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Diana Thater gorillagorillagorilla - Universalmuseum Joanneum

Diana Thater gorillagorillagorilla - Universalmuseum Joanneum

Diana Thater gorillagorillagorilla - Universalmuseum Joanneum

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Awards<br />

Lectures, Panels, and Conferences Public Collections (selection)<br />

2006<br />

2007<br />

The Art Institute of Chicago, Chicago,<br />

James D. Phelan Art Award in Film <strong>Diana</strong> <strong>Thater</strong>: Conversations with Illinois (US); Artpace, San Antonio,<br />

and Video, The San Francisco Foun- Michael Govan, Los Angeles County Texas (US); Atelier Augarten Zentrum<br />

dation, San Francisco, California (US) Museum of Art, Los Angeles, für zeitgenössische Kunst, Vienna (AT);<br />

2005<br />

Fellowship Award, John Simon<br />

Guggenheim Memorial Foundation,<br />

New York (US)<br />

California (US)<br />

2005<br />

<strong>Diana</strong> <strong>Thater</strong> on Robert Smithson,<br />

Dia Art Foundation, New York (US)<br />

Berkeley Art Museum and Pacific Film<br />

Archive, Berkeley, California (US);<br />

Carnegie Museum of Art, Pittsburgh,<br />

Pennsylvania (US); Castello di Rivoli –<br />

Museo d‘Arte Contemporanea,<br />

1999 – present<br />

2002<br />

Turin (IT); Fonds Régional Art Contem-<br />

Artist-in-Residence for<br />

Artists on Artists Lecture Series: porain – Rhône-Alpes, Institute d’art<br />

SaveTaijiDolphins.com, San Francisco, <strong>Diana</strong> <strong>Thater</strong> on Robert Smithson, contemporain, Villeurbanne (FR);<br />

California (US)<br />

Dia Center for the Arts, New York Friedrich Christian Flick Collection,<br />

1998<br />

The International Artist-in-Residence<br />

Program, Artpace San Antonio, San<br />

Antonio, Texas (US)<br />

(US); Presentation of the Award<br />

for Curatorial Excellence and CSS<br />

Conversation with Suzanne Ghez,<br />

Center for Curatorial Studies and<br />

Art in Contemporary Culture, Bard<br />

Hamburger Bahnhof, Museum für<br />

Gegenwart, Berlin (DE); Hauser<br />

& Wirth Collection, Henau (CH);<br />

Kunsthalle Bremen, Bremen (DE);<br />

Los Angeles County Museum of Art,<br />

1995<br />

College, Annandale-on-Hudson, Los Angeles, California (US); Musée<br />

Project Grant, Etant Donnés: New York (US); Residency: Ecology, d’Art Moderne et Contemporain<br />

The French-American Fund for Community Planning, and Social de Strasbourg, Strasbourg (FR);<br />

Contemporary Art, New York (US); Challenges in Panama, Fulbright-Hays Museum of Contemporary Art, Los<br />

Prize, Beyond the Borders: Kwangju Group Projects Abroad Program, Angeles, California (US); Orange<br />

Biennale, Kwangju (KR)<br />

Panama City (PA)<br />

County Museum of Art, Newport<br />

1993<br />

Other Genres Fellowship, National<br />

Endowment for the Arts, Washington,<br />

D.C. (US)<br />

1991<br />

Artists at Giverny Program, Artistin-Residence<br />

at the Claude Monet<br />

2001<br />

Making Time: Considering Time as a<br />

Material in Contemporary Video and<br />

Film, Hammer Museum, Los Angeles,<br />

California (US); Art & Optics, New<br />

York Institute for the Humanities,<br />

New York University, New York (US)<br />

Beach, California (US); Solomon R.<br />

Guggenheim Museum, New York (US);<br />

Sammlung Goetz, Munich (DE);<br />

Thyssen-Bornemisza Art Contemporary,<br />

Vienna (AT); Walker Art Center,<br />

Minneapolis, Minnesota (US);<br />

Whitney Museum of American Art,<br />

New York (US)<br />

Foundation, Lila Acheson-Wallace 2000<br />

Reader’s Digest Foundation, Giverny Video Artists on Paik: A Panel<br />

(FR)<br />

Discussion, in conjunction with<br />

the exhibition The Worlds of Nam<br />

June Paik, Solomon R. Guggenheim<br />

Museum, New York (US)<br />

1999<br />

Art, Technology, and Culture<br />

Colloquium, Center for New Media,<br />

University of California, Berkeley,<br />

California (US)<br />

1998<br />

Dialogues on Art, in conjunction with<br />

the exhibition Sunshine & Noir: Art in<br />

L.A. 1960 – 1997, Hammer Museum,<br />

Los Angeles, California (US)<br />

1997<br />

World Cups of Art: Have we Missed<br />

the Goal? MAK Center for Art + Architecture,<br />

Los Angeles, California (US)<br />

1996<br />

Mediawork: The Southern California<br />

New Media Working Group, Art<br />

Center College of Design, Pasadena,<br />

California (US)<br />

1994<br />

Optimism, Hirsch Farm Project,<br />

Hillsboro, Wisconsin (US)<br />

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