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BELGIAN broadcasting mirrors the unique political and<br />

linguistic nature of the country. The cultural communities,<br />

rather than the federal authorities, are responsible <strong>for</strong><br />

regulating radio and TV. Unlike most other European<br />

countries, Belgium does not have a single public<br />

broadcasting organisation, but two separate bodies, with<br />

their own regulations, running their own radio, TV, and<br />

external broadcasting.<br />

Some 95% of Belgians are hooked-up to cable TV; one<br />

of the highest take-up rates in the world. Cable services<br />

offer dozens of domestic and <strong>for</strong>eign channels, including<br />

Dutch and French stations. Belgium aims to complete the<br />

conversion to digital TV by 2011, when it aims to switch off<br />

the analogue signal.<br />

Luxembourg exerts immense media clout and has a<br />

long tradition of operating radio and TV services <strong>for</strong> pan-<br />

European audiences, including those in France, Germany,<br />

and the UK. The Luxembourg-based media group RTL is<br />

Les Misérables Continues Alcons Success<br />

The Netherlands – Sound Designer Jeroen<br />

ten Brinke is using an Alcons <strong>Audio</strong>-based<br />

sound system <strong>for</strong> the touring production of<br />

Les Misérables.<br />

The show has run <strong>for</strong> nine months in the<br />

Rotterdam Nieuwe Luxor Theatre, now moved<br />

to Amsterdam’s 1,800-seat<br />

Royal Carré Theatre, a return<br />

to the capital’s theatre after<br />

17 years, and from here<br />

to the Stadsschouwburg<br />

in Antwerpen, so Jeroen’s<br />

design – with equipment<br />

supplied by Peter<br />

Scheunhage at Dutch<br />

rental company Focus<br />

Showequipment – has to take variations in size<br />

and configuration of the venues into account.<br />

“We have a total of three hangs of six LR14<br />

ultra-compact line-arrays (RBN401 pro-ribbon HF<br />

+ 2x 6.5” LF) per side <strong>for</strong> theatres where we have<br />

three levels or two balconies,” explains ten Brinke.<br />

“But usually, with one balcony, we use the top and<br />

bottom cluster only, which are two arrays of six<br />

LR14s on each side.<br />

“For front-fills, we use eight<br />

low profile SR9s (RBN401 proribbon<br />

HF +2x 5” LF) and the<br />

centre clusters comprise two<br />

hangs of 12 LR16 left and right<br />

(RBN601 pro-ribbon + 2x 8”<br />

LF), and subs are BF302s (2x<br />

15”). The complete system is<br />

powered and controlled by<br />

the Alcons 2x 2kW ALC’s.”<br />

In the final implementation phase, ten Brinke<br />

was joined by West End Sound Designer Nick<br />

Lidster from Autograph London.<br />

Zwolle College Invests in Midas Package<br />

The Netherlands – Midas Consoles Benelux has<br />

sold a package of equipment including two<br />

PRO6 live audio systems, a Venice 160 console,<br />

and Klark Teknik Square ONE signal processing to<br />

the Deltion College in Zwolle, the Netherlands.<br />

The Deltion College provides around 16,000 young<br />

people with vocational training and education<br />

per year.<br />

“This is equipment you won’t yet see in many reallife<br />

theatres; a dream come true <strong>for</strong> every instructor<br />

and every student,” says Gert Venema, tutor on the<br />

course’s Sound and Theatre Techniques module.<br />

The college’s attitude to new technology is largely<br />

MEDIA MATTERS<br />

behind much of this activity. RTL’s radio stations have<br />

been a part of the broadcasting landscape in France and<br />

Germany <strong>for</strong> decades.<br />

Luxembourg’s media empire extends to the skies.<br />

The country is home to Europe’s largest satellite operator,<br />

Societe Europeenne des Satellites (SES), which operates<br />

the Astra satellite fleet.<br />

The Dutch approach to public broadcasting is unique.<br />

Programmes are made by a variety of groups, some<br />

reflecting political or religious currents in society, others<br />

representing interest groups. These organisations are<br />

allocated airtime on TV and radio, in line with the number<br />

of members they have.<br />

Public radio and TV channels face stiff competition<br />

from commercial stations, which mushroomed after a<br />

1988 law lifted the ban on commercial broadcasting.<br />

The TV market is very competitive.<br />

down to the passion of the instructors, according<br />

to Midas Consoles Benelux’s Axel Nagtegaal.<br />

“A good specification is wonderful, but without<br />

passion it is sterile,” he says. “The real added value<br />

and creativity of this project is the way the school,<br />

instructors, and consultant have worked together in<br />

a concerted ef<strong>for</strong>t.”<br />

For Nagtegaal, the equipment sale is just the<br />

beginning of his cooperation with the Deltion College.<br />

“The school can call us in <strong>for</strong> training, workshops, and<br />

master classes, and we are also offering internships<br />

to students with the potential <strong>for</strong> junior and senior<br />

management positions,” he says.<br />

AUDIO MEDIA MAY <strong>2009</strong>

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