Diana Thater gorillagorillagorilla - Universalmuseum Joanneum
Diana Thater gorillagorillagorilla - Universalmuseum Joanneum
Diana Thater gorillagorillagorilla - Universalmuseum Joanneum
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1999<br />
Carnegie International 1999/2000,<br />
Carnegie Museum of Art, Pittsburgh,<br />
Pennsylvania (US) [Katalog];<br />
Collection FRAC Rhônes-Alpes, Fonds<br />
Régional Art Contemporain – Rhône-<br />
Alpes, Institute d’art contemporain,<br />
Villeurbanne (FR); Searchlight:<br />
Consciousness at the Millennium,<br />
kuratiert von Larry Rinder, CCA Wattis<br />
Institute for Contemporary Arts,<br />
California College of the Arts, San<br />
Francisco, Kalifornien (US) [Katalog];<br />
Art/Journalism, Rosamund Felsen<br />
Gallery, Los Angeles, Kalifornien (US);<br />
Gallery Artists Summer Show, David<br />
Zwirner, New York (US); Trouble Spot.<br />
Painting, kuratiert von Luc Tuymans,<br />
Museum van Hedendaagse Kunst<br />
Antwerpen, Antwerpen (BE) [Katalog]<br />
1998<br />
Five Years, 1993 – 1998, David Zwirner,<br />
New York (US); View One, Mary Boone<br />
Gallery, New York (US); Span: Jessica<br />
Bronson, Mariko Mori, <strong>Diana</strong> <strong>Thater</strong>,<br />
Artspace, Newton, Auckland (NZ)<br />
[Stationen: Govett-Brewster Art<br />
Gallery, New Plymouth (NZ); Centre<br />
for Contemporary Photography,<br />
Melbourne (AU); Dunedin Public Art<br />
Gallery, Dunedin (NZ); Katalog];<br />
Auf der Spur: Kunst der 90er Jahre im<br />
Spiegel von Schweizer Sammlungen,<br />
Kunsthalle Zürich, Zürich (CH);<br />
Light x Eight: The Hanukkah Project,<br />
The Jewish Museum, New York (US)<br />
1997<br />
Trade Routes: History and Geography,<br />
1997 Johannesburg Biennale,<br />
Johannesburg (ZA) [Katalog];<br />
Between Lantern and Laser, Henry<br />
Art Gallery, University of Washington,<br />
Seattle, Washington (US); Sunshine &<br />
Noir: Art in L.A. 1960 – 1997, Louisiana<br />
Museum of Art, Humlebæk (DK)<br />
[Stationen: Castello di Rivoli – Museo<br />
d’Arte Contemporanea, Turin (IT);<br />
Hammer Museum, Los Angeles,<br />
Kalifornien (US); Kunstmuseum<br />
Wolfsburg, Wolfsburg (DE); Katalog];<br />
1997 Biennial Exhibition, Whitney<br />
Museum of American Art, New York<br />
(US) [Katalog]; Skulptur. Projekte<br />
in Münster 1997, Münster (DE)<br />
[Katalog]; Multiple Identity: American<br />
Art from the Whitney Museum<br />
1975 – 1995, Castello di Rivoli – Museo<br />
d’Arte Contemporanea, Turin (IT)<br />
[Stationen: Museo d’Arte Contemporanea,<br />
Mailand (IT); Kunstmuseum<br />
Bonn, Bonn (DE); Katalog]<br />
1996<br />
Painting: The Extended Field, Magasin<br />
3 Stockholm Konsthall, Stockholm (SE)<br />
[Station: Rooseum Center for Contemporary<br />
Art, Malmö (SE); Katalog];<br />
Jurassic Technologies Revenant: 10th<br />
Biennale of Sydney, Sydney (AU)<br />
[Katalog]; Being and Time: The Emergence<br />
of Video Projection, Albright Knox<br />
Art Gallery, Buffalo, New York (US)<br />
[Stationen: Cranbrook Art Museum,<br />
Bloomfield Hills, Michigan (US);<br />
Portland Art Museum, Portland,<br />
Oregon (US); Contemporary Arts<br />
Museum, Houston, Texas (US); SITE<br />
Santa Fe, Santa Fe, New Mexico (US);<br />
Katalog]; Art at the End of the 20th<br />
Century: Selections from the Whitney<br />
Museum of American Art, National<br />
Gallery, National Gallery – Alexandros<br />
Soutzos Museum, Athen (GR)<br />
[Katalog]; Wunderbar, Kunstverein in<br />
Hamburg, Hamburg (DE); Someone<br />
Else with My Fingerprints, kuratiert<br />
von Wilhelm Schürmann, David<br />
Zwirner, New York (US) [Katalog];<br />
True. BLISS., Los Angeles Contemporary<br />
Exhibitions, Los Angeles,<br />
Kalifornien (US) [Katalog]<br />
1995<br />
Limiares/Threshold: Recent American<br />
Sculpture, Fundação de Serralves,<br />
Porto (PT) [Katalog]; Beyond the<br />
Borders: Kwangju Biennale,<br />
Kwangju (KR) [Katalog]; Surroundings<br />
Museum Fridericianum Kassel,<br />
Kassel (DE) [Katalog]; Biennale d’Art<br />
Contemporain de Lyon, Lyon (FR)<br />
[Katalog]; 1995 Biennial Exhibition,<br />
Whitney Museum of American Art,<br />
New York (US) [Katalog]<br />
1994<br />
Temporary Translation(s): Sammlung<br />
Schürmann, Deichtorhallen Hamburg,<br />
Haus der Photographie – Aktuelle<br />
Kunst, Hamburg (DE) [Katalog];<br />
Pure Beauty, The American Center,<br />
Paris (FR) [Station: Museum of<br />
Contemporary Art, Los Angeles,<br />
Kalifornien (US)]; Summer Group<br />
Show, David Zwirner, New York (US)<br />
1993<br />
Emblazoned Ciphers of the Visible,<br />
California State University,<br />
Los Angeles, Kalifornien (US);<br />
Sugar ’n’ Spice, Long Beach Museum<br />
of Art, Long Beach, Kalifornien (US);<br />
The Time, Anderson O’Day Gallery,<br />
London (UK)<br />
1992<br />
Very, Very, Very, Shoshana<br />
Wayne Gallery, Santa Monica,<br />
Kalifornien (US); Into the Lapse,<br />
1301, Santa Monica, Kalifornien (US)<br />
1991<br />
Rhythms of Earth and Water,<br />
Los Angeles Airport International<br />
Terminal, Los Angeles, Kalifornien (US)<br />
1990<br />
Heart in Mouth, Fahey/Klein Gallery,<br />
Los Angeles, Kalifornien (US)<br />
Performances und<br />
Filmvorstellungen<br />
2007<br />
Virtuosic Siblings: Berlin – LA Festival<br />
of Film/Art, Villa Aurora, Los Angeles,<br />
Kalifornien (US) [Stationen: Goethe-<br />
Institut Los Angeles, Los Angeles,<br />
Kalifornien (US); REDCAT Roy und<br />
Edna Disney / CalArts Theater,<br />
Los Angeles, Kalifornien (US)]<br />
2006 – 2008<br />
JUMP, in Zusammenarbeit mit T. Kelly<br />
Mason, Tate Modern: International<br />
Modern and Contemporary Art,<br />
London (UK); Creative Artists Agency,<br />
Los Angeles, Kalifornien (US); Whitney<br />
Biennial 2006, Whitney Museum of<br />
American Art, New York (US)<br />
1998 – 2000<br />
The future that almost wasn’t, in Zu-<br />
sammenarbeit mit T. Kelly Mason<br />
[Artpace San Antonio, San Antonio,<br />
Texas (US); Bayerisches Staatsschauspiel/Marstall,<br />
München (DE);<br />
Los Angeles Contemporary Exhibitions,<br />
Los Angeles, Kalifornien (US)]<br />
Öffentliche Projekte<br />
2007 – 2008<br />
California Institute of Technology,<br />
Pasadena, Kalifornien (US)<br />
2005 – 2007<br />
The Colburn School, Los Angeles,<br />
Kalifornien (US)<br />
2003 – 2005<br />
Shaw Tower, Vancouver, British<br />
Columbia (CA)<br />
Bibliographie<br />
Essays und Presseartikel<br />
2008<br />
Ayers, Robert. Weekend Picks: <strong>Diana</strong><br />
<strong>Thater</strong> in New York. Artinfo.com<br />
(18. Januar 2008) [Abb., online]<br />
Buckley, Annie. Picks: <strong>Diana</strong> <strong>Thater</strong><br />
at 1301PE. Artforum.com<br />
(3. Oktober 2008) [Abb., online]<br />
Duffy, Robert W. Chess Club Makes<br />
Bold Move into West End Quarters.<br />
St. Louis Beacon (15. Juli 2008) [Abb.]<br />
Govan, Michael. The Esquire Museum<br />
of Contemporary Art. Esquire<br />
(Oktober 2008): 298 – 301.<br />
Hudson, Suzanne. <strong>Diana</strong> <strong>Thater</strong> at<br />
David Zwirner. Artforum (März 2008):<br />
359 – 360. [Abb.]<br />
Kantor, Jordan. Preview: California<br />
Video. Artforum (Januar 2008): 135.<br />
Kerr, Merrily. <strong>Diana</strong> <strong>Thater</strong>: Here is a<br />
Text About the World. Time Out New<br />
York (31. Januar – 6. Februar 2008):<br />
63. [Abb.]<br />
Masters, H.G. <strong>Diana</strong> <strong>Thater</strong>: Here is<br />
a text about the world… Flavorpill<br />
(10. Januar 2008) [Abb., online] Myers,<br />
Holly. Tapeheads: California Video.<br />
Art Review (März 2008): 38.<br />
Spears, Dorothy. The Ritual of Chess,<br />
a Decoder of Life. The New York<br />
Times (13. Januar 2008): AR29. [Abb.]<br />
We Asked <strong>Diana</strong> <strong>Thater</strong> a Few<br />
Questions. Glare, Nr. 3<br />
(Frühjahr 2008): 26. [Abb.]<br />
2007<br />
Barron Bailly, Austen. Artist-Curators<br />
and Art Historian-Curators at the Edge:<br />
How the ‘Modern West’ Revealed<br />
Boundaries of the Curatorial Practice.<br />
Invisible Culture: An Electronic Journal<br />
for Visual Culture, Nr. 11 (2007) [Abb.]<br />
Connah, Roger. Am Punkt Null? Stadt<br />
Bauwelt (Juni 2007): 60 – 79. [Abb.]<br />
Haithman, Diane. LACMA Invites<br />
Artists in for a Chat. Los Angeles<br />
Times (12. Januar 2007)<br />
Karcher, Eva. Ab mit euren Köpfen:<br />
Alice III: <strong>Diana</strong> <strong>Thater</strong>s Ausstellung<br />
für ‘Festspiel’. Süddeutsche Zeitung,<br />
Nr. 148 (30. Juni – 1. Juli 2007): 14.<br />
Sonna, Birgit. All About Alice. TAKT<br />
(Juni 2007): 38 – 41. [Abb.]<br />
Touch my Shadows. Warsaw Voice<br />
(24. Januar 2007)<br />
Flores/Flowers. EXIT, Nr. 28 (November<br />
2007 – Januar 2008): 148 – 149.