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Diana Thater gorillagorillagorilla - Universalmuseum Joanneum

Diana Thater gorillagorillagorilla - Universalmuseum Joanneum

Diana Thater gorillagorillagorilla - Universalmuseum Joanneum

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1996<br />

Basel (CH). Kunsthalle Basel. The<br />

individual as a species: the object as<br />

a medium, <strong>Diana</strong> <strong>Thater</strong>: Selected<br />

Works 1992 – 1996, 1996. Interview<br />

with Kathryn Kanjo [monograph].<br />

Buffalo, New York (US). Albright-Knox<br />

Art Gallery. Being and Time: The<br />

Emergence of Video Projection, 1996.<br />

Text by Marc Mayer.<br />

Cologne (DE). Salon Verlag. Someone<br />

Else with My Fingerprints, 1996. T<br />

ext by Wilhelm Schürmann.<br />

Los Angeles, California (US).<br />

Los Angeles Contemporary<br />

Exhibitions. True. BLISS., 1996.<br />

Texts by Julie Joyce, David A. Greene.<br />

Malmö (SE). Rooseum Center for<br />

Contemporary Art. Painting:<br />

The Extended Field, 1996. Text by<br />

Sven-Olov Wallenstein.<br />

New York (US). The Monacelli Press.<br />

Echoes: Contemporary Art at the Age<br />

of Endless Conclusions.<br />

Edited by Francesco Bonami. Texts<br />

by Francesco Bonami, Jeffrey Rian,<br />

Jen Budney, Keith Seward, Neville<br />

Wakefield, Mark Van de Walle.<br />

New York (US). Whitney Museum of<br />

American Art. Art at the End of the<br />

20th Century: Selections from the<br />

Whitney Museum of American Art,<br />

1996. Text by Johanna Drucker.<br />

Sydney (AU). Art Gallery of New South<br />

Wales. Jurassic Technologie Revenant:<br />

10th Biennale of Sydney, 1996. Texts<br />

by Lynne Cooke, Jonathan Crary,<br />

Elisabeth Sussman, et al.<br />

1995<br />

Chicago, Illinois (US) and Thiers (FR).<br />

The Renaissance Society at the<br />

University of Chicago and Le Creux<br />

de l’Enfer – Centre d’Art Contemporain<br />

à Thiers. China, 1995. Texts by<br />

<strong>Diana</strong> <strong>Thater</strong>, Colin Gardner, Timothy<br />

Martin [monograph].<br />

Kassel (DE). Museum Fridericianum.<br />

Surroundings, 1995.<br />

Text by Pia Witzmann.<br />

Kwangju (KR). Kwangju Biennale<br />

Foundation. Beyond the Borders:<br />

Kwangju Biennale, 1995. Texts by<br />

Song Eon-jong, Lim Young-bang,<br />

Kathy Halbreich, Clive Adams, et al.<br />

Lyon (FR). Musée d’Art Contemporain<br />

de Lyon. Biennale d’Art Contemporain<br />

de Lyon, 1995. Texts by Thierry Prat,<br />

Thierry Raspail, Georges Rey.<br />

New York (US). Whitney Museum<br />

of American Art. 1995 Biennial<br />

Exhibition, 1995. Texts by Klaus<br />

Kertess, John Ashbery, Gerald M.<br />

Edelman, Lynne Tillman, et al.<br />

Porto (PT). Fundação de Serralves.<br />

Limiares/Threshold: Recent American<br />

Sculpture, 1995. Texts by Dan<br />

Cameron, Fernando Pernes.<br />

1994<br />

Hamburg (DE). Deichtorhallen<br />

Hamburg, Haus der Photographie –<br />

Aktuelle Kunst. Temporary<br />

Translation(s): Sammlung Schürmann,<br />

1994. Text by Zdenek Felix.<br />

Northbrook, Illinois (US). Hirsch<br />

Foundation. Optimism, 1994. Hirsch<br />

Farm Project. Text by Mitchell Kane.<br />

Rotterdam (NL). Witte de With, Center<br />

for Contemporary Art. Witte de With:<br />

Cahiers, No. 3, 1994. Edited by<br />

Barbara van Kooij. Text by Timothy<br />

Martin. Cover and text by <strong>Diana</strong> <strong>Thater</strong>.<br />

Publications by the Artist<br />

2008<br />

Munich (DE). Bayerische Staatsoper<br />

and Pinakothek der Moderne. …<br />

drawling, stretching and fainting in<br />

coils…, 2007. Edited by <strong>Diana</strong> <strong>Thater</strong>.<br />

Text by Kent Nagano, Bernhart<br />

Schwenk.<br />

2000<br />

Zurich (CH). Parkett Publishers.<br />

Parkett, No. 60 [edition of 150 DVDs].<br />

1999<br />

Salzburg (AT). Salzburger Kunstverein.<br />

A Living Theatre, 1999.<br />

Edited by <strong>Diana</strong> <strong>Thater</strong>.<br />

1996<br />

Ghent (BE). Imschoot Uitgevers.<br />

Electric Mind, 1996. Edited by <strong>Diana</strong><br />

<strong>Thater</strong>. Texts by Kathryn Kanjo,<br />

Pat Murphy.<br />

Exhibitions Curated by the Artist<br />

2007<br />

… drawling, stretching and fainting in<br />

coils …, FestSpiele + 2007, Pinakothek<br />

der Moderne and Nationaltheater,<br />

Munich (DE) [catalogue]<br />

1999<br />

A Living Theatre, Salzburger Kunstverein,<br />

Salzburg (AT) [catalogue]<br />

1997<br />

Places that are elsewhere,<br />

David Zwirner, New York (US)<br />

1996<br />

Sampler 2 – More Videos from<br />

Southern California, David Zwirner,<br />

New York (US); included in the exhi-<br />

bition Sunshine & Noir: Art in L.A.<br />

1960 – 1997, Louisiana Museum<br />

of Art, Humlebæk (DK) [itinerary:<br />

Castello di Rivoli – Museo d’Arte<br />

Contemporanea, Turin (IT); Hammer<br />

Museum, Los Angeles, California (US);<br />

Kunstmuseum Wolfsburg, Wolfsburg<br />

(DE); catalogue]; Persona, The Renais-<br />

sance Society at the University of<br />

Chicago, Chicago, Illinois (US)<br />

[itinerary: Kunsthalle Basel, Basel (CH);<br />

catalogue]<br />

Essays by the Artist<br />

2008<br />

<strong>Thater</strong>, <strong>Diana</strong>. <strong>Diana</strong> <strong>Thater</strong> in New<br />

York. Artinfo.com (January 18, 2008)<br />

[ill., online]<br />

<strong>Thater</strong>, <strong>Diana</strong>. Pinakothek der Moderne<br />

and Nationaltheater. Anthropodenial.<br />

… drawling, stretching and fainting in<br />

coils … (2008)<br />

2005<br />

<strong>Thater</strong>, <strong>Diana</strong>. University of California<br />

Press and Dia Art Foundation. A Man<br />

Becomes Unstuck in Time in the<br />

Film That Became a Classic! Robert<br />

Smithson: Spiral Jetty (2005)<br />

2002<br />

<strong>Thater</strong>, <strong>Diana</strong>. <strong>Diana</strong> <strong>Thater</strong>: Hotlist.<br />

Artforum (February 2002): 28.<br />

1998<br />

<strong>Thater</strong>, <strong>Diana</strong> and Otto Neumaier.<br />

Wer sind wir? Noema Art Journal,<br />

No. 49 (October/November 1998):<br />

46 – 51.<br />

<strong>Thater</strong>, <strong>Diana</strong>. Phaidon Press. <strong>Diana</strong><br />

<strong>Thater</strong> in conversation with Stan<br />

Douglas. Stan Douglas (1998): 6 – 29.<br />

1997<br />

<strong>Thater</strong>, <strong>Diana</strong> and T. Kelly Mason.<br />

The future that almost wasn’t.<br />

Transcript, Vol. 2, No. 3 (1997): 38 – 43.<br />

<strong>Thater</strong>, <strong>Diana</strong> and Neumaier, Otto.<br />

Danilo Montanari, Exit and Zona<br />

Archives Editori. Who Are We? Art<br />

Recollection: Artists’ Interviews and<br />

Statements in the Nineties (1997)<br />

1996<br />

<strong>Thater</strong>, <strong>Diana</strong> and Hamza Walker.<br />

The Renaissance Society at the<br />

University of Chicago and Kunsthalle<br />

Basel (CH). Gay…Black…Female…<br />

Whatever. Persona (1996)<br />

1994<br />

<strong>Thater</strong>, <strong>Diana</strong> and Garret Savage. The<br />

Structure of Meaning. FOCUS, Vol. 14<br />

(1994): 19 – 31.

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