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download PDF - Kunsthaus Bregenz

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10 11<br />

Summary<br />

Fotomontagen<br />

zu den kub Billboards,<br />

Seestraße,<br />

<strong>Bregenz</strong>:<br />

The work of Ed Ruscha (born 1937), one of the best-known artist<br />

of his generation, eludes established categories. Assigned to pop<br />

art at the start of his career and later on to conceptual art, today<br />

it is clear that one of the qualities of Ed Ruscha’s work is its never<br />

confining itself to one style or medium.<br />

For all its variety of styles and techniques, however,<br />

Ed Ruscha’s work also displays certain constants. Among these<br />

is his use of writing, whether in print form or painted onto pictures<br />

on canvas. It is a red thread that runs through his oeuvre from its<br />

earliest beginnings to the present. As far back as the early 1960s<br />

he produced his legendary artist books.<br />

With these works alone Ed Ruscha went down in art history<br />

and influenced later generations. His works are represented in the<br />

most important museums worldwide, and two years ago a major<br />

retrospective of his painting toured the museums of North America<br />

and Europe.<br />

While that retrospective was devoted exclusively to his<br />

paint ing, the <strong>Kunsthaus</strong> <strong>Bregenz</strong> will be presenting not one but an<br />

entire range of media including drawing, photogravure, book,<br />

film, and acrylic and oil painting. The focus will be on an obviousenough<br />

area which, nevertheless, has never been fully examined<br />

to date, namely, the significance of the book and/or the act of<br />

»reading« in his work.<br />

Just how productive Ed Ruscha’s engagement with the<br />

written word is can be seen from his artist books, all of which are<br />

on show in the <strong>Bregenz</strong> exhibition, as also from the abstract oil and<br />

acrylic pictures of the Cityscapes series. Over a dozen such works<br />

in the exhibition document not only the atmos pheric density that<br />

this combination of visual abstraction and the words supplied<br />

in thought can generate, but also a remark able directness varying<br />

from despair and aggression to humor.<br />

There are also new, large-format pictures, likewise produced<br />

exclusively for the exhibition, that are being presented to the<br />

public for the first time.<br />

The exhibition Reading Ed Ruscha was specially conceived<br />

by the artist for the <strong>Kunsthaus</strong> <strong>Bregenz</strong>. It will be, surprisingly,<br />

his first institutional solo exhibition in Austria.<br />

kub 2012.03 Ed Ruscha<br />

Ed Ruscha<br />

Naive Evian<br />

Open Book, 2003,<br />

Acryl auf ungrun -<br />

diertem Leinen,<br />

50,8 x 60,9 cm<br />

Foto: Paul Ruscha<br />

© Ed Ruscha<br />

Ed Ruscha<br />

Index, 2002,<br />

Acryl und Tusche<br />

auf ungrundiertem<br />

Leinen,<br />

61 x 50,8 cm<br />

Foto: Paul Ruscha<br />

© Ed Ruscha

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