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Götter und Lararien aus Augusta Raurica

Götter und Lararien aus Augusta Raurica

Götter und Lararien aus Augusta Raurica

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Summary<br />

Within the last two h<strong>und</strong>red years, aro<strong>und</strong> 450 figurai<br />

bronzes have come to light in the area of Roman<br />

settlement in Augst and Kaiseraugst. The individual<br />

objects were published in 1977 and 1994 in two<br />

separate catalogue volumes; the present study draws<br />

together some general points on the basis of this<br />

material.<br />

Although a series of metalworking workshops are<br />

known in larger and smaller settlements in the Roman<br />

Empire, it is practically impossible to attribute finished<br />

products to them with any certainty. This is mainly<br />

due to the technique of manufacturing for bronzes.<br />

These were cast using the lost wax technique, but the<br />

wax models employed for this were often made using<br />

negative moulds which could be re-used in various<br />

combinations. It was also possible to make negative<br />

moulds from finished objects so that in some circumstances<br />

the same bronzes could be reproduced far<br />

away from the original place of production.<br />

Despite these unfavourable preconditions, groups of<br />

bronzes which correspond in terms of size, type and<br />

stylistic characteristics may give indications of possible<br />

workshop circles. In a few cases these can be defined<br />

geographically. Thus two types of mixing rods and<br />

knife handles of the 1st century AD are concentrated in<br />

northern Switzerland and the adjoining region to the<br />

west. The centres of production of a type of bucket<br />

from the 2nd/3rd century, of which the occasional<br />

attachments have survived in our area, are to be sought<br />

in northern Italy. It is also possible to identify related<br />

workshops for several types of statuettes of divinities.<br />

The dating of Roman bronzes of average quality<br />

from both Italy and the provinces remains a particular<br />

problem. A comparison of several statuettes dated by<br />

their finds context to the 1st century makes probable<br />

that statuettes were also manufactured north of the<br />

Alps from the middle of the 1st century at the latest.<br />

The findspot within the area of the Roman settlement<br />

is known for about three quarters of the figurai<br />

bronzes from <strong>Augusta</strong> <strong>Raurica</strong>. An obvious concern<br />

was to see whether conclusions could be drawn from<br />

the distribution of these objects (part II). The vertical<br />

distribution shows that 1st century layers produced<br />

mainly small, everyday objects with a limited period of<br />

use, together with militaria. Few finds complexes with<br />

figurai bronzes have survived from the mid-imperial<br />

period. The fact that other categories of finds are also<br />

poorly represented in this period may be connected<br />

with a different method of building. The majority of<br />

surviving statuettes derives from finds complexes of<br />

the later imperial period. Apparently these were kept<br />

until the end of the period of Roman settlement<br />

bec<strong>aus</strong>e they were valuable and religiously significant<br />

possessions.<br />

The horizontal distribution of the bronzes proved to<br />

be less informative. Not surprisingly, public buildings<br />

were cleared more systematically than residential and<br />

industrial areas. What is remarkable, however, is that<br />

the character and quantity of bronzes surviving in wellto-do<br />

houses is hardly distinguishable from those<br />

fo<strong>und</strong> in the more modest craftsmen's neighbourhoods.<br />

It seems that too many external factors played<br />

a role here for conclusions to be reached from the<br />

available material about social structure and accoutrements.<br />

As the most important and varied group of bronzes<br />

from <strong>Augusta</strong> <strong>Raurica</strong>, the statuettes of divinities<br />

were examined as a group (part III). Their findspots<br />

are for the most part in the residential and industrial<br />

neighbourhoods. It is therefore probable that even<br />

statuettes which were fo<strong>und</strong> singly once stood in<br />

domestic shrines. As well as statuettes, a lararium<br />

inventory could include incense cups and pottery<br />

vessels with snake motives. Among the evidence for<br />

cults known in Augst and Kaiseraugst are, besides<br />

bronze statuettes, votive inscriptions and stone sculptures.<br />

Unfortunately, of the inscriptions, which could<br />

best give information on religious life, only a few fragments<br />

survive. Statuettes of divinities on top of small<br />

offerings boxes, of which there is an example from<br />

Kaiseraugst, are in evidence above all in eastern Gaul,<br />

mainly in domestic spheres (excursus II).<br />

Part IV deals with the function and use of statuettes<br />

of divinities in broad terms. Under investigation was<br />

the composition of groups of statuettes which intentionally<br />

or by chance were buried together. The starting<br />

point was six groups of finds from the urban area<br />

of <strong>Augusta</strong> <strong>Raurica</strong> which wholly or partially comprise<br />

statuettes. As many groups of statuettes as possible<br />

from Italy and the provinces were studied.<br />

The numerous finds from the towns by Vesuvius<br />

which were buried in situ bec<strong>aus</strong>e of the volcanic eruption<br />

give a good picture of the contents and variety of<br />

domestic shrines in Campania. Outside Italy, the contents<br />

of numerous lararia have survived, above all in<br />

Gaul and Germany. These are often not fo<strong>und</strong> in place<br />

inside a house, however, but rather in so-called precautionary<br />

caches («Angstdepots») which were established<br />

in a time of danger in order to keep precious<br />

possessions safe. Statuettes from lararia have sometimes<br />

also fo<strong>und</strong> their way into stashes of booty or<br />

of metal for recycling. The contents of lararia in the<br />

provinces largely correspond to their Italian model<br />

although the actual house gods, the lares, appear less<br />

frequently. The choice of statuettes seems to have<br />

depended entirely on personal preference in that<br />

statuettes of different sizes and quality, both treasured<br />

heirlooms and contemporary pieces could stand in the<br />

same lararium. A general comparison shows that<br />

especially varied compositions of lararia have survived<br />

in <strong>Augusta</strong> <strong>Raurica</strong>.<br />

The same statuettes that stand in lararia could also<br />

be consecrated in public shrines. Most evidence for

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