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www.audiomedia.com<br />

NEW PRODUCT<br />

Peavey Electronics recently<br />

released its new XR8000 Series of<br />

powered box-style mixers.<br />

The XR 8300 (2 x 300W @ 4Ω) and<br />

the XR8600 (2 x 600w @ 4Ω) feature<br />

mic preamps with +14dBu of<br />

headroom and a 450Hz mid band<br />

Channel EQ. The latter attempts to<br />

resolve problematic frequencies<br />

to produce clearer vocals without<br />

compromising warmth or depth.<br />

� www.peavey.com<br />

NEW PRODUCT<br />

Sennheiser has released Wireless<br />

G3, the third generation of its<br />

wireless series<br />

that features<br />

a frequency<br />

management<br />

function, to<br />

enable a greater<br />

availability of<br />

compatible<br />

frequencies,<br />

plus a switching<br />

bandwidth of<br />

42MHz. The<br />

system borrows<br />

the Soundcheck<br />

Mode and<br />

equaliser from<br />

the 500 series,<br />

with the <strong>for</strong>mer now operable<br />

during the show. Finally, the<br />

frequency response has been<br />

extended down to 25Hz.<br />

� www.sennheiser.co.uk<br />

NEW INSTALLATION<br />

After road-testing Allen & Heath’s<br />

new iLive-T digital mixing system,<br />

Mexico’s Bull Dog Café has decided<br />

to acquire a unit of its own.<br />

The café is one of Mexico City’s top<br />

music venues and has featured<br />

some of the country’s finest<br />

new musical talent. The system<br />

comprised an iDR-32 MixRack<br />

and iLive-T80 Control Surface, and<br />

was responsible <strong>for</strong> managing<br />

combinations of FOH and monitor<br />

sound <strong>for</strong> the venue’s busy<br />

schedule of events.<br />

� www.allen-heath.co.uk<br />

56<br />

Meyer Unveils New Products<br />

at PALME Dubai<br />

Plus touring news with Paul Weller and Will Ferrell<br />

At the PALME trade show in Dubai this April (26th-28th) frontfill duties. FOH Engineer Andrew ‘Ange’ Jones was<br />

Meyer Sound celebrated its 30th anniversary with the<br />

pleased with the efficiency of the overall system<br />

release of the new D-Mitri Gigabit network-based multi- saying, “There were a few halls where, I’ll be honest, I was<br />

channel digital audio processing and distribution plat<strong>for</strong>m. a bit concerned we didn’t have enough PA with us.<br />

D-Mitri features a 96kHz sample rate, up to<br />

But the MILO has surprised us – it really<br />

64-bit floating-point processing, and 24-bit ADA<br />

sounds great, and it goes up quickly.”<br />

conversion in a true-networked environment.<br />

Will Ferrell provided some comic relief<br />

The system <strong>for</strong>ges the way <strong>for</strong> future Meyer<br />

after George Bush’s departure from the<br />

Sound innovations and digital technology, start-<br />

Whitehouse with his one-man show You’re<br />

ing with the LCS audio show control system and<br />

Welcome America: A Final Night with George<br />

second-generation Constellation system.<br />

W. Bush, hosted at the Cort Theatre on<br />

Out on the road, Meyer Sound has been doing the business Broadway. The production utilised a combination of ten<br />

<strong>for</strong> Paul Weller’s UK tour with a particularly impressive set Meyer Sound M’elodie line array loudspeakers, flanked by<br />

up at the 18,000-seat O2 Arena. A total of 60 MILO and MILO<br />

120 loudspeakers were used, along with 36 MICA loud-<br />

side hangs of three CQ-1 loudspeakers each.<br />

speakers and four 600-HP subwoofers, while eight M’elodie<br />

Meyer Sound<br />

+1 (510) 486 1166<br />

line array loudspeakers and 18 700-HP subwoofers handled<br />

www.meyersound.com<br />

_____________________________________________________________________________________________________________<br />

DiGiCo<br />

Chris ‘Privet’ Hedge, FOH Engineer <strong>for</strong> Simply Red, has been<br />

employing DiGiCo’s D5 console to ‘simply perfect’ effect<br />

during the band’s current world tour. Privet has used the<br />

console extensively <strong>for</strong> the last three years with an eclectic<br />

group of per<strong>for</strong>mers, and is particularly impressed with<br />

its ability to cope in challenging environments and its<br />

resistance to the rigours of touring. He states, “No amount<br />

of chucking it on and off airplanes, lorries and <strong>for</strong>klifts<br />

has caused a blip in its operation.” The console also lends<br />

its own finesse to the live sound, “It has a very natural<br />

AUDIO MEDIA MAY <strong>2009</strong><br />

sound and all the artists I’ve used it with are primarily<br />

organic, live acts. I find the console very easy to lay out and<br />

operate intuitively; it’s very much a mixer’s console.” The D5,<br />

alongside the D8, also had an outing at Florida’s Festival of<br />

the Arts in April. The D5 provided FOH input/outputs, while<br />

the D8 handled onstage monitors.<br />

DiGiCo<br />

+44 (0) 1372 845600<br />

www.digico.org

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