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Claude Debussy - Alliance Francaise Wellington

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CELEBRATING<br />

DEBUSSY<br />

150th birthday celebration of French composer<br />

<strong>Claude</strong> <strong>Debussy</strong><br />

17-25 AUGUST<br />

OFFICIAL<br />

PROGRAMME<br />

Promotional material courtesy of...


Music is the<br />

expression of<br />

the movement of<br />

the waters, the<br />

play of curves<br />

described by<br />

changing<br />

breezes. - <strong>Claude</strong> <strong>Debussy</strong>


INTRODUCTION<br />

This year in France the Musée d’Orsay and the Musée de l’Orangerie celebrated <strong>Claude</strong> <strong>Debussy</strong>’s<br />

150th birthday with an exhibition called <strong>Debussy</strong>, Music and the Arts, which was a remarkable success.<br />

The English-speaking world is one of the most receptive audiences to French music and to <strong>Debussy</strong>’s<br />

in particular, who continues to inspire modern day composers. An example demonstrating this being<br />

the recent opera, Written on Skin by George Benjamin presented at the Festival d’art lyrique in Aix-en-<br />

Provence 2012, which draws inspiration from the 1902 Pelléas et Mélisande.<br />

Through a series of events which will take place at the <strong>Alliance</strong> Française <strong>Wellington</strong>, the New<br />

Zealand School of Music, Te Papa Tongarewa Museum of New Zealand and Te Manawa Art Gallery<br />

in Palmerston North, we will focus on the musical legacy of <strong>Debussy</strong> in contemporary music and his<br />

influence on composers such as Messiaen and Boulez.<br />

The value of having the participation of a specialist in comparative studies will help us understand this<br />

great artist. With his global approach to aestheticism and interest in how art can be transferable from<br />

one form to another, our guest speaker Éric Lecler will demonstrate the revolutionary aspect of<br />

<strong>Debussy</strong>’s creations. Paintings will be shown during the conference, not only to remind the audience of<br />

<strong>Debussy</strong>'s acquaintances with painters, but to answer these fascinating questions: What do music,<br />

painting and poetry have in common? What is an image in music? In search of a response using the<br />

very music of <strong>Debussy</strong>, extracts will be broadcast and discussed. We will close the conference with a<br />

concert entirely dedicated to <strong>Debussy</strong>.<br />

We would like to thank all our partners including the Embassy of France in New Zealand, the New<br />

Zealand School of Music, Museum of New Zealand Te Papa Tongarewa, and the Te Manawa Art<br />

Gallery for their support. We would like to particularly acknowledge the New Zealand France<br />

Friendship Fund, without whom this project would not have been possible.<br />

Nathalie Buckrell<br />

Director, <strong>Alliance</strong> Française <strong>Wellington</strong>


GUEST SPEAKER:<br />

ERIC LECLER<br />

Éric Lecler is currently working at Aix-Marseille University as a Senior Lecturer (Maître de<br />

conférences) in French Literature; comparative literature specialised in literature and music. He has been<br />

teaching at the Aix-Marseille University for seven years, where he started a course called ‘Initiation to<br />

Opera’ in partnership with the Festival d’Art Lyrique d’Aix-en-Provence and its director, Bernard<br />

Foccroulle, that gives French students the rare opportunity to attend final rehearsals in addition to an<br />

academic course on the history of opera. Éric also organises symposiums and summer universities on<br />

literature and music gathering together students and professors for one week in Aix during the opera<br />

festival. He has given many public conferences and organised a recital and lecture for the Festival d’Art<br />

Lyrique d’Aix-en-Provence and the French company La Poste.<br />

Éric Lecler has published many articles about literature and music, in particular about <strong>Debussy</strong>, Wagner<br />

and Schönberg. The core of his first book, L’Opéra Symboliste (2007) is an analysis of <strong>Debussy</strong> and the<br />

symbolist writers and artists of his time. In the more recent L’Opéra Expressioniste (2010), he focussed<br />

on the influence of <strong>Debussy</strong> on Expressionist composers such as Berg. He also wrote fourteen articles in<br />

the recently published French encyclopaedia dedicated to Wagner, Dictionnaire Encyclopédique<br />

Wagner (2010).<br />

<strong>Debussy</strong><br />

Wagner


INTERPRETING<br />

DEBUSSY<br />

MASTERCLASS<br />

Friday 17 August 2012, 3:00pm<br />

Masterclass by Eric Lecler<br />

New Zealand School of Music, Room 209<br />

How should <strong>Debussy</strong> be played and sung? His music has often been labelled ‘impressionist’ which<br />

meant imprecise and sentimental. First of all, the musician should read the composer’s writings<br />

(Monsieur Croche) and deepen their knowledge of <strong>Debussy</strong>’s aesthetics.<br />

Students will consequently try to resolve two types of difficulties in this interactive workshop:<br />

� the rhythm of <strong>Debussy</strong>’s piano music, comparing different recordings and reading the scores<br />

� the difficult problem of singing a French mélodie or opera which is not merely phonetic but also<br />

rhythmic and requires analysis of French prosody.


DEBUSSY:<br />

MUSIC & THE ARTS<br />

Sunday 19 August 2012, 3:00pm<br />

The Marae, Te Papa (Level 4)<br />

Free Admission<br />

The <strong>Alliance</strong> Française <strong>Wellington</strong> invites you to an afternoon of music and arts to celebrate the 150 th<br />

anniversary of <strong>Claude</strong> <strong>Debussy</strong>’s birth.<br />

<strong>Debussy</strong> was one of the most prominent composers working within the field of impressionist music,<br />

who was inspired by the fields of contemporary poetry and visual arts. Very early in his career he took<br />

an interest in the most innovative artists; those who were most on the fringe of the academicism of the<br />

time.<br />

The afternoon will start with a conference by Éric Lecler which will explain the relationships formed by<br />

<strong>Debussy</strong> with the musicians, artists and poets of his time, in particular through the works of writers and<br />

artists he admired such as Maurice Denis, Degas, Renoir, and Gauguin. Mr Lecler will also unveil some<br />

musical extracts of <strong>Debussy</strong>’s most secret compositions.<br />

A 30 minute concert will follow this conference with pianist Kris Zuelicke and flutist Ingrid Culliford,<br />

playing some of <strong>Debussy</strong>’s works including Clair de Lune from Suite Bergamasque, No. 3.<br />

Please note that this will be a repeat of the event held at the Te Manawa Art Gallery in Palmerston<br />

North on Saturday 18 August at 6:30pm.<br />

Ingrid Culliford: Flute<br />

Ingrid Culliford spent many years living and working<br />

in London as a free-lance flautist and teacher. During<br />

her time there she performed with many orchestras<br />

such as the London Sinfonietta, Royal Philharmonic<br />

and the Academy of St. Martin-in-the-Fields. She<br />

also recorded frequently for BBC Radio 3 and was<br />

professor of flute at Trinity College.<br />

Since returning to NZ in 1994, Ms Culliford has<br />

given many solo and concerto performances and is a<br />

recording artist for Concert FM. She was tutor in<br />

flute at Waikato University and taught at the New<br />

Zealand School of Music.<br />

Kris Zuelicke: Piano<br />

Since moving to New Zealand in 2003, Kris Zuelicke<br />

has been a private teacher of piano, cello, theory and<br />

voice in Palmerston North and, since 2011, also in<br />

<strong>Wellington</strong>.<br />

In addition to teaching private students, she tutors<br />

piano at Queen Margaret College.<br />

A native of the US, she holds undergraduate degrees<br />

in music and linguistics from Miami University and a<br />

Master’s Degree in Music Theory from Indiana<br />

University where she was an Associate Instructor and<br />

member of the Contemporary Vocal Ensemble.


[Music] is a free<br />

art gushing forth,<br />

an open-air art<br />

boundless as the<br />

elements, the<br />

wind, the sky, the<br />

sea. It must never<br />

be shut in and<br />

become an<br />

- <strong>Claude</strong> <strong>Debussy</strong>


NEW ZEALAND<br />

SCHOOL OF MUSIC<br />

DEBUSSY CONCERT<br />

Wednesday 22 August, 7:30pm<br />

<strong>Wellington</strong> Town Hall<br />

Tickets from Ticketek<br />

Come and celebrate <strong>Debussy</strong>’s 150th birthday with the New Zealand School of Music Orchestra!<br />

‘La Belle Epoque’ and the birth of 20th century composition and symphonic form are celebrated in this<br />

concert on 22 August – <strong>Debussy</strong>’s 150th birthday.<br />

Through our good friends at Te Kōkī, New Zealand School of Music, the <strong>Alliance</strong> Française <strong>Wellington</strong><br />

is able to offer a very special deal for a very special concert. The NZSM Orchestra concert on <strong>Debussy</strong>’s<br />

150th birthday, 22 August, features two of the great composer’s works: the ever popular Prélude à<br />

l’après-midi d’un faune and his Fantaisie for Piano and Orchestra with NZSM Piano Lecturer Jian Liu<br />

as soloist. The second half will be a performance of Mahler’s Symphony No. 1. Adult ticket prices are<br />

priced at $39 and $29, available from Ticketek. <strong>Alliance</strong> Française members and friends can receive a<br />

special discounted price of $20 or $15. Simply purchase your tickets from the Ticketek box office at the<br />

Michael Fowler Centre or St James Theatre stating that you are “friends of the <strong>Alliance</strong> Française” to<br />

receive the reduced rate. This promises to be a magical evening of beautiful music – not to be missed!


INTERPRETING<br />

A PAINTING<br />

WORKSHOP<br />

How do you describe a painting and learn how to interpret its meaning? There are often hidden<br />

meanings and symbols behind each work of art. Learn how paintings “speak” whilst using the ancient<br />

Greek technique of ekphrasis (the graphic description of a visual work of art).<br />

During this workshop students will be require to work individually or in groups to confront their views<br />

in order to understand the story behind each enigmatic artwork.<br />

The workshop will focus on 19th and 20th century artists such as Manet and Picasso.<br />

To book your places for this special interactive workshop, please email alliance@french.co.nz or phone<br />

(04) 472 12 72.<br />

Numbers are limited.<br />

Saturday 25 August, 10:00am - 12:00pm<br />

<strong>Alliance</strong> Française <strong>Wellington</strong><br />

Level 3, 78 Victoria Street


For more information see:<br />

www.french.co.nz

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