Qualitative_data_analysis
Qualitative_data_analysis
Qualitative_data_analysis
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142 QUALITATIVE DATA ANALYSIS<br />
incongruity in task or temperament which results in torture being inflicted upon the<br />
patient. In this event, we may anticipate a possible comparison between the <strong>data</strong>bits<br />
we have assigned to the categories ‘task’ and ‘temperament’ and the <strong>data</strong>bits assigned<br />
to the subcategories ‘dentist suffering’ and ‘patient suffering’. We won’t be able to<br />
make this comparison unless we so subcategorize the <strong>data</strong>.<br />
Our distinction between ‘dentist suffering’ and ‘patient suffering’ was prompted<br />
initially by comparison between the <strong>data</strong>bits, and confirmed by reference to our<br />
conceptual concerns. Now let us try to reverse this process, and start with some<br />
ideas about the category ‘suffering’. There may be several different distinctions<br />
which occur to us in relation to this category. We can distinguish between physical<br />
and mental suffering, for example. Or we can focus on the kind of ‘suffering’ we<br />
associate with the dental chair, and reflect on its various aspects, such as the physical<br />
pain and discomfort, the (hopefully temporary) disfigurement, the more subtle sense<br />
of entrapment, the embarrassing invasion of personal space, or the appalling<br />
vulnerability to the dentist’s drill. (No, I don’t like going to the dentist!)<br />
These distinctions make sense, but do they relate to the <strong>data</strong>? A review of the<br />
<strong>data</strong>bits confirms that we can indeed distinguish between different forms of<br />
‘suffering’ experienced by patients. For example, Mrs Sol Schwimmer seems to<br />
suffer in a number of ways. We can presume she suffers discomfort as Vincent<br />
‘forces’ the false plate in; she suffers disfigurement because it ‘sticks out like a star<br />
burst chandelier’; and she suffers disability because she ‘can’t chew’ as a result. Mrs<br />
Wilma Zardis, on the other hand, suffers the fate of being left for several days ‘in<br />
the chair’—a fate which plays at once upon our sense of entrapment in the dental<br />
chair, and our dread of delay while we are trapped there. Cézanne meanwhile<br />
‘knocks out teeth’, behaviour which certainly implies discomfort and perhaps even<br />
subsequent disability and disfigurement. It certainly seems that the kind of<br />
distinctions we can draw conceptually have some relevance to the <strong>data</strong>. We could<br />
proceed to subcategorize ‘suffering’ into a number of subcategories, which are both<br />
conceptually and empirically grounded. Using ‘discomfort’ to refer to either<br />
physical or mental suffering, and including ‘disability’ as an additional dimension,<br />
we can identify three subcategories which might prove useful in the <strong>analysis</strong><br />
(Illustration 10.3).<br />
We could make finer distinctions than these, distinguishing, for example,<br />
between physical and mental discomfort, or within mental discomfort between<br />
entrapment, vulnerability, and the violation of personal space. Why not include<br />
these distinctions?<br />
ILLUSTRATION 10.3<br />
SUBCATEGORIES OF ‘SUFFERING’