download PDF - Kunsthaus Bregenz
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10 11<br />
Summary<br />
Fotomontagen<br />
zu den kub Billboards,<br />
Seestraße,<br />
<strong>Bregenz</strong>:<br />
The work of Ed Ruscha (born 1937), one of the best-known artist<br />
of his generation, eludes established categories. Assigned to pop<br />
art at the start of his career and later on to conceptual art, today<br />
it is clear that one of the qualities of Ed Ruscha’s work is its never<br />
confining itself to one style or medium.<br />
For all its variety of styles and techniques, however,<br />
Ed Ruscha’s work also displays certain constants. Among these<br />
is his use of writing, whether in print form or painted onto pictures<br />
on canvas. It is a red thread that runs through his oeuvre from its<br />
earliest beginnings to the present. As far back as the early 1960s<br />
he produced his legendary artist books.<br />
With these works alone Ed Ruscha went down in art history<br />
and influenced later generations. His works are represented in the<br />
most important museums worldwide, and two years ago a major<br />
retrospective of his painting toured the museums of North America<br />
and Europe.<br />
While that retrospective was devoted exclusively to his<br />
paint ing, the <strong>Kunsthaus</strong> <strong>Bregenz</strong> will be presenting not one but an<br />
entire range of media including drawing, photogravure, book,<br />
film, and acrylic and oil painting. The focus will be on an obviousenough<br />
area which, nevertheless, has never been fully examined<br />
to date, namely, the significance of the book and/or the act of<br />
»reading« in his work.<br />
Just how productive Ed Ruscha’s engagement with the<br />
written word is can be seen from his artist books, all of which are<br />
on show in the <strong>Bregenz</strong> exhibition, as also from the abstract oil and<br />
acrylic pictures of the Cityscapes series. Over a dozen such works<br />
in the exhibition document not only the atmos pheric density that<br />
this combination of visual abstraction and the words supplied<br />
in thought can generate, but also a remark able directness varying<br />
from despair and aggression to humor.<br />
There are also new, large-format pictures, likewise produced<br />
exclusively for the exhibition, that are being presented to the<br />
public for the first time.<br />
The exhibition Reading Ed Ruscha was specially conceived<br />
by the artist for the <strong>Kunsthaus</strong> <strong>Bregenz</strong>. It will be, surprisingly,<br />
his first institutional solo exhibition in Austria.<br />
kub 2012.03 Ed Ruscha<br />
Ed Ruscha<br />
Naive Evian<br />
Open Book, 2003,<br />
Acryl auf ungrun -<br />
diertem Leinen,<br />
50,8 x 60,9 cm<br />
Foto: Paul Ruscha<br />
© Ed Ruscha<br />
Ed Ruscha<br />
Index, 2002,<br />
Acryl und Tusche<br />
auf ungrundiertem<br />
Leinen,<br />
61 x 50,8 cm<br />
Foto: Paul Ruscha<br />
© Ed Ruscha