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140 QUALITATIVE DATA ANALYSIS<br />

voluminous or complex, it will almost certainly be necessary or desirable to develop<br />

further distinctions within the <strong>data</strong>bits themselves. This will be especially true if we<br />

have chosen to undertake a very broad brush <strong>analysis</strong> on our first sweep through the<br />

<strong>data</strong>. But even if we have adopted a fine-grained approach, there may be particular<br />

parts of the text which we have deliberately categorized in a general way, leaving<br />

further refinement for a later stage in our <strong>analysis</strong>.<br />

Not all categories will require or merit subcategorization. Subcategorizing will<br />

depend in part, too, on how far at this point we can identify some central concerns<br />

around which the <strong>analysis</strong> will revolve. By this stage, it may be possible to identify<br />

some areas where the further <strong>analysis</strong> is likely to prove most interesting and<br />

rewarding. We may be a bit clearer about the directions in which to go, even though<br />

there may still be some blind bends and cul-de-sacs on the route ahead. It might<br />

still be a matter of following up hunches and hypotheses, but these may by now be<br />

more informed, while some entertained at the outset may by now be discarded.<br />

Subcategorizing may therefore focus on those themes and issues which are emerging<br />

as the most significant for the <strong>analysis</strong>.<br />

In relation to Vincent’s letters, suppose we have become especially interested in<br />

the categories ‘task’, ‘temperament’ and ‘suffering’. Following our initial<br />

categorization, we have decided that the bulk of our <strong>data</strong> falls within these<br />

categories, whereas other categories have proved much more marginal to the<br />

<strong>analysis</strong>. It has become clear that Woody Allen’s humour in these letters relies<br />

mainly on the use of particular forms of incongruity—transpositions of task and<br />

temperament—and cathartic humour related to our fears of the dentist’s chair.<br />

Let us stay with the example of the category ‘suffering’ (Illustration 10.2).<br />

Suppose we want to develop subcategories which permit a more refined <strong>analysis</strong> of<br />

the cathartic elements this category conveys. Let us look therefore at the <strong>data</strong>bits we<br />

have assigned this category in more detail. To keep things simple, let us cheat a little<br />

and imagine that these are all the <strong>data</strong>bits assigned this category. This is necessary,<br />

for the whole point of categorizing is to ground our conceptualization in an <strong>analysis</strong><br />

of all the relevant <strong>data</strong>.<br />

Where do subcategories come from? As with categories, they express our ideas<br />

about the <strong>data</strong>. We can therefore look for inspiration to the <strong>data</strong>, and to the meanings<br />

and significance of the category we are using. The <strong>data</strong> is now organized in the form<br />

of relevant <strong>data</strong>bits, while our ideas are reflected mainly in our category definition.<br />

But subcategories don’t spring forth fully fledged from the <strong>data</strong>bits, without our<br />

first having to recognize them and accord them significance. And they don’t simply<br />

express ideas about categories, without reflecting also how these can apply to the<br />

<strong>data</strong>. As with categories, creating subcategories is an interactive process.<br />

The first thing we might notice about these <strong>data</strong>bits is that some refer to<br />

Vincent’s own experiences, while others refer to the experience of his patients. The

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