10.05.2024 Aufrufe

Art-on-paper, Amsterdam Mai 2024

Messekatalog mit Werken von: / Catalogue of works by artists: A. Deutsch (D), P. Dörflinger (A), R. Eder (D), B. Paschke (A), U.Plieschnig (A), M. Temnitschka (A), T. Zahn (D)

Messekatalog mit Werken von: / Catalogue of works by artists:
A. Deutsch (D), P. Dörflinger (A), R. Eder (D), B. Paschke (A), U.Plieschnig (A), M. Temnitschka (A), T. Zahn (D)

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Galerie<br />

Hrobsky<br />

ART ON PAPER<br />

<strong>Amsterdam</strong><br />

05/<strong>2024</strong>


Alexandra Deutsch<br />

Peter Dörflinger<br />

Rupert Eder<br />

Bettina Paschke<br />

Ulrich Plieschnig<br />

Maria Temnitschka<br />

Tilmann Zahn


GALLERY STATEMENT<br />

Galerie Ulrike Hrobsky (formerly Galerie 13) was founded in 1993 and has been located<br />

at its current locati<strong>on</strong> in the centre of Vienna near St. Stephen‘s Cathedral since February<br />

2002: 1010 Vienna, Grünangergasse 6, and thus in the immediate vicinity of the major Viennese<br />

museums.<br />

From the very beginning, the gallery has been dedicated to c<strong>on</strong>temporary art with a focus<br />

<strong>on</strong> spatial c<strong>on</strong>tent in drawing, painting, sculpture/object and photography - which led to the<br />

existing selecti<strong>on</strong> of artists due to the emphasis <strong>on</strong> sculptural/object-related processing of<br />

such diverse materials as st<strong>on</strong>e, wood, <strong>paper</strong> and leather. This core of artists, which has<br />

grown over the years, includes established positi<strong>on</strong>s <strong>on</strong> the art market as well as young, upand-coming<br />

talents.<br />

Thus, with the founding of the „EAP“ - - European <str<strong>on</strong>g>Art</str<strong>on</strong>g> Project, 2005 (www.european-art-project.com)<br />

- - to promote young artists - with the gallery owners Jeannette Schmid (CH), Doris<br />

Clerici (NL) and Ulrike Hrobsky/Jakob (A), the participating gallery owners were h<strong>on</strong>oured<br />

with the prize of the Vienna Chamber of Commerce for the best internati<strong>on</strong>al cooperati<strong>on</strong><br />

in 2014! This exhibiti<strong>on</strong> activity as well as the curati<strong>on</strong> by Galerie Hrobsky at the Papiermachermuseum<br />

(ALFA) Steyrermühl (from 2007 to 2018) provided artists working with and<br />

<strong>on</strong> <strong>paper</strong> with an exhibiti<strong>on</strong> space of around 300 m² for large-scale <strong>paper</strong> sculptures. The<br />

exhibiti<strong>on</strong>s were documented in a catalogue („dimensi<strong>on</strong> FRAGILE“, 2008 - comparis<strong>on</strong> of<br />

Chinese and European <strong>paper</strong> sculpture) and detailed folders.<br />

Paper is and will therefore remain a focal point of the gallery in any form of processing.<br />

In additi<strong>on</strong>, some positi<strong>on</strong>s and projects that have escaped the art market are rediscovered,<br />

promoted and added to the gallery programme. Up to seven exhibiti<strong>on</strong>s are shown annually<br />

in the intimate gallery spaces in Vienna‘s city centre, and nati<strong>on</strong>al and internati<strong>on</strong>al fairs<br />

are regularly organised. The gallery‘s own publicati<strong>on</strong> series now comprises more than 30<br />

catalogues <strong>on</strong> artists and gallery exhibiti<strong>on</strong>s, with a c<strong>on</strong>sistent format and design that is easy<br />

to read both in print and electr<strong>on</strong>ically.<br />

We are opening our showroom ULRIKE HROBSKY, 1160 Vienna, Grundsteingasse 40,<br />

together with the MASC Foundati<strong>on</strong> (1160 Vienna) during the festivals „GRUNDSTEIN“ and<br />

„MUSAO“, which were founded as an opportunity to develop experimental exhibiti<strong>on</strong> c<strong>on</strong>cepts<br />

and thus simultaneously expand the exhibiti<strong>on</strong>s shown at the City-Galerie.<br />

Presence at <str<strong>on</strong>g>Art</str<strong>on</strong>g> Fairs abroad in Austria, Germany, Switzerland, France, and Singapore.<br />

3


ALEXANDRA DEUTSCH<br />

untitled_2022_scooped <strong>paper</strong>, pigments, stain_32,5 x 36 x 10 cm_€ 1.550,-<br />

untitled_2023_scooped <strong>paper</strong>, pigments, stain_95 x 103 x 41 cm_€ 3.900,-<br />

untitled_2023_scooped <strong>paper</strong>, pigments, stain_19 x 35 x 5 cm_€ 1.150,-<br />

untitled_<strong>2024</strong>_scooped <strong>paper</strong>, pigments, stain_34 x 36 x 10 cm_€ 1.550,-<br />

4


untitled_2022_scooped <strong>paper</strong>, pigments, stain_90 x 72 x 55 cm_€ 3.600,-<br />

untitled_2023_scooped <strong>paper</strong>, pigments, stain_38 x 36 x 16 cm_€ 1.600,-<br />

untitled_2021_scooped <strong>paper</strong>, pigments, stain_41 x 41 x 8cm_€ 1.800,-<br />

untitled_2022_scooped <strong>paper</strong>, pigments, stain_70 x 27 x 36 cm_€ 2.150,-<br />

5


PETER DÖRFLINGER<br />

untitled_<strong>2024</strong>_<strong>paper</strong>_50 x 60 x 17 cm_€ 2.800,-<br />

6


ight to left: untitled_<strong>2024</strong>_<strong>paper</strong>_31 x 20 x 12 cm_€ 1.600,-<br />

untitled_<strong>2024</strong>_<strong>paper</strong>_21 x 15 x 4 cm_€ 1.100,-<br />

right to left: untitled_<strong>2024</strong>_<strong>paper</strong>_18 x 11 x 9 cm_€ 1.100,-<br />

untitled_<strong>2024</strong>_<strong>paper</strong>_11 x 8 x 8 cm_€ 750,-<br />

7


RUPERT EDER<br />

fearless light_2021_aquarelle <strong>on</strong> <strong>paper</strong>_67 x 43 cm_€ 1.500,-<br />

fearless light_2021_aquarelle <strong>on</strong> <strong>paper</strong>_67 x 43 cm_€ 1.500,-<br />

fearless light_2021_aquarelle <strong>on</strong> <strong>paper</strong>_70 x 51 cm_€ 1.500,-<br />

8


fearless light_2021_aquarelle <strong>on</strong> <strong>paper</strong>_70 x 51 cm_€ 1.500,-<br />

fearless light_2021_aquarelle <strong>on</strong> <strong>paper</strong>_72 x 45 cm_€ 1.500,-<br />

fearless light_2021_aquarelle <strong>on</strong> <strong>paper</strong>_67 x 43 cm_€ 1.500,-<br />

9


BETTINA PASCHKE<br />

between the lines_2023_ink <strong>on</strong> <strong>paper</strong>_40 x 60 cm_€ 3.300,-<br />

10


untitled_2021_ink <strong>on</strong> <strong>paper</strong>_38 x 40 cm_€ 2.600,-<br />

untitled_2023_ink <strong>on</strong> <strong>paper</strong>_20 x 20 cm_€ 1.300,-<br />

11


ULRICH PLIESCHNIG<br />

night <strong>on</strong> earth_2004_oil <strong>on</strong> <strong>paper</strong>_50 x 65 cm_€ 2.400,-<br />

evil t<strong>on</strong>gue_2018_oil <strong>on</strong> <strong>paper</strong>_50 x 65 cm_€ 2.400,-<br />

unidentified crest_2018_oil <strong>on</strong> <strong>paper</strong>_50 x 65 cm_€ 2.400,-<br />

12


curlpool_2011_oil <strong>on</strong> <strong>paper</strong>_50 x 65 cm_€ 2.400,-<br />

mirror_2010_oil <strong>on</strong> <strong>paper</strong>_50 x 65 cm_€ 2.400,-<br />

resistance_2010_oil <strong>on</strong> <strong>paper</strong>_50 x 65 cm_€ 2.400,-<br />

13


MARIA TEMNITSCHKA<br />

Erdbewegung_2021_graphite drawing <strong>on</strong> glued book_27,5 x 21,5 cm_€ 1.250,-<br />

Die Reise_2021_graphite drawing <strong>on</strong> glued book_29 x 21 cm_€ 1.250,-<br />

Das Kalkwerk_2021_graphite drawing <strong>on</strong> glued book_24,5 x 17,5 cm_€ 1.100,-<br />

Rhein_2019_graphite drawing <strong>on</strong> glued book_24,5 x 17,5 cm_€ 1.100,-<br />

Das Kalkwerk_2021_graphite drawing <strong>on</strong> glued book_27 x 20 cm_€ 1.250,-<br />

Der Hafen_<strong>2024</strong>_graphite drawing <strong>on</strong> glued book_24 x 17 cm_€ 1.100,-<br />

14


© Bildrecht<br />

Die letzte Fahrt_2021_graphite drawing <strong>on</strong> glued book_26 x 21,5 cm_€ 1.250,-<br />

GEBE_2018_graphite drawing <strong>on</strong> glued book_30 x 24 cm_€ 1.350,-<br />

Camargue_2018_graphite drawing <strong>on</strong> glued book_28 x 22 cm_€ 1.250,-<br />

Carnuntum_2018_graphite drawing <strong>on</strong> glued book_24 x 30 cm_€ 1.350,-<br />

In die Nacht hinein_2019_graphite drawing <strong>on</strong> glued book_22 x 30 cm_€ 1.250,-<br />

15


TILMANN ZAHN<br />

Kompositi<strong>on</strong> 3_2023_pencil, graphite, oil <strong>on</strong> torn <strong>paper</strong>_78 x 105 cm_€ 3.900,-<br />

Kompositi<strong>on</strong> 4_2023_pencil, graphite, oil <strong>on</strong> torn <strong>paper</strong>_78 x 105 cm_€ 3.900,-<br />

16


Expansi<strong>on</strong> 3_<strong>2024</strong>_pencil, graphite, oil <strong>on</strong> torn <strong>paper</strong>_120 x 120 cm_€ 6.000,-<br />

17


ARTISTS<br />

Alexandra Deutsch<br />

Born in 1968 in Karlsruhe<br />

1988 – 1995 studied Fine <str<strong>on</strong>g>Art</str<strong>on</strong>g>s<br />

at Johannes Gutenberg University, <strong>Mai</strong>nz.<br />

1992 guest study at École des Beaux <str<strong>on</strong>g>Art</str<strong>on</strong>g>s, Dij<strong>on</strong>, France.<br />

The object forms in Alexandra Deutsch‘s work are diverse: flowing<br />

lines and curved surfaces, superstructures and casings, ribs and lobes.<br />

Some things protrude while others recede. There are bulges of smaller<br />

elements seemingly moving away from larger <strong>on</strong>es, tubes and stingers, tentacles, thorn processes,<br />

and bulges. Blue, red, orange, turquoise, green, yellow, and black shine as signal colors, as<br />

found in the animal kingdom. Clearly, nature with its diverse phenomena is a source of inspirati<strong>on</strong><br />

for the artist. Alexandra Deutsch explores the forms of the organic and the living in her artistic<br />

practice and develops from them a distinct positi<strong>on</strong>. (Stefanie Blumenbecker)<br />

She lives and works in Wiesbaden.<br />

Peter Dörflinger<br />

Born in 1957 in Villach<br />

1974 – 1977 apprenticeship in boat building.<br />

Numerous technical trainings and occupati<strong>on</strong>s paved the way for the<br />

autodidact to venture into sculpture.<br />

In the late 1970s, he worked for the first time as an assistant to Max<br />

Gangl in the Lauster quarry in Krastal.<br />

From 1979 to 1981, he began his first independent works with st<strong>on</strong>e,<br />

followed by the start of his freelance career as a sculptor with works in<br />

st<strong>on</strong>e and wood.<br />

Since 1998, he has also been using <strong>paper</strong> as a material for his sculptures.<br />

The central theme for Peter Dörflinger is the c<strong>on</strong>structi<strong>on</strong> and creati<strong>on</strong> of spaces. Whether these<br />

spaces, as with st<strong>on</strong>e, emerge through excavati<strong>on</strong> and removal, or, as with wood and <strong>paper</strong><br />

works, through the additi<strong>on</strong> of further parts. These sculptures proliferate into the surrounding<br />

space and adapt to it. (Dagmar Chobot) He lives and works in Vienna and Lower Austria.<br />

18


Rupert Eder<br />

Born in 1968 in Bad Aibling, Bavaria.<br />

1991 – 1995 studied Philosophy at the Jesuit University in Munich,<br />

graduating with a Magister <str<strong>on</strong>g>Art</str<strong>on</strong>g>ium degree.<br />

1999 assistant to J<strong>on</strong> Groom.<br />

Encounters with Brice Marden, Sean Scully influence his development<br />

as a freelance artist.<br />

In a time when art is inundated with narrative and illustrative images<br />

and new media, Rupert Eder‘s work aligns with the traditi<strong>on</strong> of abstract<br />

painting of the modern era - an art form that focuses <strong>on</strong> the essential.<br />

He leads the viewer directly into the world of phenomena, into the realm of pure appearances. His<br />

paintings and drawings invite careful observati<strong>on</strong>; a slow gaze reveals the aesthetic beauty and<br />

immediacy of experience. Rupert Eder creates an emoti<strong>on</strong>al quality, bearing witness to a positive<br />

force and an energy that spreads through space, becoming a physical experience for the viewer.<br />

(Nanna Preußners) He lives and works in Dießen am Ammersee.<br />

Bettina Paschke<br />

Born in 1972 in Graz.<br />

Studied architecture in Graz, Venice (Italy), and Oslo (Norway).<br />

2008 – 2014 engaged in independent projects in the fields of art and<br />

culture.<br />

2014 – 2019 project assistance and teaching activities at TU Graz.<br />

Since 2016 Architecture Collecti<strong>on</strong> Styria, Archive of TU Graz.<br />

Freelance artistic work since 1998, exhibiting in Austria and Germany.<br />

2005 – 2008 co-founded the POW platform to support local cultural initiatives<br />

between architecture, design, and visual arts.<br />

Since 2018 Member of the artist group „Interferenzen.“<br />

Bettina Paschke‘s drawings are an extract of her surroundings. Absolute minimizati<strong>on</strong>, rhythmic<br />

structures, ordered systems, which come alive as the line is allowed to stray from the norm. They<br />

appear like organisms, floating through their self-created world. (Andrea Sandner)<br />

She lives and works in Graz.<br />

19


ARTISTS<br />

Ulrich Plieschnig<br />

Born in 1959 in Klagenfurt, raised in Gurk.<br />

1979 – 1980 studied painting<br />

at Accademia di Belle <str<strong>on</strong>g>Art</str<strong>on</strong>g>i, Perugia (Italy), under Bruno Orfei.<br />

1980 – 1985 attended the Academy of Fine <str<strong>on</strong>g>Art</str<strong>on</strong>g>s, Vienna, studying painting<br />

under Walter Eckert and Markus Prachensky.<br />

1989 – 1991 stay in New York.<br />

1992 – 1994 scholarship in Paris.<br />

Member of Künstlerhaus Wien, Künstlerhaus Klagenfurt, Verein Kunstwerk Krastal/Kärnten.<br />

From 1994 to 2003, engaged in extended periods of work and performances in Great Britain, Italy,<br />

France, Australia, New Zealand, USA, Ind<strong>on</strong>esia, Brazil, Japan, Portugal, and South India.<br />

Ulrich Plieschnig, after initially painting figuratively, developed a highly distinctive, reductive visual<br />

language, whose formal and color structure is limited to the typical „Plieschnig colors“: indigo,<br />

ochre, blue, gray, white, and black. These are poured as diluted oil paints <strong>on</strong>to canvas/<strong>paper</strong>. The<br />

duality of horiz<strong>on</strong>tal and vertical orientati<strong>on</strong> determines the compositi<strong>on</strong>. To maintain c<strong>on</strong>sistency<br />

as a principle, Plieschnig also pours the background rather than applying it with a brush.<br />

(Silvie Aigner) He lives and works in Vienna.<br />

Maria Temnitschka<br />

Born in 1961 in Lower Austria.<br />

1980 – 1984 studied metal design at the University of Applied <str<strong>on</strong>g>Art</str<strong>on</strong>g>s.<br />

1981 study visit at the University of Applied Sciences for <str<strong>on</strong>g>Art</str<strong>on</strong>g> and Design<br />

in Cologne.<br />

2002 – 2006 studied at the University of Applied <str<strong>on</strong>g>Art</str<strong>on</strong>g>s under Prof. Frohner<br />

and Prof. Müller, chair of painting, graduating with distincti<strong>on</strong>.<br />

Since 2009 lecturer at the University of Applied <str<strong>on</strong>g>Art</str<strong>on</strong>g>s<br />

(University Assistant).<br />

„The task of an artist is to change the value of things.“ - Yoko Ono<br />

In her drawings, the artist - as in her painting - sheds new light <strong>on</strong> architecture, discarded objects,<br />

and items. The viewer becomes physically lost in them, possibly even mentally. One can almost<br />

see the artist sitting <strong>on</strong> the chair she has drawn, mentally absent, somewhere else entirely. With<br />

this, she gives the drawn objects a new dimensi<strong>on</strong> and meaning. (Hartwig Knack)<br />

She lives and works in Vienna<br />

20


Tilmann Zahn<br />

Born in 1966 in Osnabrück, raised in Düsseldorf.<br />

He engaged intensively with painting, later adding photography to his<br />

repertoire. He was str<strong>on</strong>gly influenced by the active art scene in Düsseldorf<br />

during the 1970s and 1980s, particularly by Joseph Beuys and<br />

Günther Ueker. He began experimenting with various materials at an<br />

early age, eventually leading him to work with <strong>paper</strong> through assemblages.<br />

Tilmann Zahn‘s paintings are visi<strong>on</strong>s of decline and new creati<strong>on</strong>. They<br />

address disappearance and decay as processes of transformati<strong>on</strong> of the living, which know no<br />

end and c<strong>on</strong>stantly produce new things. His works occupy a middle ground between painting and<br />

object, oscillating between fragility and seemingly metallic, c<strong>on</strong>structive architecture. He lives and<br />

works in Basel.<br />

21


IMPRINT<br />

Publisher: Galerie Hrobsky<br />

Photos: © artists<br />

Cover: A. Deutsch_untitled_2022_scooped <strong>paper</strong>, pigments, stain_90 x 72 x 55 cm_€ 3.600,-<br />

Print: druck.at<br />

Graphic Design: Marie-Theres Kölblinger<br />

Editi<strong>on</strong>: 200<br />

All prices quoted are inclusive of<br />

the applicable statutory value added tax.<br />

Misprints, errors and changes excepted.<br />

Grünangergasse 6, 1010 Wien | Tel +43 (0) 1 513 76 76<br />

+43 (0) 676 518 32 01 | www.hrobsky.at | e-mail: galerie@hrobsky.at<br />

Öffnungszeiten: Mi – Fr. 12.00 – 18.00 Uhr, Sa 11.00 – 15.00 Uhr<br />

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