Diana Thater gorillagorillagorilla - Universalmuseum Joanneum
Diana Thater gorillagorillagorilla - Universalmuseum Joanneum
Diana Thater gorillagorillagorilla - Universalmuseum Joanneum
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Anmerkungen<br />
1 Giorgio Agamben: „The Original Structure of the Work of Art“. In: The Man<br />
Without Content. Stanford, CA. 1994. Ursprünglich erschienen als L’uomo<br />
senza contenuto. Mailand 1971, p. 94–103. Es liegt keine deutschsprachige<br />
Übersetzung vor.<br />
2 Ebd., p. 95.<br />
3 Ebd., p. 99.<br />
4 Ebd., p. 100.<br />
5 Ebd., p. 101.<br />
6 Ebd., p. 102.<br />
7 <strong>Diana</strong> <strong>Thater</strong>, in: „More Stars than there are in Heaven“, Christiane Schneider<br />
in conversation with <strong>Diana</strong> <strong>Thater</strong>. In: <strong>Diana</strong> <strong>Thater</strong>. transcendence is expansion<br />
and contraction at the same time. Haunch of Venison, 2003, p. 13.<br />
8 <strong>Diana</strong> <strong>Thater</strong>, in: „Conversation between Kathryn Kanjo and <strong>Diana</strong> <strong>Thater</strong>“.<br />
In: the individual as a species, the object as a medium. <strong>Diana</strong> <strong>Thater</strong>. Selected<br />
works 1992–1996. Hrsg. von Peter Pakesch, Kunsthalle Basel 1996.<br />
9 <strong>Diana</strong> <strong>Thater</strong>, in: <strong>Diana</strong> <strong>Thater</strong>. Keep the Faith. A Survey Exhibition. Hrsg. von<br />
Barbara Engelbach und Wulf Herzogenrath, Kunsthalle Bremen, Museum für<br />
Gegenwartskunst Siegen, Salon Verlag, 2004, p. 35.<br />
10 Adams P. Sitney: Visionary Film. The American Avant-Garde 1943–1978.<br />
Oxford University Press 1979, p. 370.<br />
11 Ebd.<br />
12 Ebd., p. 392.<br />
13 <strong>Diana</strong> <strong>Thater</strong>, in: <strong>Diana</strong> <strong>Thater</strong>. Keep the Faith. A Survey Exhibition, p. 33.<br />
14 Ebd., p. 35.<br />
15 Ebd., p. 49.<br />
16 Ebd.<br />
17 Ebd., p. 50 f.<br />
18 <strong>Diana</strong> <strong>Thater</strong>, in: „More Stars than there are in Heaven“, p. 7.<br />
19 Ebd., p. 10.<br />
20 Ebd., p. 12.<br />
21 Sitney, Visionary Film. The American Avant-Garde 1943–1978, p. 397.<br />
22 <strong>Diana</strong> <strong>Thater</strong>, in: „More Stars than there are in Heaven“, p. 13.<br />
23 Sitney, Visionary Film. The American Avant-Garde 1943–1978, p. 397.<br />
24 Gilles Deleuze: Francis Bacon. The Logic of Sensation. Continuum,<br />
London, New York 2004, p. 72. Deutsch: Francis Bacon – Logik der Sensation.<br />
München 1995.<br />
25 Ebd.<br />
26 Ebd., p. 73.<br />
27 Ebd., p. 21.<br />
28 Ebd., p. 21 f.<br />
29 Kathryn Kanjo: „An Ape or an Angel“. In: <strong>Diana</strong> <strong>Thater</strong>: Electric Mind.<br />
Imschoot, Uitgevers, Belgien 1996, p. 11.<br />
30 Deleuze, Francis Bacon. The Logic of Sensation, p. 126.<br />
31 Ebd., p. 134–139.<br />
Adam Budak 38 39<br />
Notes<br />
1 Giorgio Agamben: “The Original Structure of the Work of Art”. In: Giorgio<br />
Agamben: The Man Without Content. Transl. by Georgia Albert. Stanford<br />
University Press 1999, p. 94–103.<br />
2 Ibid., p. 95.<br />
3 Ibid., p. 99.<br />
4 Ibid., p. 100.<br />
5 Ibid., p. 101.<br />
6 Ibid., p. 102.<br />
7 <strong>Diana</strong> <strong>Thater</strong>, in: “More Stars than there are in Heaven”, Christiane<br />
Schneider in conversation with <strong>Diana</strong> <strong>Thater</strong>. In: <strong>Diana</strong> <strong>Thater</strong>. transcendence<br />
is expansion and contraction at the same time. Haunch of Venison,<br />
2003, p. 13.<br />
8 <strong>Diana</strong> <strong>Thater</strong>, in: “Conversation between Kathryn Kanjo and <strong>Diana</strong> <strong>Thater</strong>”.<br />
In: the individual as a species, the object as a medium. <strong>Diana</strong> <strong>Thater</strong>.<br />
Selected works 1992–1996. Ed. by Peter Pakesch, Kunsthalle Basel 1996.<br />
9 <strong>Diana</strong> <strong>Thater</strong>, in: <strong>Diana</strong> <strong>Thater</strong>. Keep the Faith. A Survey Exhibition. Ed. by<br />
Barbara Engelbach and Wulf Herzogenrath, Kunsthalle Bremen, Museum<br />
für Gegenwartskunst Siegen, Salon Verlag, 2004, p. 35.<br />
10 Adams P. Sitney: Visionary Film. The American Avant-Garde 1943–1978.<br />
Oxford University Press 1979, p. 370.<br />
11 Ibid.<br />
12 Ibid., p. 392.<br />
13 <strong>Diana</strong> <strong>Thater</strong>, in: <strong>Diana</strong> <strong>Thater</strong>. Keep the Faith. A Survey Exhibition, p. 33.<br />
14 Ibid., p. 35.<br />
15 Ibid., p. 49.<br />
16 Ibid.<br />
17 Ibid., p. 50–51.<br />
18 <strong>Diana</strong> <strong>Thater</strong>, in: “More Stars than there are in Heaven”, p. 7.<br />
19 Ibid., p. 10.<br />
20 Ibid., p. 12.<br />
21 Sitney, Visionary Film. The American Avant-Garde 1943–1978, p. 397.<br />
22 <strong>Diana</strong> <strong>Thater</strong>, in: „More Stars than there are in Heaven“, p. 13.<br />
23 Sitney, Visionary Film. The American Avant-Garde 1943–1978, p. 397.<br />
24 Gilles Deleuze: Francis Bacon. The Logic of Sensation. Continuum,<br />
London, New York 2004, p. 72.<br />
25 Ibid.<br />
26 Ibid., p. 73.<br />
27 Ibid., p. 21.<br />
28 Ibid., p. 21–22.<br />
29 Kathryn Kanjo: “An Ape or an Angel”. In: <strong>Diana</strong> <strong>Thater</strong>: Electric Mind.<br />
Imschoot, Uitgevers, Belgium 1996, p. 11.<br />
30 Deleuze, Francis Bacon. The Logic of Sensation, p. 126.<br />
31 Ibid., p. 134–139.