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Diana Thater gorillagorillagorilla - Universalmuseum Joanneum

Diana Thater gorillagorillagorilla - Universalmuseum Joanneum

Diana Thater gorillagorillagorilla - Universalmuseum Joanneum

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Anmerkungen<br />

1 Giorgio Agamben: „The Original Structure of the Work of Art“. In: The Man<br />

Without Content. Stanford, CA. 1994. Ursprünglich erschienen als L’uomo<br />

senza contenuto. Mailand 1971, p. 94–103. Es liegt keine deutschsprachige<br />

Übersetzung vor.<br />

2 Ebd., p. 95.<br />

3 Ebd., p. 99.<br />

4 Ebd., p. 100.<br />

5 Ebd., p. 101.<br />

6 Ebd., p. 102.<br />

7 <strong>Diana</strong> <strong>Thater</strong>, in: „More Stars than there are in Heaven“, Christiane Schneider<br />

in conversation with <strong>Diana</strong> <strong>Thater</strong>. In: <strong>Diana</strong> <strong>Thater</strong>. transcendence is expansion<br />

and contraction at the same time. Haunch of Venison, 2003, p. 13.<br />

8 <strong>Diana</strong> <strong>Thater</strong>, in: „Conversation between Kathryn Kanjo and <strong>Diana</strong> <strong>Thater</strong>“.<br />

In: the individual as a species, the object as a medium. <strong>Diana</strong> <strong>Thater</strong>. Selected<br />

works 1992–1996. Hrsg. von Peter Pakesch, Kunsthalle Basel 1996.<br />

9 <strong>Diana</strong> <strong>Thater</strong>, in: <strong>Diana</strong> <strong>Thater</strong>. Keep the Faith. A Survey Exhibition. Hrsg. von<br />

Barbara Engelbach und Wulf Herzogenrath, Kunsthalle Bremen, Museum für<br />

Gegenwartskunst Siegen, Salon Verlag, 2004, p. 35.<br />

10 Adams P. Sitney: Visionary Film. The American Avant-Garde 1943–1978.<br />

Oxford University Press 1979, p. 370.<br />

11 Ebd.<br />

12 Ebd., p. 392.<br />

13 <strong>Diana</strong> <strong>Thater</strong>, in: <strong>Diana</strong> <strong>Thater</strong>. Keep the Faith. A Survey Exhibition, p. 33.<br />

14 Ebd., p. 35.<br />

15 Ebd., p. 49.<br />

16 Ebd.<br />

17 Ebd., p. 50 f.<br />

18 <strong>Diana</strong> <strong>Thater</strong>, in: „More Stars than there are in Heaven“, p. 7.<br />

19 Ebd., p. 10.<br />

20 Ebd., p. 12.<br />

21 Sitney, Visionary Film. The American Avant-Garde 1943–1978, p. 397.<br />

22 <strong>Diana</strong> <strong>Thater</strong>, in: „More Stars than there are in Heaven“, p. 13.<br />

23 Sitney, Visionary Film. The American Avant-Garde 1943–1978, p. 397.<br />

24 Gilles Deleuze: Francis Bacon. The Logic of Sensation. Continuum,<br />

London, New York 2004, p. 72. Deutsch: Francis Bacon – Logik der Sensation.<br />

München 1995.<br />

25 Ebd.<br />

26 Ebd., p. 73.<br />

27 Ebd., p. 21.<br />

28 Ebd., p. 21 f.<br />

29 Kathryn Kanjo: „An Ape or an Angel“. In: <strong>Diana</strong> <strong>Thater</strong>: Electric Mind.<br />

Imschoot, Uitgevers, Belgien 1996, p. 11.<br />

30 Deleuze, Francis Bacon. The Logic of Sensation, p. 126.<br />

31 Ebd., p. 134–139.<br />

Adam Budak 38 39<br />

Notes<br />

1 Giorgio Agamben: “The Original Structure of the Work of Art”. In: Giorgio<br />

Agamben: The Man Without Content. Transl. by Georgia Albert. Stanford<br />

University Press 1999, p. 94–103.<br />

2 Ibid., p. 95.<br />

3 Ibid., p. 99.<br />

4 Ibid., p. 100.<br />

5 Ibid., p. 101.<br />

6 Ibid., p. 102.<br />

7 <strong>Diana</strong> <strong>Thater</strong>, in: “More Stars than there are in Heaven”, Christiane<br />

Schneider in conversation with <strong>Diana</strong> <strong>Thater</strong>. In: <strong>Diana</strong> <strong>Thater</strong>. transcendence<br />

is expansion and contraction at the same time. Haunch of Venison,<br />

2003, p. 13.<br />

8 <strong>Diana</strong> <strong>Thater</strong>, in: “Conversation between Kathryn Kanjo and <strong>Diana</strong> <strong>Thater</strong>”.<br />

In: the individual as a species, the object as a medium. <strong>Diana</strong> <strong>Thater</strong>.<br />

Selected works 1992–1996. Ed. by Peter Pakesch, Kunsthalle Basel 1996.<br />

9 <strong>Diana</strong> <strong>Thater</strong>, in: <strong>Diana</strong> <strong>Thater</strong>. Keep the Faith. A Survey Exhibition. Ed. by<br />

Barbara Engelbach and Wulf Herzogenrath, Kunsthalle Bremen, Museum<br />

für Gegenwartskunst Siegen, Salon Verlag, 2004, p. 35.<br />

10 Adams P. Sitney: Visionary Film. The American Avant-Garde 1943–1978.<br />

Oxford University Press 1979, p. 370.<br />

11 Ibid.<br />

12 Ibid., p. 392.<br />

13 <strong>Diana</strong> <strong>Thater</strong>, in: <strong>Diana</strong> <strong>Thater</strong>. Keep the Faith. A Survey Exhibition, p. 33.<br />

14 Ibid., p. 35.<br />

15 Ibid., p. 49.<br />

16 Ibid.<br />

17 Ibid., p. 50–51.<br />

18 <strong>Diana</strong> <strong>Thater</strong>, in: “More Stars than there are in Heaven”, p. 7.<br />

19 Ibid., p. 10.<br />

20 Ibid., p. 12.<br />

21 Sitney, Visionary Film. The American Avant-Garde 1943–1978, p. 397.<br />

22 <strong>Diana</strong> <strong>Thater</strong>, in: „More Stars than there are in Heaven“, p. 13.<br />

23 Sitney, Visionary Film. The American Avant-Garde 1943–1978, p. 397.<br />

24 Gilles Deleuze: Francis Bacon. The Logic of Sensation. Continuum,<br />

London, New York 2004, p. 72.<br />

25 Ibid.<br />

26 Ibid., p. 73.<br />

27 Ibid., p. 21.<br />

28 Ibid., p. 21–22.<br />

29 Kathryn Kanjo: “An Ape or an Angel”. In: <strong>Diana</strong> <strong>Thater</strong>: Electric Mind.<br />

Imschoot, Uitgevers, Belgium 1996, p. 11.<br />

30 Deleuze, Francis Bacon. The Logic of Sensation, p. 126.<br />

31 Ibid., p. 134–139.

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