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BELGIAN broadcasting mirrors the unique political and<br />
linguistic nature of the country. The cultural communities,<br />
rather than the federal authorities, are responsible <strong>for</strong><br />
regulating radio and TV. Unlike most other European<br />
countries, Belgium does not have a single public<br />
broadcasting organisation, but two separate bodies, with<br />
their own regulations, running their own radio, TV, and<br />
external broadcasting.<br />
Some 95% of Belgians are hooked-up to cable TV; one<br />
of the highest take-up rates in the world. Cable services<br />
offer dozens of domestic and <strong>for</strong>eign channels, including<br />
Dutch and French stations. Belgium aims to complete the<br />
conversion to digital TV by 2011, when it aims to switch off<br />
the analogue signal.<br />
Luxembourg exerts immense media clout and has a<br />
long tradition of operating radio and TV services <strong>for</strong> pan-<br />
European audiences, including those in France, Germany,<br />
and the UK. The Luxembourg-based media group RTL is<br />
Les Misérables Continues Alcons Success<br />
The Netherlands – Sound Designer Jeroen<br />
ten Brinke is using an Alcons <strong>Audio</strong>-based<br />
sound system <strong>for</strong> the touring production of<br />
Les Misérables.<br />
The show has run <strong>for</strong> nine months in the<br />
Rotterdam Nieuwe Luxor Theatre, now moved<br />
to Amsterdam’s 1,800-seat<br />
Royal Carré Theatre, a return<br />
to the capital’s theatre after<br />
17 years, and from here<br />
to the Stadsschouwburg<br />
in Antwerpen, so Jeroen’s<br />
design – with equipment<br />
supplied by Peter<br />
Scheunhage at Dutch<br />
rental company Focus<br />
Showequipment – has to take variations in size<br />
and configuration of the venues into account.<br />
“We have a total of three hangs of six LR14<br />
ultra-compact line-arrays (RBN401 pro-ribbon HF<br />
+ 2x 6.5” LF) per side <strong>for</strong> theatres where we have<br />
three levels or two balconies,” explains ten Brinke.<br />
“But usually, with one balcony, we use the top and<br />
bottom cluster only, which are two arrays of six<br />
LR14s on each side.<br />
“For front-fills, we use eight<br />
low profile SR9s (RBN401 proribbon<br />
HF +2x 5” LF) and the<br />
centre clusters comprise two<br />
hangs of 12 LR16 left and right<br />
(RBN601 pro-ribbon + 2x 8”<br />
LF), and subs are BF302s (2x<br />
15”). The complete system is<br />
powered and controlled by<br />
the Alcons 2x 2kW ALC’s.”<br />
In the final implementation phase, ten Brinke<br />
was joined by West End Sound Designer Nick<br />
Lidster from Autograph London.<br />
Zwolle College Invests in Midas Package<br />
The Netherlands – Midas Consoles Benelux has<br />
sold a package of equipment including two<br />
PRO6 live audio systems, a Venice 160 console,<br />
and Klark Teknik Square ONE signal processing to<br />
the Deltion College in Zwolle, the Netherlands.<br />
The Deltion College provides around 16,000 young<br />
people with vocational training and education<br />
per year.<br />
“This is equipment you won’t yet see in many reallife<br />
theatres; a dream come true <strong>for</strong> every instructor<br />
and every student,” says Gert Venema, tutor on the<br />
course’s Sound and Theatre Techniques module.<br />
The college’s attitude to new technology is largely<br />
MEDIA MATTERS<br />
behind much of this activity. RTL’s radio stations have<br />
been a part of the broadcasting landscape in France and<br />
Germany <strong>for</strong> decades.<br />
Luxembourg’s media empire extends to the skies.<br />
The country is home to Europe’s largest satellite operator,<br />
Societe Europeenne des Satellites (SES), which operates<br />
the Astra satellite fleet.<br />
The Dutch approach to public broadcasting is unique.<br />
Programmes are made by a variety of groups, some<br />
reflecting political or religious currents in society, others<br />
representing interest groups. These organisations are<br />
allocated airtime on TV and radio, in line with the number<br />
of members they have.<br />
Public radio and TV channels face stiff competition<br />
from commercial stations, which mushroomed after a<br />
1988 law lifted the ban on commercial broadcasting.<br />
The TV market is very competitive.<br />
down to the passion of the instructors, according<br />
to Midas Consoles Benelux’s Axel Nagtegaal.<br />
“A good specification is wonderful, but without<br />
passion it is sterile,” he says. “The real added value<br />
and creativity of this project is the way the school,<br />
instructors, and consultant have worked together in<br />
a concerted ef<strong>for</strong>t.”<br />
For Nagtegaal, the equipment sale is just the<br />
beginning of his cooperation with the Deltion College.<br />
“The school can call us in <strong>for</strong> training, workshops, and<br />
master classes, and we are also offering internships<br />
to students with the potential <strong>for</strong> junior and senior<br />
management positions,” he says.<br />
AUDIO MEDIA MAY <strong>2009</strong>