Qualitative_data_analysis
Qualitative_data_analysis
Qualitative_data_analysis
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140 QUALITATIVE DATA ANALYSIS<br />
voluminous or complex, it will almost certainly be necessary or desirable to develop<br />
further distinctions within the <strong>data</strong>bits themselves. This will be especially true if we<br />
have chosen to undertake a very broad brush <strong>analysis</strong> on our first sweep through the<br />
<strong>data</strong>. But even if we have adopted a fine-grained approach, there may be particular<br />
parts of the text which we have deliberately categorized in a general way, leaving<br />
further refinement for a later stage in our <strong>analysis</strong>.<br />
Not all categories will require or merit subcategorization. Subcategorizing will<br />
depend in part, too, on how far at this point we can identify some central concerns<br />
around which the <strong>analysis</strong> will revolve. By this stage, it may be possible to identify<br />
some areas where the further <strong>analysis</strong> is likely to prove most interesting and<br />
rewarding. We may be a bit clearer about the directions in which to go, even though<br />
there may still be some blind bends and cul-de-sacs on the route ahead. It might<br />
still be a matter of following up hunches and hypotheses, but these may by now be<br />
more informed, while some entertained at the outset may by now be discarded.<br />
Subcategorizing may therefore focus on those themes and issues which are emerging<br />
as the most significant for the <strong>analysis</strong>.<br />
In relation to Vincent’s letters, suppose we have become especially interested in<br />
the categories ‘task’, ‘temperament’ and ‘suffering’. Following our initial<br />
categorization, we have decided that the bulk of our <strong>data</strong> falls within these<br />
categories, whereas other categories have proved much more marginal to the<br />
<strong>analysis</strong>. It has become clear that Woody Allen’s humour in these letters relies<br />
mainly on the use of particular forms of incongruity—transpositions of task and<br />
temperament—and cathartic humour related to our fears of the dentist’s chair.<br />
Let us stay with the example of the category ‘suffering’ (Illustration 10.2).<br />
Suppose we want to develop subcategories which permit a more refined <strong>analysis</strong> of<br />
the cathartic elements this category conveys. Let us look therefore at the <strong>data</strong>bits we<br />
have assigned this category in more detail. To keep things simple, let us cheat a little<br />
and imagine that these are all the <strong>data</strong>bits assigned this category. This is necessary,<br />
for the whole point of categorizing is to ground our conceptualization in an <strong>analysis</strong><br />
of all the relevant <strong>data</strong>.<br />
Where do subcategories come from? As with categories, they express our ideas<br />
about the <strong>data</strong>. We can therefore look for inspiration to the <strong>data</strong>, and to the meanings<br />
and significance of the category we are using. The <strong>data</strong> is now organized in the form<br />
of relevant <strong>data</strong>bits, while our ideas are reflected mainly in our category definition.<br />
But subcategories don’t spring forth fully fledged from the <strong>data</strong>bits, without our<br />
first having to recognize them and accord them significance. And they don’t simply<br />
express ideas about categories, without reflecting also how these can apply to the<br />
<strong>data</strong>. As with categories, creating subcategories is an interactive process.<br />
The first thing we might notice about these <strong>data</strong>bits is that some refer to<br />
Vincent’s own experiences, while others refer to the experience of his patients. The