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Section One<br />
Soft Seating 18<br />
Section Two<br />
Chairs with Stools 62<br />
Section Three<br />
Stools 98<br />
Section Four<br />
Chairs 118<br />
Section Five<br />
Benches 150<br />
Section Six<br />
Tables 170
Established in 1971, <strong>Allermuir</strong> has become one of the leading<br />
manufacturers of high quality contemporary furniture in the UK today.<br />
In particular during the early nineties we used our manufacturing base to<br />
bring some of the most exciting and talented designer’s ideas to the marketplace.<br />
These products continue to be manufactured under exclusive licence, at our<br />
factory in North West England.<br />
Following the acquisition of <strong>Allermuir</strong> by the Senator Group in 2005 we<br />
have gone on to invest heavily in our R&D, marketing and manufacturing facilities,<br />
launching award winning products, expanding our area of operation across<br />
Europe, America and Australia, whilst at the same time achieving significant<br />
sustained growth within the UK.<br />
Our portfolio offers design excellence, visual stimulation and diverse<br />
materials, bringing distinctiveness and comfort to grace any interior whilst<br />
remaining affordable and accessible. Good design should, we believe, deliver<br />
value and not just a high price tag! Products that exemplify the Company’s<br />
commitment to producing well detailed and original designs whilst meeting the<br />
functional requirements of most leisure and corporate environments. In addition<br />
to all of this we offer a comprehensive and first rate service, including space<br />
planning, delivery and installation. Everything we do is built to order so the final<br />
specification and character of the product is in the hands of the client.<br />
The <strong>Allermuir</strong> name is now synonymous with design and quality<br />
manufacturing in the UK, and the world-wide marketplace.<br />
Fondée en 1971, la société<br />
<strong>Allermuir</strong> est devenue aujourd’hui<br />
l’un des premiers fabricants de<br />
meubles contemporains de qualité<br />
au Royaume-Uni.<br />
Au début des années 90 en<br />
particulier, nous nous sommes<br />
appuyés sur notre infrastructure<br />
de fabrication pour introduire sur le<br />
marché les idées les plus excitantes<br />
et les plus talentueuses soumises<br />
par les concepteurs. Ces produits<br />
continuent à être fabriqués, sous<br />
licence exclusive, dans notre usine<br />
du Nord-Ouest de l’Angleterre.<br />
Suite à l’acquisition d’<strong>Allermuir</strong> par<br />
le Senator Group en 2005, nous<br />
avons effectué de lourds<br />
investissements en R&D, marketing<br />
et équipements de fabrication.<br />
Nous avons lancé des produits qui<br />
ont été primés et nous avons<br />
étendu notre zone d’activité en<br />
Europe, en Amérique et en Australie,<br />
tout en enregistrant dans le même<br />
temps une croissance significative<br />
et soutenue au Royaume-Uni.<br />
Notre portefeuille est structuré<br />
autour de l’excellence de la<br />
conception, de la stimulation<br />
visuelle et de la diversité des<br />
matériaux pour apporter une<br />
touche de confort et d’individualité<br />
qui agrémente n’importe quel<br />
intérieur tout en restant abordable<br />
et accessible à une large clientèle.<br />
Un bon design doit, selon nous,<br />
être accompagné d’un bon rapport<br />
qualité/prix, pas seulement d’une<br />
étiquette avec un prix élevé !<br />
Ce sont des produits qui illustrent<br />
l’attachement de la société à la<br />
production de modèles originaux,<br />
où chaque détail a son importance,<br />
qui satisfont aussi aux exigences<br />
fonctionnelles requises dans<br />
la plupart des environnements<br />
d’entreprise ou de loisirs.<br />
Nous offrons en outre un<br />
service complet de tout premier<br />
ordre qui comprend les plans<br />
d’aménagement de l’espace,<br />
la livraison et l’installation. Tout ce<br />
que nous faisons est fabriqué sur<br />
commande pour que la spécification<br />
finale et le caractère du produit<br />
reposent entre les mains du client.<br />
Le nom d’<strong>Allermuir</strong> est maintenant<br />
synonyme de design et fabrication<br />
de qualité, tant au Royaume-Uni<br />
que sur le marché mondial.<br />
Seit seiner Gründung 1971 hat<br />
sich <strong>Allermuir</strong> zu einem der<br />
führenden Hersteller hochwertiger<br />
zeitgenössischer Möbel in<br />
Großbritannien entwickelt.<br />
Insbesondere in den frühen<br />
Neunzigerjahren nutzten wir unsere<br />
Fertigungsbasis, um einige der<br />
aufregendsten und talentiertesten<br />
Designideen auf den Markt zu<br />
bringen. Diese Produkte werden<br />
weiter unter exklusiver Lizenz in<br />
unserem Werk im englischen<br />
Nordosten hergestellt.<br />
Nach der Übernahme von<br />
<strong>Allermuir</strong> durch die Senator Group<br />
im Jahr 2005 haben wir starke<br />
Investitionen bei Forschung und<br />
Entwicklung, Marketing und<br />
Fertigungseinrichtungen geleistet,<br />
preisgekrönte Produkte auf dem<br />
Markt eingeführt, unseren Betrieb<br />
über Europa, Amerika und Australien<br />
hinweg ausgeweitet und gleichzeitig<br />
ein beachtliches, anhaltendes<br />
Wachstum in Großbritannien vollzogen<br />
Unser Portfolio bietet Spitzendesign,<br />
optisch anregend, in vielfältigen<br />
Materialien, das allen Innenräumen<br />
eine markante, komfortable Note<br />
verleiht, dabei aber gleichzeitig<br />
preisgünstig und erschwinglich<br />
bleibt. Gutes Design sollte unserer<br />
Meinung nach echten Wert liefern,<br />
nicht nur hohe Preise! Produkte,<br />
die den Einsatz des Unternehmens<br />
für die Herstellung detailgenauer<br />
Originalkonstruktionen bei<br />
Befolgung der funktionalen<br />
Anforderungen der meisten<br />
Freizeit- und Firmenumgebungen<br />
verwirklichen.<br />
Zusätzlich zu all dem bieten wir<br />
einen umfassenden, erstklassigen<br />
Service, einschließlich<br />
Raumplanung, Lieferung und<br />
Installation. Wir fertigen alles nach<br />
Auftrag, wodurch Vorgaben und<br />
Charakter des Produkts letztlich<br />
in den Händen des Kunden liegen.<br />
In Großbritannien wie auf dem<br />
weltweiten Markt ist der Name<br />
<strong>Allermuir</strong> heute gleichbedeutend<br />
mit Design und hochwertiger<br />
Verarbeitung.<br />
<strong>Allermuir</strong> Portfolio — 1
Contents<br />
Section One<br />
Soft Seating<br />
20.21<br />
Wolfgang C R Mezger —<br />
Lola<br />
A seductive, curving and<br />
shapely design. This upholstered<br />
range comes in the form of a<br />
two seat sofa and a chair with<br />
either a dynamic four leg frame<br />
or a simple swivel base.<br />
Un modèle plein de séduction, aux<br />
lignes arrondies et harmonieuses.<br />
Cette gamme tapissée est<br />
proposée sous forme d’un canapé<br />
deux places et d’un fauteuil avec<br />
empiétement dynamique quatre<br />
pieds ou un simple pied pivotant.<br />
Verführerisches, geschwungenes,<br />
formschönes Design. Diese<br />
Reihe gepolsterter Sitzmöbel kann<br />
als Zweisitzersofa und als Stuhl<br />
mit dynamischem Vier-Bein-Gestell<br />
oder einfachem Drehsockel<br />
geliefert werden.<br />
2 — <strong>Allermuir</strong> Portfolio<br />
22.25<br />
Mark Gabbertas —<br />
Tommo<br />
Understated, contemporary<br />
and inviting, Tommo is a<br />
versatile design comprising<br />
of a club chair with matching<br />
footstool, a lounge chair, a<br />
dining chair and high stool.<br />
Sobre, contemporain et accueillant,<br />
Tommo est un modèle polyvalent<br />
comprenant un fauteuil club avec<br />
repose-pied assorti, une chaise de<br />
salle à manger et un tabouret haut.<br />
Schlicht, zeitgemäß und einladend<br />
– Tommo ist ein vielseitiges<br />
Modell, das einen Clubsessel<br />
mit passendem Fußhocker,<br />
einen Esszimmerstuhl und einen<br />
Barhocker umfasst.<br />
20.21<br />
22.25<br />
26.29<br />
26.29<br />
PearsonLloyd —<br />
Conic<br />
Conic is a refreshing eye<br />
catching take on various<br />
conical form designs. The range<br />
includes a tub chair, lounge<br />
chair and chair with integral<br />
headrest, all on polished<br />
Chrome wire frame bases.<br />
Conic est une variante originale<br />
et attractive de divers modèles aux<br />
formes coniques. Cette gamme<br />
comprend un fauteuil tonneau,<br />
un fauteuil de salon et un fauteuil<br />
avec appuie-tête intégré, tous sur<br />
empiétement en tube métallique<br />
chromé poli.<br />
Conic ist ein erfrischendes,<br />
augenfälliges Spiel mit<br />
verschiedenen konischen<br />
Formen. Die Reihe umfasst einen<br />
Clubsessel, Liegesessel und<br />
inen Sessel mit Kopfstütze,<br />
jeweils auf hochglanzpoliertem<br />
Chromdrahtgestell.
30.33<br />
34.35<br />
30.33<br />
PearsonLloyd —<br />
Open<br />
Open is an elegant,<br />
contemporary collection<br />
of soft seating with chair and<br />
sofa sharing a formed, Steel<br />
rod, base-frame aesthetic;<br />
angular and striking, lending<br />
a physical lightness to the<br />
appeal of the design.<br />
Open est une élégante collection<br />
contemporaine de sièges<br />
rembourrés. Le fauteuil et le canapé<br />
partagent la même esthétique avec<br />
un empiétement en tiges d’acier<br />
profilé ; son étonnant aspect<br />
angulaire ajoute une légèreté<br />
physique au charme de ce modèle.<br />
Open ist eine elegante,<br />
zeitgenössische Kollektion<br />
gepolsterter Sitzmöbel. Sessel und<br />
Sofa weisen dieselbe formbewusste<br />
Stahlstabkonstruktion auf. Die<br />
charakteristische, kantige Optik<br />
vermittelt fast einen Eindruck von<br />
Schwerelosigkeit.<br />
36.37<br />
34.35<br />
Mark Gabbertas —<br />
Tubby<br />
Contemporary alternative to<br />
traditional tub chair and sofa<br />
designs. Tubby comprises of<br />
a Beech veneered backrest<br />
and clean upholstery, ideal<br />
for both corporate and leisure<br />
environments.<br />
Une alternative contemporaine aux<br />
modèles traditionnels de canapé<br />
et fauteuil tonneau. Tubby possède<br />
un dossier en hêtre plaqué et un<br />
habillage sobre, un modèle idéal<br />
pour les environnements<br />
d’entreprises ou de loisirs.<br />
Zeitgemäße Alternative zum<br />
traditionellen Design von<br />
Clubsessel und Sofa. Mit seiner<br />
Rückenlehne in Buchenfurnier und<br />
den klar geschnittenen Polstern<br />
eignet sich Tubby ideal für<br />
Firmen- wie für Freizeitbereiche.<br />
36.37<br />
Simon Pengelly —<br />
Bison<br />
A highly stylish and distinctive<br />
tub chair design with<br />
characterful broad shoulders<br />
and a compact footprint.<br />
The chair provides a generous<br />
comfortable sit and the moulded<br />
seat and back are enhanced<br />
by superb upholstery detailing.<br />
Un modèle de fauteuil tonneau très<br />
élégant et distinctif avec un haut de<br />
dossier large et plein de caractère<br />
et un encombrement au sol minime.<br />
Ce fauteuil constitue un siège<br />
généreux et confortable dont<br />
l’assise et le dossier moulés sont<br />
mis en valeur par les superbes<br />
détails de l’habillage.<br />
Ein höchst eleganter und markanter<br />
Clubsessel mit charakteristischen<br />
breiten Schultern und kompakter<br />
Standfläche. Der Sessel ermöglicht<br />
großzügiges, bequemes Sitzen<br />
und die geformte Sitzfläche<br />
und Rückenlehne werden<br />
durch exquisite Polsterdetails<br />
hervorgehoben.<br />
38.39<br />
38.39<br />
Simon Pengelly —<br />
Venus<br />
A versatile, compact tub<br />
chair with a moulded foam<br />
body and sprung seat<br />
providing excellent comfort<br />
for both informal and formal<br />
meeting, conference and<br />
dining applications.<br />
Un fauteuil tonneau compact aux<br />
multiples applications, avec une<br />
structure en mousse moulée et<br />
une assise à ressorts qui assurent<br />
un confort excellent pour les<br />
réunions formelles ou informelles,<br />
les conférences et les repas ou<br />
banquets.<br />
Ein äußerst vielseitiger und<br />
kompakter Stuhl. Der geformte<br />
Schaumstoffkörper und gefederte<br />
Sitz bieten hohen Komfort bei<br />
zwanglosen wie formellen<br />
Besprechungen, Konferenzen<br />
und Abendessen.<br />
<strong>Allermuir</strong> Portfolio — 3
40.41<br />
<strong>Allermuir</strong> Design Team —<br />
Dandy<br />
Dandy is an exceptionally well<br />
turned out sofa and armchair<br />
combination with classic<br />
style, simple proportions,<br />
clean lines, great comfort and<br />
broad appeal.<br />
Dandy est un ensemble canapé<br />
et fauteuil d’une présentation<br />
exceptionnellement soignée dans<br />
un style classique, aux proportions<br />
simples et aux lignes sobres doté<br />
d’un merveilleux confort et d’un<br />
charme infini.<br />
Dandy ist eine außergewöhnlich<br />
gelungene Kombination aus Sofa<br />
und Sessel in klassischem Stil,<br />
einfachen Proportionen und klaren<br />
Linien, die großen Komfort bietet<br />
und auf universellen Anklang<br />
gestoßen ist.<br />
4 — <strong>Allermuir</strong> Portfolio<br />
42.43<br />
<strong>Allermuir</strong> Design Team —<br />
Pebble<br />
Pebble is a superb option for<br />
a multitude of informal meeting<br />
spaces or corporate breakout<br />
areas. Its design allows for<br />
user interactivity, as it can be<br />
nested with other Pebbles, in a<br />
scatter format or used as a<br />
stand-alone piece.<br />
Pebble est une superbe option<br />
convenant à une multitude de<br />
cadres de rencontre informels ou<br />
aux espaces de détente dans les<br />
entreprises. Sa conception permet<br />
l’interactivité des utilisateurs<br />
puisque les poufs Pebble peuvent<br />
s’imbriquer les uns dans les autres<br />
pour une disposition ‘étendue’ ou<br />
être utilisés tout seuls.<br />
Pebble ist ein exzellentes<br />
Sitzkonzept für unterschiedlichste<br />
informelle Meetingbereiche oder<br />
arbeitsfreie Zonen. Sein Design<br />
ermöglicht Benutzern Interaktivität,<br />
da es mit anderen Pebbles<br />
gruppiert, verstreut arrangiert oder<br />
allein gestellt werden kann.<br />
44.45<br />
John Coleman —<br />
Jaks<br />
This fun and playful range can<br />
provide seating for up to four<br />
people and facilitates meeting<br />
and greeting in informal spaces.<br />
Cette gamme amusante et ludique<br />
permet d’asseoir jusqu’à quatre<br />
personnes et facilite les rencontres<br />
et l’accueil dans des espaces<br />
informels.<br />
Diese humorvolle und spielerische<br />
Reihe bietet Platz für bis zu vier<br />
Personen. In informellen Räumen<br />
liefert es einen günstigen Rahmen<br />
für Begegnungen und Begrüßungen.<br />
40.41<br />
42.43<br />
44.45
50.55<br />
<strong>Allermuir</strong> Design Team —<br />
Pause<br />
Pause is a mature and<br />
sophisticated version of the<br />
ubiquitous modular reception<br />
and breakout space system<br />
furniture. The comfort of the core<br />
modules has been carefully<br />
balanced to provide a bench<br />
style sit, but with just the right<br />
degree of softness along<br />
with a supportive backrest.<br />
Pause est une version mûrie et<br />
sophistiquée du système<br />
modulaire omniprésent dans les<br />
espaces d’accueil et de détente.<br />
Le confort des modules au cœur<br />
de la gamme a été soigneusement<br />
équilibré pour obtenir des sièges<br />
de style banquette mais avec un<br />
dossier de soutien et exactement<br />
le niveau de moelleux qui convient.<br />
Pause ist eine ausgereifte, elegante<br />
Version des modularen Sitzsystems,<br />
das in Empfangsbereichen und<br />
arbeitsfreien Zonen allgegenwärtig<br />
ist. Der sorgfältig ausgewogene<br />
Komfort der Kernmodule schafft<br />
bankähnliche Sitze mit perfekt<br />
abgestimmter Sitzelastizität und<br />
stützender Rückenlehne.<br />
46.47 48.49<br />
46.47<br />
Ross Didier —<br />
Obelisk<br />
Obelisk is a formal yet playful<br />
range of soft seating. The<br />
essentially rectangular forms<br />
that make up the body of this<br />
piece have striking angular<br />
facets, while the whole thing<br />
has a pronounced tilt and is<br />
slightly elevated on broad,<br />
sturdy formed Steel legs.<br />
Obelisk est une gamme à la fois<br />
formelle et ludique de sièges<br />
rembourrés. Les formes<br />
essentiellement rectangulaires<br />
qui constituent la partie principale<br />
de ce modèle ont des faces<br />
angulaires tout à fait surprenantes<br />
tandis que l’ensemble a une<br />
inclinaison marquée et est<br />
légèrement surélevé sur des pieds<br />
larges et robustes en acier moulé.<br />
Obelisk ist eine formelle und doch<br />
verspielte Polstermöbelreihe.<br />
Die im Wesentlichen rechteckigen<br />
Formen, die den Kern dieses<br />
Stücks ausmachen, sind von<br />
eindrucksvollen Winkeln geprägt.<br />
Die Modelle weisen insgesamt eine<br />
deutliche Neigung auf und werden<br />
von breiten, robust geformten<br />
Stahlbeinen leicht angehoben.<br />
50.55<br />
48.49<br />
Steven Smith —<br />
Tsunami<br />
Tsunami is a fresh, unique and<br />
stunning design of distinctive<br />
character, proportions and<br />
presence. The modular format<br />
of the chair and table plus<br />
bench units work well in large<br />
atrium areas.<br />
Tsunami est un modèle exclusif,<br />
frais et surprenant, qui se distingue<br />
par son caractère, ses proportions<br />
et sa présence. Le format modulaire<br />
fauteuil et table plus banquettes<br />
convient parfaitement aux grands<br />
espaces d’accueil et foyers.<br />
Tsunami steht für frisches,<br />
einzigartiges und überraschendes<br />
Design, markant durch Charakter,<br />
Proportionen und Präsenz.<br />
Die modulare Funktionalität von<br />
Stuhl und Tisch sowie der<br />
Bankeinheiten eignet sich gut für<br />
große Atriumbereiche.<br />
<strong>Allermuir</strong> Portfolio — 5
Contents<br />
Section Two<br />
Chairs with Stools<br />
64.65<br />
<strong>Allermuir</strong> Design Team —<br />
Kojak<br />
Kojak is a striking collection<br />
with universal appeal offering<br />
extreme comfort and style.<br />
The range comprises of a<br />
slender side chair and<br />
armchair, both of which stack,<br />
with matching high stools.<br />
Kojak est une collection saisissante<br />
d’un charme universel qui allie style<br />
et confort extrême. La gamme<br />
comprend une chaise et un fauteuil<br />
aux formes élancées, qui sont tous<br />
les deux empilables, et un tabouret<br />
haut assorti.<br />
Kojak ist eine markante Kollektion<br />
mit universeller Wirkung, die sich<br />
durch höchsten Komfort und Stil<br />
auszeichnet. Sie besteht aus einem<br />
schlanken Stuhl, mit und ohne<br />
Armlehnen, in beiden Versionen<br />
stapelbar, ergänzt durch einen<br />
passenden Barhocker.<br />
6 — <strong>Allermuir</strong> Portfolio<br />
66.69<br />
John Coleman —<br />
Mollie<br />
A luxurious and satisfying<br />
design, Mollie displays both<br />
classic and contemporary<br />
elements. This versatile<br />
range comprises of a four<br />
leg armchair and high stool<br />
and a centre pedestal<br />
armchair and high stool, both<br />
of which swivel through 360˚.<br />
Modèle luxueux et plaisant,<br />
Mollie présente en même temps<br />
des éléments classiques et<br />
contemporains. Cette gamme<br />
polyvalente comprend un fauteuil<br />
quatre pieds, un fauteuil à pied<br />
central et un tabouret haut à pied<br />
central, ces deux derniers pouvant<br />
pivoter sur 360°.<br />
In überzeugendem, luxuriösem<br />
Design verbindet Mollie sowohl<br />
klassische als auch zeitgenössische<br />
Elemente. Diese vielseitige Reihe<br />
umfasst einen Sessel mit vier<br />
Beinen sowie einen Sessel und<br />
Barhocker mit einem Bein, die<br />
beide um 360º drehbar sind.<br />
70.73<br />
Simon Pengelly —<br />
Lara<br />
Lara is an elegantly<br />
proportioned and refined<br />
stacking chair with superb<br />
comfort and style. Available<br />
with or without arms its<br />
characteristics are reflected<br />
in the complementary<br />
stackable high stool.<br />
Lara est une élégante chaise<br />
empilable, aux proportions<br />
raffinées, dont le confort est aussi<br />
superbe que le style. Disponible<br />
avec ou sans accoudoirs, ses<br />
caractéristiques se retrouvent dans<br />
le tabouret haut empilable qui vient<br />
compléter la gamme.<br />
Lara ist ein elegant proportionierter,<br />
raffinierter stapelbarer Stuhl mit<br />
hervorragendem Komfort und Stil.<br />
Mit oder ohne Arme erhältlich. Seine<br />
Merkmale sind in dem Barhocker<br />
reflektiert, der die Reihe ergänzt.<br />
64.65<br />
66.69<br />
70.73
74.75<br />
76.77<br />
74.75<br />
Ton Haas —<br />
Mellow<br />
The Mellow series of chairs<br />
and stools is versatile in both<br />
function and use. Its simple<br />
construction is based on<br />
clean, crisp round or square<br />
upholstered shapes upon a<br />
compact Steel tube frame with<br />
optional Beech wood armrests.<br />
La série de chaises et tabourets<br />
Mellow est multi-fonctions et<br />
multi-usages. Sa construction<br />
simple a pour base les formes<br />
épurées et sobres, rondes ou<br />
carrées, de sa garniture montée<br />
sur une armature compacte en<br />
tubes d’acier avec, en option,<br />
des accoudoirs en hêtre.<br />
Die Stuhl- und Hockerreihe Mellow<br />
ist vielseitig sowohl in der Funktion<br />
als auch im Einsatz. Ihre einfache<br />
Konstruktion beruht auf klaren,<br />
hart geschnittenen runden oder<br />
quadratischen Polsterformen auf<br />
einem kompakten Stahlrohrgestell<br />
mit optionalen Armlehnen aus<br />
Buchenholz.<br />
76.77<br />
Pernille Svane Hansen —<br />
Scala<br />
This high stool and stacking<br />
side chair and armchair are of a<br />
timeless, classic nature, elegant,<br />
restrained and finely detailed.<br />
The slender tubular Steel frame<br />
with gently curving front legs,<br />
forms a compact footprint,<br />
while the curved seat and back<br />
provide excellent comfort.<br />
Ces tabourets, fauteuils et chaises<br />
empilables sont atemporels et<br />
classiques par nature, élégants,<br />
discrets et agrémentés de détails<br />
soignés. L’armature en minces<br />
tubes d’acier, avec des pieds<br />
avant légèrement galbés, se<br />
traduit par un encombrement<br />
au sol minime tandis que l’assise<br />
et le dossier arrondis assurent un<br />
confort excellent.<br />
Dieser Barhocker und stapelbare<br />
Stuhl mit und ohne Armlehne sind<br />
von zeitloser, klassischer Note,<br />
zurückhaltend und edel im Detail.<br />
Das zierliche Stahlrohrgestell mit<br />
sanft gewölbten Vorderbeinen<br />
bildet eine kompakte Standfläche,<br />
während die gewölbten Sitzflächen<br />
und Rückenlehnen hervorragenden<br />
Komfort bieten.<br />
78.79<br />
Fraser Lee —<br />
Scoop<br />
Visually minimal, Scoop is<br />
simple, compact and clever.<br />
Clever in that each item stacks.<br />
Simple construction; tubular<br />
Steel frames and pressed ply<br />
seats which give Scoop a<br />
freshness over and above the<br />
plethora of existing mono shell<br />
designs on the market.<br />
D’un aspect minimaliste, Scoop<br />
est un modèle simple, compact<br />
et astucieux. Astucieux parce<br />
que chaque siège est empilable.<br />
Construction simple ; armatures<br />
tubulaires en acier et assises en<br />
contreplaqué formé donnant à<br />
Scoop une apparence originale<br />
qui le place au-dessus de la<br />
pléthore de modèles monocoques<br />
qui existent sur le marché.<br />
In minimalistischer Optik ist Scoop<br />
schlicht, kompakt und intelligent.<br />
Intelligent durch die Stapelbarkeit<br />
jedes Stücks. Einfach in der<br />
Konstruktion: Stahlrohrgestelle<br />
und Sitze aus geformtem Spanholz<br />
verleihen Scoop die frische<br />
Optik, durch die er sich über die<br />
bestehenden Schalenmodelle des<br />
Marktes erhebt.<br />
78.79<br />
<strong>Allermuir</strong> Portfolio — 7
80.81<br />
Jonathan Harvey —<br />
50:50<br />
The split personality 50:50<br />
range comprises of a side<br />
chair and high stool, available<br />
in two contrasting materials,<br />
anodised Aluminium or Oak<br />
veneer.<br />
La double personnalité de la<br />
gamme 50:50 est composée<br />
d’une chaise et d’un tabouret haut<br />
disponibles dans deux matériaux<br />
contrastés, aluminium anodisé<br />
ou chêne plaqué.<br />
50:50, die Reihe der starken<br />
Gegensätze, umfasst einen Stuhl<br />
und Barhocker in zwei kontrastierenden<br />
Materialien, eloxiertem<br />
Aluminium oder Eichenfurnier.<br />
8 — <strong>Allermuir</strong> Portfolio<br />
80.81 84.85<br />
82.83<br />
82.83<br />
Amos Marchant &<br />
Lyndon Anderson —<br />
Luna<br />
The purity of polished cast<br />
Aluminium for the seating, along<br />
with Stainless Steel for the<br />
table tops, work to give Luna a<br />
truly space age look. Featuring<br />
a distinctive hole in the centre<br />
of the high stool and side chair<br />
seat, Luna is a highly desirable<br />
design, perfect for both interior<br />
and exterior schemes.<br />
La conjugaison de la pureté de<br />
l’aluminium coulé poli qui est utilisé<br />
pour le siège et de l’acier inoxydable<br />
des dessus de table contribue à<br />
donner à Luna un véritable look<br />
spatial. Avec un trou caractéristique<br />
au centre de l’assise du tabouret<br />
haut et de la chaise, Luna est<br />
un modèle très séduisant, parfait<br />
aussi bien pour les décors intérieurs<br />
qu’extérieurs.<br />
Die Reinheit von poliertem Guss-<br />
aluminium für die Sitze neben<br />
Edelstahl für die Tischplatten verleiht<br />
Luna in der Tat eine futuristische<br />
Optik. Mit einem markanten Loch<br />
in der Mitte des Barhockers und<br />
Stuhls ist Luna ein höchst attraktives<br />
Design, perfekt für Innen- wie für<br />
Außenräume.<br />
84.85<br />
John Coleman —<br />
Zupo<br />
This curvilinear chair and<br />
high stool design has elegant,<br />
tapering curved Beech<br />
legs and rails and a simple<br />
curvature backrest.<br />
Ce modèle de chaise et tabouret<br />
haut, d’aspect curviligne, est doté<br />
de montants et pieds en hêtre de<br />
forme fuselée, galbée et élégante,<br />
et d’un dossier légèrement incurvé.<br />
Dieses Design aus Stuhl und<br />
Hocker in runden Linien zeichnet<br />
sich durch elegante, sich<br />
verjüngende, geschwungene<br />
Beine und Verstrebungen aus<br />
Buchenholz sowie eine einfache<br />
geschwungene Rückenlehne aus.<br />
86.87<br />
Mark Gabbertas —<br />
Tommo<br />
Understated, contemporary<br />
and inviting, Tommo is a<br />
versatile design comprising<br />
of a club chair with matching<br />
footstool, a dining chair and<br />
high stool.<br />
Discret, contemporain et attrayant,<br />
Tommo est un modèle polyvalent<br />
qui comprend un fauteuil club avec<br />
repose-pied assorti, une chaise de<br />
salle à manger et un tabouret haut.<br />
Dezent, zeitgemäß und einladend<br />
– Tommo ist ein vielseitiges<br />
Modell, das einen Clubsessel<br />
mit passendem Fußhocker,<br />
einen Esszimmerstuhl und einen<br />
Barhocker umfasst.<br />
86.87
Contents<br />
Section Three<br />
Stools<br />
106.107<br />
Allemuir Design Team —<br />
Melfi<br />
The Melfi design is dramatic<br />
and eye-catching with its<br />
conical shape. It is available<br />
with or without a backrest<br />
and is suitable for application<br />
in a variety of environments,<br />
including hotel lounge bars,<br />
restaurants and bistros.<br />
La forme conique du modèle<br />
Melfi produit un effet dramatique<br />
qui ne manque pas d’attirer le<br />
regard. Il est disponible avec ou<br />
sans dossier et il convient à<br />
de nombreux environnements,<br />
y compris dans les bars d’hôtels,<br />
les restaurants et les cafés.<br />
Das Design Melfi ist mit seinen<br />
konischen Formen dramatisch<br />
und augenfällig. Es ist mit und<br />
ohne Rückenlehne erhältlich und<br />
eignet sich für den Einsatz in<br />
unterschiedlichsten Umgebungen,<br />
darunter Hotelbars, Restaurants<br />
und Bistros.<br />
100.101<br />
Peter Christian —<br />
Surf<br />
Surf is a lively, stunning<br />
and simple alternative to<br />
the traditional bar stool.<br />
The cantilevered, Beech<br />
veneer seat can be clear<br />
lacquered for a natural look,<br />
stained and lacquered, or<br />
block coloured for an intense,<br />
vibrant effect. Its adaptability<br />
makes it suitable for a wide<br />
variety of applications.<br />
Surf est une alternative à la fois<br />
simple, gaie et ravissante au<br />
tabouret de bar traditionnel.<br />
L’assise en porte-à-faux plaquée<br />
hêtre peut être laquée pour donner<br />
une apparence naturelle, teintée et<br />
laquée, ou proposée dans un<br />
coloris uni pour un effet éclatant et<br />
intense. Grâce à son adaptabilité,<br />
ce tabouret convient à une grande<br />
variété d’applications.<br />
Surf ist eine lebhafte, atemberaubende<br />
und doch schlichte<br />
Alternative zum traditionellen<br />
Barhocker. Der freischwingende<br />
Buchenfu rniersitz kann in<br />
natürlicher Optik durch Klarlack,<br />
gebeizt und lackiert oder<br />
blockgefärbt für eine intensive,<br />
dynamische Wirkung geliefert<br />
werden. Durch seine Anpassungsfähigkeit<br />
eignet er sich für eine<br />
Vielzahl von Anwendungen.<br />
106.107 102.105<br />
102.105<br />
Johnannes Foersom &<br />
Peter Hiort-Lorenzen —<br />
JoJo<br />
The striking, elegant and<br />
curvaceous form of the JoJo<br />
stool seat has an almost<br />
plastic characteristic due to the<br />
innovative 3D ply forming<br />
technology, providing arguably<br />
one of the most comfortable<br />
stool seat shapes possible.<br />
Les formes arrondies, élégantes<br />
et tout simplement stupéfiantes<br />
du tabouret JoJo ont pratiquement<br />
les caractéristiques du plastique<br />
en raison de la technologie innovante<br />
de moulage du contreplaqué en<br />
3D qui produit sans doute ici l’une<br />
des formes d’assise de tabouret<br />
les plus confortables possibles.<br />
Die erstaunliche, elegante,<br />
geschwungene Form des Hockers<br />
JoJo hat aufgrund der 3D-<br />
Technologie zur Spanholzformung<br />
eine fast plastische Wirkung und<br />
liefert vielleicht eine der bequemsten<br />
Hockersitzformen.<br />
100.101<br />
<strong>Allermuir</strong> Portfolio — 9
Contents<br />
Section Four<br />
Chairs<br />
120.123<br />
<strong>Allermuir</strong> Design Team —<br />
Casper<br />
Casper is a stylish and<br />
contemporary café and dining<br />
plastic monoshell stacking<br />
chair design. It is ideal for<br />
a manner of catering and<br />
hospitality environments in<br />
both the corporate and leisure<br />
markets as well as being ideal<br />
for modern applications.<br />
Casper est un modèle élégant<br />
et contemporain de chaise<br />
de café ou restaurant en plastique<br />
monocoque, empilable, qui convient<br />
à toutes sortes d’environnements,<br />
en hôtellerie-restauration et<br />
événementiel, aussi bien sur le<br />
marché des entreprises que des<br />
loisirs, et elle est également idéale<br />
pour des applications modernes.<br />
Casper ist ein eleganter,<br />
zeitgenössischer, stapelbarer<br />
Kunststoffschalenstuhl für Cafés<br />
und Speiseräume, Gastronomie-<br />
und Bewirtungsbereiche jeglicher<br />
Art in Firmen- wie in Freizeitmärkten<br />
und eignet sich insbesondere für<br />
moderne Anwendungen.<br />
126.129<br />
PearsonLloyd —<br />
Curve<br />
Curve utilises 3D ply forming<br />
technology to achieve<br />
extremely curvaceous and<br />
elegant forms, offering a high<br />
level of comfort and shape.<br />
This is a luxurious piece for<br />
the high end of the market,<br />
lending itself perfectly for dining<br />
and restaurant use, breakout<br />
spaces and meeting rooms.<br />
Curve exploite la technologie<br />
du moulage 3D du contreplaqué<br />
pour obtenir des formes<br />
extrêmement incurvées et<br />
élégantes assurant un très haut<br />
niveau de confort et d’esthétique.<br />
C’est un modèle de luxe, convenant<br />
au segment haut de gamme du<br />
marché, qui se prête parfaitement<br />
à une utilisation pour les banquets<br />
et la restauration, les espaces de<br />
détente et les salles de réunion.<br />
Curve nützt 3D-Technologie zum<br />
Formen von Spanholz, um eine<br />
elegante Form voller Kurven zu<br />
erzielen, die hochgradigen Komfort<br />
und edle Optik liefert. Ein Luxusstück<br />
für die höheren Marktbereiche,<br />
das sich perfekt für den Einsatz<br />
bei Essen und in Restaurants,<br />
arbeitsfreien Bereichen und<br />
Versammlungsräumen eignet.<br />
10 — <strong>Allermuir</strong> Portfolio<br />
124.125<br />
PearsonLloyd —<br />
Dine<br />
Dine is a fresh and elegant<br />
take on the classic monoshell<br />
chair type. This excellent<br />
ergonomic, laminated plywood<br />
form provides a comfortable<br />
seat for dining, meeting and<br />
general multi-purpose use.<br />
Dine est une nouvelle adaptation<br />
élégante de la chaise monocoque<br />
classique. Son excellente forme<br />
ergonomique en contreplaqué<br />
stratifié permet d’être assis<br />
confortablement lors de repas<br />
ou réunions, ou encore dans<br />
des applications plus générales.<br />
Dine ist die frische, elegante<br />
Weiterentwicklung des klassischen<br />
Schalensitzes. Die hervorragende<br />
ergonomische, beschichtete<br />
Spanholzform ermöglicht<br />
bequemes Sitzen bei Essen,<br />
Besprechungen und allgemeinen<br />
Mehrzweckeinsätzen.<br />
130.131<br />
Wolfgang C R Mezger —<br />
Kirkos<br />
Exclusively licensed from<br />
Davis Furniture Industries Inc;<br />
for the UK, Eire and Europe.<br />
The striking, generous and<br />
elegant Kirkos stacking chair<br />
takes its name from the Greek<br />
word, to encircle, a name<br />
that emphasises the unique<br />
shape that literally encircles<br />
the occupant, providing<br />
superb comfort.<br />
Fabriquée sous licence exclusive<br />
de Davis Furniture Industries Inc<br />
uniquement pour le Royaume-Uni<br />
et la République d’Irlande.<br />
La chaise empilable Kirkos aux<br />
formes remarquables, généreuses<br />
et élégantes tire son nom du mot<br />
grec qui signifie ‘encercler’, un nom<br />
qui met l’accent sur la forme unique<br />
qui encercle littéralement l’occupant<br />
et lui apporte un superbe confort.<br />
Mit exklusiver Lizenz von Davis<br />
Furniture Industries Inc nur für<br />
Großbritannien und Irland.<br />
Der atemberaubende, großzügige<br />
und elegante stapelbare Stuhl<br />
Kirkos erhält seinen Namen vom<br />
griechischen Wort für Kreis. Damit<br />
wird die einzigartige Form betont,<br />
die den Sitzenden sprichwörtlich<br />
wie ein Kreis umgibt und<br />
hervorragenden Komfort bietet.<br />
124.125<br />
126.129 130.131<br />
120.123
132.135<br />
140.141<br />
132.135<br />
PearsonLloyd —<br />
Soul<br />
Soul is a unique development<br />
in structural plastics achieving<br />
a stunning, elegant, yet robust<br />
cantilever design. The plastic<br />
shell provides a sophisticated<br />
seating platform that flexes<br />
and responds to the user’s<br />
movements.<br />
Soul est un développement<br />
exclusif en plastique de construction<br />
qui produit un modèle cantilever<br />
ravissant, élégant et pourtant<br />
robuste. La coque en plastique<br />
constitue un siège sophistiqué<br />
dont la flexibilité répond aux<br />
mouvements de l’utilisateur.<br />
Soul ist eine einzigartige<br />
Kunststoffkonstruktion, i<br />
n eleganter und doch robuster<br />
Freischwingerversion. Die<br />
Kunststoffschale bietet eine<br />
raffinierte biegsame Sitzplattform,<br />
die auf die Bewegungen des<br />
Benutzers reagiert.<br />
136.139<br />
Paul Brooks —<br />
Aura<br />
Aura is a superb die cast<br />
Aluminium framed stacking<br />
chair concept with distinctive<br />
character, proportions and<br />
presence, available with either<br />
an injection moulded plastic<br />
seat and back or upholstery.<br />
Aura est un superbe concept de<br />
chaise empilable à armature en<br />
aluminium moulé qui se distingue<br />
par son caractère, ses proportions<br />
et sa présence. Elle est disponible<br />
avec assise et dossier garnis ou<br />
en plastique moulé par injection.<br />
Aura, ein großartiges, stapelbares<br />
Stuhlkonzept mit Druckgussgestell,<br />
zeichnet sich durch markanten<br />
Charakter, Proportionen und<br />
Präsenz aus und ist mit Sitzfläche<br />
oder Rückenlehne aus<br />
formgespritztem Kunststoff oder<br />
gepolstert erhältlich.<br />
142.143<br />
140.141<br />
Steven Smith —<br />
Bug<br />
A family of contemporary chairs<br />
and tables, full of character,<br />
offering generous upholstered<br />
seats and backs and moulded<br />
polyurethane arms.<br />
Une famille de chaises et de<br />
tables contemporaine, pleine de<br />
caractère, dotée d’assises et<br />
dossiers généreusement garnis et<br />
d’accoudoirs en polyuréthane moulé.<br />
Eine Familie zeitgenössischer<br />
Stühle und Tische voller Charakter<br />
mit großzügig gepolsterten<br />
Sitzflächen und Rückenlehnen<br />
sowie geformten PU-Armen.<br />
142.143<br />
Steven Smith —<br />
Corpus<br />
Steven Smith’s Corpus design<br />
centres around a versatile,<br />
understated yet elegant and<br />
striking collection of multi-<br />
purpose stacking chairs.<br />
Aptly extended with reception<br />
seating, and cantilever armchair.<br />
Le modèle Corpus créé par Steven<br />
Smith est axé autour d’une collection<br />
polyvalente, discrète, et pourtant<br />
remarquable et pleine d’élégance,<br />
de chaises empilabl es<br />
multifonctions. Judicieusement<br />
élargie avec des sièges de<br />
réception et un fauteuil cantilever.<br />
Corpus, ein Design von Steven<br />
Smith, beruht auf einer vielseitigen,<br />
eindrucksvollen Kollektion<br />
stapelbarer Mehrzweckstühle<br />
von unauffälliger Eleganz.<br />
Sinnvoll erweitert durch<br />
Empfangsbestuhlung und einen<br />
Freischwingersessel.<br />
136.139<br />
<strong>Allermuir</strong> Portfolio — 11
Contents<br />
Section Five<br />
Benches<br />
12 — <strong>Allermuir</strong> Portfolio<br />
152.153<br />
152.153<br />
<strong>Allermuir</strong> Design Team —<br />
Casper<br />
Casper is available beam<br />
mounted in two, three or<br />
four seat lengths with optional<br />
intermediary or beam end<br />
tables. The sturdy, heavy<br />
load bearing, yet striking<br />
beam design is free standing<br />
as standard, but can be floor<br />
fixed as an option.<br />
Casper est disponible monté sur<br />
poutre d’une longueur de deux,<br />
trois ou quatre sièges avec, en<br />
option, des tables intercalées ou<br />
en bout de poutre. Ce modèle de<br />
poutre robuste, capable de supporter<br />
de lourdes charges, et pourtant<br />
d’une esthétique remarquable est<br />
simplement posé par terre dans sa<br />
version standard mais il est possible,<br />
en option, de le fixer au sol.<br />
Casper ist auf Trägern mit einer<br />
Länge von zwei, drei oder vier<br />
Sitzen montiert. Optionale Tische<br />
können zwischen den Sitzen<br />
oder am Trägerende vorgesehen<br />
werden. Die robuste, für eine<br />
schwere Belastung geeignete<br />
Trägerkonstruktion ist<br />
standardmäßig freistehend,<br />
kann aber wahlweise auch am<br />
Boden befestigt werden.<br />
154.155<br />
154.155<br />
Carsten Schmidt &<br />
Jens Bredsdorff —<br />
Wave<br />
This stunning design was<br />
a winning entry in a Danish<br />
competition and was chosen<br />
for its ability to express the<br />
use of formed laminate ply<br />
construction in beautiful and<br />
innovative ways suitable for<br />
mass production.<br />
Ce modèle étonnant a remporté<br />
un concours au Danemark et il a<br />
été choisi pour sa capacité à<br />
exprimer l’utilisation de la construction<br />
en contreplaqué stratifié moulé<br />
de diverses manières esthétiques<br />
et innovantes convenant à la<br />
production en série.<br />
Dieses beeindruckende Design<br />
war der Gewinner eines dänischen<br />
Wettbewerbs, bei dem<br />
Möbeldesigns gesucht wurden,<br />
die Formholzkonstruktionen auf<br />
ästhetische und innovative<br />
Weise einsetzen und die für die<br />
Massenproduktion geeignet sind.<br />
156.159<br />
Charlie Fowler —<br />
Linx<br />
A simple design concept<br />
which features single<br />
interlocking seat units, which<br />
connect together and pivot<br />
around each other via a Steel<br />
and Nylon linking mechanism.<br />
Ideal for galleries, museums,<br />
corporate reception areas<br />
and public spaces.<br />
Un concept simple reposant sur<br />
des sièges autonomes qui<br />
s’encastrent les uns dans les autres.<br />
Ils sont reliés entre eux et pivotent<br />
l’un autour de l’autre grâce à un<br />
mécanisme d’articulation en acier<br />
et nylon. Idéal pour les galeries<br />
d’art, les musées, les zones<br />
d’accueil dans les entreprises<br />
et les espaces publics.<br />
Ein einfaches Designkonzept<br />
aus einzelnen verschachtelten<br />
Sitzeinheiten, die sich<br />
miteinander verbinden lassen<br />
und sich über einen Stahl- oder<br />
Nylonmechanismus umeinander<br />
drehen. Ideal für Gallerien, Museen,<br />
Firmenempfangsbereiche und<br />
öffentliche Räume.<br />
156.159
Contents<br />
Section Six<br />
Tables<br />
176.177<br />
174.175<br />
174.175<br />
Steven Smith —<br />
Corpus<br />
The Corpus collection of<br />
tables complement a myriad<br />
of environments. The low level<br />
tables are a combination of<br />
Stainless Steel and diffused<br />
glass with the option to have<br />
a veneer or laminate top.<br />
La collection de tables Corpus<br />
agrémente une myriade<br />
d’environnements. Les tables<br />
basses allient l’acier inoxydable<br />
au verre diffusant avec l’option<br />
de plateau plaqué ou stratifié.<br />
Die Tischkollektion von Corpus<br />
passt sich an unterschiedlichste<br />
Umgebungen an. Die niedrigen<br />
Tische sind eine Kombination aus<br />
Edelstahl und Milchglas, wobei<br />
allerdings bei der Oberfläche auch<br />
Furnier oder Laminat gewählt<br />
werden kann.<br />
172.173<br />
176.177<br />
Carsten Schmidt &<br />
Jens Bredsdorff —<br />
Wave<br />
The Wave table is constructed<br />
using a well detailed Stainless<br />
Steel frame and a diffused<br />
glass top, making it a well<br />
balanced design for any<br />
building context.<br />
La table Wave est fabriquée avec<br />
une armature en acier inoxydable<br />
aux détails soignés et un plateau<br />
en verre diffusant qui en font un<br />
modèle bien équilibré convenant<br />
à tous les environnements.<br />
Der Wave-Tisch ist auf der<br />
Grundlage eines herrlich<br />
detaillierten Edelstahlgestells und<br />
einer Milchglasplatte konstruiert<br />
und liefert so ein ausgewogenes<br />
Design für alle Gebäudeformen.<br />
172.173<br />
PearsonLloyd —<br />
Conic<br />
Conic’s low level tables offer<br />
an almost domestic appeal<br />
whilst complementing a myriad<br />
of spaces and environments.<br />
Reposant sur des formes en métal<br />
chromé poli, les tables basses<br />
Conic ont un charme presque<br />
familial qui agrémente cependant<br />
une myriade d’espaces et<br />
environnements divers.<br />
Auf der Grundlage von Hochglanz-<br />
Chromdraht bieten die niedrigen<br />
Tische von Conic fast Wohnraum-<br />
Optik und fügen sich doch in eine<br />
Vielzahl von Räumen und<br />
Umgebungen ein..<br />
<strong>Allermuir</strong> Portfolio — 13
178.179<br />
180.181<br />
178.179<br />
PearsonLloyd —<br />
Open<br />
The Open collection of tables<br />
centres around a formed steel<br />
rod, base frame aesthetic<br />
supporting a choice of tops from<br />
round to more ‘super ellipses’.<br />
La collection de tables Open<br />
repose sur l’esthétique de ses<br />
pieds en tiges d’acier profilé<br />
supportant un choix de plateaux<br />
allant des formes rondes aux «<br />
super ellipses ».<br />
Die Tischkollektion Open dreht<br />
sich um einen Grundsockel aus<br />
geformtem Stahlstab, der eine<br />
attraktive Basis für eine Vielzahl<br />
von Tischplatten von runden<br />
Formen bis zu Superellipsen bietet.<br />
14 — <strong>Allermuir</strong> Portfolio<br />
182.183<br />
180.181<br />
Wolfgang C R Mezger —<br />
Lola<br />
Lola’s low level collection of<br />
tables are available with bright<br />
Chrome frames and a choice<br />
of laminate or veneer tops.<br />
La collection de tables basses Lola<br />
est disponible avec une armature<br />
en chrome brillant et une sélection<br />
de plateaux stratifiés ou plaqués.<br />
Lolas Kollektion tiefer Tische steht<br />
in leuchtenden Chromgestellen,<br />
wahlweise mit Laminat- oder<br />
Furnierplatten zur Verfügung.<br />
182.183<br />
<strong>Allermuir</strong> Design Team —<br />
Pause<br />
Pause tables have been<br />
carefully balanced to provide<br />
both high and low resting<br />
points which can work with<br />
a variety of products meeting<br />
a multitude of needs.<br />
Les tables Pause ont été<br />
soigneusement étudiées pour<br />
constituer des plans bas ou<br />
hauts où déposer des objets.<br />
Elles peuvent s’ajouter à une<br />
variété de produits et répondent<br />
à une multitude de besoins.<br />
Pause Tische wurden sorgfältig<br />
ausgewogen konstruiert, um<br />
sowohl hohe als auch niedrige<br />
Ruhepunkte zu schaffen, die mit<br />
einer Vielzahl von Produkten zu<br />
kombinieren sind und zahlreiche<br />
Anforderungen erfüllen.
184.187 188.189<br />
190.191<br />
46.47<br />
184.187<br />
<strong>Allermuir</strong> Design Team —<br />
A47/A48<br />
The A47 and A48 range of<br />
dining height tables have been<br />
designed to work universally<br />
across the portfolio, giving the<br />
specifier greater freedom to<br />
mix and match table and<br />
seating designs together.<br />
La gamme A47/A48 de tables de<br />
salle à manger a été conçue pour<br />
être associée à tous les modèles<br />
de notre portefeuille, accordant<br />
ainsi au client une plus grande<br />
liberté pour assortir tables et<br />
sièges.<br />
Die Tischreihe A47/A48 von<br />
Esstischhöhe wurde so entwickelt,<br />
dass sie über das gesamte<br />
Portfolio hinweg eingesetzt<br />
werden kann, wodurch größere<br />
Freiheit bei der Kombination<br />
und Abstimmung von Tisch- und<br />
Sitzmodellen besteht.<br />
188.189<br />
<strong>Allermuir</strong> Design Team —<br />
A574/5<br />
The A574/5 range of poser<br />
height glass top tables have<br />
been designed to work<br />
universally across the portfolio,<br />
giving the specifier greater<br />
freedom to mix and match<br />
table and seating designs<br />
together.<br />
La gamme A574/5 de tables de<br />
bar a été conçue pour être<br />
associée à tous les modèles de<br />
notre portefeuille, accordant ainsi<br />
au client une plus grande liberté<br />
pour assortir tables et sièges.<br />
Die Stehtischreihe A574/5 wurde<br />
so entwickelt, dass sie über<br />
das gesamte Portfolio hinweg<br />
eingesetzt werden kann, wodurch<br />
größere Freiheit bei der Kombination<br />
und Abstimmung von Tisch- und<br />
Sitzmodellen besteht.<br />
190.191<br />
Pernille Svane Hansen —<br />
Scala<br />
Scala is of a timeless, classic<br />
nature, elegant, restrained<br />
and finely detailed. The curved<br />
legs form a sturdy footprint<br />
which appeals to both leisure<br />
and corporate specifiers.<br />
Scala est atemporelle et classique<br />
par nature, élégante, discrète et<br />
agrémentée de détails soignés.<br />
Ses pieds légèrement galbés lui<br />
donnent une assise solide qui plait<br />
aux acheteurs du milieu des loisirs<br />
ou des affaires.<br />
Scala ist ein zeitlos zurückhaltendes,<br />
klassisch elegantes Design mit<br />
edlen Details. Die geschwungenen<br />
Beine bilden eine stabile Standfläche,<br />
die sowohl bei Spezifizierungen<br />
für Freizeiteinrichtungen als auch<br />
für Firmenanwendungen großen<br />
Zuspruch findet.<br />
192.193<br />
192.193<br />
Fraser Lee —<br />
Scoop<br />
Scoop’s compact and clever<br />
footprint enables the tables<br />
to be used across a plethora<br />
of environments.<br />
L’assise compacte et astucieuse<br />
de Scoop permet d’utiliser les<br />
tables dans une pléthore<br />
d’environnements.<br />
Scoops kompakte, intelligente<br />
Stellfläche erlaubt einen Einsatz<br />
der Tische in unterschiedlichsten<br />
Umgebungen.<br />
<strong>Allermuir</strong> Portfolio — 15
194.195<br />
Amos Marchant &<br />
Lyndon Anderson —<br />
Luna<br />
The Stainless Steel top<br />
gives Luna tables a truly<br />
contemporary look,<br />
perfect for both interior<br />
and exterior schemes.<br />
Le plateau en acier inoxydable des<br />
tables Luna leur donne un look<br />
vraiment contemporain, parfaites<br />
tant à l’intérieur qu’à l’extérieur.<br />
Die Edelstahloberfläche verleiht<br />
Luna Tischen einen wahrlich<br />
zeitgemäßen Look, der sich<br />
perfekt für Innen- und<br />
Außenanwendungen eignet.<br />
196.199<br />
16 — <strong>Allermuir</strong> Portfolio<br />
196.199<br />
<strong>Allermuir</strong> Design Team —<br />
Conference<br />
These tables tend to utilise<br />
larger tube sections and<br />
the footprint is greater to<br />
accommodate much larger<br />
top sizes for meeting and<br />
conference use.<br />
Ces tables ont tendance à<br />
utiliser des tubes de plus grand<br />
diamètre et les dimensions de son<br />
armature sont plus importantes<br />
pour permettre d’utiliser des<br />
surfaces de plateaux beaucoup<br />
plus larges qui peuvent servir<br />
pour les réunions et conférences.<br />
Bei diesen Tischen werden in der<br />
Regel größere Rohrdurchmesser<br />
und Stellflächen verwendet, um<br />
deutlich größere Tischplatten für<br />
den Einsatz bei Versammlungen<br />
und Konferenzen aufnehmen zu<br />
können.<br />
194.195
18 — <strong>Allermuir</strong> Portfolio<br />
Soft<br />
Seating
Section One<br />
Soft Seating<br />
Lola<br />
Tommo<br />
Conic<br />
Open<br />
Tubby<br />
Bison<br />
Venus<br />
Dandy<br />
Pebble<br />
Jaks<br />
Obelisk<br />
Tsunami<br />
Pause<br />
<strong>Allermuir</strong> Portfolio — 19
Section One<br />
Soft Seating<br />
Lola<br />
Design — Wolfgang C R Mezger<br />
Lola is a seductive, curving<br />
and shapely, yet strong and<br />
dependable collection. Like<br />
two cupped hands, this<br />
charismatic upholstered range<br />
comes in the form of a two-seat<br />
sofa and a chair, with dynamic<br />
four leg tubular Steel frames<br />
and swivel chair with a simple<br />
disc base. Providing excellent<br />
comfort Lola is suitable for<br />
reception foyers and atria, or for<br />
relaxing in corporate lounges<br />
and breakout areas.<br />
A820<br />
Chair with swivel base<br />
H745 D670 W770 SH440<br />
A822<br />
Sofa<br />
H745 D670 W1525 SH440<br />
20 — <strong>Allermuir</strong> Portfolio<br />
Lola est une collection pleine de<br />
séduction, aux lignes arrondies et<br />
harmonieuses, qui est également<br />
robuste et fiable. Telle deux mains<br />
formant une coupe, cette gamme<br />
tapissée de nature charismatique est<br />
proposée sous forme d’un canapé<br />
deux places et d’un fauteuil avec<br />
piétement dynamique constitué de<br />
quatre pieds en tubes d’acier, et d’un<br />
fauteuil pivotant avec un simple disque<br />
plat en acier à la base. Assurant un<br />
excellent confort, Lola convient aux<br />
foyers ou halls d’accueil et pour la<br />
relaxation dans les salles et espaces<br />
de détente des entreprises.<br />
A821<br />
Chair with four leg frame<br />
H745 D670 W770 SH440<br />
Lola ist eine verlockende Kollektion,<br />
wohlgeformt und voller Kurven, dabei<br />
aber gleichzeitig stark und zuverlässig.<br />
Diese faszinierende Polstermöbelreihe,<br />
die zwei gewölbten Händen gleicht,<br />
ist als Zweisitzersofa und als Sessel<br />
erhältlich, entweder mit dynamischen<br />
4-Bein-Stahlrohrgestell oder als<br />
Drehstuhl mit einfachem, flachem<br />
Stahlscheibenfuß. Durch ihren<br />
hervorragenden Komfort eignet sich<br />
die Reihe Lola für Empfangsfoyers und<br />
Atrien sowie zum Entspannen in Firmen-<br />
Lounges und arbeitsfreien Bereichen.
<strong>Allermuir</strong> Portfolio — 21
Section One<br />
Soft Seating<br />
Tommo<br />
Design — Mark Gabbertas<br />
Understated, contemporary<br />
and inviting, Tommo is a<br />
versatile design which is<br />
elegantly proportioned and<br />
stylish. All of the products in<br />
the collection feature slender<br />
upholstery with a twin stitch<br />
detail and a simple skid base.<br />
A530<br />
Club chair<br />
H810 D570 W560 SH480<br />
A531<br />
Footstool<br />
H315 D465 W465<br />
22 — <strong>Allermuir</strong> Portfolio<br />
Sobre, contemporain et accueillant,<br />
Tommo est un modèle polyvalent<br />
de grande classe aux proportions<br />
élégantes. Tous les produits de cette<br />
collection présentent un habillage<br />
raffiné avec double piqûre et un<br />
simple piétement traîneau.<br />
Understatement, zeitgemäß und<br />
einladend - Tommo ist ein vielseitiges<br />
Design von eleganten Proportionen<br />
und exquisitem Stil. Alle Produkte<br />
der Kollektion zeichnen sich durch<br />
die schlanke Polsterung mit<br />
Doppelnahtdetail und eine einfach zu<br />
verschiebenden Basis aus.
<strong>Allermuir</strong> Portfolio — 23
Section One<br />
Soft Seating<br />
A535<br />
Lounge chair<br />
H730 D630 W690 SH400<br />
24 — <strong>Allermuir</strong> Portfolio<br />
A536<br />
Sofa<br />
H730 D630 W1500 SH400
<strong>Allermuir</strong> Portfolio — 25
Section One<br />
Soft Seating<br />
Conic<br />
Design — PearsonLloyd<br />
Conic is a refreshing,<br />
eye-catching and exciting take<br />
on various conical forms used<br />
in both contemporary and<br />
previously explored areas of<br />
soft seating over the decades.<br />
Conic’s shape and form<br />
provide excellent and inviting<br />
levels of comfort with an<br />
almost domestic appeal,<br />
complemented by a family of<br />
related low tables, for a myriad<br />
of uses and spaces.<br />
A631<br />
Lounge chair with wire base<br />
H750 D795 W900 SH480<br />
A634<br />
Lounge chair with<br />
swivel ped base<br />
H750 D795 W900 SH480<br />
A630<br />
Tub chair with wire base<br />
H810 D660 W730 SH490<br />
26 — <strong>Allermuir</strong> Portfolio<br />
Conic est une variante originale,<br />
attrayante et tout à fait intéressante<br />
de diverses formes coniques utilisées<br />
à la fois dans les fauteuils et canapés<br />
modernes et dans ceux appartenant<br />
à des domaines explorés depuis des<br />
dizaines d’années. La forme du modèle<br />
Conic assure un niveau de confort<br />
excellent qui ne manque pas d’attirer<br />
par son charme presque familial.<br />
Complété par une famille de tables<br />
basses apparentées, Conic convient<br />
à une myriade d’usages et d’espaces.<br />
A632<br />
Lounge chair with integral<br />
headrest and wire base<br />
H1056 D810 W900 SH470<br />
A635<br />
Lounge chair with integral<br />
headrest and swivel base<br />
H1056 D810 W900 SH470<br />
A633<br />
Tub chair with<br />
swivel ped base<br />
H810 D660 W730 SH490<br />
A637<br />
Four leg tub chair<br />
H810 D600 W730 SH490<br />
Conic ist ein erfrischendes,<br />
augenfälliges und aufregendes Spiel<br />
mit verschiedenen konischen<br />
Formen, die im Laufe der Jahrzehnte<br />
sowohl bei modernen als auch bei<br />
klassischen gepolsterten Sitzmöbeln<br />
verwendet wurden. Conic überzeugt<br />
in Design und Form durch<br />
hervorragenden, einladenden Komfort,<br />
der beinahe Wohnmöbel-Qualität<br />
erreicht. Ergänzt wird es durch eine<br />
Reihe dafür entwickelter niedriger<br />
Tische für unzählige Anwendungen<br />
und Räumlichkeiten.
<strong>Allermuir</strong> Portfolio — 27
Section One<br />
Soft Seating<br />
28 — <strong>Allermuir</strong> Portfolio
<strong>Allermuir</strong> Portfolio — 29
Section One<br />
Soft Seating<br />
Open<br />
Design — PearsonLloyd<br />
Open is an elegant and<br />
relatively compact, contemporary<br />
collection of soft seating, with<br />
chair and sofa sharing a<br />
formed Steel rod, base-frame<br />
aesthetic. Angular and striking,<br />
they lend a physical lightness<br />
to the appeal of the design.<br />
The moulded seat shells and<br />
cushions with ‘bull nosed’ edge<br />
profile, economic detailing and<br />
tailored upholstery, provide<br />
great comfort, precise shape,<br />
a simple pleasing form, and<br />
visual slenderness.<br />
A640<br />
Lounge chair with<br />
swivel base<br />
H770 D820 W780 SH460<br />
A642<br />
Lounge chair with wire base<br />
H770 D760 W745 SH460<br />
A644<br />
Sofa<br />
H770 D760 W1600 SH460<br />
30 — <strong>Allermuir</strong> Portfolio<br />
Open est une élégante collection<br />
contemporaine de fauteuils et<br />
canapés relativement compacts.<br />
Le fauteuil et le canapé partagent la<br />
même esthétique avec un piétement<br />
en tiges d’acier profilé ; son étonnant<br />
aspect anguleux ajoute une légèreté<br />
physique au charme de ce modèle.<br />
Les coques moulées des sièges et<br />
les coussins aux bords arrondis, des<br />
détails discrets et un habillage ajusté<br />
assurent un grand confort, une forme<br />
épurée, des lignes simples et<br />
plaisantes et une élégance visuelle.<br />
A641<br />
Lounge chair with headrest<br />
and swivel base<br />
H1050 D860 W780 SH460<br />
A643<br />
Lounge chair with headrest<br />
and wire base<br />
H1050 D800 W745 SH460<br />
Open ist eine elegante,<br />
zeitgenössische Kollektion relativ<br />
kompakter, gepolsterter Sitzmöbel.<br />
Sessel und Sofa weisen dieselbe<br />
formbewusste Stahlstabkonstruktion<br />
auf. Die charakteristische kantige<br />
Optik vermittelt fast einen Eindruck<br />
von Schwerelosigkeit. Die geformten<br />
Sitzschalen und Polster mit gerundetem<br />
Profil, sparsamen Details und<br />
maßgeschneiderter Polsterung bieten<br />
großen Komfort, präzise Formen,<br />
eine schlichte, angenehme Optik<br />
und schlanke Linien.
<strong>Allermuir</strong> Portfolio — 31
Section One<br />
Soft Seating<br />
32 — <strong>Allermuir</strong> Portfolio
<strong>Allermuir</strong> Portfolio — 33
Section One<br />
Soft Seating<br />
Tubby<br />
Design — Mark Gabbertas<br />
Tubby is a refreshing,<br />
contemporary alternative to the<br />
traditional tub chair and sofa<br />
designs with complementary<br />
tables in a range of shapes<br />
and sizes. Simple, strong and<br />
elegantly shaped, Tubby<br />
features a veneered backrest<br />
and clean upholstery.<br />
Both the chairs and sofas are<br />
generous and luxurious,<br />
whilst the Tubbette chairs are<br />
more compact.<br />
A352<br />
Tubbette chair<br />
H750 D580 W550 SH460<br />
A355<br />
2 seat sofa<br />
H880 D730 W1400 SH480<br />
34 — <strong>Allermuir</strong> Portfolio<br />
Tubby est une alternative<br />
contemporaine et originale aux<br />
modèles traditionnels de canapé et<br />
fauteuil tonneau, proposée avec<br />
tables assorties dans une variété<br />
de formes et dimensions. Simple,<br />
robuste et de forme élégante, Tubby<br />
possède un dossier en hêtre plaqué<br />
et un habillage sobre. Les fauteuils<br />
et canapés sont spacieux et luxueux,<br />
tandis que les petits fauteuils Tubette<br />
sont plus compacts.<br />
A350<br />
Tubby chair<br />
H850 D710 W700 SH480<br />
A356<br />
3 seat sofa<br />
H880 D730 W1800 SH480<br />
Tubby ist eine erfrischend zeitgemäße<br />
Alternative zum traditionellen Design<br />
von Clubsessel und Sofa mit<br />
Beistelltischen in mehreren Formen und<br />
Größen. Einfache, starke und elegante<br />
Formen, Rückenlehne in Holzfurnier<br />
und klar geschnittene Polster. Sessel<br />
wie Sofas sind üppig und großzügig.<br />
Das Design der Tubbette-Sessel ist<br />
dagegen kompakter.
<strong>Allermuir</strong> Portfolio — 35
Section One<br />
Soft Seating<br />
Bison<br />
Design — Simon Pengelly<br />
Bison is a highly stylish and<br />
distinctive tub chair design with<br />
characterful broad shoulders<br />
and a compact footprint.<br />
For such a compact chair it<br />
provides a deceptively<br />
generous and comfortable sit,<br />
due in part to the subtle flexing<br />
of the arms, backrest and sprung<br />
seat. The moulded foam seat<br />
and back form, both elegant<br />
and striking, are enhanced by<br />
superb upholstery detailing.<br />
BN1<br />
Tub chair<br />
H810 W625 D580 SH480<br />
36 — <strong>Allermuir</strong> Portfolio<br />
HLT1<br />
Host table<br />
H599 W347 D347<br />
Bison est un modèle de fauteuil<br />
tonneau contemporain très élégant<br />
et distinctif avec un haut de dossier<br />
large et plein de caractère et un<br />
encombrement au sol minime.<br />
Pour un fauteuil aussi compact,<br />
on bénéficie d’un siège beaucoup<br />
plus spacieux et confortable qu’il<br />
ne paraît, en partie en raison de la<br />
subtile flexibilité des accoudoirs,<br />
du dossier et de l’assise tapissée.<br />
L’assise et le dossier en mousse<br />
moulée, d’une apparence à la fois<br />
élégante et saisissante, sont mis en<br />
valeur par les superbes détails de<br />
l’habillage.<br />
Bison ist ein höchst eleganter<br />
und zeitgemäßer Clubsessel mit<br />
charakteristischen breiten Schultern<br />
und kompakter Standfläche. Für<br />
einen so kompakten Stuhl bietet<br />
er, auch aufgrund der subtilen<br />
Biegung der Arme, Rückenlehne<br />
und gefederten Sitzfläche, eine<br />
überraschend großzügige und<br />
bequeme Sitzmöglichkeit. Sitzfläche<br />
und Rückenlehne aus geformten<br />
Schaumstoff, sowohl elegant als<br />
auch eindrucksvoll, erhalten durch<br />
erstklassige Polsterverarbeitung<br />
den letzten Schliff.
<strong>Allermuir</strong> Portfolio — 37
Section One<br />
Soft Seating<br />
Venus<br />
Design — Simon Pengelly<br />
Venus is a versatile, compact<br />
tub chair with a moulded<br />
foam body and sprung seat<br />
providing excellent comfort<br />
for both informal and formal<br />
meeting, conference and<br />
dining applications.<br />
The many practical features<br />
such as sloping arms,<br />
recessed under seat area<br />
and generous backrest have<br />
all been incorporated into the<br />
design with flowing lines and<br />
a refreshing profile that<br />
enhances the visual elegance<br />
of what is otherwise a very<br />
simple, classic styled tub chair.<br />
VS1<br />
Tub chair<br />
H845 D615 W640 SH465<br />
38 — <strong>Allermuir</strong> Portfolio<br />
Venus est un fauteuil tonneau compact<br />
aux multiples applications doté d’une<br />
structure en mousse moulée et d’une<br />
assise tapissée qui assurent un confort<br />
excellent pour les réunions formelles<br />
ou informelles, les conférences et les<br />
repas ou banquets.<br />
De nombreux détails pratiques comme<br />
des accoudoirs inclinés, un espace<br />
en retrait sous l’assise et un dossier<br />
généreux ont été inclus dans ce modèle<br />
dont les lignes fluides et la silhouette<br />
originale mettent en valeur l’élégance<br />
visuelle de ce qui ne serait autrement<br />
qu’un simple fauteuil tonneau de style<br />
classique.<br />
Venus ist ein äußerst vielseitiger und<br />
kompakter Stuhl. Der geformte<br />
Schaumstoffkörper und gefederte Sitz<br />
bieten hohen Komfort bei zwanglosen<br />
wie formellen Besprechungen,<br />
Konferenzen und Abendessen.<br />
Die zahlreichen praktischen Elemente<br />
wie die geneigten Armlehnen, der<br />
vertiefte Raum unter dem Sitz und<br />
die großzügige Rückenlehne wurden<br />
alle in ein Design fließender Linien von<br />
erfrischendem Profil aufgenommen,<br />
das die optische Eleganz eines<br />
ansonsten eher einfachen, klassischen<br />
Clubsessels hebt.
<strong>Allermuir</strong> Portfolio — 39
Section One<br />
Soft Seating<br />
Dandy<br />
Design — <strong>Allermuir</strong> Design Team<br />
Dandy is literally as its names<br />
suggests, an exceptionally well<br />
turned out sofa and armchair<br />
combination with classic style,<br />
simple proportions, clean lines,<br />
great comfort and broad appeal.<br />
This is a quiet, uncomplicated,<br />
conservative yet sophisticated<br />
design with a modernist<br />
aesthetic. While being highly<br />
functional and useful, it will not<br />
challenge or clash with most,<br />
if not all, interior spaces.<br />
A750<br />
Chair<br />
H790 D810 W800 SH420<br />
A752<br />
Chair (full arm)<br />
H790 D810 W800 SH420<br />
40 — <strong>Allermuir</strong> Portfolio<br />
Dandy est littéralement, comme son<br />
nom l’indique, un ensemble canapé<br />
et fauteuil d’une présentation<br />
exceptionnellement soignée dans<br />
un style classique, aux proportions<br />
simples et aux lignes sobres, doté<br />
d’un merveilleux confort et d’un<br />
charme infini. C’est un modèle discret,<br />
sans complications, traditionnel et<br />
pourtant raffiné avec une esthétique<br />
moderniste. Tout en étant extrêmement<br />
fonctionnel et pratique, il ne jure<br />
aucunement et s’harmonise avec<br />
pratiquement tous les décors d’intérieur.<br />
A751<br />
Sofa<br />
H790 D810 W1600 SH420<br />
A753<br />
Sofa (full arm)<br />
H790 D810 W1600 SH420<br />
Dandy ist, wie der Name schon<br />
andeutet, eine außergewöhnlich<br />
gelungene Kombination aus Sofa<br />
und Sessel in klassischem Stil,<br />
einfachen Proportionen und klaren<br />
Linien, die großen Komfort bietet und<br />
auf universellen Anklang gestoßen ist.<br />
Ruhiges, unkompliziertes, konservatives<br />
und doch raffiniertes Design mit<br />
futuristischer Ästhetik. Trotz seiner<br />
extremen praktischen Funktionalität fügt<br />
es sich doch harmonisch in die meisten,<br />
wenn nicht alle Innenräume ein.
<strong>Allermuir</strong> Portfolio — 41
Section One<br />
Soft Seating<br />
Pebble<br />
Design — <strong>Allermuir</strong> Design Team<br />
Pebble is a superb seating<br />
option for a multitude of<br />
informal meeting spaces<br />
or corporate breakout areas<br />
where people may come<br />
together for only a brief period<br />
to chat, to have a drink or just<br />
rest awhile. This comfortable<br />
design allows for user<br />
interactivity as it can be nested<br />
together with other Pebbles<br />
arranged in a scatter format,<br />
or even used individually as<br />
a stand alone piece.<br />
A620<br />
Pebble<br />
H430 D730 W730 SH430<br />
A622<br />
Pebble table<br />
H430 D730 W730 SH430<br />
42 — <strong>Allermuir</strong> Portfolio<br />
Pebble est une superbe option<br />
de sièges convenant à une multitude<br />
de cadres de rencontre informels<br />
ou aux espaces de détente dans<br />
les entreprises, là où les gens se<br />
rencontrent pendant seulement une<br />
courte période pour discuter,<br />
consommer une boisson ou tout<br />
simplement se reposer un moment.<br />
Ce modèle confortable permet<br />
l’interactivité des utilisateurs puisque<br />
les poufs Pebble peuvent s’imbriquer<br />
les uns dans les autres pour une<br />
disposition ‘étendue’ ou bien encore<br />
être utilisés tout seuls.<br />
A621<br />
Pebble Scallop<br />
H430 D730 W730 SH430<br />
Pebble ist ein exzellentes Sitzkonzept<br />
für die verschiedensten informellen<br />
Meetingbereiche oder arbeitsfreien<br />
Zonen, wo Mitarbeiter kurz<br />
zusammentreffen, um zu schwatzen,<br />
etwas zu trinken oder sich einfach zu<br />
entspannen. Sein Design ermöglicht<br />
Benutzern Interaktivität, da es mit<br />
anderen Pebbles gruppiert, verstreut<br />
arrangiert oder gestellt werden kann.
<strong>Allermuir</strong> Portfolio — 43
Section One<br />
Soft Seating<br />
Jaks<br />
Design — John Coleman<br />
Jaks works equally alone, or<br />
with its fun shapes interlocked<br />
and configured into exciting<br />
playful, tessellated patterns<br />
due to its modular nature<br />
and distinctive, graphic ‘cross’<br />
shape. This is a simple form and<br />
construction that economically<br />
provides seating for up to four<br />
people and facilitates meeting<br />
and greeting in informal spaces,<br />
or a comfortable seat for those<br />
who just want to take a break<br />
whilst also having somewhere to<br />
just perch their laptop for a while.<br />
JA1<br />
Bench<br />
H480 W1350 D1350 SH480<br />
JA2<br />
Stool<br />
H480 W450 D450 SH480<br />
44 — <strong>Allermuir</strong> Portfolio<br />
JA3T<br />
Table<br />
H380 D450 W450<br />
Jaks rend aussi bien tout seul que<br />
lorsqu’on encastre ses formes<br />
amusantes les unes dans les autres<br />
pour former les motifs d’une<br />
sensationnelle mosaïque ludique<br />
grâce à la nature caractéristique de<br />
ses modules en forme de ‘croix’. C’est<br />
une forme et une construction simple<br />
et économique qui permet d’asseoir<br />
jusqu’à quatre personnes et facilite les<br />
rencontres et l’accueil dans des<br />
espaces informels, ou qui constitue<br />
des sièges confortables pour ceux qui<br />
veulent simplement faire une pause<br />
tout en ayant un endroit où poser leur<br />
PC portable pendant un petit moment.<br />
Durch seine modulare Funktionalität<br />
und besondere, grafische Kreuzform<br />
wirkt Jaks einzeln ebenso stark wie in<br />
verbundener Form, konfiguriert zu<br />
verspielten, mosaikartigen Mustern.<br />
Die einfache Form und Konstruktion<br />
bietet bis zu vier Personen<br />
bequemen Platz zu einem günstigen<br />
Preis und ermöglicht so Treffen<br />
und Begegnungen in zwangloser<br />
Umgebung – oder eine entspannende<br />
Sitzmöglichkeit für alle, die eine Pause<br />
einlegen und nebenbei ihren Laptop<br />
eine Weile parken möchten
<strong>Allermuir</strong> Portfolio — 45
Section One<br />
Soft Seating<br />
Obelisk<br />
Design — Ross Didier<br />
Whilst Obelisk has a formality<br />
about it on the one hand, this<br />
has then been played with<br />
and some great twists added.<br />
The essentially rectangular<br />
forms that make up the body of<br />
this piece have striking angular<br />
facets, while the whole thing<br />
has a pronounced tilt and is<br />
slightly elevated on broad, sturdy<br />
formed Steel legs. The generous<br />
size, method of construction<br />
and excellent ergonomics<br />
provide superb comfort and<br />
personal space in both the<br />
chair and sofa.<br />
A610<br />
Chair<br />
H760 D1040 W950 SH420<br />
46 — <strong>Allermuir</strong> Portfolio<br />
Alors qu’Obelisk a un certain côté<br />
formel, on a joué avec celui-ci<br />
en lui apportant quelques touches<br />
originales. Les formes essentiellement<br />
rectangulaires qui constituent la partie<br />
principale de ce modèle ont des faces<br />
angulaires tout à fait surprenantes<br />
tandis que l’ensemble a une inclinaison<br />
marquée et est légèrement surélevé<br />
sur des pieds larges et robustes en<br />
acier profilé. Les dimensions<br />
généreuses, le mode de construction<br />
et l’excellente ergonomie assurent un<br />
espace personnel et un confort<br />
superbes tant dans le fauteuil que<br />
dans le canapé.<br />
A611<br />
Sofa<br />
H760 D1040 W1820 SH420<br />
Obelisks strenge Formalität wird<br />
durch einige spielerische,<br />
überraschende Veränderungen<br />
durchbrochen. Die im Wesentlichen<br />
rechteckigen Formen dieses<br />
Möbelstücks sind von eindrucksvollen<br />
Winkeln geprägt. Die Modelle weisen<br />
insgesamt eine deutliche Neigung<br />
auf und werden von breiten, robust<br />
geformten Stahlbeinen leicht<br />
angehoben. Die großzügigen Maße,<br />
die Konstruktionsweise und die<br />
hervorragende Ergonomie bieten<br />
sowohl beim Sessel als auch beim<br />
Sofa erstklassigen Komfort für die<br />
persönliche Distanzzone.
<strong>Allermuir</strong> Portfolio — 47
Section One<br />
Soft Seating<br />
Tsunami<br />
Design — Steven Smith<br />
Tsunami is a fresh, unique and<br />
stunning design of distinctive<br />
character, proportions and<br />
presence. The modular format<br />
of the chair and table plus bench<br />
units work well in large atrium<br />
areas where Tsunami can form<br />
a very powerful focal point<br />
and centrepiece, being equally<br />
attractive from all angles.<br />
A480<br />
Single seat unit<br />
H730 D760 W760 SH435<br />
A842<br />
Double bench unit<br />
H435 D625 W1520 SH435<br />
A843<br />
Triple bench unit<br />
H435 D625 W2280 SH435<br />
A844<br />
Table<br />
H235 D760 W760<br />
48 — <strong>Allermuir</strong> Portfolio<br />
Tsunami est un modèle unique en son<br />
genre, frais et surprenant, qui se<br />
distingue par son caractère, ses<br />
proportions et sa présence. Le format<br />
modulaire fauteuil et table plus<br />
banquettes convient parfaitement aux<br />
grands espaces d’accueil et foyers où<br />
le Tsunami peut constituer une pièce<br />
maîtresse et un véritable point de mire<br />
dans la pièce puisqu’il a le même<br />
attrait indéniable vu de tous les angles.<br />
A841<br />
Single bench unit<br />
H435 D625 W760 SH435<br />
Tsunami steht für frisches,<br />
einzigartiges und überraschendes<br />
Design, markant durch Charakter,<br />
Proportionen und Präsenz. Das<br />
modulare Format von Stuhl und Tisch<br />
sowie der Bankeinheiten eignet sich<br />
gut für große Atriumbereiche, wo<br />
Tsunami einen eindrucksvollen Fokus<br />
und Mittelpunkt schaffen kann, der<br />
von allen Seiten aus gleichermaßen<br />
attraktiv wirkt.
<strong>Allermuir</strong> Portfolio — 49
Section One<br />
Soft Seating<br />
Pause<br />
Design — <strong>Allermuir</strong> Design Team<br />
Pause is a mature and<br />
sophisticated version of<br />
the ubiquitous modular<br />
reception and breakout space<br />
seating system. The comfort<br />
of the core modules has been<br />
carefully balanced to provide a<br />
bench style sit, but with just the<br />
right degree of softness along<br />
with a supportive backrest.<br />
PSM100<br />
1 seat module<br />
H450 D750 W750 SH450<br />
50 — <strong>Allermuir</strong> Portfolio<br />
Pause est une version mûrie et<br />
sophistiquée du système modulaire<br />
omniprésent dans les espaces<br />
d’accueil et de détente. Le confort<br />
des modules au cœur de la gamme<br />
a été soigneusement pesé pour<br />
obtenir des sièges de style banquette<br />
certes, mais avec un dossier de<br />
soutien et exactement le niveau de<br />
moelleux qui convient.<br />
PSM200<br />
2 seat module<br />
H450 D750 W1500 SH450<br />
Pause ist eine ausgereifte, elegante<br />
Version des modularen Sitzsystems,<br />
das in Empfangsbereichen und<br />
arbeitsfreien Zonen allgegenwärtig<br />
ist. Der sorgfältig ausgewogene<br />
Komfort der Kernmodule schafft<br />
bankähnliche Sitze mit perfekt<br />
abgestimmter Sitzelastizität und<br />
stützender Rückenlehne.<br />
PSM207 (LH) / PSM206 (RH)<br />
2 seat module full back & corner back<br />
H830 D750 W1500 SH450<br />
Contact <strong>Allermuir</strong> for more details on full Pause range
<strong>Allermuir</strong> Portfolio — 51
Section One<br />
Soft Seating<br />
Pause<br />
Design — <strong>Allermuir</strong> Design Team<br />
The Pause range is augmented<br />
by the addition of mobile low<br />
stools, simple unfussy high<br />
stools, long low and high<br />
benches and sleek stylish<br />
power modules with<br />
accompanying screens.<br />
Working together, this creates<br />
an extensive, adaptable and<br />
simple modular system,<br />
capable of meeting a multitude<br />
of needs.<br />
PSSC1<br />
Screen<br />
H1660 D400 W900<br />
PSS042H<br />
Static high stool<br />
H780 D420 W420 SH780<br />
PSB154L<br />
Low bench<br />
H480 D420 W1500 SH480<br />
PSB214L<br />
Low bench<br />
H480 D420 W2100 SH480<br />
52 — <strong>Allermuir</strong> Portfolio<br />
Des tabourets bas mobiles, des<br />
tabourets hauts tout simples, de<br />
longues banquettes basses ou hautes,<br />
un choix de tables de différentes<br />
hauteurs et dimensions et des modules<br />
d’alimentation d’un style épuré et<br />
élégant, proposés en deux hauteurs,<br />
se combinent pour former tout un<br />
système modulaire, simple et évolutif,<br />
capable de répondre à une multitude<br />
de besoins.<br />
PSS042L<br />
Mobile low stool<br />
H480 D420 W420 SH480<br />
PSB154H<br />
High bench<br />
H720 D420 W1500 SH720<br />
PSB214H<br />
High bench<br />
H720 D420 W2100 SH720<br />
Bewegliche niedrige Hocker, einfache,<br />
unkomplizierte Barhocker, lange<br />
tiefe und hohe Bänke, eine Reihe<br />
von Tischen in verschiedenen Höhen<br />
und Größen und leistungsfähige<br />
Module von schnittigem Design in<br />
zwei Größen liefern zusammen ein<br />
umfassendes, anpassungsfähiges<br />
und einfaches modulares System,<br />
das unterschiedlichsten Anforderungen<br />
gerecht wird.<br />
Contact <strong>Allermuir</strong> for more details on full Pause range
<strong>Allermuir</strong> Portfolio — 53
54 — <strong>Allermuir</strong> Portfolio
<strong>Allermuir</strong> Portfolio — 55
Designers and manufacturers<br />
of contemporary furniture<br />
Portfolio<br />
High<br />
quality,<br />
contemporary<br />
seating and<br />
tables.
Designers and manufacturers<br />
of contemporary furniture<br />
Portfolio<br />
High<br />
quality,<br />
contemporary<br />
seating and<br />
tables.
62 — <strong>Allermuir</strong> Portfolio<br />
Chairs<br />
with<br />
Stools
Section Two<br />
Chairs with Stools<br />
Kojak<br />
Mollie<br />
Lara<br />
Mellow<br />
Scala<br />
Scoop<br />
50:50<br />
Luna<br />
Zupo<br />
Tommo<br />
<strong>Allermuir</strong> Portfolio — 63
Section Two<br />
Chairs with Stools<br />
Kojak<br />
Design — <strong>Allermuir</strong> Design Team<br />
Kojak is a striking collection<br />
with universal appeal offering<br />
comfort and contemporary<br />
style. Comprising of a slender<br />
stacking side chair and<br />
armchair along with matching<br />
high stools, also available with<br />
or without arms.<br />
Kojak is a clever, fluid design<br />
incorporating a structural<br />
framework within the moulded<br />
Polyurethane body with<br />
apertures in the same framework<br />
that allow the PU to ‘give’ and<br />
flex in predetermined places, in<br />
both seat and back, to facilitate<br />
an excellent level of comfort.<br />
A830<br />
Side chair<br />
H800 D520 W455 SH460<br />
A832<br />
High stool no arms<br />
H1080 D600 W470 SH750<br />
64 — <strong>Allermuir</strong> Portfolio<br />
Kojak est une collection saisissante<br />
d’un charme universel qui allie style et<br />
confort extrême. La gamme comprend<br />
une chaise et un fauteuil aux formes<br />
élancées, qui sont tous les deux<br />
empilables, et un tabouret haut assorti.<br />
Kojak est un modèle astucieux aux<br />
lignes fluides qui incorpore toute<br />
l’armature structurelle au sein de la<br />
coque en polyuréthane moulé de la<br />
chaise. Des ouvertures dans cette<br />
armature dissimulée permettent au<br />
PU de perdre sa rigidité et de fléchir<br />
en des points prédéterminés de<br />
l’assise et du dossier pour contribuer<br />
à un excellent niveau de confort.<br />
A831<br />
Armchair<br />
H800 D520 W530 SH460<br />
A833<br />
High stool with arms<br />
H1080 D600 W470 SH750<br />
Kojak ist eine markante Kollektion mit<br />
universeller Wirkung, die sich durch<br />
höchsten Komfort und Stil auszeichnet.<br />
Sie besteht aus einem schlanken<br />
Beistellstuhl und Sessel, die beide<br />
stapelbar sind, ergänzt durch einen<br />
passenden Barhocker.<br />
Kojak ist intelligentes, fließendes<br />
Design. Alle Strukturelemente sind<br />
im geformten Polyurethankörper des<br />
Stuhls verborgen. Durch Öffnungen<br />
im Gestell kann das PU-Material<br />
an den gewünschten Stellen von<br />
Sitzfläche und Rückenlehne<br />
nachgeben und sich verformen und<br />
so für hervorragenden Komfort sorgen.
<strong>Allermuir</strong> Portfolio — 65
Section Two<br />
Chairs with Stools<br />
Mollie<br />
Design — John Coleman<br />
A luxurious and satisfying design,<br />
Mollie displays both classic and<br />
contemporary elements. The<br />
range comprises of a four leg<br />
armchair and high stool and a<br />
centre pedestal armchair and<br />
high stool, both of which swivel<br />
through 360 degrees. Mollie is a<br />
versatile design that can<br />
enhance a vast array of interior<br />
styles being ideally suited to<br />
hotel and restaurant dining, bars,<br />
or corporate environments.<br />
A580<br />
Four leg chair<br />
H740 D530 W580 SH460<br />
A583<br />
Four leg high stool<br />
H1000 D500 W560 SH750<br />
66 — <strong>Allermuir</strong> Portfolio<br />
Modèle luxueux et plaisant, Mollie<br />
présente en même temps des<br />
éléments classiques et modernes.<br />
Cette gamme comprend un fauteuil<br />
quatre pieds ainsi qu’un fauteuil<br />
à pied central et un tabouret haut à<br />
pied central assortis, ces deux<br />
derniers pouvant pivoter sur 360˚.<br />
Mollie est un modèle polyvalent<br />
qui peut mettre en valeur toute une<br />
variété de styles d’intérieur et convient<br />
parfaitement aux salles de repas dans<br />
les hôtels et restaurants, aux bars ou<br />
aux environnements d’entreprises.<br />
A581<br />
Centre pedestal chair<br />
H740 D650 W650 SH460<br />
A582<br />
Centre pedestal high stool<br />
H1000 D500 W560 SH750<br />
In überzeugendem, luxuriösem<br />
Design verbindet Mollie sowohl<br />
klassische als auch zeitgenössische<br />
Elemente. Diese vielseitige Reihe<br />
umfasst einen Sessel mit vier Beinen<br />
sowie einen Sessel und Barhocker<br />
mit einem Bein, die beide um 360˚<br />
drehbar sind. Mollie ist ein vielseitiges<br />
Modell, das unterschiedlichste<br />
Innenräume bestens ergänzt und sich<br />
ideal für Hotel- und Restaurantbereiche,<br />
Bars oder Firmenräumlichkeiten eignet.
<strong>Allermuir</strong> Portfolio — 67
Section Two<br />
Chairs with Stools<br />
68 — <strong>Allermuir</strong> Portfolio
<strong>Allermuir</strong> Portfolio — 69
Section Two<br />
Chairs with Stools<br />
Lara<br />
Design — Simon Pengelly<br />
Fresh and uplifting, Lara’s<br />
understated aesthetic belies<br />
the complexity of the technology<br />
employed to achieve it, while<br />
displaying an intelligent use<br />
of those technologies and<br />
materials, in an honest and<br />
appropriate way. The result<br />
is an elegantly proportioned<br />
and refined stacking chair<br />
with superb comfort and style,<br />
with or without arms, whose<br />
characteristics are reflected in<br />
the complementary stackable<br />
high stool.<br />
A510<br />
Side chair<br />
H815 D560 W510 SH470<br />
A512<br />
High stool<br />
H870 D480 W500 SH750<br />
70 — <strong>Allermuir</strong> Portfolio<br />
Fraîche et tonique, l’esthétique<br />
discrète de Lara masque la complexité<br />
de la technologie utilisée pour la créer<br />
et démontre l’utilisation intelligente et<br />
véritablement appropriée de ces<br />
technologies et matériaux. Il en résulte<br />
une chaise empilable raffinée, aux<br />
proportions élégantes, dont le confort<br />
est aussi superbe que le style.<br />
Disponible avec ou sans accoudoirs,<br />
ses caractéristiques se retrouvent<br />
dans le tabouret haut empilable qui<br />
vient compléter la gamme.<br />
A511<br />
Armchair<br />
H815 D560 W560 SH470<br />
Die frische, unmittelbar ansprechende<br />
und zurückhaltende Optik von Lara<br />
täuscht über die Komplexität der<br />
Technologie zu ihrer Entwicklung<br />
hinweg und demonstriert gleichzeitig<br />
den intelligenten, ehrlichen und<br />
angemessenen Einsatz dieser<br />
Technologien und Materialien. Das<br />
Ergebnis ist ein elegant proportionierter,<br />
raffinierter stapelbarer Stuhl von<br />
erstklassigem Komfort und Stil. Mit und<br />
ohne Armlehnen. Die charakteristischen<br />
Merkmale finden sich auch in dem<br />
passenden stapelbaren Barhocker.
<strong>Allermuir</strong> Portfolio — 71
Section Two<br />
Chairs with Stools<br />
72 — <strong>Allermuir</strong> Portfolio
<strong>Allermuir</strong> Portfolio — 73
Section Two<br />
Chairs with Stools<br />
Mellow<br />
Design — Ton Haas<br />
Mellow is a contemporary<br />
and youthful restaurant or<br />
meeting chair, complemented<br />
by matching high stool. Its<br />
simple construction is based<br />
upon clean, crisp, rounded<br />
or alternatively square,<br />
upholstered shapes, upon<br />
a compact Steel tube frame.<br />
The geometric shapes make<br />
it fun, funky and youthful in<br />
strong modern colours, or cool<br />
and sophisticated in Chrome<br />
and subtle shades.<br />
A496<br />
Round side chair<br />
H820 D540 W460 SH460<br />
A490<br />
Square side chair<br />
H820 D540 W460 SH460<br />
A498<br />
Round high stool<br />
H1080 D535 W440 SH770<br />
A492<br />
Square high stool<br />
H1080 D515 W430 SH770<br />
74 — <strong>Allermuir</strong> Portfolio<br />
Mellow est une chaise à l’allure jeune<br />
et contemporaine pour restaurants ou<br />
réunions, accompagnée d’un tabouret<br />
haut assorti. Sa construction simple a<br />
pour base les formes épurées et<br />
sobres, soit rondes soit carrées, de sa<br />
garniture montée sur une armature<br />
compacte en tubes d’acier. Ses<br />
formes géométriques lui donnent un<br />
air jeune, sympathique et funky dans<br />
des couleurs vives et modernes, ou<br />
bien cool et sophistiqué avec l’emploi<br />
de chrome et de coloris plus subtils.<br />
A497<br />
Round armchair<br />
H820 D540 W590 SH460<br />
A491<br />
Square armchair<br />
H820 D540 W590 SH460<br />
Mellow ist ein zeitgemäßer,<br />
jugendlicher Stuhl für Restaurants<br />
oder Treffen, der durch einen<br />
passenden Barhocker ergänzt wird.<br />
Seine einfache Konstruktion beruht<br />
auf sauberen, klaren oder<br />
quadratischen gepolsterten Formen<br />
auf einem kompakten Stahlrohrgestell.<br />
Durch seine geometrischen Formen<br />
wirkt das Design in starken modernen<br />
Farben jung und witzig, in Chrom und<br />
subtilen Farbtönen kühl und raffiniert.
<strong>Allermuir</strong> Portfolio — 75
Section Two<br />
Chairs with Stools<br />
Scala<br />
Design — Pernille Svane Hansen<br />
Scala is a timeless, classic<br />
piece of Scandinavian design.<br />
It is elegant, restrained and finely<br />
detailed. The slender tubular<br />
frame with gently curving front<br />
legs form a compact footprint,<br />
while the curved seat and back<br />
provide excellent comfort.<br />
This chair and stool ultimately<br />
suits just about any kind of<br />
dining or bar situation.<br />
A410<br />
Side chair<br />
H795 D500 W520 SH470<br />
A410PB<br />
Side chair upholstered seat,<br />
wood back, no arms<br />
H795 D500 W520 SH470<br />
A410PBS<br />
Side chair<br />
un-upholstered, no arms<br />
H790 D500 W520 SH470<br />
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Scala est un exemple atemporel et<br />
classique de design scandinave.<br />
Ce modèle est élégant, discret et<br />
agrémenté de détails soignés.<br />
L’armature en minces tubes d’acier,<br />
avec des pieds avant légèrement<br />
galbés, se traduit par un<br />
encombrement au sol minime tandis<br />
que l’assise et le dossier arrondis<br />
assurent un confort excellent. En fin<br />
de compte, cette chaise et ce tabouret<br />
conviennent à pratiquement toutes les<br />
salles de restaurant ou de bar.<br />
A413<br />
Armchair<br />
H795 D500 W535 SH470<br />
A413PB<br />
Armchair upholstered seat,<br />
wood back arms<br />
H795 D500 W535 SH470<br />
A413PBS<br />
Armchair<br />
un-upholstered, arms<br />
H795 D500 W535 SH470<br />
A412<br />
High stool<br />
H1090 D570 W515 SH740<br />
A412PB<br />
High stool upholstered seat,<br />
wood back<br />
H1090 D570 W515 SH740<br />
A412PBS<br />
High stool un-upholstered<br />
H1090 D570 W515 SH740<br />
Scala ist zeitloses, klassisches<br />
skandinavisches Design. Es wirkt<br />
elegant, zurückhaltend und edel im<br />
Detail. Das zierliche Stahlrohrgestell<br />
mit sanft gewölbten Vorderbeinen<br />
bildet eine kompakte Standfläche,<br />
während die gewölbten Sitze und<br />
Rückenlehnen hervorragenden<br />
Komfort bieten. Stuhl und Hocker<br />
eignen sich optimal für praktisch<br />
jede Speise- oder Bareinrichtung.
<strong>Allermuir</strong> Portfolio — 77
Section Two<br />
Chairs with Stools<br />
Scoop<br />
Design — Fraser Lee<br />
Visually minimal, Scoop is<br />
simple, compact and clever.<br />
Clever in that each item<br />
stacks. Simple construction;<br />
tubular Steel frames and<br />
pressed ply seats with their<br />
own unique character give<br />
Scoop a freshness over and<br />
above the plethora of existing<br />
mono shell designs on the<br />
market. All seats are veneered<br />
with either a rich Alpi-Lignum<br />
design similar to Zebrano, or<br />
with a Beech veneer, which can<br />
be stained to achieve a choice<br />
of alternative shades.<br />
A432<br />
Side chair<br />
H890 D540 W510 SH455<br />
A430<br />
High stool<br />
H820 D450 W440 SH755<br />
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D’un aspect minimaliste, Scoop est<br />
un modèle simple, compact et<br />
astucieux. Astucieux parce que<br />
chaque siège est empilable.<br />
Construction simple : des armatures<br />
tubulaires en acier et des assises en<br />
contreplaqué formé tout à fait uniques<br />
donnent à Scoop une apparence<br />
originale qui le place au-dessus de<br />
a pléthore de modèles monocoques<br />
qui existent sur le marché. Tous les<br />
sièges sont plaqués ‘Alpi-Lignum’,<br />
semblable au placage bois Zebrano,<br />
qui peut être teint pour produire des<br />
tons différents. Ce modèle se prête<br />
parfaitement aux utilisations dans les<br />
restaurants, cafés et bars.<br />
A435<br />
Armchair<br />
H890 D540 W540 SH455<br />
In minimalistischer Optik ist Scoop<br />
schlicht, kompakt und intelligent.<br />
Intelligentes Design mit durchgehender<br />
Stapelbarkeit. Schlicht in der<br />
Konstruktion: Stahlrohrgestelle und<br />
Sitze aus Formholz mit ihrem ganz<br />
eigenen Charakter verleihen Scoop<br />
die frische Optik, durch die<br />
er sich über die bestehenden<br />
Schalenmodelle des Marktes erhebt.<br />
Alle Sitze sind mit einem üppigen<br />
Alpi-Lignum-Design furniert, ähnlich<br />
dem Zebrano-Furnier, und können<br />
auch auf andere Farbtöne gebeizt<br />
werden. Dieses Design passt ideal<br />
in Restaurants, Cafés und Bistros.
<strong>Allermuir</strong> Portfolio — 79
Section Two<br />
Chairs with Stools<br />
50:50<br />
Design — Jonathan Harvey<br />
The ‘split personality’ 50:50<br />
range comprises of a side<br />
chair and a high stool, available<br />
in two contrasting materials,<br />
anodised Aluminium or Oak<br />
veneer. Versatile and functional,<br />
the design is suitable for a<br />
wide range of environments<br />
including contemporary bars,<br />
cafés, bistros and corporate<br />
dining, with the Aluminium<br />
option being perfect for both<br />
indoor and outdoor applications.<br />
A560 Oak<br />
A550 Aluminium<br />
Side chair<br />
H800 D545 W530 SH455<br />
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La « double personnalité » de la<br />
gamme 50:50 est composée d’une<br />
chaise et d’un tabouret haut<br />
disponibles dans deux matériaux<br />
contrastés, aluminium anodisé ou<br />
chêne plaqué. Polyvalent et fonctionnel,<br />
ce modèle convient à une grande<br />
variété d’environnements, y compris<br />
les bars, brasseries ou cafés de style<br />
contemporain et les restaurants<br />
d’entreprise. L’option aluminium est<br />
parfaite pour les applications tant<br />
à l’intérieur qu’à l’extérieur.<br />
A562 Oak<br />
A552 Aluminium<br />
High stool<br />
H960 D495 W520 SH750<br />
50:50, die Reihe der starken<br />
Gegensätze, umfasst einen Stuhl und<br />
Barhocker in zwei kontrastierenden<br />
Materialien, eloxiertem Aluminium<br />
oder Eichenfurnier. Das vielseitige,<br />
funktionale Design eignet sich für<br />
eine Vielzahl von Einsatzbereichen,<br />
darunter moderne Bars, Cafés, Bistros<br />
und Kantinen. Die Aluminiumvariante<br />
ist sowohl für Innenräume als auch für<br />
Anwendungen im Freien perfekt.
<strong>Allermuir</strong> Portfolio — 81
Section Two<br />
Chairs with Stools<br />
Luna<br />
Design — Amos Marchant<br />
& Lyndon Anderson<br />
The purity of polished cast<br />
Aluminium for the seating, along<br />
with Stainless Steel for the table<br />
tops, work to give Luna a truly<br />
space age look. Contemporary<br />
clean lines and sensual form,<br />
matched with engineered<br />
detailing are consistent elements<br />
throughout the range, which<br />
comprises of a high stool,<br />
stacking chair and table.<br />
A300<br />
High stool<br />
H755 D505 W505 SH755<br />
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La conjugaison de la pureté de<br />
l’aluminium coulé poli qui est utilisé<br />
pour le siège et de l’acier inoxydable<br />
du plateau de la table contribue à<br />
donner à Luna un véritable look spatial.<br />
Des lignes sobres et modernes et une<br />
forme sensuelle, allant de pair avec la<br />
finition technique, sont des éléments<br />
constants à travers toute la gamme<br />
qui comprend un tabouret haut, une<br />
chaise empilable et une sélection de<br />
tables disponibles dans une variété<br />
de formes et dimensions.<br />
A302<br />
Side chair<br />
H750 D480 W430 SH450<br />
Die Reinheit von poliertem<br />
Gussaluminium der Sitze neben dem<br />
Edelstahl der Tischplatten verleiht<br />
Luna in der Tat eine futuristische<br />
Optik. Aktuelle klare Linien und<br />
sinnliche Formen, abgestimmt mit<br />
Verarbeitungsdetails treten konsequent<br />
in der gesamten Linie auf, die aus<br />
einem Barhocker, einem stapelbaren<br />
Stuhl und einer Auswahl von Tischen<br />
in unterschiedlichen Formen und<br />
Größen besteht.
<strong>Allermuir</strong> Portfolio — 83
Section Two<br />
Chairs with Stools<br />
Zupo<br />
Design — John Coleman<br />
The sensuous and curvilinear<br />
Zupo chair and high stool<br />
design has elegant tapering<br />
curved Beech legs and rails<br />
and a single curvature backrest.<br />
The chair is available with or<br />
without armrests and offers the<br />
best in contemporary luxury<br />
and comfort, as has been<br />
proven in both corporate and<br />
restaurant applications.<br />
A310<br />
Side chair upholstered<br />
H835 D540 W450 SH460<br />
A310PB<br />
Side chair wood back<br />
H835 D540 W450 SH460<br />
A312<br />
High stool upholstered<br />
H995 D460 W450 SH750<br />
A312PB<br />
High stool wood back<br />
H995 D460 W450 SH750<br />
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La chaise et le tabouret haut Zupo,<br />
à l’aspect curviligne et sensuel, sont<br />
dotés de montants et pieds en hêtre<br />
de forme fuselée, galbée et élégante,<br />
et d’un dossier légèrement incurvé.<br />
La chaise est proposée avec ou sans<br />
accoudoirs et elle offre tout ce qu’il y a<br />
de mieux en matière de luxe et confort<br />
contemporains, comme cela a été<br />
prouvé dans des applications en<br />
entreprise ou dans les restaurants.<br />
A311<br />
Armchair upholstered<br />
H835 D545 W550 SH460<br />
A311PB<br />
Armchair wood back<br />
H835 D545 W550 SH460<br />
Das sinnliche Design und die runden<br />
Linien des Stuhls und Hockers Zupo<br />
zeichnen sich durch elegante, sich<br />
verjüngende, geschwungene Beine<br />
und Verstrebungen aus Buchenholz<br />
sowie eine einfache geschwungene<br />
Rückenlehne aus. Der Stuhl ist mit<br />
oder ohne Armlehnen erhältlich und<br />
bietet besten zeitgenössischen Luxus<br />
und Komfort, der sich sowohl in<br />
Firmen- als auch in Restaurantanwendungen<br />
behauptet hat.
<strong>Allermuir</strong> Portfolio — 85
Section Two<br />
Chairs with Stools<br />
Tommo<br />
Design — Mark Gabbertas<br />
To complement the lounge<br />
seating, the Tommo range<br />
also includes a dining chair<br />
and high stool. The dining chair<br />
has a tapering seat pad and<br />
sloping arms, whilst the high<br />
stool offers more than just a<br />
perch. All of the products in<br />
the range offer a high level of<br />
comfort, further enhanced by<br />
a concealed flexible backrest.<br />
Tommo is perfect for a wide<br />
variety of applications and<br />
can be specified with a broad<br />
selection of tables.<br />
A532<br />
Dining chair<br />
H790 D550 W560 SH490<br />
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En complément des sièges de salon,<br />
la gamme Tommo comprend<br />
également une chaise de salle à<br />
manger et un tabouret haut. La chaise<br />
a un coussin d’assise au bord aminci<br />
et des accoudoirs inclinés, et le<br />
tabouret haut est plus qu’un simple<br />
perchoir. Tous les produits de la<br />
gamme assurent un très haut niveau<br />
de confort, amélioré encore par un<br />
dossier flexible dissimulé. Tommo est<br />
parfaite pour une grande variété<br />
d’applications et peut être commandée<br />
avec une large sélection de tables.<br />
A534<br />
High stool<br />
H830 D480 W480 SH750<br />
Zur Vervollständigung der Lounge-<br />
Sitzmöbel umfasst die Reihe Tommo<br />
auch einen Esszimmerstuhl und einen<br />
Barhocker. Der Esszimmerstuhl<br />
verfügt über eine sich verjüngende<br />
Sitzfläche und geneigte Armlehnen,<br />
der Barhocker ist ungewöhnlich<br />
bequem. Alle Produkte der Reihe<br />
bieten ein hohes Maß an Komfort,<br />
der durch die unsichtbare, flexible<br />
Rückenlehne noch weiter gesteigert<br />
wird. Tommo ist ideal für ein breites<br />
Anwendungspektrum und kann mit<br />
einer großen Auswahl an Tischen<br />
geliefert werden.
<strong>Allermuir</strong> Portfolio — 87
“ Really great people<br />
make you feel that you<br />
too, can become great”<br />
Mark Twain<br />
<strong>Allermuir</strong> Portfolio — 89
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Luke Pearson —<br />
Co-designer: Conic/Curve/<br />
Dine/Open/Soul<br />
Luke Pearson first met Tom<br />
Lloyd whilst studying at London’s<br />
prestigious Royal College of<br />
Art. They formed their award<br />
winning product and furniture<br />
design consultancy in 1997,<br />
having spent a number of years<br />
working independently of each<br />
other for other highly acclaimed<br />
design studios. They have<br />
created stunning solutions for<br />
a variety of international clients,<br />
including manufacturers,<br />
consumer brands and<br />
government organisations.<br />
Johannes Foresom<br />
& Peter Hiort-Lorenzen —<br />
JoJo<br />
Danes Johannes Foresom<br />
and Peter Hiort-Lorenzen are<br />
two of the most eminent<br />
Scandinavian designers of the<br />
last twenty years or so. Based<br />
in Copenhagen, Denmark,<br />
they formed their partnership in<br />
1977 and continue to enjoy<br />
international recognition due<br />
to their extensive and enduring<br />
design and development skills.<br />
Q&A<br />
What do you consider to be<br />
the greatest challenge when<br />
designing a chair? There are<br />
multiple challenges. Maybe for<br />
me they can be summed up as<br />
beauty and efficiency in<br />
harmony.<br />
If you could have designed<br />
one of the design classic<br />
chairs, which would it be and<br />
why? 3107 its beautiful and<br />
refined mechanically.<br />
Who inspired you to become<br />
a designer? Parents<br />
encouraging me to follow my<br />
instinct and passion from an<br />
early age. It wasn’t a conscious<br />
decision rather than a decision<br />
not to do anything else.<br />
What is your design<br />
philosophy? Innovation,<br />
elegance, efficiency.<br />
Which product broke the<br />
rules and re-defined the<br />
archetype? The mini.<br />
Do you see sustainable<br />
design as liberating<br />
or limiting? It’s essential<br />
therefore the emotive element<br />
is somewhat redundant.<br />
What is your favourite album?<br />
Iggy Pop and the Stooges,<br />
Raw Power.<br />
Q&A — Johannes Foresom<br />
What do you consider to be<br />
the greatest challenge when<br />
designing a chair? To make<br />
a chair that hasn’t been made<br />
before. A chair that is its own,<br />
but still has the authority.<br />
Who inspired you to become<br />
a designer? My father gave<br />
me a book about Hans Jørgen<br />
Wegner. I think I thought to<br />
myself back then that there was<br />
something I could do better.<br />
What is your design<br />
philosophy? Follow your heart.<br />
What is the strangest thing<br />
that has inspired you?<br />
Everything that inspires me<br />
is a little bit weird. For example<br />
a certain way the light hits a<br />
certain room.<br />
Do you see sustainable<br />
design as liberating<br />
or limiting? Sustainable design<br />
becomes more and more a<br />
necessity. Take it or leave it.<br />
What aspects of the contract<br />
furniture market frustrates<br />
you the most? As a<br />
designer I don’t have any<br />
specific frustrations.<br />
What question would you<br />
have liked to answer?<br />
What do you like about your<br />
own design?<br />
What are you reading right<br />
now? I don’t read fiction I don’t<br />
have time. So for me its a<br />
constant process of reading<br />
about my two passions, Art and<br />
Science. The web has made<br />
this very accessible and fast.<br />
What is the strangest thing<br />
that has inspired you? My<br />
Father’s ability, as a painter, to<br />
solve my physics equations<br />
through viewing them<br />
differently. It taught me to<br />
always look twice and never<br />
say I can’t do it.<br />
What is your favourite film?<br />
Fargo.<br />
What question would you<br />
have liked to answer? E=mc 2 .<br />
Q&A — Peter Hiort-Lorenzen<br />
What do you consider to be<br />
the greatest challenge when<br />
designing a chair? The chair<br />
is the most sensuous furniture<br />
because it combines body,<br />
form, material and construction<br />
with a long list of psychological<br />
factors such as aesthetics’,<br />
comfort, status as well as<br />
history and present combined<br />
in one. It is a fascinating work of<br />
design, when and if that<br />
succeeds.<br />
Who inspired you to become<br />
a designer? My apprenticeship<br />
as a shipping carpenter at<br />
Helsingør Shipyard. Ships were<br />
an example of total design in<br />
Denmark in the 1950’s.<br />
What is your design<br />
philosophy? It is an impossible<br />
question to answer, as it is<br />
extensive and not one but<br />
many philosophies. For<br />
example; the highest possible<br />
industrial quality for the lowest<br />
possible price; that the<br />
experimental playfulness with<br />
form, construction and material<br />
always is a part of the design<br />
work; knowledge and studies<br />
of social and psychological<br />
behaviour patterns always is<br />
a part of the design work.<br />
Which product broke the rules<br />
and re-defined the archetype?<br />
The Memphis Design Group<br />
in Milan played a part in the<br />
fact that design became more<br />
playful in the 1980’s.
Simon Pengelly —<br />
Bison/Lara/Venus<br />
Simon Pengelly graduated from<br />
Kingston Polytechnic with a BA<br />
Hons degree in Furniture and<br />
Related product Design in 1988.<br />
After honing his wide range of<br />
skills in well-known design<br />
studios he founded Pengelly<br />
Design in 1993. Simon’s affinity<br />
with and understanding of<br />
materials and processes is<br />
fundamental to his approach,<br />
combined with a passionate<br />
desire to create accessible<br />
production furniture with soul.<br />
Q&A<br />
What do you consider to be<br />
the greatest challenge when<br />
designing a chair? The<br />
generic answer is of course<br />
balancing the aesthetic and<br />
the function requirements. My<br />
specific challenge is making<br />
happen what is in my head.<br />
Q&A<br />
What do you consider to be<br />
the greatest challenge when<br />
designing a chair? Originality<br />
that also benefits the user.<br />
Who inspired you to become<br />
a designer? Carlo Mollino and<br />
Jeff Koons.<br />
What is your design<br />
philosophy? My design<br />
nirvana is that connection<br />
between sculptural concept<br />
and function.<br />
Which product broke the<br />
rules and re-defined the<br />
archetype? Joe Colombo’s<br />
Boby trolley… utilitarian magic!<br />
Do you see sustainable<br />
design as liberating<br />
or limiting? ‘Essential’.<br />
If you could have designed<br />
one of the design classic<br />
chairs, which would it be and<br />
why? Mart Stam’s cantilever<br />
chair. It revolutionised the way<br />
chairs were designed and<br />
perceived as well as introducing<br />
a new way of sitting. This chair<br />
looks entirely contemporary<br />
today. Extraordinary.<br />
Who inspired you to become<br />
a designer? Everybody was<br />
too busy telling me not to do it.<br />
Which product broke the<br />
rules and re-defined the<br />
archetype? Historically<br />
anything by the Eames’ –<br />
their designs represented the<br />
most significant step change<br />
in design approach. The early<br />
work of Citterio has been<br />
similarly important.<br />
What is your favourite album?<br />
Tender Prey – Nick Cave and<br />
the Bad Seeds.<br />
What are you reading right<br />
now? An atlas.<br />
What is the strangest thing<br />
that has inspired you?<br />
Cow udders…<br />
What is your favourite film?<br />
The Big Blue.<br />
What aspects of the contract<br />
furniture market frustrates<br />
you the most? Those inspired<br />
plans that are finally dictated by<br />
cheap alternatives.<br />
What question would you<br />
have liked to answer? Where<br />
in the world are you planning<br />
your next road trip?<br />
What is your favourite album?<br />
I am in the process of falling in<br />
love with Bruckner again.<br />
What are you reading right<br />
now? Patrick Gale’s ‘Notes<br />
from an exhibition’. Those who<br />
have read it will know why..<br />
What is your favourite film?<br />
Fellini’s Roma. All those<br />
roller-skating bishops.<br />
What aspects of the contract<br />
furniture market frustrates<br />
you the most? It doesn’t really.<br />
I find the domestic market far<br />
more difficult.<br />
What question would you<br />
have liked to answer?<br />
Do you remember that<br />
apocryphal exam question –<br />
‘Is this a question?’<br />
Ross Didier —<br />
Obelisk<br />
Ross Didier resides in Melbourne,<br />
Australia where his family’s<br />
manufacturing business is based.<br />
Ross has BA Degrees in both Fine Art<br />
Sculpture and Industrial Design from<br />
the Royal Melbourne Institute of<br />
Technology, leading to his fascination<br />
of interlinking concept, form and<br />
function. He exhibited his sculptures<br />
and designs at home and abroad<br />
before establishing his design studio<br />
in 1998, designing products for interior<br />
and architectural projects.<br />
Mark Gabbertas —<br />
Tommo/Tubbette/Tubby<br />
Mark Gabbertas set up his design studio<br />
and workshop in 1993. Mark was awarded<br />
the Seating in Practice award for his ‘3º’<br />
range of chairs and tables for the Atelier<br />
Restaurant in Soho, London and was a<br />
finalist at the prestigious FX International<br />
Interior Design Awards in 1999 for Tubby.<br />
<strong>Allermuir</strong> Portfolio — 91
John Coleman —<br />
Jaks/Mollie/Zupo<br />
John Coleman is a renowned<br />
designer who has studiously<br />
worked on an endless list of<br />
prestigious commissions for<br />
corporate, leisure and private<br />
clients since graduating from<br />
the Royal College of Art in 1970.<br />
John’s work has been extensively<br />
commissioned, exhibited<br />
and published worldwide.<br />
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Q&A<br />
If you could have designed<br />
one of the design classic<br />
chairs, which would it be and<br />
why? Lots to choose from, but<br />
probably the S43 cantilever<br />
chair by Mart Stam (which<br />
launched countless imitations):<br />
designed in 1931 and still in<br />
production, easily answers all<br />
the above challenges, very<br />
comfortable, using the natural<br />
spring of the tube and formed<br />
ply seat/back. Visually light and<br />
exciting; still feels revolutionary<br />
even after 87 years. Minimalist<br />
construction and production:<br />
one length of tube, 2 ply’s,<br />
8 bolts and a pair of tube end<br />
caps. All in all quite brilliant.<br />
I’m sitting – very comfortably<br />
– on a 1936 original!<br />
Q&A<br />
What do you consider to be<br />
the greatest challenge when<br />
designing a chair? Combining<br />
comfort, elegance and simplicity.<br />
If you could have designed<br />
one of the design classic<br />
chairs, which would it be?<br />
The Superlegera by Gio Ponti.<br />
Who inspired you to become<br />
a designer? My family.<br />
What is your design<br />
philosophy? Simplicity, joy,<br />
surprise, beauty.<br />
What is your design<br />
philosophy? Simple,<br />
straightforward answers.<br />
Which product broke the<br />
rules and re-defined the<br />
archetype? The S43!<br />
Do you see sustainable<br />
design as liberating<br />
or limiting? Liberating!<br />
Designers and consumers<br />
both have to be responsible<br />
with resources, being<br />
sustainable is not just about<br />
recycling. This re-adjustment<br />
of the economic climate<br />
will perhaps do more to<br />
help the planet than any<br />
amount of world summits –<br />
interesting times.<br />
Tom Lloyd —<br />
Co-designer: Conic/Curve/<br />
Dine/Open/Soul<br />
Tom Lloyd met Luke Pearson<br />
whilst studying at London’s<br />
prestigious Royal College of<br />
Art. They formed their award<br />
winning product and furniture<br />
design consultancy in 1997,<br />
having spent a number of<br />
years working independently<br />
of each other for other highly<br />
acclaimed design studios.<br />
They have created stunning<br />
solutions for a variety of<br />
international clients, including<br />
manufacturers, consumer<br />
brands and government<br />
organisations.<br />
Which product broke the<br />
rules and re-defined the<br />
archetype? The light bulb.<br />
Do you see sustainable<br />
design as liberating or<br />
limiting? Liberating.<br />
What is your favourite album?<br />
Mozart’s Requiem Mass.<br />
What are you reading right<br />
now? Barack Obama’s<br />
‘Dreams from my Father’.<br />
What is the strangest thing<br />
that has inspired you?<br />
Rock formations in Ireland.<br />
What is your favourite film?<br />
Cinema Paradiso.<br />
What aspects of the contract<br />
furniture market frustrates<br />
you the most? Its slow<br />
response to changes in society<br />
and technology.<br />
What question would you<br />
have liked to answer?<br />
How can you supply perpetual<br />
motion?<br />
What is the strangest thing<br />
that has inspired you?<br />
Amongst others, the Jantar-<br />
Mantars in India, built in the<br />
early 18th Century to observe<br />
the stars and answer the<br />
human need to understand our<br />
place in time and space.<br />
Looking at the images they<br />
could almost be sculptures, or<br />
come from much later<br />
architecture. Cubism combined<br />
with scarily complex geometry<br />
and almost impossible<br />
engineering (built to an<br />
apparent tolerance of .01˚).<br />
What question would you<br />
have liked to answer? Can<br />
you design us the next S43?<br />
Jonathan Harvey —<br />
50:50<br />
Jonathan Harvey graduated<br />
from Buckinghamshire Brunel<br />
University in 1998 with a degree<br />
in Furniture and Related<br />
Product Design. A year later he<br />
founded JGH Design and his<br />
projects have encompassed<br />
both furniture and interior<br />
design for a number of major<br />
blue chip clients.<br />
Steven Smith —<br />
Bug/Corpus/Tsunami<br />
Steven Smith graduated from<br />
Buckinghamshire College, High<br />
Wycombe in 1983 with an MA<br />
in Furniture Design, following<br />
his 3D Design degree from<br />
Birmingham Polytechnic. He<br />
gained valuable experience<br />
with the ‘Crown suppliers’,<br />
before becoming a freelance<br />
designer in 1991. The Bug chair<br />
was a finalist in the FX<br />
International Interior Design<br />
Awards in 2000.
Amos Marchant —<br />
Co-designer: Luna<br />
Amos Marchant graduated<br />
from Kingston polytechnic in<br />
1987 and after six years<br />
consultancy experience joined<br />
together with Lyndon Anderson<br />
to establish ‘Blue’, specialising<br />
in the design of furniture,<br />
lighting and artefacts. ‘Blue’ has<br />
since disbanded, with Amos<br />
teaching and continuing as a<br />
consultant.<br />
Q&A<br />
What do you consider to be<br />
the greatest challenge when<br />
designing a chair? That the<br />
chair is unique and exiting<br />
within a new idea.<br />
What is your design<br />
philosophy? The highest<br />
premise is always the “search<br />
for the ingenious”. The path<br />
is a synthesis of functionality<br />
and poetry…, then the result<br />
can be a product with soul<br />
and longevity.<br />
Q&A<br />
What do you consider to be<br />
the greatest challenge when<br />
designing a chair? There are<br />
so many chair designs. It is about<br />
significantly differentiating the<br />
design from existing products.<br />
Where is the innovation?<br />
If you could have designed<br />
one of the design classic<br />
chairs, which would it be and<br />
why? The 3107 chair by Arne<br />
Jacobsen has been much<br />
copied, but not improved. It is<br />
an extremely elegant form.<br />
Manufactured since 1955 it is<br />
not easy to design something<br />
that refined that it stands the<br />
test of time.<br />
Who inspired you to become<br />
a designer? My father used<br />
to bring home old products<br />
from work for me to take apart.<br />
I leant a lot about mechanical<br />
components and material<br />
processes. My uncle is an<br />
industrial designer. I visited<br />
my first RCA show was when<br />
I was seven.<br />
What is your design<br />
philosophy? It is important<br />
to live with a design for a while.<br />
The most enduring designs<br />
are those which have had time<br />
spent on them.<br />
Wolfgang C R Mezger —<br />
Kirkos/Lola<br />
The multi award winning studio<br />
of German designer Wolfgang<br />
C R Mezger has produced a<br />
wealth of world class designs<br />
for a host of leading international<br />
companies. Wolfgang originally<br />
trained as a typographer before<br />
he embarked on his design<br />
studies; graduating in 1979 and<br />
winning the Braun award in<br />
1980. After years as a freelance<br />
designer working in collaboration<br />
with many eminent names and<br />
lecturing extensively in Berlin,<br />
London and his old school in<br />
Schwabisch Gmund, he opened<br />
his own Design studio in Eislingen.<br />
Which product broke the<br />
rules and re-defined the<br />
archetype? LC 2 from Le<br />
Corbusier and the 214 from<br />
Michael Thonet.<br />
What is your favourite album?<br />
‘Disraely Gears’ from the Band<br />
Cream.<br />
What is the strangest thing<br />
that has inspired you?<br />
The arms of the praying mantis<br />
for a technical detail.<br />
What question would you<br />
have liked to answer? Are we<br />
really alone in the universe or is<br />
there anywhere another existing<br />
life (living being)?<br />
Do you see sustainable<br />
design as liberating<br />
or limiting? Definitely liberating!<br />
This is not a new idea it is<br />
common sense. There were<br />
more examples of sustainable<br />
design in the mid twentieth<br />
century than there are now.<br />
What is your favourite album?<br />
I have many. John Martyn died<br />
recently. I have a bit of a soft<br />
spot for ‘Bless the Weather’.<br />
What are you reading right<br />
now? I keep picking up Bill<br />
Bryson’s ‘A Short History of<br />
Nearly Everything’. It is very<br />
inspiring.<br />
What aspects of the contract<br />
furniture market frustrates<br />
you the most? People who<br />
think price is more important<br />
than quality. If we are serious<br />
about dealing with sustainability<br />
we need to address the real<br />
lifetime cost of products.<br />
What question would you<br />
have liked to answer? What<br />
would you like to design for us?<br />
Ton Haas —<br />
Mellow<br />
Dutch designer, Ton Haas is well known<br />
throughout the furniture industry for his<br />
work with an impressive list of leading<br />
international manufacturers. His career<br />
began at the School of Fine Arts<br />
in Arnhem before graduating from<br />
Kingston Polytechnic in 1979. He gained<br />
membership into various design<br />
partnerships eventually opening his own<br />
practice in 1993. Since then he has<br />
lectured widely, won awards and had<br />
his worked displayed in museum<br />
collections.<br />
<strong>Allermuir</strong> Portfolio — 93
Paul Brooks —<br />
Aura<br />
Paul Brooks graduated from<br />
Ravensbourne College of<br />
Design to go onto the RCA<br />
before joining the design team<br />
of Robert Heritage, OBE RDI, in<br />
1983. Paul established his own<br />
design practice in 1988 and<br />
has since worked for a host of<br />
UK, as well as other European<br />
furniture manufacturers<br />
becoming a well established<br />
figure in the design community<br />
with many highly successful<br />
designs to his credit.<br />
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Charlie Fowler —<br />
Linx<br />
Charlie Fowler graduated from<br />
Buckinghamshire Chilterns<br />
University in 2003 with a first<br />
class Honours Degree in<br />
Furniture Design. In the same<br />
year he won the <strong>Allermuir</strong><br />
sponsored Future of Design<br />
Award for Furniture<br />
Manufacture at the New<br />
Designers exhibition. Linx<br />
represents the first of Charlie’s<br />
designs to go into production.<br />
Q&A<br />
What do you consider to be<br />
the greatest challenge when<br />
designing a chair? The<br />
greatest challenge apart from<br />
a blank piece of paper is<br />
“Does the world need yet<br />
another chair?”.<br />
What is your design<br />
philosophy? I like seemingly<br />
effortless designs that aspire to<br />
be beautiful. I think good<br />
design should achieve social<br />
and economic good and<br />
should help enrich the<br />
domestic landscape.<br />
What is the strangest thing<br />
that has inspired you?<br />
Ordinary things inspire me,<br />
not strange things. A walk in<br />
Battersea Park, running for the<br />
train, a dream.<br />
Peter Christian —<br />
Surf<br />
Peter Christian studied furniture<br />
at the Royal College of Art<br />
and went on to form his own<br />
design and manufacturing<br />
company in the 1980’s before<br />
becoming Design Director at<br />
Aktiva. He continues to design<br />
and develop for a number<br />
of manufacturers including<br />
<strong>Allermuir</strong>, his successful<br />
‘Wafer’ and ‘Surf’ designs.<br />
What is your favourite album?<br />
I grew up with Punk in the late<br />
seventies and discovered<br />
Bossa Nova in the early<br />
nineties. Recently I have really<br />
enjoyed the Nouvelle Vague<br />
album from 2004. Punk songs<br />
have been reinterpreted in a<br />
Bossa Nova style. My twelve<br />
year old son loves it as well.<br />
What is your favourite film?<br />
‘Bridget Jones Diary’ because it<br />
reminds me of a flight to New<br />
Zealand where I watched it 5<br />
times and ‘Talented Mr Ripley’.<br />
Pernille Svane Hansen —<br />
Scala<br />
Pernille Svane Hansen was<br />
the first designer from outside<br />
the UK that <strong>Allermuir</strong> worked<br />
with. Pernille studied Architecture<br />
and Design for six years in her<br />
native Denmark at the Aarhus<br />
School of Architecture,<br />
followed by work on theatre set<br />
in Denmark and commercial<br />
interior design in London.<br />
She had work exhibited on a<br />
number of occasions at the<br />
Scandinavian Furniture Fair<br />
and until recently worked for<br />
a leading architectural practice.<br />
Q&A<br />
What do you consider to be<br />
the greatest challenge when<br />
designing a chair? Chairs all<br />
develop their own ‘personalities’<br />
so that varies.<br />
If you could have designed<br />
one of the design classic<br />
chairs, which would it be and<br />
why? Almost any steel frame<br />
chair by Paul Kjaerholm.<br />
What is your design<br />
philosophy? Strive for<br />
perfection – use your<br />
common sense.<br />
What are you reading right<br />
now? Sandi Toksvig’s ‘Hitler’s<br />
Canary’ with my 8 year-old<br />
daughter, whilst a pile of my<br />
own unopened books are<br />
waiting for less busy days.
Fraser Lee —<br />
Scoop<br />
Fraser Lee graduated from the Royal College of Art<br />
in 1984, exhibiting at numerous shows; he won a<br />
number of design awards, including a travel<br />
scholarship. In 1987 he formed JFL Design and in<br />
that year his work was selected by the Design<br />
centre and exhibited in London and Glasgow.<br />
Since then he has collaborated with <strong>Allermuir</strong>,<br />
which is amongst his first with a furniture company.<br />
Lyndon Anderson —<br />
Co-designer: Luna<br />
Lyndon Anderson graduated<br />
from Kingston Polytechnic in<br />
1987 and after six years<br />
consultancy experience joined<br />
together with Amos Marchant<br />
to establish ‘Blue’, specialising<br />
in the design of furniture,<br />
lighting and artefacts. ‘Blue’ has<br />
since disbanded, with Lyndon<br />
lecturing full time at Sydney<br />
University, Australia.<br />
Q&A<br />
What do you consider to be<br />
the greatest challenge when<br />
designing a chair? In<br />
designing a chair, I try to create<br />
a family and not design a piece<br />
in isolation. This helps in setting<br />
the tone of the space the<br />
furniture is going to occupy, at<br />
the same time providing more<br />
opportunity to evolve the visual<br />
aesthetic. The aesthetic design<br />
of the chair or any product for<br />
that matter, works best for me<br />
through evolution and intuition,<br />
this is not always possible, but I<br />
am always trying to keep the<br />
overall piece simple.<br />
If you could have designed<br />
one of the design classic<br />
chairs, which would it be and<br />
why? It’s not so much the<br />
design of the classic chair that<br />
interests, but the desire to<br />
experiment with a material, a<br />
process or that visual imagery<br />
that created that chair that has<br />
always inspired. Charles<br />
Eames, Le Corbusier, Ludwig<br />
Mies van der Rohe, Eileen Gray,<br />
Breuer, Gerrit Thomas Rietveld,<br />
Michael Thonet.<br />
Who inspired you to become<br />
a designer? My Fine Art<br />
Lecturer on my Foundation<br />
Course at Hornsey North<br />
London who helped take the<br />
blinkers away and showed me<br />
there where many ways<br />
forward, not just one.<br />
What is your design<br />
philosophy? Keep it simple.<br />
Which product broke the<br />
rules and re-defined the<br />
archetype? There are different<br />
products at different times and<br />
that define different materials.<br />
Do you see sustainable<br />
design as liberating<br />
or limiting? I see sustainable<br />
design as being additional<br />
defining criteria to the design<br />
process and can be both<br />
liberating and limiting, it<br />
depends on how you decide<br />
to see it. Sustainable is the<br />
catch word of the moment and<br />
will enter all aspects of our lives<br />
over the coming years and<br />
through the products we use.<br />
It is time to develop sustainable<br />
cycles. We should probably<br />
think of a circle, everything<br />
has a beginning but the end<br />
should be back at the beginning.<br />
It puts us back in harmony with<br />
our planet or what’s that saying<br />
‘the circle of life’.<br />
What are you reading right<br />
now? A book by Iain M. Banks,<br />
escapism into a book is great.<br />
What is the strangest thing<br />
that has inspired you?<br />
Bright coloured poppy socks<br />
on a girl waiting at the bus stop<br />
who was otherwise dressed<br />
head to toe in Black, this was<br />
back in the early 1980s!<br />
What is your favourite film?<br />
One film that has continued<br />
to be a favourite is Blade<br />
Runner; I enjoyed the<br />
complexity of the themes<br />
running through the film,<br />
alongside the music, camera<br />
work and cinematography<br />
which was amazing.<br />
Jens Bredsdorff —<br />
Carsten Schmidt —<br />
Co-designer: Wave<br />
Co-designer: Wave<br />
Jens Bredsdorff who is based Carsten Schmidt who is based<br />
in Copenhagen, Denmark met in Copenhagen, Denmark met<br />
Carsten Schmidt during their Jens Bredsdorff during their<br />
years of study at Copenhagen’s years of study at Copenhagen’s<br />
Royal Academy of Fine Arts. Royal Academy of Fine Arts.<br />
Jens worked for highly reputed After graduating, Carsten spent<br />
Danish architectural practices time working for well-established<br />
before setting up his own office design and architectural<br />
in 1990. Together with Carsten companies in Scandinavia.<br />
they designed ‘Wave’ which Today he runs his own product<br />
made it to the finals of Design design consultancy. Working<br />
Week Awards in 2001. with Jens he designed ‘Wave’<br />
which made it to the finals of<br />
Design Week Awards in 2001.<br />
<strong>Allermuir</strong> is a member<br />
of the Anti-Copying<br />
in Design Organisation<br />
<strong>Allermuir</strong> Portfolio — 95
Were you paying as much<br />
attention as we do?<br />
Q Which designers favourite film is ‘Blade Runner’?<br />
A<br />
Q Who is reading ‘Notes from an exhibition’?<br />
A<br />
Q Which designer has been inspired by Cow’s Udders?<br />
A<br />
Q Who designed JoJo?<br />
A<br />
Q Who is into Punk music?<br />
A<br />
Q Who’s design philosophy is “simple, straightforward answers”?<br />
A<br />
Q Who is inspired by a park in London?<br />
A<br />
Q Which designer finds combining “comfort, elegance<br />
and simplicity” a challenge when designing chairs?<br />
A<br />
Q Who’s design philosophy is to “follow your heart”?<br />
A<br />
Q Which designer would have liked to answer E=mc 2 ”?<br />
A<br />
Q What does Ross Didier think of sustainable design?<br />
A<br />
Q Who’s favourite album is ‘Disready Gears’ from the band Cream?<br />
A<br />
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Stools
Section Three<br />
Stools<br />
Surf<br />
JoJo<br />
Melfi<br />
<strong>Allermuir</strong> Portfolio — 99
Section Three<br />
Stools<br />
Surf<br />
Design — Peter Christian<br />
Surf is a lively, stunning and<br />
yet simple alternative to the<br />
traditional high stool. The<br />
cantilevered Beech veneered<br />
seat can be clear lacquered<br />
for a natural look, stained and<br />
lacquered, or block coloured<br />
for an intense, vibrant effect.<br />
Its adaptability makes it suitable<br />
for a wide variety of applications.<br />
Surf est une alternative à la fois simple,<br />
gaie et ravissante au tabouret de bar<br />
traditionnel. L’assise en porte-à-faux<br />
plaquée hêtre peut être laquée<br />
transparent pour donner une<br />
apparence naturelle, teintée et laquée,<br />
ou proposée dans un coloris uni pour<br />
un effet éclatant et intense. Grâce à<br />
son adaptabilité, ce tabouret convient<br />
à une grande variété d’applications.<br />
Surf ist eine lebhafte, atemberaubende<br />
und doch schlichte Alternative<br />
zum traditionellen Barhocker. Der<br />
freischwingende Buchenfurniersitz<br />
kann in natürlicher Optik mit Klarlack,<br />
gebeizt und lackiert oder einheitlich<br />
gefärbt für eine intensive, dynamische<br />
Wirkung geliefert werden. Durch seine<br />
Anpassungsfähigkeit eignet er sich<br />
für eine Vielzahl von Anwendungen.<br />
A393<br />
Surf stool<br />
H930 D400 W400 SH760<br />
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<strong>Allermuir</strong> Portfolio — 101
Section Three<br />
Stools<br />
JoJo<br />
Design — Johannes Foersom<br />
& Peter Hiort-Lorenzen<br />
The striking, elegant and<br />
curvaceous form of the JoJo<br />
stool seat has an almost plastic<br />
characteristic due to the<br />
innovative 3 dimensional ply<br />
forming technology employed.<br />
The resultant organic and<br />
ergonomically friendly form<br />
provides arguably one of the<br />
most comfortable stool seat<br />
shapes possible. Two frame<br />
styles complement the seat<br />
design in the form of high<br />
and low four leg models or<br />
alternatively the height adjustable,<br />
swivelling centre pedestal<br />
version with telescopic column.<br />
A590<br />
Centre pedestal high stool<br />
H900 D430 W480 SH785-665<br />
A592<br />
Low stool<br />
H580 D430 W480 SH465<br />
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Les formes arrondies, élégantes et<br />
tout simplement stupéfiantes du<br />
tabouret JoJo ont pratiquement les<br />
caractéristiques du plastique en<br />
raison de la technologie innovante<br />
de moulage du contreplaqué en<br />
3 dimensions qui a été employée. La<br />
ligne conviviale aux formes organiques<br />
et ergonomiques qui en résulte produit<br />
sans doute l’une des formes d’assises<br />
de tabouret les plus confortables<br />
possibles. Deux styles de piétement<br />
complètent le design de l’assise avec<br />
des modèles hauts ou bas à quatre<br />
pieds ou bien encore la version à pied<br />
central pivotant à hauteur réglable<br />
avec colonne télescopique.<br />
A591<br />
Four leg high stool<br />
H875 D440 W480 SH755<br />
Die eindrucksvolle, elegante,<br />
geschwungene Form des Hockers<br />
JoJo bietet durch innovative<br />
3-dimensionale Holzformtechnologie<br />
einen fast plastischen Charakter.<br />
Das so entstandene organische,<br />
ergonomische Produkt liefert vielleicht<br />
eine der bequemsten Hockersitzformen.<br />
Das Sitzdesign wird von zwei<br />
Gestellvarianten in Form hoher und<br />
niedriger 4-Bein-Modelle sowie<br />
einer alternativen, höhenverstellbaren<br />
einbeinigen Drehstuhlvariante mit<br />
teleskopischer Mittelsäule ergänzt.
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Section Three<br />
Stools<br />
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Section Three<br />
Stools<br />
Melfi<br />
Design — <strong>Allermuir</strong> Design Team<br />
The Melfi design is dramatic<br />
and eye-catching with its<br />
conical shape. It is available<br />
with or without a backrest<br />
and is suitable for application<br />
in a variety of environments<br />
including hotel lounge bars,<br />
restaurants and bistros.<br />
A158<br />
High stool<br />
H785 D385 W385 SH785<br />
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La forme conique du modèle Melfi<br />
produit un effet dramatique qui ne<br />
manque pas d’attirer le regard. Il est<br />
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Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Detai<br />
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Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Detai<br />
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ils. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. Details. D
We are in control.<br />
Our manufacturing<br />
facility enables us<br />
to retain control<br />
of every aspect<br />
of production –<br />
and it’s this that<br />
makes sure our<br />
standards are<br />
always high.<br />
114 — <strong>Allermuir</strong> Portfolio
<strong>Allermuir</strong> Portfolio — 115
116 — <strong>Allermuir</strong> Portfolio
118 — <strong>Allermuir</strong> Portfolio<br />
Chairs
Section Four<br />
Chairs<br />
Casper<br />
Dine<br />
Curve<br />
Kirkos<br />
Soul<br />
Aura<br />
Bug<br />
Corpus<br />
<strong>Allermuir</strong> Portfolio — 119
Section Four<br />
Chairs<br />
Casper<br />
Design — <strong>Allermuir</strong> Design Team<br />
Casper is a stylish and<br />
contemporary café and dining<br />
plastic monoshell stacking<br />
chair design, for all manner<br />
of catering and hospitality<br />
environments in both the<br />
corporate and leisure markets,<br />
as well as being ideal for<br />
modern meeting applications.<br />
The distinctive angular<br />
faceted upper backrest blends<br />
down into the curvaceous<br />
seat in a unique way while the<br />
equally distinctive slot in the<br />
lower back, relieves the volume<br />
of the chair aesthetically giving<br />
it a lighter look.<br />
CS1<br />
Skid frame, no arms,<br />
plastic shell<br />
H815 D548 W562 SH470<br />
CS3<br />
Skid frame, no arms,<br />
upholstered seat<br />
H815 D548 W562 SH470<br />
CS2<br />
4 leg frame, no arms,<br />
plastic shell<br />
H815 D555 W550 SH470<br />
CS4<br />
4 leg frame, no arms,<br />
upholstered seat<br />
H815 D555 W550 SH470<br />
120 — <strong>Allermuir</strong> Portfolio<br />
Casper est un modèle élégant et<br />
contemporain de chaise de café ou<br />
restaurant en plastique monocoque,<br />
empilable, qui convient à toutes sortes<br />
d’environnements, en hôtellerie-<br />
restauration et événementiel, aussi<br />
bien sur le marché des entreprises<br />
que des loisirs, et il est également<br />
idéal dans un cadre moderne de<br />
réunions. Le haut de son dossier aux<br />
facettes anguleuses caractéristiques<br />
se marie de manière exceptionnelle<br />
avec l’assise arrondie tandis que la<br />
fente tout aussi caractéristique au bas<br />
du dossier allége l’esthétique du<br />
volume de la chaise pour lui donner<br />
une apparence plus délicate.<br />
CS1A<br />
Skid frame, arms,<br />
plastic shell<br />
H815 D548 W562 SH470<br />
CS3A<br />
Skid frame, arms,<br />
upholstered seat<br />
H815 D548 W562 SH470<br />
CS2A<br />
4 leg frame, arms,<br />
plastic shell<br />
H815 D555 W590 SH470<br />
CS4A<br />
4 leg frame, arms,<br />
upholstered seat<br />
H815 D555 W590 SH470<br />
Casper ist ein eleganter,<br />
zeitgenössischer, stapelbarer<br />
Kunststoffschalenstuhl für Cafés<br />
und Speiseräume, Gastronomie-<br />
und Bewirtungsbereiche jeglicher<br />
Art in Firmen- wie in Freizeitmärkten<br />
und eignet sich insbesondere für<br />
moderne Anwendungen. Die kantigen<br />
Facetten der markanten oberen<br />
Rückenlehne gehen auf einzigartige<br />
Weise in die geschwungene Sitzfläche<br />
über, während die gleichermaßen<br />
charakteristische Aussparung im<br />
unteren Rücken den Stuhl ästhetisch<br />
weniger massiv erscheinen lässt<br />
und ihm eine leichtere Optik verleiht.
<strong>Allermuir</strong> Portfolio — 121
Section Four<br />
Chairs<br />
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<strong>Allermuir</strong> Portfolio — 123
Section Four<br />
Chairs<br />
Dine<br />
Design — PearsonLloyd<br />
Dine is a fresh and elegant<br />
take on the classic stacking<br />
monoshell chair type. Great<br />
effort has been successfully<br />
made in creating an excellent<br />
ergonomic, laminated Plywood<br />
form with a soft flowing,<br />
beautifully proportioned profile,<br />
providing a comfortable sit for<br />
dining, meeting and general<br />
multi-purpose use. The Beech<br />
shell is offered clear lacquered<br />
and in a number of stain or<br />
colour finishes in side chair<br />
and armchair options.<br />
In addition a moulded<br />
upholstered seat pad can be<br />
specified.<br />
A790<br />
Side chair<br />
H790 D450 W480 SH460<br />
A792<br />
Side chair, upholstered<br />
seat pad<br />
H790 D450 W480 SH460<br />
124 — <strong>Allermuir</strong> Portfolio<br />
Dine est une nouvelle adaptation<br />
élégante de la chaise monocoque<br />
empilable classique. De gros efforts<br />
ont été couronnés de succès avec<br />
la création d’une excellente forme<br />
ergonomique en contreplaqué stratifié,<br />
aux lignes fluides, de splendides<br />
proportions, qui permet d’être assis<br />
confortablement lors de repas ou<br />
réunions, ou encore pour de multiples<br />
autres occasions. La coque en hêtre<br />
de la chaise et du fauteuil est<br />
proposée dans une finition laquée<br />
transparente et dans un grand nombre<br />
de teintes bois ou couleurs diverses.<br />
A791<br />
Armchair<br />
H790 D450 W480 SH460<br />
A793<br />
Armchair, upholstered<br />
seat pad<br />
H790 D450 W480 SH460<br />
Dine ist die frische, elegante<br />
Weiterentwicklung des klassischen<br />
stapelbaren Schalensitzes. Großer<br />
Aufwand floss in die Entwicklung<br />
einer hervorragenden ergonomischen,<br />
beschichteten Spanholzform von sanft<br />
fließendem, herrlich proportioniertem<br />
Profil, die bequemes Sitzen bei<br />
Essen, Besprechungen und<br />
generellen Mehrzweckeinsätzen<br />
ermöglicht. Der Buchenschalensitz<br />
wird in Klarlack und in mehreren<br />
Beiz- oder Farbvarianten sowie mit<br />
oder ohne Armlehnen angeboten.
<strong>Allermuir</strong> Portfolio — 125
Section Four<br />
Chairs<br />
Curve<br />
Design — PearsonLloyd<br />
Curve utilises 3D ply forming<br />
technology to achieve<br />
extremely curvaceous and<br />
elegant forms. It offers a high<br />
level of comfort and shape,<br />
uncompromising style and<br />
function. This stacking design<br />
has a slender Chrome wire<br />
frame that complements the<br />
elegant, balanced ply form<br />
and is offered in both side<br />
chair and armchair versions.<br />
The shell is available in Walnut<br />
veneer or stained Beech with<br />
an upholstered moulded seat<br />
pad as an additional option.<br />
A800<br />
Side chair<br />
H780 D545 W485 SH440<br />
A802<br />
Side chair, upholstered<br />
seat pad<br />
H780 D545 W485 SH440<br />
126 — <strong>Allermuir</strong> Portfolio<br />
Curve exploite la technologie du<br />
moulage 3D du contreplaqué pour<br />
obtenir des formes extrêmement<br />
incurvées et élégantes assurant un très<br />
haut niveau de confort et d’esthétique<br />
ainsi qu’un style et une fonctionnalité<br />
sans concession. Ce modèle<br />
empilable possède une fine armature<br />
en métal chromé qui accompagne<br />
à merveille l’élégante symétrie<br />
de la coque en contreplaqué et il est<br />
proposé en versions chaise et fauteuil.<br />
La coque est disponible plaquée<br />
noyer ou teintée hêtre et, en option<br />
supplémentaire, elle peut être fournie<br />
avec un coussin d’assise façonné.<br />
A801<br />
Armchair<br />
H780 D545 W485 SH440<br />
A803<br />
Armchair, upholstered<br />
seat pad<br />
H780 D545 W485 SH440<br />
Curve nutzt zur Schaffung dieser<br />
äußerst geschwungenen und eleganten<br />
Formen 3D-Holzformtechnologie.<br />
Kompromisslos bei Stil und Funktion<br />
bietet es ein hohes Maß an Komfort<br />
und herrliche Formen. Dieses<br />
stapelbare Design ruht auf einem<br />
leichten Chromdrahtgestell, das die<br />
elegante, ausgewogene Spanholzform<br />
ideal ergänzt. Der Stuhl ist sowohl mit<br />
als auch ohne Armlehnen lieferbar.<br />
Die Schale ist in Nussbaumfurnier<br />
oder Buche gebeizt mit Formpolster-<br />
Sitzfläche als weitere Option erhältlich.
<strong>Allermuir</strong> Portfolio — 127
Section Four<br />
Chairs<br />
128 — <strong>Allermuir</strong> Portfolio
<strong>Allermuir</strong> Portfolio — 129
Section Four<br />
Chairs<br />
Kirkos<br />
Design — Wolfgang C R Mezger<br />
Exclusively licensed from<br />
Davis Furniture Industries Inc;<br />
for the UK, Eire and Europe.<br />
The striking, generous and<br />
elegant Kirkos stacking<br />
chair, takes its name from<br />
the Greek word, to encircle;<br />
a name that emphasises<br />
the unique shape that literally<br />
encircles the occupant,<br />
providing superb comfort.<br />
There are two variations in<br />
addition to the all-wood shell,<br />
each supported by a universal<br />
four leg tubular Steel frame.<br />
These are with seat pad and<br />
with fully upholstered liner.<br />
A810<br />
All wood chair<br />
H810 D565 W630 SH440<br />
A813<br />
Chair with fully upholstered liner<br />
H810 D565 W630 SH460<br />
130 — <strong>Allermuir</strong> Portfolio<br />
Fabriquée sous licence exclusive<br />
de Davis Furniture Industries Inc<br />
uniquement pour le Royaume-Uni<br />
et la République d’Irlande.<br />
La chaise empilable Kirkos aux<br />
formes remarquables, généreuses et<br />
élégantes tire son nom du mot grec<br />
qui signifie ‘encercler’, un nom qui<br />
met l’accent sur la forme unique qui<br />
encercle littéralement l’occupant et<br />
lui apporte un superbe confort.<br />
Deux variantes sont proposées,<br />
en plus de la coque toute en bois,<br />
chacune reposant sur un piétement<br />
universel à quatre pieds tubulaires<br />
en acier : avec coussin d’assise<br />
ou avec garniture intérieure complète<br />
de l’assise et du dossier.<br />
A811<br />
Chair with upholstered seat pad<br />
H810 D565 W630 SH460<br />
Mit exklusiver Lizenz von<br />
Davis Furniture Industries Inc<br />
für Großbritannien und Irland.<br />
Der atemberaubende, großzügige und<br />
elegante stapelbare Stuhl Kirkos erhält<br />
seinen Namen vom griechischen Wort<br />
für Kreis. Damit wird die einzigartige<br />
Form betont, die den Sitzenden<br />
sprichwörtlich wie ein Kreis umgibt<br />
und hervorragenden Komfort bietet.<br />
Zusätzlich zur Vollholzschale in<br />
zwei Varianten erhältlich, die jeweils<br />
von einem universellen Vier-Bein-<br />
Gestell aus Stahlrohr getragen<br />
werden. Mit Sitzpolster und voller<br />
Polsterauskleidung
<strong>Allermuir</strong> Portfolio — 131
Section Four<br />
Chairs<br />
Soul<br />
Design — PearsonLloyd<br />
Soul is a unique and ambitious<br />
development and a design<br />
for the 21st Century that fully<br />
embraces technological<br />
advances made since the<br />
archetypal origins of the now<br />
humble tubular Steel cantilever<br />
chair of 80 years ago or so.<br />
Sophisticated ergonomic<br />
analysis was built on the<br />
growing premise that controlled<br />
movement is vital to comfort.<br />
Soul utilises this fact to its<br />
advantage, by delivering<br />
progressive flex throughout<br />
the design. The chair literally<br />
moves and adjusts to the<br />
user’s weight, deforming yet<br />
supporting and thereby giving<br />
substantially greater comfort<br />
than one would expect<br />
of a non-mechanical chair.<br />
A780<br />
Chair (plastic seat and back)<br />
H800 D535 W570 SH475<br />
A783<br />
Stacking chair<br />
(plastic seat and back)<br />
H800 D535 W570 SH475<br />
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Soul est un développement exclusif<br />
et ambitieux, un modèle du 21e siècle<br />
qui exploite à fond les progrès<br />
technologiques réalisés depuis les<br />
origines archétypales de la maintenant<br />
bien modeste chaise cantilever à<br />
armature en tubes métalliques d’il<br />
y a quelque 80 ans.<br />
L’analyse ergonomique sophistiquée<br />
a reposé sur le postulat de plus en<br />
plus accepté que le mouvement<br />
maîtrisé est essentiel pour le confort.<br />
Soul exploite ce fait à son avantage<br />
en assurant une flexibilité progressive<br />
à travers toute la chaise. Celle-ci bouge<br />
et s’adapte littéralement au poids<br />
de l’utilisateur, elle se déforme mais<br />
soutient en même temps, ce qui fait<br />
qu’elle permet un confort nettement<br />
supérieur à ce que l’on pourrait<br />
attendre d’une chaise non-mécanique.<br />
A781<br />
Chair (upholstered seat<br />
and plastic back)<br />
H800 D535 W570 SH475<br />
A784<br />
Stacking chair (upholstered<br />
seat and plastic back)<br />
H800 D535 W570 SH475<br />
Soul ist eine einzigartige und<br />
ehrgeizige Entwicklung und ein<br />
Design für das 21. Jahrhundert,<br />
das sich die technologischen<br />
Fortschritte seit den ersten<br />
Anfängen des nun bescheidenen<br />
Stahlrohr-Freischwingers von vor<br />
etwa 80 Jahren zunutze macht.<br />
Die hochentwickelte ergonomische<br />
Analyse beruhte auf dem sich<br />
durchsetzenden Gedanken,<br />
dass kontrollierte Bewegungen für<br />
bequemes Sitzen unerlässlich sind<br />
Soul nutzt diese Tatsache zu seinem<br />
Vorteil, indem es über das gesamte<br />
Design hinweg progressive Flexibilität<br />
bietet. Der Stuhl bewegt sich<br />
sprichwörtlich und stellt sich auf das<br />
Gewicht des Benutzers ein, verformt<br />
sich und stützt gleichzeitig und bietet<br />
so wesentlich größeren Komfort, als<br />
man ihn von einem nicht-mechanischen<br />
Stuhl erwartet hätte.
<strong>Allermuir</strong> Portfolio — 133
Section Four<br />
Chairs<br />
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<strong>Allermuir</strong> Portfolio — 135
Section Four<br />
Chairs<br />
Aura<br />
Design — Paul Brooks<br />
Aura is a superb die cast<br />
Aluminium framed stacking<br />
chair with distinctive character,<br />
proportions and presence,<br />
available with either injection<br />
moulded plastic seat and back<br />
or upholstery. The curvaceously<br />
contoured seat and back<br />
provide great comfort while<br />
adding to the pleasing<br />
aesthetics and universal appeal<br />
of this design. The design is<br />
available with or without arms<br />
and in its plastic version with<br />
painted frame, Aura is suitable<br />
for outdoor use.<br />
A760<br />
Side chair<br />
(plastic back and seat)<br />
H800 D540 W475 SH460<br />
A762<br />
Side chair (plastic back<br />
and upholstered seat)<br />
H800 D540 W475 SH460<br />
A764<br />
Side chair (upholstered<br />
seat and back)<br />
H800 D540 W475 SH460<br />
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Aura est une superbe chaise<br />
empilable à armature en aluminium<br />
moulé qui se distingue par son<br />
caractère, ses proportions et sa<br />
présence. Elle est disponible avec<br />
assise et dossier garnis ou en<br />
plastique moulé par injection.<br />
L’assise et le dossier aux formes<br />
incurvées assurent un excellent<br />
confort tout en apportant une<br />
esthétique agréable et un charme<br />
universel à ce modèle. Aura est<br />
disponible avec ou sans accoudoirs<br />
et, dans sa version plastique avec<br />
armature peinte, ce modèle convient<br />
aux utilisations en extérieur.<br />
A761<br />
Armchair<br />
(plastic back and seat)<br />
H800 D540 W575 SH460<br />
A763<br />
Armchair (plastic back<br />
and upholstered seat)<br />
H800 D540 W575 SH460<br />
A765<br />
Armchair (upholstered<br />
seat and back)<br />
H800 D540 W575 SH460<br />
Aura, ein großartiger, stapelbarer<br />
Stuhl mit Druckgussgestell, zeichnet<br />
sich durch markanten Charakter,<br />
Proportionen und Präsenz aus und<br />
ist mit Sitzfläche oder Rückenlehne<br />
aus Kunststoff im Spritzgussverfahren<br />
oder Polster erhältlich. Die<br />
geschwungene, konturierte Sitzfläche<br />
und Rückenlehne bieten großen<br />
Komfort und tragen gleichzeitig<br />
zur ansprechenden Optik und<br />
universellen Attraktivät dieses Modells<br />
bei. Der Stuhl kann mit oder ohne<br />
Armlehnen geliefert werden. In seiner<br />
Kunststoffversion mit lackiertem<br />
Gestell ist Aura auch für den Einsatz<br />
im Freien geeignet.
<strong>Allermuir</strong> Portfolio — 137
Section Four<br />
Chairs<br />
138 — <strong>Allermuir</strong> Portfolio
<strong>Allermuir</strong> Portfolio — 139
Section Four<br />
Chairs<br />
Bug<br />
Design — Steven Smith<br />
Bug is a contemporary<br />
range of chairs which is full<br />
of character. Comprising<br />
of stackable four leg chairs,<br />
with or without castors, curvy<br />
cantilevers, Bug features<br />
generous upholstered seat and<br />
backs and moulded<br />
Polyurethane armrests<br />
and is designed primarily<br />
for corporate interiors.<br />
A460<br />
Side chair<br />
H850 D600 W520 SH480<br />
A462<br />
Side chair with castors<br />
H850 D600 W550 SH480<br />
A464<br />
Cantilever side chair<br />
H880 D610 W530 SH485<br />
140 — <strong>Allermuir</strong> Portfolio<br />
Bug est une gamme de chaises<br />
contemporaine pleine de caractère.<br />
Comprenant des chaises empilables<br />
à quatre pieds, avec ou sans roulettes,<br />
des modèles cantilever aux formes<br />
arrondies et des modèles réglables<br />
en hauteur, Bug est dotée d’assises<br />
et dossiers généreusement garnis et<br />
d’accoudoirs en polyuréthane moulé.<br />
C’est une chaise qui a été conçue<br />
principalement pour être utilisée dans<br />
les entreprises.<br />
A461<br />
Armchair<br />
H850 D600 W610 SH480<br />
A463<br />
Armchair with castors<br />
H850 D600 W610 SH480<br />
A465<br />
Cantilever armchair<br />
H880 D610 W610 SH485<br />
Bug ist eine moderne Stuhlreihe voller<br />
Charakter. Bestehend aus stapelbaren<br />
Vier-Bein-Stühlen mit oder ohne Rollen,<br />
kurvenreichen Rückenschwingern und<br />
höhenverstellbaren Modellen weist<br />
Bug großzügig gepolsterte Sitzflächen<br />
und Rückenlehnen sowie Armlehnen<br />
mit geformtem PU auf und wurde in<br />
erster Linie für Firmenräume entwickelt.
<strong>Allermuir</strong> Portfolio — 141
Section Four<br />
Chairs<br />
Corpus<br />
Design — Steven Smith<br />
The Corpus design<br />
centres around a versatile,<br />
understated yet elegant<br />
and striking collection<br />
of multi-purpose stacking<br />
chairs. There is a choice<br />
of permutations with optional<br />
arms, linking, writing tablets<br />
and three sizes of backrest.<br />
A360<br />
Side chair with ¾ back<br />
H860 D590 W495 SH470<br />
A361<br />
Side chair with full back<br />
H860 D590 W495 SH470<br />
A362<br />
Side chair with high back<br />
H945 D620 W495 SH470<br />
A370<br />
Side chair with writing<br />
tablet ¾ back<br />
H860 D660 W525 SH470<br />
A371<br />
Side chair with writing<br />
tablet full back<br />
H860 D660 W525 SH470<br />
A372<br />
Side chair with writing<br />
tablet high back<br />
H945 D670 W525 SH470<br />
142 — <strong>Allermuir</strong> Portfolio<br />
Le modèle Corpus est axé autour<br />
d’une collection polyvalente, discrète,<br />
et pourtant remarquable et pleine<br />
d’élégance, de chaises empilables<br />
multifonctions. Il existe un choix de<br />
permutations grâce à des options<br />
d’accoudoirs, de systèmes d’attache,<br />
de tablettes et trois dimensions de<br />
dossiers.<br />
A363<br />
Armchair with ¾ back<br />
H860 D590 W550 SH470<br />
A364<br />
Armchair with full back<br />
H860 D590 W550 SH470<br />
A365<br />
Armchair with high back<br />
H945 D620 W550 SH470<br />
A373<br />
Armchair with writing<br />
tablet ¾ back<br />
H860 D660 W555 SH470<br />
A374<br />
Armchair with writing<br />
tablet full back<br />
H860 D660 W555 SH470<br />
A375<br />
Armchair with writing<br />
tablet high back<br />
H945 D670 W555 SH470<br />
A369<br />
Cantilever armchair with ¾ back<br />
H895 D610 W550 SH480<br />
Das Design Corpus beruht auf einer<br />
vielseitigen, eindrucksvollen Kollektion<br />
stapelbarer Mehrzweckstühle von<br />
unauffälliger Eleganz. Durch optionale<br />
Armlehnen, Verbindungsfähigkeit,<br />
Schreibflächen und Rückenlehnen in<br />
drei Größen besteht eine große Vielfalt<br />
von Varianten.
<strong>Allermuir</strong> Portfolio — 143
“ Coming together is<br />
a beginning. Keeping<br />
together is progress.<br />
Working together is<br />
success.”<br />
Henry Ford<br />
<strong>Allermuir</strong> Portfolio — 145
We are proud of<br />
our products. Every<br />
year <strong>Allermuir</strong> tours<br />
its latest products<br />
through a series of<br />
high profile exhibitions.<br />
This takes place in<br />
some of the world’s<br />
most fantastic cities.<br />
146 — <strong>Allermuir</strong> Portfolio
<strong>Allermuir</strong> Portfolio — 147
We work with<br />
some of the<br />
world’s biggest<br />
brands.<br />
BBC<br />
Manchester office reception,<br />
hospitality and studio furniture<br />
148 — <strong>Allermuir</strong> Portfolio<br />
Arsenal Football Club<br />
Reception and corporate suite furnishings<br />
Starbucks<br />
Individual branch furniture<br />
BMW<br />
Reception and head<br />
office conference rooms
150 — <strong>Allermuir</strong> Portfolio<br />
Benches
Section Five<br />
Benches<br />
Casper Bench<br />
Wave<br />
Linx<br />
<strong>Allermuir</strong> Portfolio — 151
Section Five<br />
Benches<br />
Casper<br />
Design — <strong>Allermuir</strong> Design Team<br />
Casper is available beam<br />
mounted in two, three or four<br />
seat lengths with optional<br />
intermediary or beam end<br />
tables. The sturdy, heavy load<br />
bearing, yet striking beam<br />
design is free standing as<br />
standard, but can be floor fixed<br />
as an option.<br />
CS7<br />
Seat/table/seat<br />
H810 D595 W1850 SH465<br />
CS8<br />
Upholstered seat/table/upholstered seat<br />
H810 D595 W1850 SH465<br />
152 — <strong>Allermuir</strong> Portfolio<br />
Sandions equatue velis am, corper<br />
acip ex ea facipis eum iliquisl eu<br />
feugiatie volortis dolorti onsenisisim<br />
nulla facilit nisi tat amcorero dip ent<br />
praesed exeros nonsecte magna<br />
feugiat ex exeros nos non utpatem<br />
dolorpero et nulputem quam, sumsan<br />
veraestrud eliquis delisi tatinci ncillan<br />
ut etummodigna at. Ut nibh ex exer si<br />
bla feuguer ipsummolute tionsenim<br />
ero et lore magnim del utat, quissi.<br />
Contact <strong>Allermuir</strong> for alternative configurations<br />
Met aut am nit atuer sent alismolore<br />
con venim iusto odiamet, venim zzrit<br />
nit del essit diam, quis autat niam, quis<br />
nulputat do ex ex ex eros nullandionse<br />
vel dolortio od magna cortionse ea<br />
facin eugue tem et velisi ero consecte<br />
doluptat. Lesed minci tatie eum ipisisl<br />
utpat wismolo rtionsequam, sis nostis<br />
dunt loboreet delendreros nos
<strong>Allermuir</strong> Portfolio — 153
Section Five<br />
Benches<br />
Wave<br />
Design — Carsten Schmidt<br />
& Jens Bredsdorff<br />
This stunning design was<br />
the winning entry in a Danish<br />
competition, which sought<br />
furniture designs that<br />
expressed the use of formed<br />
laminated ply construction in<br />
beautiful and innovative ways<br />
suitable for mass production.<br />
Wave is elegant, poetic, quiet<br />
and well-balanced and can be<br />
used in any building context.<br />
A440<br />
Bench<br />
H455 D480 W1640 SH410<br />
A441<br />
Bench with backrest<br />
H790 D480 W1640 SH410<br />
154 — <strong>Allermuir</strong> Portfolio<br />
Ce modèle étonnant a remporté<br />
un concours danois pour lequel<br />
on recherchait des styles de mobilier<br />
capables d’exprimer l’utilisation de<br />
la construction en contreplaqué<br />
stratifié moulé de diverses manières<br />
esthétiques et innovantes convenant<br />
à la production en série. Wave est<br />
un modèle élégant, aux lignes<br />
équilibrées, empreint de calme et<br />
de poésie, qui peut être utilisé dans<br />
n’importe quel environnement.<br />
Dieses beeindruckende<br />
Design war der Gewinner eines<br />
dänischen Wettbewerbs, bei dem<br />
Möbeldesigns gesucht wurden,<br />
die Formholzkonstruktionen auf<br />
ästhetische und innovative Weise<br />
einsetzen und die für die<br />
Massenproduktion geeignet sind<br />
Wave ist elegant, poetisch, ruhig und<br />
ausgewogen und kann in Gebäuden<br />
jeglicher Art eingesetzt werden.
<strong>Allermuir</strong> Portfolio — 155
Section Five<br />
Benches<br />
Linx<br />
Design — Charlie Fowler<br />
Linx is a simple design concept<br />
which provides an adaptable<br />
seating system for galleries,<br />
museums, corporate reception<br />
areas and public spaces.<br />
The design features single<br />
interlinking seat units which<br />
connect together and pivot<br />
around each other via a<br />
lockable Steel and Nylon<br />
linking mechanism. The result<br />
is a potentially limitless bench<br />
in terms of the possible<br />
number of seats, providing<br />
directional flexibility to suit<br />
any particular space.<br />
A600L<br />
Left section<br />
H430 D450 W600 SH430<br />
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Linx est un concept simple de sièges<br />
modulaires pour les galeries d’art,<br />
les musées, les zones d’accueil dans<br />
les entreprises et les espaces publics.<br />
Le modèle est composé de sièges<br />
autonomes qui s’encastrent les uns<br />
dans les autres.<br />
Ils sont reliés entre eux et pivotent<br />
l’un autour de l’autre grâce à un<br />
mécanisme d’articulation verrouillable<br />
en acier et nylon. Au final on obtient<br />
une banquette potentiellement illimitée<br />
en termes de nombres de sièges<br />
possibles, dotée de souplesse au<br />
niveau de la direction et qui convient<br />
donc à n’importe quel espace.<br />
A600M<br />
Middle section<br />
H430 D450 W600 SH430<br />
A600R<br />
Right section<br />
H430 D450 W600 SH430<br />
Linx ist ein einfaches Designkonzept,<br />
das ein anpassungsfähiges<br />
Sitzsystem für Gallerien, Museen,<br />
Empfangsbereiche in Firmengebäuden<br />
und für öffentliche Räume schafft.<br />
Das Design besteht aus einzelnen<br />
verschachtelten Sitzeinheiten,<br />
die sich miteinander verbinden<br />
lassen und sich über einen<br />
Stahl- oder Nylonmechanismus<br />
umeinander drehen. Das Ergebnis<br />
ist eine nach der Zahl der Sitze<br />
potenziell endlose Bank, deren<br />
Verlauf sich flexibel an die jeweiligen<br />
Räumlichkeiten anpassen lässt.
<strong>Allermuir</strong> Portfolio — 157
Section Five<br />
Benches<br />
158 — <strong>Allermuir</strong> Portfolio
<strong>Allermuir</strong> Portfolio — 159
“ Without craftsmanship,<br />
inspiration is a mere<br />
reed shaken in the wind.”<br />
Johannes Brahms<br />
<strong>Allermuir</strong> Portfolio — 161
Our Lancashire<br />
based facility is well<br />
structured with a fully<br />
trained, professional<br />
workforce, all<br />
committed to design<br />
excellence and<br />
quality manufacture.<br />
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<strong>Allermuir</strong> Portfolio — 163
colours, fabrics,<br />
leathers, woods,<br />
veneers, laminates<br />
& metals<br />
164 — <strong>Allermuir</strong> Portfolio
<strong>Allermuir</strong> Portfolio — 165
<strong>Allermuir</strong> is<br />
committed to<br />
looking after the<br />
environment.<br />
We believe that<br />
the little things<br />
we do makes the<br />
big difference.<br />
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<strong>Allermuir</strong> Portfolio — 167
<strong>Allermuir</strong> is committed<br />
to continually improving<br />
the sustainability of all<br />
environmental aspects<br />
within our business.<br />
To meet both International standards and our<br />
environmental targets we apply the three R’s<br />
principle:<br />
— reduce<br />
— reuse<br />
— recycle<br />
Whilst Recycling is the element which receives<br />
the most exposure it is actually the third option<br />
available and should not be the prime target<br />
in the battle to achieve Sustainability. It is the<br />
effort made in the first instance to minimise<br />
usage, then giving consideration to Reuse<br />
where possible that contributes, before having to<br />
consider Recycling.<br />
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170 — <strong>Allermuir</strong> Portfolio<br />
Tables
Section Six<br />
Tables<br />
Conic<br />
Corpus<br />
Wave<br />
Open<br />
Lola<br />
Pause<br />
A47/A48<br />
A574/A575<br />
Scala<br />
Scoop<br />
Luna<br />
Conference<br />
<strong>Allermuir</strong> Portfolio — 171
Section Six<br />
Tables<br />
Conic<br />
Design — PearsonLloyd<br />
Based on polished Chrome wire<br />
forms, Conic’s low level tables<br />
offer an almost domestic appeal<br />
whilst complementing a myriad<br />
of spaces and environments.<br />
A636<br />
Height: 406<br />
Top sizes: 600 dia.<br />
540 soft square<br />
Top: Laminate/veneer face<br />
Frame: Bright Chrome<br />
A638<br />
Height: 305<br />
Top sizes: 900 dia.<br />
800 soft square<br />
1050 x 700 soft rectangle<br />
Top: Laminate/veneer face<br />
Frame: Bright Chrome<br />
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Reposant sur des formes en métal<br />
chromé poli, les tables basses Conic<br />
ont un charme presque familial qui<br />
agrémente cependant une myriade<br />
d’espaces et environnements divers.<br />
Auf der Grundlage von Hochglanz-<br />
Chromdraht bieten die niedrigen<br />
Tische von Conic fast Wohnraum-Optik<br />
und fügen sich doch in eine Vielzahl<br />
von Räumen und Umgebungen ein.
<strong>Allermuir</strong> Portfolio — 173
Section Six<br />
Tables<br />
Corpus<br />
Design — Steven Smith<br />
The Corpus collection of<br />
tables complement a myriad<br />
of environments. The low level<br />
tables are a combination<br />
of Stainless Steel and diffused<br />
glass with the option to have<br />
a veneer or laminate top.<br />
A376<br />
Height: 400<br />
Top sizes: 600 soft square<br />
1200 x 600 soft rectangle<br />
Top: Laminate/veneer face/<br />
toughened glass<br />
Frame: Elliptical Steel tube<br />
174 — <strong>Allermuir</strong> Portfolio<br />
La collection de tables Corpus<br />
agrémente une myriade<br />
d’environnements. Les tables basses<br />
allient l’acier inoxydable au verre<br />
diffusant avec l’option de plateau<br />
plaqué ou stratifié.<br />
Die Tischkollektion von Corpus<br />
passt sich an unterschiedlichste<br />
Umgebungen an. Die niedrigen<br />
Tische sind eine Kombination aus<br />
Edelstahl und Milchglas, wobei<br />
allerdings bei der Oberfläche<br />
auch Furnier oder Laminat gewählt<br />
werden kann.
<strong>Allermuir</strong> Portfolio — 175
Section Six<br />
Tables<br />
Wave<br />
Design — Carsten Schmid<br />
& Jens Bredsdorff<br />
The Wave table is constructed<br />
using a well detailed<br />
Stainless Steel frame and<br />
a diffused glass top, making<br />
it a well balanced design for<br />
any building context.<br />
A450<br />
Height: 455<br />
Top sizes: 480 square<br />
Top: Toughened glass<br />
Frame: Stainless Steel<br />
A452<br />
Height: 320<br />
Top sizes: 1000 square<br />
1000 x 480 rectangle<br />
Top: Toughened glass<br />
Frame: Stainless Steel<br />
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La table Wave est fabriquée avec<br />
une armature en acier inoxydable<br />
aux détails soignés et un plateau en<br />
verre diffusant qui en font un modèle<br />
bien équilibré convenant à tous les<br />
environnements.<br />
Der Wave-Tisch ist auf der<br />
Grundlage eines herrlich detaillierten<br />
Edelstahlgestells und einer<br />
Milchglasplatte konstruiert und<br />
liefert so ein ausgewogenes Design<br />
für alle Gebäudeformen.
<strong>Allermuir</strong> Portfolio — 177
Section Six<br />
Tables<br />
Open<br />
Design — PearsonLloyd<br />
The Open collection of tables<br />
centres around a formed Steel<br />
rod base frame aesthetic,<br />
supporting a choice of tops from<br />
round to more ‘super ellipses’.<br />
A646<br />
Height: 737<br />
Top sizes: 750 dia.<br />
900 dia.<br />
750/900 square<br />
750/900 soft square<br />
Top: Laminate/veneer face<br />
Frame: Polished cast Aluminium/<br />
Chrome column<br />
A649<br />
Height: 1016<br />
Top sizes: 650 dia.<br />
600 square<br />
600 soft square<br />
Top: Laminate/veneer face<br />
Frame: Polished cast Aluminium/<br />
Chrome column<br />
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La collection de tables Open repose<br />
sur l’esthétique de ses pieds en tiges<br />
d’acier profilé supportant un choix de<br />
plateaux allant des formes rondes aux<br />
« super ellipses ».<br />
A647<br />
Height: 737<br />
Top sizes: 750 x 1500 rectangle<br />
750 x 1800 rectangle<br />
900 x 1800 rectangle<br />
Top: Laminate/veneer face<br />
Frame: Polished cast Aluminium/<br />
Chrome column<br />
Die Tischkollektion Open dreht<br />
sich um einen Grundsockel aus<br />
geformtem Stahlstab, der eine<br />
attraktive Basis für eine Vielzahl von<br />
Tischplatten von runden Formen bis<br />
zu Superellipsen bietet.
<strong>Allermuir</strong> Portfolio — 179
Section Six<br />
Tables<br />
Lola<br />
Design — Wolfgang C R Mezger<br />
Lola’s low level collection of<br />
tables are available with bright<br />
Chrome frames and a choice<br />
of laminate or veneer tops.<br />
A823<br />
Height: 430<br />
Top sizes: 600 dia.<br />
900 dia.<br />
1160 x 600 D-ended<br />
Top: Laminate/veneer face<br />
Frame: Polished Chrome Steel tube<br />
on circular flat Steel plate<br />
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La collection de tables basses Lola<br />
est disponible avec une armature<br />
en chrome brillant et une sélection<br />
de plateaux stratifiés ou plaqués.<br />
Lolas Kollektion tiefer Tische steht<br />
in leuchtenden Chromgestellen,<br />
wahlweise mit Laminat- oder<br />
Furnierplatten zur Verfügung.
<strong>Allermuir</strong> Portfolio — 181
Section Six<br />
Tables<br />
Pause<br />
Design — <strong>Allermuir</strong> Design Team<br />
Pause tables have been<br />
carefully balanced to provide<br />
both high and low resting<br />
points which can work with<br />
a variety of products, meeting<br />
a multitude of needs.<br />
PST166L<br />
Height: 740<br />
Top sizes: 600 x 1600 rectangle<br />
750 x 1600 rectangle<br />
600 x 2200 rectangle<br />
750 x 2200 rectangle<br />
Top: Laminate/veneer<br />
Frame: Bright Chrome<br />
PST156<br />
Height: 325<br />
Top sizes: 750 square<br />
600 x 1500 rectangle<br />
750 x 1500 rectangle<br />
Top: Laminate/veneer<br />
Frame: Bright Chrome<br />
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Les tables Pause ont été<br />
soigneusement étudiées pour<br />
constituer des plans bas ou hauts où<br />
déposer des objets. Elles peuvent<br />
s’ajouter à une variété de produits et<br />
répondent à une multitude de besoins.<br />
PST165H<br />
Height: 1050<br />
Top sizes: 500 x 1600 rectangle<br />
500 x 2200 rectangle<br />
Top Laminate/veneer<br />
Frame: Bright Chrome<br />
Pause Tische wurden sorgfältig<br />
ausgewogen konstruiert, um sowohl<br />
hohe als auch niedrige Ruhepunkte<br />
zu schaffen, die mit einer Vielzahl von<br />
Produkten zu kombinieren sind und<br />
zahlreiche Anforderungen erfüllen.
<strong>Allermuir</strong> Portfolio — 183
Section Six<br />
Tables<br />
A47/A48<br />
Design — <strong>Allermuir</strong> Design Team<br />
The A47 and A48 range of<br />
dining and poser height tables<br />
have been designed to work<br />
universally across the portfolio,<br />
giving the specifier greater<br />
freedom to mix and match<br />
table and seating designs<br />
together.<br />
A47 round<br />
Height: 740<br />
Top sizes: 600 dia.<br />
750 dia.<br />
900 dia.<br />
Top: Laminate/veneer face<br />
Frame: Steel. Suitable for outdoor<br />
use with Stainless Steel top<br />
and Silver o/d frame<br />
A48<br />
Height: 1020<br />
Top sizes: 600 dia.<br />
750 dia.<br />
Top: Laminate/veneer face<br />
Frame: Steel<br />
184 — <strong>Allermuir</strong> Portfolio<br />
La gamme A47 de tables de salle<br />
à manger a été conçue pour être<br />
associée à tous les modèles de notre<br />
portefeuille, accordant ainsi au client<br />
une plus grande liberté pour assortir<br />
tables et sièges.<br />
A47 square<br />
Height: 740<br />
Top sizes: 600 square<br />
750 square<br />
900 square<br />
Top: Laminate/veneer face<br />
Frame: Steel<br />
Die Tischreihe A47 von Esstischhöhe<br />
wurde so entwickelt, dass sie über<br />
das gesamte Portfolio hinweg<br />
eingesetzt werden kann, wodurch<br />
größere Freiheit bei der Kombination<br />
und Abstimmung von Tisch- und<br />
Sitzmodellen besteht.
<strong>Allermuir</strong> Portfolio — 185
Section Six<br />
Tables<br />
186 — <strong>Allermuir</strong> Portfolio
<strong>Allermuir</strong> Portfolio — 187
Section Six<br />
Tables<br />
A574/A575<br />
Design — <strong>Allermuir</strong> Design Team<br />
The A574 and A575 range of<br />
poser height glass top tables<br />
have been designed to work<br />
universally across the portfolio,<br />
giving the specifier greater<br />
freedom to mix and match table<br />
and seating designs together.<br />
A574<br />
Height: 740<br />
Top sizes: 600 dia.<br />
750 dia.<br />
Top: Toughened glass<br />
Frame: Steel<br />
A575<br />
Height: 1020<br />
Top sizes: 600 dia.<br />
750 dia.<br />
Top: Toughened glass<br />
Frame: Steel<br />
188 — <strong>Allermuir</strong> Portfolio<br />
La gamme A574/5 de tables de bar a<br />
été conçue pour être associée à tous<br />
les modèles de notre portefeuille,<br />
accordant ainsi au client une plus<br />
grande liberté pour assortir tables et<br />
sièges.<br />
Die Stehtischreihe A574/5 wurde so<br />
entwickelt, dass sie über das gesamte<br />
Portfolio hinweg eingesetzt werden<br />
kann, wodurch größere Freiheit bei der<br />
Kombination und Abstimmung von<br />
Tisch- und Sitzmodellen besteht.
<strong>Allermuir</strong> Portfolio — 189
Section Six<br />
Tables<br />
Scala<br />
Design — Pernille Svane Hansen<br />
Scala is of a timeless, classic<br />
nature, elegant, restrained<br />
and finely detailed. The curved<br />
legs form a sturdy footprint<br />
which appeals to both leisure<br />
and corporate specifiers.<br />
A411<br />
Height: 735<br />
Top sizes: 600 dia/ 750 dia<br />
900 dia.<br />
600 square<br />
750 square<br />
900 square<br />
Top: Laminate/veneer face<br />
Frame: Steel<br />
190 — <strong>Allermuir</strong> Portfolio<br />
Scala est atemporelle et classique<br />
par nature, élégante, discrète et<br />
agrémentée de détails soignés. Ses<br />
pieds légèrement galbés lui donnent<br />
une assise solide qui plait aux acheteurs<br />
du milieu des loisirs ou des affaires.<br />
Scala ist ein zeitlos zurückhaltendes,<br />
klassisch elegantes Design mit<br />
edlen Details. Die geschwungenen<br />
Beine bilden eine stabile Standfläche,<br />
die sowohl bei Spezifizierungen<br />
für Freizeiteinrichtungen als auch<br />
für Firmenanwendungen großen<br />
Zuspruch findet.
<strong>Allermuir</strong> Portfolio — 191
Section Six<br />
Tables<br />
Scoop<br />
Design — Fraser Lee<br />
Scoop’s compact and clever<br />
footprint enables the tables<br />
to be used across a plethora<br />
of environments.<br />
A405<br />
Height: 735<br />
Top sizes: 600 dia/ 750 dia.<br />
900 dia.<br />
600 square<br />
750 square<br />
900 square<br />
Top: Laminate/veneer face<br />
Frame: Steel tube<br />
A405 twin pedestal<br />
Height: 735<br />
Top sizes: 1200 x 750 rectangle<br />
1800 x 750 rectangle<br />
Top: Laminate/veneer face<br />
Frame: Steel tube<br />
192 — <strong>Allermuir</strong> Portfolio<br />
L’assise compacte et astucieuse de<br />
Scoop permet d’utiliser les tables<br />
dans une pléthore d’environnements.<br />
Scoops kompakte, intelligente<br />
Stellfläche erlaubt einen Einsatz<br />
der Tische in unterschiedlichsten<br />
Umgebungen.
<strong>Allermuir</strong> Portfolio — 193
Section Six<br />
Tables<br />
Luna<br />
Design — Amos Marchant<br />
& Lyndon Anderson<br />
The Stainless Steel top gives<br />
Luna tables a truly contemporary<br />
look, perfect for both interior<br />
and exterior schemes.<br />
A303<br />
Height: 745<br />
Top sizes: 600 dia.<br />
750 dia.<br />
900 dia.<br />
Top: Stainless Steel.<br />
Suitable for outdoor use<br />
Frame: Aluminium tube<br />
194 — <strong>Allermuir</strong> Portfolio<br />
Le plateau en acier inoxydable des<br />
tables Luna leur donne un look<br />
vraiment contemporain, parfaites<br />
tant à l’intérieur qu’à l’extérieur.<br />
Die Edelstahloberfläche verleiht Luna<br />
Tischen einen wahrlich zeitgemäßen<br />
Look, der sich perfekt für Innen- und<br />
Außenanwendungen eignet.
<strong>Allermuir</strong> Portfolio — 195
Section Six<br />
Tables<br />
Conference<br />
Design — <strong>Allermuir</strong> Design Team<br />
These tables tend to utilise<br />
larger tube sections and<br />
the footprint is greater to<br />
accommodate much larger<br />
top sizes for meeting and<br />
conference use.<br />
A481<br />
Height: 740<br />
Top sizes: 1500 dia.<br />
Top: Laminate/veneer face<br />
Frame: Stainless Steel<br />
A406<br />
Height: 735<br />
Top sizes: 1800 x 900<br />
2400 x 1000<br />
3000 x 1000<br />
Top: Laminate/veneer face<br />
Frame: Steel<br />
196 — <strong>Allermuir</strong> Portfolio<br />
Ces tables ont tendance à utiliser des<br />
tubes de plus grand diamètre et les<br />
dimensions de son armature sont plus<br />
importantes pour permettre d’utiliser<br />
des surfaces de plateaux beaucoup<br />
plus larges qui peuvent servir pour les<br />
réunions et conférences.<br />
Bei diesen Tischen werden in der<br />
Regel größere Rohrdurchmesser und<br />
Stellflächen verwendet, um deutlich<br />
größere Tischplatten für den Einsatz<br />
bei Versammlungen und Konferenzen<br />
aufnehmen zu können.
<strong>Allermuir</strong> Portfolio — 197
Section Six<br />
Tables<br />
198 — <strong>Allermuir</strong> Portfolio
<strong>Allermuir</strong> Portfolio — 199
Contacts<br />
Europe<br />
<strong>Allermuir</strong> UK<br />
Altham Business Park, Accrington,<br />
Lancashire BB5 5YE UK<br />
Tel: +44 (0)1254 682421<br />
Fax: +44 (0)1254 673793<br />
London Showroom<br />
11 Northburgh Street,<br />
London EC1V 0AN UK<br />
Tel: +44 (0)207 251 8059<br />
Fax: +44 (0)207 253 9792<br />
Senator b.v. Showroom<br />
Huis ter Heidweg 58-1,<br />
3705 LZ ZEIST NL<br />
Tel: +030 698 1030<br />
Fax: +030 698 1039<br />
Senator GmbH<br />
Kostenlose Rufnummer<br />
08001 736286<br />
International<br />
<strong>Allermuir</strong> Inc.<br />
1630 Holland Road,<br />
Maumee, Ohio 43537 USA<br />
Tel: +00 (1)419 887 5806<br />
Fax: +00 (1)419 887 5805<br />
Chicago Showroom<br />
Suite 3-123<br />
222 Merchandise Mart Plaza<br />
Chicago IL 60654<br />
USA<br />
TOLL FREE: 1 (888) 887 5806<br />
Dubai<br />
United Arab Emirates<br />
Tel: +44 (0)1282 725082<br />
Senator Australia c/o<br />
Zenith Interiors Pty Ltd<br />
200 Crown St, Darlinghurst<br />
Sydney NSW 2010,<br />
Australia<br />
sales@allermuir.com<br />
www.allermuir.com