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fr 28 sa 29 so 30 Vorläufiges Konferenzprogramm Genealogie Moderation Eva Birkenstock, Dr. Jens Kastner 18 Uhr Projektvorstellung Eva Birkenstock, Kuratorin kub Arena, Bregenz Max Jorge Hinderer Cruz, freier Autor, Berlin Dr. Jens Kastner, Soziologe, Kunst histori ker, Wien 18.30 Uhr Vortrag pd Dr. Jan Rehmann, Philosoph, New York 19.30 Uhr Publikumsgespräch Prof. Ruth Sonderegger, Philosophin, Wien Kritische Konstellationen Moderation Eva Birkenstock, Dr. Jens Kastner 14 Uhr Einführung Dr. Jens Kastner, Soziologe, Kunsthistoriker, Wien 14.30—15.30 Uhr Vortrag Alice Creischer | Andreas Siekmann, Künstler, Autoren, Kuratoren, Berlin 16—17 Uhr Vortrag Dr. Vesna Madzoski, Theoretikerin, Amsterdam 18—19 Uhr Vortrag Prof. Diedrich Diederichsen, Kulturwissenschaftler, Kritiker, Autor, Wien|Berlin 19—20 Uhr Abschlussdiskussion Zeitdiagnosen Moderation Eva Birkenstock, Max Jorge Hinderer Cruz 11 Uhr Einführung Max Jorge Hinderer Cruz, freier Autor, Berlin 11.30—12.30 Uhr Vortrag Merjin Oudenampsen, Soziologe, Politologe, Amsterdam 13—14 Uhr Vortrag Stephan Dillemuth, Künstler, München 14—15 Uhr Abschlussdiskussion 16 17 fr 28 sa 29 su 30 Provisional Conference Program Genealogy Moderation Eva Birkenstock, Dr. Jens Kastner 6 p.m. Project Introduction Eva Birkenstock, kub Arena curator, Bregenz Max Jorge Hinderer Cruz, freelance writer, Berlin Dr. Jens Kastner, sociologist, art historian, Vienna 6.30 p.m. Lecture pd Dr. Jan Rehmann, philosopher, New York 7.30 p.m. Open discussion Prof. Ruth Sonderegger, philosopher, Vienna Critical Constellations Moderation Eva Birkenstock, Dr. Jens Kastner 2 p.m. Introduction Dr. Jens Kastner, sociologist, art historian, Vienna 2.30—3.30 p.m. Lecture Alice Creischer | Andreas Siekmann, artists, authors, curators, Berlin 4—5 p.m. Lecture Dr. Vesna Madzoski, theoretician, Amsterdam 6—7 p.m. Lecture Prof. Diedrich Diederichsen, cultural scholar, critic, author, Vienna|Berlin 7—8 p.m. Closing discussion Analysis Moderation Eva Birkenstock, Max Jorge Hinderer Cruz 11 a.m. Introduction Max Jorge Hinderer Cruz, freelance writer, Berlin 11.30—12.30 a.m. Lecture Merjin Oudenampsen, sociologist, political analyst, Amsterdam 1—2 p.m. Lecture Stephan Dillemuth, artist, Munich 2—3 p.m. Closing discussion kub Arena Sommerakademie – Kunst und Ideologiekritik nach 1989
Summary In its summer program 2012 the kub Arena dedicates itself more clearly than ever to artistic research and knowledge production. Together with the Institute for Art Theory and Cultural Studies of the Academy of Fine Arts Vienna and author Max Jorge Hinderer Cruz the kub Arena will be questioning present-day »ideological constellations« and subjecting them to discussion. Following a lecture seminar with students and a conference with international guests an extensive collection of essays will appear in the kub Arena publications series to bring together the results of the gathering. We are interested in the development of critique both inside and outside the art field and in aesthetic theory in the increasingly globalized post-Cold War world. A tendency toward political critique has been evident in the art world since the 1990s and over the past 15 years has been increasingly articulated in the institutional context. It is a development found not only at conceptually curated biennales and contemporary art museums but also in art galleries and on the art market. Clearly the »critique of social conditions« is not only tolerated but also satisfies a demand. The kub Arena project devotes itself to analyzing the self-conception of society underlying art production and other issues central to the post-1989 art world. The epochal turn of 1989|91 also marks the proclaimed »end of ideology«—after the so-called clash of ideologies came to an end, not only the notion of a social reality based on complex ideas was declared obsolete (»social market economy,« »socialism«), it was also claimed that »reality« can be accessed without obstruction or bias. Simultaneously, theoretical approaches, such as critical theory, lost a great deal of their academic and discursive influence. The project Art and the Critique of Ideology after ’89 reconstructs critique of ideology in its central texts since 1968 and examines its role within and without the sphere of art following the »historic freeze« of 1989|91. Precisely in respect of art the question arises as to what extent new formulations of ideology-critical positions were elaborated in the 1990s – e.g. through exhibitions such as the 3rd Havana Biennale 1989, documenta X 1997, Global Conceptualism: Points of Origin 1999, and documenta11 2002 – and how it was possible for these to become transformed, contrary to their intent, into a fetishized »art business as usual« object. From September 24 to 28 students of the Academy of Fine Arts Vienna and other parts of Austria will meet in Bregenz for a lecture seminar culminating in a public conference from September 28 to 30. Concept Eva Birkenstock, Diedrich Diederichsen, Max Jorge Hinderer Cruz, Dr. Jens Kastner, Prof. Ruth Sonderegger Registration Please register for conference before September 15: vermittlung@kunsthaus-bregenz.at
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