

display our <strong>data</strong>bits by case and category. If we did this for our first letter, the result<br />

might look something like Table 13.4.

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