Diana Thater gorillagorillagorilla - Universalmuseum Joanneum
Diana Thater gorillagorillagorilla - Universalmuseum Joanneum
Diana Thater gorillagorillagorilla - Universalmuseum Joanneum
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1996<br />
Basel (CH). Kunsthalle Basel. The<br />
individual as a species: the object as<br />
a medium, <strong>Diana</strong> <strong>Thater</strong>: Selected<br />
Works 1992 – 1996, 1996. Interview<br />
with Kathryn Kanjo [monograph].<br />
Buffalo, New York (US). Albright-Knox<br />
Art Gallery. Being and Time: The<br />
Emergence of Video Projection, 1996.<br />
Text by Marc Mayer.<br />
Cologne (DE). Salon Verlag. Someone<br />
Else with My Fingerprints, 1996. T<br />
ext by Wilhelm Schürmann.<br />
Los Angeles, California (US).<br />
Los Angeles Contemporary<br />
Exhibitions. True. BLISS., 1996.<br />
Texts by Julie Joyce, David A. Greene.<br />
Malmö (SE). Rooseum Center for<br />
Contemporary Art. Painting:<br />
The Extended Field, 1996. Text by<br />
Sven-Olov Wallenstein.<br />
New York (US). The Monacelli Press.<br />
Echoes: Contemporary Art at the Age<br />
of Endless Conclusions.<br />
Edited by Francesco Bonami. Texts<br />
by Francesco Bonami, Jeffrey Rian,<br />
Jen Budney, Keith Seward, Neville<br />
Wakefield, Mark Van de Walle.<br />
New York (US). Whitney Museum of<br />
American Art. Art at the End of the<br />
20th Century: Selections from the<br />
Whitney Museum of American Art,<br />
1996. Text by Johanna Drucker.<br />
Sydney (AU). Art Gallery of New South<br />
Wales. Jurassic Technologie Revenant:<br />
10th Biennale of Sydney, 1996. Texts<br />
by Lynne Cooke, Jonathan Crary,<br />
Elisabeth Sussman, et al.<br />
1995<br />
Chicago, Illinois (US) and Thiers (FR).<br />
The Renaissance Society at the<br />
University of Chicago and Le Creux<br />
de l’Enfer – Centre d’Art Contemporain<br />
à Thiers. China, 1995. Texts by<br />
<strong>Diana</strong> <strong>Thater</strong>, Colin Gardner, Timothy<br />
Martin [monograph].<br />
Kassel (DE). Museum Fridericianum.<br />
Surroundings, 1995.<br />
Text by Pia Witzmann.<br />
Kwangju (KR). Kwangju Biennale<br />
Foundation. Beyond the Borders:<br />
Kwangju Biennale, 1995. Texts by<br />
Song Eon-jong, Lim Young-bang,<br />
Kathy Halbreich, Clive Adams, et al.<br />
Lyon (FR). Musée d’Art Contemporain<br />
de Lyon. Biennale d’Art Contemporain<br />
de Lyon, 1995. Texts by Thierry Prat,<br />
Thierry Raspail, Georges Rey.<br />
New York (US). Whitney Museum<br />
of American Art. 1995 Biennial<br />
Exhibition, 1995. Texts by Klaus<br />
Kertess, John Ashbery, Gerald M.<br />
Edelman, Lynne Tillman, et al.<br />
Porto (PT). Fundação de Serralves.<br />
Limiares/Threshold: Recent American<br />
Sculpture, 1995. Texts by Dan<br />
Cameron, Fernando Pernes.<br />
1994<br />
Hamburg (DE). Deichtorhallen<br />
Hamburg, Haus der Photographie –<br />
Aktuelle Kunst. Temporary<br />
Translation(s): Sammlung Schürmann,<br />
1994. Text by Zdenek Felix.<br />
Northbrook, Illinois (US). Hirsch<br />
Foundation. Optimism, 1994. Hirsch<br />
Farm Project. Text by Mitchell Kane.<br />
Rotterdam (NL). Witte de With, Center<br />
for Contemporary Art. Witte de With:<br />
Cahiers, No. 3, 1994. Edited by<br />
Barbara van Kooij. Text by Timothy<br />
Martin. Cover and text by <strong>Diana</strong> <strong>Thater</strong>.<br />
Publications by the Artist<br />
2008<br />
Munich (DE). Bayerische Staatsoper<br />
and Pinakothek der Moderne. …<br />
drawling, stretching and fainting in<br />
coils…, 2007. Edited by <strong>Diana</strong> <strong>Thater</strong>.<br />
Text by Kent Nagano, Bernhart<br />
Schwenk.<br />
2000<br />
Zurich (CH). Parkett Publishers.<br />
Parkett, No. 60 [edition of 150 DVDs].<br />
1999<br />
Salzburg (AT). Salzburger Kunstverein.<br />
A Living Theatre, 1999.<br />
Edited by <strong>Diana</strong> <strong>Thater</strong>.<br />
1996<br />
Ghent (BE). Imschoot Uitgevers.<br />
Electric Mind, 1996. Edited by <strong>Diana</strong><br />
<strong>Thater</strong>. Texts by Kathryn Kanjo,<br />
Pat Murphy.<br />
Exhibitions Curated by the Artist<br />
2007<br />
… drawling, stretching and fainting in<br />
coils …, FestSpiele + 2007, Pinakothek<br />
der Moderne and Nationaltheater,<br />
Munich (DE) [catalogue]<br />
1999<br />
A Living Theatre, Salzburger Kunstverein,<br />
Salzburg (AT) [catalogue]<br />
1997<br />
Places that are elsewhere,<br />
David Zwirner, New York (US)<br />
1996<br />
Sampler 2 – More Videos from<br />
Southern California, David Zwirner,<br />
New York (US); included in the exhi-<br />
bition Sunshine & Noir: Art in L.A.<br />
1960 – 1997, Louisiana Museum<br />
of Art, Humlebæk (DK) [itinerary:<br />
Castello di Rivoli – Museo d’Arte<br />
Contemporanea, Turin (IT); Hammer<br />
Museum, Los Angeles, California (US);<br />
Kunstmuseum Wolfsburg, Wolfsburg<br />
(DE); catalogue]; Persona, The Renais-<br />
sance Society at the University of<br />
Chicago, Chicago, Illinois (US)<br />
[itinerary: Kunsthalle Basel, Basel (CH);<br />
catalogue]<br />
Essays by the Artist<br />
2008<br />
<strong>Thater</strong>, <strong>Diana</strong>. <strong>Diana</strong> <strong>Thater</strong> in New<br />
York. Artinfo.com (January 18, 2008)<br />
[ill., online]<br />
<strong>Thater</strong>, <strong>Diana</strong>. Pinakothek der Moderne<br />
and Nationaltheater. Anthropodenial.<br />
… drawling, stretching and fainting in<br />
coils … (2008)<br />
2005<br />
<strong>Thater</strong>, <strong>Diana</strong>. University of California<br />
Press and Dia Art Foundation. A Man<br />
Becomes Unstuck in Time in the<br />
Film That Became a Classic! Robert<br />
Smithson: Spiral Jetty (2005)<br />
2002<br />
<strong>Thater</strong>, <strong>Diana</strong>. <strong>Diana</strong> <strong>Thater</strong>: Hotlist.<br />
Artforum (February 2002): 28.<br />
1998<br />
<strong>Thater</strong>, <strong>Diana</strong> and Otto Neumaier.<br />
Wer sind wir? Noema Art Journal,<br />
No. 49 (October/November 1998):<br />
46 – 51.<br />
<strong>Thater</strong>, <strong>Diana</strong>. Phaidon Press. <strong>Diana</strong><br />
<strong>Thater</strong> in conversation with Stan<br />
Douglas. Stan Douglas (1998): 6 – 29.<br />
1997<br />
<strong>Thater</strong>, <strong>Diana</strong> and T. Kelly Mason.<br />
The future that almost wasn’t.<br />
Transcript, Vol. 2, No. 3 (1997): 38 – 43.<br />
<strong>Thater</strong>, <strong>Diana</strong> and Neumaier, Otto.<br />
Danilo Montanari, Exit and Zona<br />
Archives Editori. Who Are We? Art<br />
Recollection: Artists’ Interviews and<br />
Statements in the Nineties (1997)<br />
1996<br />
<strong>Thater</strong>, <strong>Diana</strong> and Hamza Walker.<br />
The Renaissance Society at the<br />
University of Chicago and Kunsthalle<br />
Basel (CH). Gay…Black…Female…<br />
Whatever. Persona (1996)<br />
1994<br />
<strong>Thater</strong>, <strong>Diana</strong> and Garret Savage. The<br />
Structure of Meaning. FOCUS, Vol. 14<br />
(1994): 19 – 31.